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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB93AA it is the complementary color #146C55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB93AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB93AA shade: #F093A5, #FFA5B8, #FFB7CB, #FFC9DE and #FFDBF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB93AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB93AA shade: #EB93AA, #DA8197, #C96F84, #B85D71 and #A74B5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB93AA shade: #EB93AA and #EB9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB93AA shade: #EB93AA, #EB93C1, #EB93D9, #E593EB and #CD93EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB93AA shade matches the following richer shades: #EB93AA and #F588A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB93AA shade: #EB93AA, #E09DAF, #D6A7B4, #CCB2B9 and #C1BCBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB93AA shade: #EB93D9, #EB93C2, #EB93AA, #EB9393 and #EBAA93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB93AA shade: #DE4D73, #E4708E, #EB93AA, #F1B6C5 and #F8D8E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB93AA shade: #EB93AA, #EBE593 and #93CDEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB93AA shade: #EB93AA, #AAEB93 and #93AAEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB93AA shade: #EB93AA, #EBE593, #93EBD3 and #9399EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB93AA shade: #EB93AA, #D6EB93, #93EBD3 and #A793EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 28 / 8

HEX #EB93AA

RGB 235 147 170

HSL 344.32, 0.69%, 0.75%

LAB 70.48, 36.06, 2.04

 

Complementary color

CMYK 81 / 0 / 21 / 58

HEX #146C55

RGB 20 108 85

HSL 164.32, 0.69%, 0.25%

LAB 40.46, -30.91, 5.82

 

CMYK 0 / 39 / 31 / 6

HEX #F093A5

RGB 240 147 165

HSL 348.39, 0.76%, 0.76%

LAB 70.95, 37.19, 5.57

 

CMYK 0 / 35 / 28 / 0

HEX #FFA5B8

RGB 255 165 184

HSL 347.33, 1%, 0.82%

LAB 77.06, 35.63, 4.14

 

CMYK 0 / 28 / 20 / 0

HEX #FFB7CB

RGB 255 183 203

HSL 343.33, 1%, 0.86%

LAB 81.53, 28.87, 0.33

 

CMYK 0 / 21 / 13 / 0

HEX #FFC9DE

RGB 255 201 222

HSL 336.67, 1%, 0.89%

LAB 86.16, 22.33, -3.06

 

CMYK 0 / 14 / 5 / 0

HEX #FFDBF1

RGB 255 219 241

HSL 323.33, 1%, 0.93%

LAB 90.9, 16.06, -6.11

 

CMYK 0 / 37 / 28 / 8

HEX #EB93AA

RGB 235 147 170

HSL 344.32, 0.69%, 0.75%

LAB 70.48, 36.06, 2.04

 

CMYK 0 / 41 / 31 / 15

HEX #DA8197

RGB 218 129 151

HSL 345.17, 0.55%, 0.68%

LAB 64.03, 36.93, 3.12

 

CMYK 0 / 45 / 34 / 21

HEX #C96F84

RGB 201 111 132

HSL 346, 0.45%, 0.61%

LAB 57.51, 37.85, 4.35

 

CMYK 0 / 49 / 39 / 28

HEX #B85D71

RGB 184 93 113

HSL 346.81, 0.39%, 0.54%

LAB 50.93, 38.8, 5.79

 

CMYK 0 / 55 / 44 / 35

HEX #A74B5E

RGB 167 75 94

HSL 347.61, 0.38%, 0.47%

LAB 44.31, 39.75, 7.51

 

CMYK 0 / 37 / 28 / 8

HEX #EB93AA

RGB 235 147 170

HSL 344.32, 0.69%, 0.75%

LAB 70.48, 36.06, 2.04

 

CMYK 0 / 37 / 37 / 8

HEX #EB9393

RGB 235 147 147

HSL 0, 0.69%, 0.75%

LAB 69.92, 33.18, 14.05

 

CMYK 0 / 37 / 28 / 8

HEX #EB93AA

RGB 235 147 170

HSL 344.32, 0.69%, 0.75%

LAB 70.48, 36.06, 2.04

 

CMYK 0 / 37 / 18 / 8

HEX #EB93C1

RGB 235 147 193

HSL 328.64, 0.69%, 0.75%

LAB 71.13, 39.36, -9.79

 

CMYK 0 / 37 / 8 / 8

HEX #EB93D9

RGB 235 147 217

HSL 312.27, 0.69%, 0.75%

LAB 71.92, 43.22, -21.87

 

CMYK 3 / 37 / 0 / 8

HEX #E593EB

RGB 229 147 235

HSL 295.91, 0.69%, 0.75%

LAB 71.91, 44.55, -31.83

 

CMYK 13 / 37 / 0 / 8

HEX #CD93EB

RGB 205 147 235

HSL 279.55, 0.69%, 0.75%

LAB 69.36, 37.33, -35.98

 

CMYK 0 / 37 / 28 / 8

HEX #EB93AA

RGB 235 147 170

HSL 344.32, 0.69%, 0.75%

LAB 70.48, 36.06, 2.04

 

CMYK 0 / 44 / 33 / 4

HEX #F588A5

RGB 245 136 165

HSL 344.04, 0.84%, 0.75%

LAB 69.28, 44.6, 3.25

 

CMYK 0 / 37 / 28 / 8

HEX #EB93AA

RGB 235 147 170

HSL 344.32, 0.69%, 0.75%

LAB 70.48, 36.06, 2.04

 

CMYK 0 / 30 / 22 / 12

HEX #E09DAF

RGB 224 157 175

HSL 343.88, 0.52%, 0.75%

LAB 71.59, 27.51, 0.73

 

CMYK 0 / 22 / 16 / 16

HEX #D6A7B4

RGB 214 167 180

HSL 343.4, 0.36%, 0.75%

LAB 73.04, 19.25, -0.04

 

CMYK 0 / 13 / 9 / 20

HEX #CCB2B9

RGB 204 178 185

HSL 343.85, 0.2%, 0.75%

LAB 74.94, 10.51, -0.12

 

CMYK 0 / 3 / 2 / 24

HEX #C1BCBD

RGB 193 188 189

HSL 348, 0.04%, 0.75%

LAB 76.67, 1.94, 0.11

 

CMYK 0 / 37 / 8 / 8

HEX #EB93D9

RGB 235 147 217

HSL 312.27, 0.69%, 0.75%

LAB 71.92, 43.22, -21.87

 

CMYK 0 / 37 / 17 / 8

HEX #EB93C2

RGB 235 147 194

HSL 327.95, 0.69%, 0.75%

LAB 71.16, 39.52, -10.3

 

CMYK 0 / 37 / 28 / 8

HEX #EB93AA

RGB 235 147 170

HSL 344.32, 0.69%, 0.75%

LAB 70.48, 36.06, 2.04

 

CMYK 0 / 37 / 37 / 8

HEX #EB9393

RGB 235 147 147

HSL 0, 0.69%, 0.75%

LAB 69.92, 33.18, 14.05

 

CMYK 0 / 28 / 37 / 8

HEX #EBAA93

RGB 235 170 147

HSL 15.68, 0.69%, 0.75%

LAB 75.15, 20.97, 21.3

 

CMYK 0 / 65 / 48 / 13

HEX #DE4D73

RGB 222 77 115

HSL 344.28, 0.69%, 0.59%

LAB 54.11, 59.15, 9.92

 

CMYK 0 / 51 / 38 / 11

HEX #E4708E

RGB 228 112 142

HSL 344.48, 0.68%, 0.67%

LAB 61.68, 48.01, 5.05

 

CMYK 0 / 37 / 28 / 8

HEX #EB93AA

RGB 235 147 170

HSL 344.32, 0.69%, 0.75%

LAB 70.48, 36.06, 2.04

 

CMYK 0 / 24 / 18 / 5

HEX #F1B6C5

RGB 241 182 197

HSL 344.75, 0.68%, 0.83%

LAB 79.72, 23.55, 0.75

 

CMYK 0 / 13 / 9 / 3

HEX #F8D8E1

RGB 248 216 225

HSL 343.13, 0.7%, 0.91%

LAB 89.16, 12.54, -0.33

 

CMYK 0 / 37 / 28 / 8

HEX #EB93AA

RGB 235 147 170

HSL 344.32, 0.69%, 0.75%

LAB 70.48, 36.06, 2.04

 

CMYK 0 / 3 / 37 / 8

HEX #EBE593

RGB 235 229 147

HSL 55.91, 0.69%, 0.75%

LAB 89.77, -9.71, 40.72

 

CMYK 37 / 13 / 0 / 8

HEX #93CDEB

RGB 147 205 235

HSL 200.45, 0.69%, 0.75%

LAB 79.54, -11.26, -20.73

 

CMYK 0 / 37 / 28 / 8

HEX #EB93AA

RGB 235 147 170

HSL 344.32, 0.69%, 0.75%

LAB 70.48, 36.06, 2.04

 

CMYK 28 / 0 / 37 / 8

HEX #AAEB93

RGB 170 235 147

HSL 104.32, 0.69%, 0.75%

LAB 87.03, -36.34, 36.32

 

CMYK 37 / 28 / 0 / 8

HEX #93AAEB

RGB 147 170 235

HSL 224.32, 0.69%, 0.75%

LAB 70.14, 7.73, -35.14

 

CMYK 0 / 37 / 28 / 8

HEX #EB93AA

RGB 235 147 170

HSL 344.32, 0.69%, 0.75%

LAB 70.48, 36.06, 2.04

 

CMYK 0 / 3 / 37 / 8

HEX #EBE593

RGB 235 229 147

HSL 55.91, 0.69%, 0.75%

LAB 89.77, -9.71, 40.72

 

CMYK 37 / 0 / 10 / 8

HEX #93EBD3

RGB 147 235 211

HSL 163.64, 0.69%, 0.75%

LAB 87.15, -31.8, 3.3

 

CMYK 37 / 35 / 0 / 8

HEX #9399EB

RGB 147 153 235

HSL 235.91, 0.69%, 0.75%

LAB 65.74, 17.38, -42.01

 

CMYK 0 / 37 / 28 / 8

HEX #EB93AA

RGB 235 147 170

HSL 344.32, 0.69%, 0.75%

LAB 70.48, 36.06, 2.04

 

CMYK 9 / 0 / 37 / 8

HEX #D6EB93

RGB 214 235 147

HSL 74.32, 0.69%, 0.75%

LAB 89.78, -20.66, 40.42

 

CMYK 37 / 0 / 10 / 8

HEX #93EBD3

RGB 147 235 211

HSL 163.64, 0.69%, 0.75%

LAB 87.15, -31.8, 3.3

 

CMYK 29 / 37 / 0 / 8

HEX #A793EB

RGB 167 147 235

HSL 253.64, 0.69%, 0.75%

LAB 65.81, 26.27, -41.78

 

Description

Color code: HEX #EB93AA | qconv.com Color code: HEX #EB93AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 147 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 147 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 28 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 28% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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