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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBADD3 it is the complementary color #14522C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBADD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBADD3 shade: #F0ADCE, #FFBFE1, #FFD1F4, #FFE3FF and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBADD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBADD3 shade: #EBADD3, #DA9BC0, #C989AD, #B8779A and #A76587

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBADD3 shade: #EBACD3, #EBACC2, #EBACB1 and #EBACAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBADD3 shade: #EBACD3, #EBACE3, #E1ACEB, #D0ACEB and #C0ACEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBADD3 shade matches the following richer shades: #EBACD3, #F3A4D4 and #FB9CD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBADD3 shade: #EBACD3, #E2B5D1, #DABDCF, #D2C5CD and #CACDCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBADD3 shade: #E1ACEB, #EBACE3, #EBACD3, #EBACC2 and #EBACB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBADD3 shade: #DB6AAF, #E38BC1, #EBACD3, #F3CEE4 and #FBEFF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBADD3 shade: #EBADD3, #EBD1AC and #ACEBEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBADD3 shade: #EBADD3, #D3EBAC and #ACD3EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBADD3 shade: #EBADD3, #EBD1AC, #ACEBC4 and #ACC6EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBADD3 shade: #EBADD3, #EBE3AC, #ACEBC4 and #ACB4EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 10 / 8

HEX #EBADD3

RGB 235 173 211

HSL 323.23, 0.61%, 0.8%

LAB 77.43, 28.48, -10.28

 

Complementary color

CMYK 76 / 0 / 46 / 68

HEX #14522C

RGB 20 82 44

HSL 143.23, 0.61%, 0.2%

LAB 30.32, -29.26, 16.79

 

CMYK 0 / 28 / 14 / 6

HEX #F0ADCE

RGB 240 173 206

HSL 330.45, 0.69%, 0.81%

LAB 77.8, 29.38, -6.97

 

CMYK 0 / 25 / 12 / 0

HEX #FFBFE1

RGB 255 191 225

HSL 328.13, 1%, 0.87%

LAB 83.94, 28.06, -7.93

 

CMYK 0 / 18 / 4 / 0

HEX #FFD1F4

RGB 255 209 244

HSL 314.35, 1%, 0.91%

LAB 88.63, 21.8, -11.05

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 0 / 26 / 10 / 8

HEX #EBADD3

RGB 235 173 211

HSL 323.23, 0.61%, 0.8%

LAB 77.43, 28.48, -10.28

 

CMYK 0 / 29 / 12 / 15

HEX #DA9BC0

RGB 218 155 192

HSL 324.76, 0.46%, 0.73%

LAB 70.98, 29.13, -9.67

 

CMYK 0 / 32 / 14 / 21

HEX #C989AD

RGB 201 137 173

HSL 326.25, 0.37%, 0.66%

LAB 64.42, 29.83, -9.01

 

CMYK 0 / 35 / 16 / 28

HEX #B8779A

RGB 184 119 154

HSL 327.69, 0.31%, 0.59%

LAB 57.77, 30.58, -8.29

 

CMYK 0 / 40 / 19 / 35

HEX #A76587

RGB 167 101 135

HSL 329.09, 0.27%, 0.53%

LAB 51, 31.39, -7.47

 

CMYK 0 / 27 / 10 / 8

HEX #EBACD3

RGB 235 172 211

HSL 322.86, 0.61%, 0.8%

LAB 77.2, 29.01, -10.62

 

CMYK 0 / 27 / 17 / 8

HEX #EBACC2

RGB 235 172 194

HSL 339.05, 0.61%, 0.8%

LAB 76.72, 26.28, -2.08

 

CMYK 0 / 27 / 25 / 8

HEX #EBACB1

RGB 235 172 177

HSL 355.24, 0.61%, 0.8%

LAB 76.28, 23.77, 6.56

 

CMYK 0 / 27 / 27 / 8

HEX #EBACAC

RGB 235 172 172

HSL 0, 0.61%, 0.8%

LAB 76.16, 23.08, 9.11

 

CMYK 0 / 27 / 10 / 8

HEX #EBACD3

RGB 235 172 211

HSL 322.86, 0.61%, 0.8%

LAB 77.2, 29.01, -10.62

 

CMYK 0 / 27 / 3 / 8

HEX #EBACE3

RGB 235 172 227

HSL 307.62, 0.61%, 0.8%

LAB 77.71, 31.77, -18.56

 

CMYK 4 / 27 / 0 / 8

HEX #E1ACEB

RGB 225 172 235

HSL 290.48, 0.61%, 0.8%

LAB 76.99, 30.01, -24.07

 

CMYK 11 / 27 / 0 / 8

HEX #D0ACEB

RGB 208 172 235

HSL 274.29, 0.61%, 0.8%

LAB 75.4, 24.61, -26.65

 

CMYK 18 / 27 / 0 / 8

HEX #C0ACEB

RGB 192 172 235

HSL 259.05, 0.61%, 0.8%

LAB 74, 19.64, -28.9

 

CMYK 0 / 27 / 10 / 8

HEX #EBACD3

RGB 235 172 211

HSL 322.86, 0.61%, 0.8%

LAB 77.2, 29.01, -10.62

 

CMYK 0 / 33 / 13 / 5

HEX #F3A4D4

RGB 243 164 212

HSL 323.54, 0.77%, 0.8%

LAB 76.29, 36.12, -12.45

 

CMYK 0 / 38 / 15 / 2

HEX #FB9CD6

RGB 251 156 214

HSL 323.37, 0.92%, 0.8%

LAB 75.54, 43.25, -14.57

 

CMYK 0 / 27 / 10 / 8

HEX #EBACD3

RGB 235 172 211

HSL 322.86, 0.61%, 0.8%

LAB 77.2, 29.01, -10.62

 

CMYK 0 / 20 / 8 / 11

HEX #E2B5D1

RGB 226 181 209

HSL 322.67, 0.44%, 0.8%

LAB 78.36, 20.77, -7.92

 

CMYK 0 / 13 / 5 / 15

HEX #DABDCF

RGB 218 189 207

HSL 322.76, 0.28%, 0.8%

LAB 79.5, 13.36, -5.22

 

CMYK 0 / 6 / 2 / 18

HEX #D2C5CD

RGB 210 197 205

HSL 323.08, 0.13%, 0.8%

LAB 80.76, 5.96, -2.37

 

CMYK 1 / 0 / 1 / 20

HEX #CACDCB

RGB 202 205 203

HSL 140, 0.03%, 0.8%

LAB 82.13, -1.39, 0.62

 

CMYK 4 / 27 / 0 / 8

HEX #E1ACEB

RGB 225 172 235

HSL 290.48, 0.61%, 0.8%

LAB 76.99, 30.01, -24.07

 

CMYK 0 / 27 / 3 / 8

HEX #EBACE3

RGB 235 172 227

HSL 307.62, 0.61%, 0.8%

LAB 77.71, 31.77, -18.56

 

CMYK 0 / 27 / 10 / 8

HEX #EBACD3

RGB 235 172 211

HSL 322.86, 0.61%, 0.8%

LAB 77.2, 29.01, -10.62

 

CMYK 0 / 27 / 17 / 8

HEX #EBACC2

RGB 235 172 194

HSL 339.05, 0.61%, 0.8%

LAB 76.72, 26.28, -2.08

 

CMYK 0 / 27 / 24 / 8

HEX #EBACB2

RGB 235 172 178

HSL 354.29, 0.61%, 0.8%

LAB 76.3, 23.91, 6.05

 

CMYK 0 / 52 / 20 / 14

HEX #DB6AAF

RGB 219 106 175

HSL 323.36, 0.61%, 0.64%

LAB 60.3, 52.26, -16.11

 

CMYK 0 / 39 / 15 / 11

HEX #E38BC1

RGB 227 139 193

HSL 323.18, 0.61%, 0.72%

LAB 68.49, 40.87, -13.84

 

CMYK 0 / 27 / 10 / 8

HEX #EBACD3

RGB 235 172 211

HSL 322.86, 0.61%, 0.8%

LAB 77.2, 29.01, -10.62

 

CMYK 0 / 15 / 6 / 5

HEX #F3CEE4

RGB 243 206 228

HSL 324.32, 0.61%, 0.88%

LAB 86.4, 16.57, -6.01

 

CMYK 0 / 5 / 2 / 2

HEX #FBEFF6

RGB 251 239 246

HSL 325, 0.6%, 0.96%

LAB 95.54, 5.24, -1.94

 

CMYK 0 / 26 / 10 / 8

HEX #EBADD3

RGB 235 173 211

HSL 323.23, 0.61%, 0.8%

LAB 77.43, 28.48, -10.28

 

CMYK 0 / 11 / 27 / 8

HEX #EBD1AC

RGB 235 209 172

HSL 35.24, 0.61%, 0.8%

LAB 85.12, 3.54, 21.69

 

CMYK 27 / 0 / 0 / 8

HEX #ACEBEA

RGB 172 235 234

HSL 179.05, 0.61%, 0.8%

LAB 88.98, -19.88, -5.93

 

CMYK 0 / 26 / 10 / 8

HEX #EBADD3

RGB 235 173 211

HSL 323.23, 0.61%, 0.8%

LAB 77.43, 28.48, -10.28

 

CMYK 10 / 0 / 27 / 8

HEX #D3EBAC

RGB 211 235 172

HSL 82.86, 0.61%, 0.8%

LAB 89.97, -18.49, 28.03

 

CMYK 27 / 10 / 0 / 8

HEX #ACD3EB

RGB 172 211 235

HSL 202.86, 0.61%, 0.8%

LAB 82.57, -7.45, -16.01

 

CMYK 0 / 26 / 10 / 8

HEX #EBADD3

RGB 235 173 211

HSL 323.23, 0.61%, 0.8%

LAB 77.43, 28.48, -10.28

 

CMYK 0 / 11 / 27 / 8

HEX #EBD1AC

RGB 235 209 172

HSL 35.24, 0.61%, 0.8%

LAB 85.12, 3.54, 21.69

 

CMYK 27 / 0 / 17 / 8

HEX #ACEBC4

RGB 172 235 196

HSL 142.86, 0.61%, 0.8%

LAB 88.05, -27.63, 12.59

 

CMYK 27 / 16 / 0 / 8

HEX #ACC6EB

RGB 172 198 235

HSL 215.24, 0.61%, 0.8%

LAB 79.13, -0.58, -21.21

 

CMYK 0 / 26 / 10 / 8

HEX #EBADD3

RGB 235 173 211

HSL 323.23, 0.61%, 0.8%

LAB 77.43, 28.48, -10.28

 

CMYK 0 / 3 / 27 / 8

HEX #EBE3AC

RGB 235 227 172

HSL 52.38, 0.61%, 0.8%

LAB 89.66, -5.69, 27.91

 

CMYK 27 / 0 / 17 / 8

HEX #ACEBC4

RGB 172 235 196

HSL 142.86, 0.61%, 0.8%

LAB 88.05, -27.63, 12.59

 

CMYK 27 / 23 / 0 / 8

HEX #ACB4EB

RGB 172 180 235

HSL 232.38, 0.61%, 0.8%

LAB 74.45, 9.2, -28.35

 

Description

Color code: HEX #EBADD3 | qconv.com Color code: HEX #EBADD3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 173 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 173 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 10 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 10% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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