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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBA9EF it is the complementary color #145610. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBA9EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBA9EF shade: #F0A9EA, #FFBBFD, #FFCDFF, #FFDFFF and #FFF1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBA9EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBA9EF shade: #EBA9EF, #DA97DC, #C985C9, #B873B6 and #A761A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBA9EF shade: #EBA8EF, #EFA8E0, #EFA8CD, #EFA8BA and #EFA8A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBA9EF shade: #EBA8EF, #D8A8EF, #C5A8EF, #B2A8EF and #A8A8EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBA9EF shade matches the following richer shades: #EBA8EF and #F2A0F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBA9EF shade: #EBA8EF, #E3B1E6, #DCB9DE, #D5C1D6 and #CDC9CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBA9EF shade: #C4A8EF, #D7A8EF, #EAA8EF, #EFA8E1 and #EFA8CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBA9EF shade: #DB63E2, #E385E8, #EBA8EF, #F3CBF5 and #FBEEFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBA9EF shade: #EBA9EF, #EFB2A8 and #A8EFCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBA9EF shade: #EBA9EF, #EFEAA8 and #A8EFEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBA9EF shade: #EBA9EF, #EFB2A8, #ADEFA8 and #A8E5EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBA9EF shade: #EBA9EF, #EFC7A8, #ADEFA8 and #A8D0EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 29 / 0 / 6

HEX #EBA9EF

RGB 235 169 239

HSL 296.57, 0.69%, 0.8%

LAB 77.44, 35.54, -25.45

 

Complementary color

CMYK 77 / 0 / 81 / 66

HEX #145610

RGB 20 86 16

HSL 116.57, 0.69%, 0.2%

LAB 31.44, -34.89, 32.66

 

CMYK 0 / 30 / 3 / 6

HEX #F0A9EA

RGB 240 169 234

HSL 305.07, 0.7%, 0.8%

LAB 77.78, 36.23, -22.19

 

CMYK 0 / 27 / 1 / 0

HEX #FFBBFD

RGB 255 187 253

HSL 301.76, 1%, 0.87%

LAB 83.91, 34.94, -22.93

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 2 / 29 / 0 / 6

HEX #EBA9EF

RGB 235 169 239

HSL 296.57, 0.69%, 0.8%

LAB 77.44, 35.54, -25.45

 

CMYK 1 / 31 / 0 / 14

HEX #DA97DC

RGB 218 151 220

HSL 298.26, 0.5%, 0.73%

LAB 71.01, 36.23, -25.08

 

CMYK 0 / 34 / 0 / 21

HEX #C985C9

RGB 201 133 201

HSL 300, 0.39%, 0.65%

LAB 64.49, 36.94, -24.68

 

CMYK 0 / 38 / 1 / 28

HEX #B873B6

RGB 184 115 182

HSL 301.74, 0.33%, 0.59%

LAB 57.87, 37.7, -24.24

 

CMYK 0 / 42 / 2 / 35

HEX #A761A3

RGB 167 97 163

HSL 303.43, 0.28%, 0.52%

LAB 51.16, 38.47, -23.75

 

CMYK 2 / 30 / 0 / 6

HEX #EBA8EF

RGB 235 168 239

HSL 296.62, 0.69%, 0.8%

LAB 77.22, 36.07, -25.79

 

CMYK 0 / 30 / 6 / 6

HEX #EFA8E0

RGB 239 168 224

HSL 312.68, 0.69%, 0.8%

LAB 77.12, 34.68, -17.77

 

CMYK 0 / 30 / 14 / 6

HEX #EFA8CD

RGB 239 168 205

HSL 328.73, 0.69%, 0.8%

LAB 76.54, 31.53, -8.3

 

CMYK 0 / 30 / 22 / 6

HEX #EFA8BA

RGB 239 168 186

HSL 344.79, 0.69%, 0.8%

LAB 76.01, 28.63, 1.3

 

CMYK 0 / 30 / 30 / 6

HEX #EFA8A8

RGB 239 168 168

HSL 0, 0.69%, 0.8%

LAB 75.57, 26.15, 10.51

 

CMYK 2 / 30 / 0 / 6

HEX #EBA8EF

RGB 235 168 239

HSL 296.62, 0.69%, 0.8%

LAB 77.22, 36.07, -25.79

 

CMYK 10 / 30 / 0 / 6

HEX #D8A8EF

RGB 216 168 239

HSL 280.56, 0.69%, 0.8%

LAB 75.35, 30.11, -28.82

 

CMYK 18 / 30 / 0 / 6

HEX #C5A8EF

RGB 197 168 239

HSL 264.51, 0.69%, 0.8%

LAB 73.62, 24.26, -31.64

 

CMYK 26 / 30 / 0 / 6

HEX #B2A8EF

RGB 178 168 239

HSL 248.45, 0.69%, 0.8%

LAB 72.03, 18.58, -34.22

 

CMYK 30 / 30 / 0 / 6

HEX #A8A8EF

RGB 168 168 239

HSL 240, 0.69%, 0.8%

LAB 71.26, 15.69, -35.48

 

CMYK 2 / 30 / 0 / 6

HEX #EBA8EF

RGB 235 168 239

HSL 296.62, 0.69%, 0.8%

LAB 77.22, 36.07, -25.79

 

CMYK 2 / 35 / 0 / 3

HEX #F2A0F7

RGB 242 160 247

HSL 296.55, 0.84%, 0.8%

LAB 76.52, 43.93, -31.13

 

CMYK 2 / 30 / 0 / 6

HEX #EBA8EF

RGB 235 168 239

HSL 296.62, 0.69%, 0.8%

LAB 77.22, 36.07, -25.79

 

CMYK 1 / 23 / 0 / 10

HEX #E3B1E6

RGB 227 177 230

HSL 296.6, 0.51%, 0.8%

LAB 78.16, 27.02, -19.57

 

CMYK 1 / 17 / 0 / 13

HEX #DCB9DE

RGB 220 185 222

HSL 296.76, 0.36%, 0.8%

LAB 79.15, 18.91, -13.82

 

CMYK 0 / 10 / 0 / 16

HEX #D5C1D6

RGB 213 193 214

HSL 297.14, 0.2%, 0.8%

LAB 80.26, 10.76, -7.92

 

CMYK 0 / 2 / 0 / 19

HEX #CDC9CE

RGB 205 201 206

HSL 288, 0.05%, 0.8%

LAB 81.41, 2.3, -2.01

 

CMYK 18 / 30 / 0 / 6

HEX #C4A8EF

RGB 196 168 239

HSL 263.66, 0.69%, 0.8%

LAB 73.53, 23.95, -31.78

 

CMYK 10 / 30 / 0 / 6

HEX #D7A8EF

RGB 215 168 239

HSL 279.72, 0.69%, 0.8%

LAB 75.25, 29.8, -28.98

 

CMYK 2 / 30 / 0 / 6

HEX #EAA8EF

RGB 234 168 239

HSL 295.77, 0.69%, 0.8%

LAB 77.12, 35.76, -25.96

 

CMYK 0 / 30 / 6 / 6

HEX #EFA8E1

RGB 239 168 225

HSL 311.83, 0.69%, 0.8%

LAB 77.16, 34.85, -18.26

 

CMYK 0 / 30 / 14 / 6

HEX #EFA8CE

RGB 239 168 206

HSL 327.89, 0.69%, 0.8%

LAB 76.57, 31.69, -8.81

 

CMYK 3 / 56 / 0 / 11

HEX #DB63E2

RGB 219 99 226

HSL 296.69, 0.69%, 0.64%

LAB 61.2, 63.76, -43.64

 

CMYK 2 / 43 / 0 / 9

HEX #E385E8

RGB 227 133 232

HSL 296.97, 0.68%, 0.72%

LAB 68.7, 50.63, -35.17

 

CMYK 2 / 30 / 0 / 6

HEX #EBA8EF

RGB 235 168 239

HSL 296.62, 0.69%, 0.8%

LAB 77.22, 36.07, -25.79

 

CMYK 1 / 17 / 0 / 4

HEX #F3CBF5

RGB 243 203 245

HSL 297.14, 0.68%, 0.88%

LAB 86.19, 21.17, -15.36

 

CMYK 0 / 5 / 0 / 2

HEX #FBEEFB

RGB 251 238 251

HSL 300, 0.62%, 0.96%

LAB 95.42, 6.63, -4.7

 

CMYK 2 / 29 / 0 / 6

HEX #EBA9EF

RGB 235 169 239

HSL 296.57, 0.69%, 0.8%

LAB 77.44, 35.54, -25.45

 

CMYK 0 / 26 / 30 / 6

HEX #EFB2A8

RGB 239 178 168

HSL 8.45, 0.69%, 0.8%

LAB 77.89, 20.84, 13.79

 

CMYK 30 / 0 / 14 / 6

HEX #A8EFCE

RGB 168 239 206

HSL 152.11, 0.69%, 0.8%

LAB 89.16, -28.82, 8.94

 

CMYK 2 / 29 / 0 / 6

HEX #EBA9EF

RGB 235 169 239

HSL 296.57, 0.69%, 0.8%

LAB 77.44, 35.54, -25.45

 

CMYK 0 / 2 / 30 / 6

HEX #EFEAA8

RGB 239 234 168

HSL 55.77, 0.69%, 0.8%

LAB 91.7, -8.23, 32.74

 

CMYK 30 / 0 / 2 / 6

HEX #A8EFEA

RGB 168 239 234

HSL 175.77, 0.69%, 0.8%

LAB 89.86, -22.97, -4.66

 

CMYK 2 / 29 / 0 / 6

HEX #EBA9EF

RGB 235 169 239

HSL 296.57, 0.69%, 0.8%

LAB 77.44, 35.54, -25.45

 

CMYK 0 / 26 / 30 / 6

HEX #EFB2A8

RGB 239 178 168

HSL 8.45, 0.69%, 0.8%

LAB 77.89, 20.84, 13.79

 

CMYK 28 / 0 / 30 / 6

HEX #ADEFA8

RGB 173 239 168

HSL 115.77, 0.69%, 0.8%

LAB 88.66, -34.04, 27.9

 

CMYK 30 / 4 / 0 / 6

HEX #A8E5EF

RGB 168 229 239

HSL 188.45, 0.69%, 0.8%

LAB 87.29, -16.89, -11.09

 

CMYK 2 / 29 / 0 / 6

HEX #EBA9EF

RGB 235 169 239

HSL 296.57, 0.69%, 0.8%

LAB 77.44, 35.54, -25.45

 

CMYK 0 / 17 / 30 / 6

HEX #EFC7A8

RGB 239 199 168

HSL 26.2, 0.69%, 0.8%

LAB 82.93, 9.75, 20.83

 

CMYK 28 / 0 / 30 / 6

HEX #ADEFA8

RGB 173 239 168

HSL 115.77, 0.69%, 0.8%

LAB 88.66, -34.04, 27.9

 

CMYK 30 / 13 / 0 / 6

HEX #A8D0EF

RGB 168 208 239

HSL 206.2, 0.69%, 0.8%

LAB 81.66, -6.1, -19.54

 

Description

Color code: HEX #EBA9EF | qconv.com Color code: HEX #EBA9EF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 169 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 169 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 29 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 29% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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