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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBA984 it is the complementary color #14567B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBA984. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBA984 shade: #F0A97F, #FFBB92, #FFCDA5, #FFDFB8 and #FFF1CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBA984. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBA984 shade: #EBA984, #DA9771, #C9855E, #B8734B and #A76138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBA984 shade: #EBA984, #EB8D84 and #EB8484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBA984 shade: #EBA984, #EBC484, #EBE084, #D9EB84 and #BDEB84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBA984 shade matches the following richer shades: #EBA984 and #F6A578

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBA984 shade: #EBA984, #DFAC8F, #D3AF9B, #C8B2A6 and #BCB6B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBA984 shade: #EB8497, #EB8C84, #EBA884, #EBC384 and #EBDF84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBA984 shade: #DF773D, #E59060, #EBA984, #F0C1A7 and #F6DACB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBA984 shade: #EBA984, #B2EB84 and #8489EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBA984 shade: #EBA984, #84EBA8 and #A884EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBA984 shade: #EBA984, #B2EB84, #84C7EB and #BC84EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBA984 shade: #EBA984, #93EB84, #84C7EB and #DB84EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 44 / 8

HEX #EBA984

RGB 235 169 132

HSL 21.55, 0.72%, 0.72%

LAB 74.64, 19.86, 28.69

 

Complementary color

CMYK 84 / 30 / 0 / 52

HEX #14567B

RGB 20 86 123

HSL 201.55, 0.72%, 0.28%

LAB 34.47, -6.05, -26.58

 

CMYK 0 / 30 / 47 / 6

HEX #F0A97F

RGB 240 169 127

HSL 22.3, 0.79%, 0.72%

LAB 75.1, 21.34, 32.06

 

CMYK 0 / 27 / 43 / 0

HEX #FFBB92

RGB 255 187 146

HSL 22.57, 1%, 0.79%

LAB 81.22, 19.63, 30.4

 

CMYK 0 / 20 / 35 / 0

HEX #FFCDA5

RGB 255 205 165

HSL 26.67, 1%, 0.82%

LAB 85.83, 12.33, 26.62

 

CMYK 0 / 13 / 28 / 0

HEX #FFDFB8

RGB 255 223 184

HSL 32.96, 1%, 0.86%

LAB 90.55, 5.39, 23.19

 

CMYK 0 / 5 / 20 / 0

HEX #FFF1CB

RGB 255 241 203

HSL 43.85, 1%, 0.9%

LAB 95.36, -1.19, 20.07

 

CMYK 0 / 28 / 44 / 8

HEX #EBA984

RGB 235 169 132

HSL 21.55, 0.72%, 0.72%

LAB 74.64, 19.86, 28.69

 

CMYK 0 / 31 / 48 / 15

HEX #DA9771

RGB 218 151 113

HSL 21.71, 0.59%, 0.65%

LAB 68.19, 20.83, 30.09

 

CMYK 0 / 34 / 53 / 21

HEX #C9855E

RGB 201 133 94

HSL 21.87, 0.5%, 0.58%

LAB 61.65, 21.93, 31.61

 

CMYK 0 / 38 / 59 / 28

HEX #B8734B

RGB 184 115 75

HSL 22.02, 0.43%, 0.51%

LAB 55.03, 23.2, 33.28

 

CMYK 0 / 42 / 66 / 35

HEX #A76138

RGB 167 97 56

HSL 22.16, 0.5%, 0.44%

LAB 48.32, 24.65, 35.09

 

CMYK 0 / 28 / 44 / 8

HEX #EBA984

RGB 235 169 132

HSL 21.55, 0.72%, 0.72%

LAB 74.64, 19.86, 28.69

 

CMYK 0 / 40 / 44 / 8

HEX #EB8D84

RGB 235 141 132

HSL 5.24, 0.72%, 0.72%

LAB 68.3, 34.68, 20.14

 

CMYK 0 / 44 / 44 / 8

HEX #EB8484

RGB 235 132 132

HSL 0, 0.72%, 0.72%

LAB 66.39, 39.35, 17.52

 

CMYK 0 / 28 / 44 / 8

HEX #EBA984

RGB 235 169 132

HSL 21.55, 0.72%, 0.72%

LAB 74.64, 19.86, 28.69

 

CMYK 0 / 17 / 44 / 8

HEX #EBC484

RGB 235 196 132

HSL 37.28, 0.72%, 0.72%

LAB 81.19, 5.6, 37.25

 

CMYK 0 / 5 / 44 / 8

HEX #EBE084

RGB 235 224 132

HSL 53.59, 0.72%, 0.72%

LAB 88.28, -8.76, 46.23

 

CMYK 8 / 0 / 44 / 8

HEX #D9EB84

RGB 217 235 132

HSL 70.49, 0.72%, 0.72%

LAB 89.78, -21.19, 47.81

 

CMYK 20 / 0 / 44 / 8

HEX #BDEB84

RGB 189 235 132

HSL 86.8, 0.72%, 0.72%

LAB 87.92, -31.63, 45.08

 

CMYK 0 / 28 / 44 / 8

HEX #EBA984

RGB 235 169 132

HSL 21.55, 0.72%, 0.72%

LAB 74.64, 19.86, 28.69

 

CMYK 0 / 33 / 51 / 4

HEX #F6A578

RGB 246 165 120

HSL 21.43, 0.88%, 0.72%

LAB 74.74, 25.18, 35.43

 

CMYK 0 / 28 / 44 / 8

HEX #EBA984

RGB 235 169 132

HSL 21.55, 0.72%, 0.72%

LAB 74.64, 19.86, 28.69

 

CMYK 0 / 23 / 36 / 13

HEX #DFAC8F

RGB 223 172 143

HSL 21.75, 0.56%, 0.72%

LAB 74.3, 14.77, 22.1

 

CMYK 0 / 17 / 27 / 17

HEX #D3AF9B

RGB 211 175 155

HSL 21.43, 0.39%, 0.72%

LAB 74.11, 10.07, 15.14

 

CMYK 0 / 11 / 17 / 22

HEX #C8B2A6

RGB 200 178 166

HSL 21.18, 0.24%, 0.72%

LAB 74.11, 5.93, 9.01

 

CMYK 0 / 3 / 5 / 26

HEX #BCB6B2

RGB 188 182 178

HSL 24, 0.07%, 0.72%

LAB 74.42, 1.4, 2.78

 

CMYK 0 / 44 / 36 / 8

HEX #EB8497

RGB 235 132 151

HSL 348.93, 0.72%, 0.72%

LAB 66.82, 41.44, 7.42

 

CMYK 0 / 40 / 44 / 8

HEX #EB8C84

RGB 235 140 132

HSL 4.66, 0.72%, 0.72%

LAB 68.08, 35.2, 19.85

 

CMYK 0 / 29 / 44 / 8

HEX #EBA884

RGB 235 168 132

HSL 20.97, 0.72%, 0.72%

LAB 74.4, 20.39, 28.38

 

CMYK 0 / 17 / 44 / 8

HEX #EBC384

RGB 235 195 132

HSL 36.7, 0.72%, 0.72%

LAB 80.94, 6.12, 36.93

 

CMYK 0 / 5 / 44 / 8

HEX #EBDF84

RGB 235 223 132

HSL 53.01, 0.72%, 0.72%

LAB 88.02, -8.26, 45.91

 

CMYK 0 / 47 / 73 / 13

HEX #DF773D

RGB 223 119 61

HSL 21.48, 0.72%, 0.56%

LAB 60.97, 36.14, 48.74

 

CMYK 0 / 37 / 58 / 10

HEX #E59060

RGB 229 144 96

HSL 21.65, 0.72%, 0.64%

LAB 67.61, 27.55, 38.72

 

CMYK 0 / 28 / 44 / 8

HEX #EBA984

RGB 235 169 132

HSL 21.55, 0.72%, 0.72%

LAB 74.64, 19.86, 28.69

 

CMYK 0 / 20 / 30 / 6

HEX #F0C1A7

RGB 240 193 167

HSL 21.37, 0.71%, 0.8%

LAB 81.54, 13.15, 19.46

 

CMYK 0 / 11 / 17 / 4

HEX #F6DACB

RGB 246 218 203

HSL 20.93, 0.7%, 0.88%

LAB 88.94, 7.33, 10.91

 

CMYK 0 / 28 / 44 / 8

HEX #EBA984

RGB 235 169 132

HSL 21.55, 0.72%, 0.72%

LAB 74.64, 19.86, 28.69

 

CMYK 24 / 0 / 44 / 8

HEX #B2EB84

RGB 178 235 132

HSL 93.2, 0.72%, 0.72%

LAB 87.26, -35.56, 44.12

 

CMYK 44 / 42 / 0 / 8

HEX #8489EB

RGB 132 137 235

HSL 237.09, 0.72%, 0.72%

LAB 60.6, 22.86, -50.18

 

CMYK 0 / 28 / 44 / 8

HEX #EBA984

RGB 235 169 132

HSL 21.55, 0.72%, 0.72%

LAB 74.64, 19.86, 28.69

 

CMYK 44 / 0 / 29 / 8

HEX #84EBA8

RGB 132 235 168

HSL 140.97, 0.72%, 0.72%

LAB 85.58, -44.45, 23.38

 

CMYK 29 / 44 / 0 / 8

HEX #A884EB

RGB 168 132 235

HSL 260.97, 0.72%, 0.72%

LAB 62.36, 35.04, -47.21

 

CMYK 0 / 28 / 44 / 8

HEX #EBA984

RGB 235 169 132

HSL 21.55, 0.72%, 0.72%

LAB 74.64, 19.86, 28.69

 

CMYK 24 / 0 / 44 / 8

HEX #B2EB84

RGB 178 235 132

HSL 93.2, 0.72%, 0.72%

LAB 87.26, -35.56, 44.12

 

CMYK 44 / 15 / 0 / 8

HEX #84C7EB

RGB 132 199 235

HSL 200.97, 0.72%, 0.72%

LAB 77.13, -11.92, -24.46

 

CMYK 20 / 44 / 0 / 8

HEX #BC84EB

RGB 188 132 235

HSL 272.62, 0.72%, 0.72%

LAB 64.32, 40.56, -43.99

 

CMYK 0 / 28 / 44 / 8

HEX #EBA984

RGB 235 169 132

HSL 21.55, 0.72%, 0.72%

LAB 74.64, 19.86, 28.69

 

CMYK 37 / 0 / 44 / 8

HEX #93EB84

RGB 147 235 132

HSL 111.26, 0.72%, 0.72%

LAB 85.65, -45.84, 41.73

 

CMYK 44 / 15 / 0 / 8

HEX #84C7EB

RGB 132 199 235

HSL 200.97, 0.72%, 0.72%

LAB 77.13, -11.92, -24.46

 

CMYK 7 / 44 / 0 / 8

HEX #DB84EB

RGB 219 132 235

HSL 290.68, 0.72%, 0.72%

LAB 67.7, 49.38, -38.46

 

Description

Color code: HEX #EBA984 | qconv.com Color code: HEX #EBA984 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 169 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 169 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 44 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 44% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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