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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBA623 it is the complementary color #1459DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBA623. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBA623 shade: #F0A61E, #FFB831, #FFCA44, #FFDC57 and #FFEE6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBA623. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBA623 shade: #EBA623, #DA9410, #C98200, #B87000 and #A75E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBA623 shade: #EAA523, #EA7023, #EA3A23 and #EA2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBA623 shade: #EAA523, #EADB23, #C3EA23, #8EEA23 and #58EA23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBA623 shade matches the following richer shades: #EAA523 and #FEAB10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBA623 shade: #EAA523, #D79F37, #C3994A, #B0935D and #9D8D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBA623 shade: #EA3A23, #EA6F23, #EAA423, #EADA23 and #C6EA23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBA623 shade: #AB760F, #D18F13, #EAA523, #EEB549 and #F1C46F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBA623 shade: #EBA623, #41EA23 and #5523EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBA623 shade: #EBA623, #23EAA4 and #A423EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBA623 shade: #EBA623, #41EA23, #2369EA and #CC23EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBA623 shade: #EBA623, #23EA41, #2369EA and #EA23CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 85 / 8

HEX #EBA623

RGB 235 166 35

HSL 39.3, 0.83%, 0.53%

LAB 72.93, 15.41, 70.45

 

Complementary color

CMYK 91 / 60 / 0 / 14

HEX #1459DC

RGB 20 89 220

HSL 219.3, 0.83%, 0.47%

LAB 41.94, 30.75, -72.08

 

CMYK 0 / 31 / 88 / 6

HEX #F0A61E

RGB 240 166 30

HSL 38.86, 0.88%, 0.53%

LAB 73.48, 17.44, 72.42

 

CMYK 0 / 28 / 81 / 0

HEX #FFB831

RGB 255 184 49

HSL 39.32, 1%, 0.6%

LAB 79.48, 14.82, 72.72

 

CMYK 0 / 21 / 73 / 0

HEX #FFCA44

RGB 255 202 68

HSL 42.99, 1%, 0.63%

LAB 83.92, 6.18, 70.23

 

CMYK 0 / 14 / 66 / 0

HEX #FFDC57

RGB 255 220 87

HSL 47.5, 1%, 0.67%

LAB 88.51, -2.08, 67.42

 

CMYK 0 / 7 / 58 / 0

HEX #FFEE6A

RGB 255 238 106

HSL 53.15, 1%, 0.71%

LAB 93.21, -9.9, 64.5

 

CMYK 0 / 29 / 85 / 8

HEX #EBA623

RGB 235 166 35

HSL 39.3, 0.83%, 0.53%

LAB 72.93, 15.41, 70.45

 

CMYK 0 / 32 / 93 / 15

HEX #DA9410

RGB 218 148 16

HSL 39.21, 0.86%, 0.46%

LAB 66.61, 17.34, 69.07

 

CMYK 0 / 35 / 100 / 21

HEX #C98200

RGB 201 130 0

HSL 38.81, 1%, 0.39%

LAB 60.23, 19.5, 66.15

 

CMYK 0 / 39 / 100 / 28

HEX #B87000

RGB 184 112 0

HSL 36.52, 1%, 0.36%

LAB 53.79, 21.91, 60.9

 

CMYK 0 / 44 / 100 / 35

HEX #A75E00

RGB 167 94 0

HSL 33.77, 1%, 0.33%

LAB 47.26, 24.41, 55.61

 

CMYK 0 / 29 / 85 / 8

HEX #EAA523

RGB 234 165 35

HSL 39.2, 0.83%, 0.53%

LAB 72.58, 15.51, 70.12

 

CMYK 0 / 52 / 85 / 8

HEX #EA7023

RGB 234 112 35

HSL 23.22, 0.83%, 0.53%

LAB 60.96, 43.06, 60.52

 

CMYK 0 / 75 / 85 / 8

HEX #EA3A23

RGB 234 58 35

HSL 6.93, 0.83%, 0.53%

LAB 52.55, 65.43, 53.47

 

CMYK 0 / 85 / 85 / 8

HEX #EA2323

RGB 234 35 35

HSL 0, 0.83%, 0.53%

LAB 50.47, 71.31, 51.71

 

CMYK 0 / 29 / 85 / 8

HEX #EAA523

RGB 234 165 35

HSL 39.2, 0.83%, 0.53%

LAB 72.58, 15.51, 70.12

 

CMYK 0 / 6 / 85 / 8

HEX #EADB23

RGB 234 219 35

HSL 55.48, 0.83%, 0.53%

LAB 86.14, -12.4, 81.22

 

CMYK 17 / 0 / 85 / 8

HEX #C3EA23

RGB 195 234 35

HSL 71.76, 0.83%, 0.53%

LAB 87.28, -35.61, 80.97

 

CMYK 39 / 0 / 85 / 8

HEX #8EEA23

RGB 142 234 35

HSL 87.74, 0.83%, 0.53%

LAB 84.34, -55.06, 77.3

 

CMYK 62 / 0 / 85 / 8

HEX #58EA23

RGB 88 234 35

HSL 104.02, 0.83%, 0.53%

LAB 82.4, -70.08, 74.86

 

CMYK 0 / 29 / 85 / 8

HEX #EAA523

RGB 234 165 35

HSL 39.2, 0.83%, 0.53%

LAB 72.58, 15.51, 70.12

 

CMYK 0 / 33 / 94 / 0

HEX #FEAB10

RGB 254 171 16

HSL 39.08, 0.99%, 0.53%

LAB 76.21, 20.52, 77.89

 

CMYK 0 / 29 / 85 / 8

HEX #EAA523

RGB 234 165 35

HSL 39.2, 0.83%, 0.53%

LAB 72.58, 15.51, 70.12

 

CMYK 0 / 26 / 74 / 16

HEX #D79F37

RGB 215 159 55

HSL 39, 0.67%, 0.53%

LAB 69.13, 11.21, 59.4

 

CMYK 0 / 22 / 62 / 24

HEX #C3994A

RGB 195 153 74

HSL 39.17, 0.5%, 0.53%

LAB 65.65, 6.88, 46.63

 

CMYK 0 / 16 / 47 / 31

HEX #B0935D

RGB 176 147 93

HSL 39.04, 0.34%, 0.53%

LAB 62.41, 3.63, 32.55

 

CMYK 0 / 10 / 28 / 38

HEX #9D8D71

RGB 157 141 113

HSL 38.18, 0.18%, 0.53%

LAB 59.35, 1.48, 17.14

 

CMYK 0 / 75 / 85 / 8

HEX #EA3A23

RGB 234 58 35

HSL 6.93, 0.83%, 0.53%

LAB 52.55, 65.43, 53.47

 

CMYK 0 / 53 / 85 / 8

HEX #EA6F23

RGB 234 111 35

HSL 22.91, 0.83%, 0.53%

LAB 60.77, 43.55, 60.35

 

CMYK 0 / 30 / 85 / 8

HEX #EAA423

RGB 234 164 35

HSL 38.89, 0.83%, 0.53%

LAB 72.34, 16.04, 69.92

 

CMYK 0 / 7 / 85 / 8

HEX #EADA23

RGB 234 218 35

HSL 55.18, 0.83%, 0.53%

LAB 85.88, -11.9, 81.01

 

CMYK 15 / 0 / 85 / 8

HEX #C6EA23

RGB 198 234 35

HSL 70.85, 0.83%, 0.53%

LAB 87.47, -34.42, 81.21

 

CMYK 0 / 31 / 91 / 33

HEX #AB760F

RGB 171 118 15

HSL 39.62, 0.84%, 0.36%

LAB 53.65, 12.96, 57.11

 

CMYK 0 / 32 / 91 / 18

HEX #D18F13

RGB 209 143 19

HSL 39.16, 0.83%, 0.45%

LAB 64.36, 16.17, 66.35

 

CMYK 0 / 29 / 85 / 8

HEX #EAA523

RGB 234 165 35

HSL 39.2, 0.83%, 0.53%

LAB 72.58, 15.51, 70.12

 

CMYK 0 / 24 / 69 / 7

HEX #EEB549

RGB 238 181 73

HSL 39.27, 0.83%, 0.61%

LAB 77.1, 10.2, 60.82

 

CMYK 0 / 19 / 54 / 5

HEX #F1C46F

RGB 241 196 111

HSL 39.23, 0.82%, 0.69%

LAB 81.47, 6.11, 48.28

 

CMYK 0 / 29 / 85 / 8

HEX #EBA623

RGB 235 166 35

HSL 39.3, 0.83%, 0.53%

LAB 72.93, 15.41, 70.45

 

CMYK 72 / 0 / 85 / 8

HEX #41EA23

RGB 65 234 35

HSL 110.95, 0.83%, 0.53%

LAB 81.89, -74.43, 74.21

 

CMYK 64 / 85 / 0 / 8

HEX #5523EA

RGB 85 35 234

HSL 255.08, 0.83%, 0.53%

LAB 36.13, 68.69, -89.52

 

CMYK 0 / 29 / 85 / 8

HEX #EBA623

RGB 235 166 35

HSL 39.3, 0.83%, 0.53%

LAB 72.93, 15.41, 70.45

 

CMYK 85 / 0 / 30 / 8

HEX #23EAA4

RGB 35 234 164

HSL 158.89, 0.83%, 0.53%

LAB 82.85, -61.6, 21.32

 

CMYK 30 / 85 / 0 / 8

HEX #A423EA

RGB 164 35 234

HSL 278.89, 0.83%, 0.53%

LAB 45.68, 77.42, -73.46

 

CMYK 0 / 29 / 85 / 8

HEX #EBA623

RGB 235 166 35

HSL 39.3, 0.83%, 0.53%

LAB 72.93, 15.41, 70.45

 

CMYK 72 / 0 / 85 / 8

HEX #41EA23

RGB 65 234 35

HSL 110.95, 0.83%, 0.53%

LAB 81.89, -74.43, 74.21

 

CMYK 85 / 55 / 0 / 8

HEX #2369EA

RGB 35 105 234

HSL 218.89, 0.83%, 0.53%

LAB 47.5, 26.63, -70.94

 

CMYK 13 / 85 / 0 / 8

HEX #CC23EA

RGB 204 35 234

HSL 290.95, 0.83%, 0.53%

LAB 51.81, 83.49, -63.23

 

CMYK 0 / 29 / 85 / 8

HEX #EBA623

RGB 235 166 35

HSL 39.3, 0.83%, 0.53%

LAB 72.93, 15.41, 70.45

 

CMYK 85 / 0 / 72 / 8

HEX #23EA41

RGB 35 234 65

HSL 129.05, 0.83%, 0.53%

LAB 81.61, -76.31, 65.31

 

CMYK 85 / 55 / 0 / 8

HEX #2369EA

RGB 35 105 234

HSL 218.89, 0.83%, 0.53%

LAB 47.5, 26.63, -70.94

 

CMYK 0 / 85 / 13 / 8

HEX #EA23CC

RGB 234 35 204

HSL 309.05, 0.83%, 0.53%

LAB 55.13, 84.35, -40.59

 

Description

Color code: HEX #EBA623 | qconv.com Color code: HEX #EBA623 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 166 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 166 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 85 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 85% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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