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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBB374 it is the complementary color #144C8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBB374. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBB374 shade: #F0B36F, #FFC582, #FFD795, #FFE9A8 and #FFFBBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBB374. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBB374 shade: #EBB374, #DAA161, #C98F4E, #B87D3B and #A76B28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBB374 shade: #EBB374, #EB9374 and #EB7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBB374 shade: #EBB374, #EBD374, #E3EB74, #C3EB74 and #A3EB74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBB374 shade matches the following richer shades: #EBB374 and #F8B467

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBB374 shade: #EBB374, #DEB281, #D1B18E, #C4B19B and #B8B0A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBB374 shade: #EB7476, #EB9274, #EBB174, #EBD174 and #E5EB74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBB374 shade: #E08B2C, #E69F50, #EBB374, #F0C798 and #F5DABC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBB374 shade: #EBB374, #96EB74 and #8274EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBB374 shade: #EBB374, #74EBB1 and #B174EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBB374 shade: #EBB374, #96EB74, #74ADEB and #C974EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBB374 shade: #EBB374, #74EB76, #74ADEB and #EB74E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 51 / 8

HEX #EBB374

RGB 235 179 116

HSL 31.76, 0.75%, 0.69%

LAB 76.78, 13.02, 39.86

 

Complementary color

CMYK 86 / 45 / 0 / 45

HEX #144C8B

RGB 20 76 139

HSL 211.76, 0.75%, 0.31%

LAB 32.22, 6.94, -40.01

 

CMYK 0 / 25 / 54 / 6

HEX #F0B36F

RGB 240 179 111

HSL 31.63, 0.81%, 0.69%

LAB 77.23, 14.62, 43.09

 

CMYK 0 / 23 / 49 / 0

HEX #FFC582

RGB 255 197 130

HSL 32.16, 1%, 0.75%

LAB 83.34, 12.86, 41.42

 

CMYK 0 / 16 / 42 / 0

HEX #FFD795

RGB 255 215 149

HSL 37.36, 1%, 0.79%

LAB 87.98, 5.4, 37.74

 

CMYK 0 / 9 / 34 / 0

HEX #FFE9A8

RGB 255 233 168

HSL 44.83, 1%, 0.83%

LAB 92.74, -1.68, 34.35

 

CMYK 0 / 2 / 27 / 0

HEX #FFFBBB

RGB 255 251 187

HSL 56.47, 1%, 0.87%

LAB 97.57, -8.35, 31.24

 

CMYK 0 / 24 / 51 / 8

HEX #EBB374

RGB 235 179 116

HSL 31.76, 0.75%, 0.69%

LAB 76.78, 13.02, 39.86

 

CMYK 0 / 26 / 56 / 15

HEX #DAA161

RGB 218 161 97

HSL 31.74, 0.62%, 0.62%

LAB 70.36, 14.02, 41.27

 

CMYK 0 / 29 / 61 / 21

HEX #C98F4E

RGB 201 143 78

HSL 31.71, 0.53%, 0.55%

LAB 63.85, 15.19, 42.74

 

CMYK 0 / 32 / 68 / 28

HEX #B87D3B

RGB 184 125 59

HSL 31.68, 0.51%, 0.48%

LAB 57.24, 16.55, 44.2

 

CMYK 0 / 36 / 76 / 35

HEX #A76B28

RGB 167 107 40

HSL 31.65, 0.61%, 0.41%

LAB 50.55, 18.16, 45.52

 

CMYK 0 / 24 / 51 / 8

HEX #EBB374

RGB 235 179 116

HSL 31.76, 0.75%, 0.69%

LAB 76.78, 13.02, 39.86

 

CMYK 0 / 37 / 51 / 8

HEX #EB9374

RGB 235 147 116

HSL 15.63, 0.75%, 0.69%

LAB 69.32, 29.99, 30.31

 

CMYK 0 / 51 / 51 / 8

HEX #EB7474

RGB 235 116 116

HSL 0, 0.75%, 0.69%

LAB 62.86, 45.89, 21.73

 

CMYK 0 / 24 / 51 / 8

HEX #EBB374

RGB 235 179 116

HSL 31.76, 0.75%, 0.69%

LAB 76.78, 13.02, 39.86

 

CMYK 0 / 10 / 51 / 8

HEX #EBD374

RGB 235 211 116

HSL 47.9, 0.75%, 0.69%

LAB 84.75, -3.66, 49.67

 

CMYK 3 / 0 / 51 / 8

HEX #E3EB74

RGB 227 235 116

HSL 64.03, 0.75%, 0.69%

LAB 90.33, -18.83, 56.16

 

CMYK 17 / 0 / 51 / 8

HEX #C3EB74

RGB 195 235 116

HSL 80.17, 0.75%, 0.69%

LAB 88.1, -31.14, 52.98

 

CMYK 31 / 0 / 51 / 8

HEX #A3EB74

RGB 163 235 116

HSL 96.3, 0.75%, 0.69%

LAB 86.24, -42.61, 50.3

 

CMYK 0 / 24 / 51 / 8

HEX #EBB374

RGB 235 179 116

HSL 31.76, 0.75%, 0.69%

LAB 76.78, 13.02, 39.86

 

CMYK 0 / 27 / 58 / 3

HEX #F8B467

RGB 248 180 103

HSL 31.86, 0.91%, 0.69%

LAB 78.22, 16.73, 48.48

 

CMYK 0 / 24 / 51 / 8

HEX #EBB374

RGB 235 179 116

HSL 31.76, 0.75%, 0.69%

LAB 76.78, 13.02, 39.86

 

CMYK 0 / 20 / 42 / 13

HEX #DEB281

RGB 222 178 129

HSL 31.61, 0.58%, 0.69%

LAB 75.42, 9.58, 31.08

 

CMYK 0 / 15 / 32 / 18

HEX #D1B18E

RGB 209 177 142

HSL 31.34, 0.42%, 0.69%

LAB 74.16, 6.49, 22.22

 

CMYK 0 / 10 / 21 / 23

HEX #C4B19B

RGB 196 177 155

HSL 32.2, 0.26%, 0.69%

LAB 73.25, 3.27, 13.74

 

CMYK 0 / 4 / 9 / 28

HEX #B8B0A7

RGB 184 176 167

HSL 31.76, 0.11%, 0.69%

LAB 72.25, 1.26, 5.61

 

CMYK 0 / 51 / 50 / 8

HEX #EB7476

RGB 235 116 118

HSL 358.99, 0.75%, 0.69%

LAB 62.89, 46.07, 20.65

 

CMYK 0 / 38 / 51 / 8

HEX #EB9274

RGB 235 146 116

HSL 15.13, 0.75%, 0.69%

LAB 69.1, 30.52, 30.02

 

CMYK 0 / 25 / 51 / 8

HEX #EBB174

RGB 235 177 116

HSL 30.76, 0.75%, 0.69%

LAB 76.29, 14.07, 39.25

 

CMYK 0 / 11 / 51 / 8

HEX #EBD174

RGB 235 209 116

HSL 46.89, 0.75%, 0.69%

LAB 84.24, -2.63, 49.06

 

CMYK 3 / 0 / 51 / 8

HEX #E5EB74

RGB 229 235 116

HSL 63.03, 0.75%, 0.69%

LAB 90.48, -18.04, 56.37

 

CMYK 0 / 38 / 80 / 12

HEX #E08B2C

RGB 224 139 44

HSL 31.67, 0.74%, 0.53%

LAB 65.35, 25.37, 60.49

 

CMYK 0 / 31 / 65 / 10

HEX #E69F50

RGB 230 159 80

HSL 31.6, 0.75%, 0.61%

LAB 71.01, 18.89, 50.82

 

CMYK 0 / 24 / 51 / 8

HEX #EBB374

RGB 235 179 116

HSL 31.76, 0.75%, 0.69%

LAB 76.78, 13.02, 39.86

 

CMYK 0 / 17 / 37 / 6

HEX #F0C798

RGB 240 199 152

HSL 32.05, 0.75%, 0.77%

LAB 82.72, 8.17, 28.99

 

CMYK 0 / 11 / 23 / 4

HEX #F5DABC

RGB 245 218 188

HSL 31.58, 0.74%, 0.85%

LAB 88.54, 4.79, 18.18

 

CMYK 0 / 24 / 51 / 8

HEX #EBB374

RGB 235 179 116

HSL 31.76, 0.75%, 0.69%

LAB 76.78, 13.02, 39.86

 

CMYK 36 / 0 / 51 / 8

HEX #96EB74

RGB 150 235 116

HSL 102.86, 0.75%, 0.69%

LAB 85.59, -46.91, 49.35

 

CMYK 45 / 51 / 0 / 8

HEX #8274EB

RGB 130 116 235

HSL 247.06, 0.75%, 0.69%

LAB 55.31, 34.73, -58.62

 

CMYK 0 / 24 / 51 / 8

HEX #EBB374

RGB 235 179 116

HSL 31.76, 0.75%, 0.69%

LAB 76.78, 13.02, 39.86

 

CMYK 51 / 0 / 25 / 8

HEX #74EBB1

RGB 116 235 177

HSL 150.76, 0.75%, 0.69%

LAB 85.15, -46.74, 18.04

 

CMYK 25 / 51 / 0 / 8

HEX #B174EB

RGB 177 116 235

HSL 270.76, 0.75%, 0.69%

LAB 59.74, 46.26, -51.3

 

CMYK 0 / 24 / 51 / 8

HEX #EBB374

RGB 235 179 116

HSL 31.76, 0.75%, 0.69%

LAB 76.78, 13.02, 39.86

 

CMYK 36 / 0 / 51 / 8

HEX #96EB74

RGB 150 235 116

HSL 102.86, 0.75%, 0.69%

LAB 85.59, -46.91, 49.35

 

CMYK 51 / 26 / 0 / 8

HEX #74ADEB

RGB 116 173 235

HSL 211.26, 0.75%, 0.69%

LAB 69.18, -1.62, -36.77

 

CMYK 14 / 51 / 0 / 8

HEX #C974EB

RGB 201 116 235

HSL 282.86, 0.75%, 0.69%

LAB 62.43, 52.59, -46.87

 

CMYK 0 / 24 / 51 / 8

HEX #EBB374

RGB 235 179 116

HSL 31.76, 0.75%, 0.69%

LAB 76.78, 13.02, 39.86

 

CMYK 51 / 0 / 50 / 8

HEX #74EB76

RGB 116 235 118

HSL 121.01, 0.75%, 0.69%

LAB 84.19, -56.61, 46.39

 

CMYK 51 / 26 / 0 / 8

HEX #74ADEB

RGB 116 173 235

HSL 211.26, 0.75%, 0.69%

LAB 69.18, -1.62, -36.77

 

CMYK 0 / 51 / 1 / 8

HEX #EB74E9

RGB 235 116 233

HSL 301.01, 0.75%, 0.69%

LAB 66.55, 61.39, -39

 

Description

Color code: HEX #EBB374 | qconv.com Color code: HEX #EBB374 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 179 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 179 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 51 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 51% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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