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Color name
HEX #EBBE29

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBBE29 it is the complementary color #1441D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBBE29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBBE29 shade: #F0BE24, #FFD037, #FFE24A, #FFF45D and #FFFF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBBE29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBBE29 shade: #EBBE29, #DAAC16, #C99A03, #B88800 and #A77600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBBE29 shade: #EBBD28, #EB8928, #EB5428 and #EB2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBBE29 shade: #EBBD28, #E3EB28, #AFEB28, #7AEB28 and #46EB28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBBE29 shade matches the following richer shades: #EBBD28 and #FEC815

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBBE29 shade: #EBBD28, #D8B33B, #C5A94E, #B29F61 and #9F9574

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBBE29 shade: #EB5528, #EB8928, #EBBD28, #E4EB28 and #B0EB28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBBE29 shade: #B08B10, #D6A913, #EBBD28, #EEC94E and #F2D473

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBBE29 shade: #EBBE29, #2EEB28 and #6F28EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBBE29 shade: #EBBE29, #28EBBD and #BD28EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBBE29 shade: #EBBE29, #2EEB28, #2855EB and #E428EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBBE29 shade: #EBBE29, #28EB5C, #2855EB and #EB28B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 83 / 8

HEX #EBBE29

RGB 235 190 41

HSL 46.08, 0.83%, 0.54%

LAB 78.84, 2.95, 73.74

 

Complementary color

CMYK 91 / 70 / 0 / 16

HEX #1441D6

RGB 20 65 214

HSL 226.08, 0.83%, 0.46%

LAB 35.57, 43.77, -79.11

 

CMYK 0 / 21 / 85 / 6

HEX #F0BE24

RGB 240 190 36

HSL 45.29, 0.87%, 0.54%

LAB 79.32, 4.97, 75.64

 

CMYK 0 / 18 / 78 / 0

HEX #FFD037

RGB 255 208 55

HSL 45.9, 1%, 0.61%

LAB 85.33, 2.6, 76.02

 

CMYK 0 / 11 / 71 / 0

HEX #FFE24A

RGB 255 226 74

HSL 50.39, 1%, 0.65%

LAB 89.93, -5.76, 73.88

 

CMYK 0 / 4 / 64 / 0

HEX #FFF45D

RGB 255 244 93

HSL 55.93, 1%, 0.68%

LAB 94.63, -13.67, 71.43

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 19 / 83 / 8

HEX #EBBE29

RGB 235 190 41

HSL 46.08, 0.83%, 0.54%

LAB 78.84, 2.95, 73.74

 

CMYK 0 / 21 / 90 / 15

HEX #DAAC16

RGB 218 172 22

HSL 45.92, 0.82%, 0.47%

LAB 72.54, 4.59, 72.41

 

CMYK 0 / 23 / 99 / 21

HEX #C99A03

RGB 201 154 3

HSL 45.76, 0.97%, 0.4%

LAB 66.16, 6.47, 69.73

 

CMYK 0 / 26 / 100 / 28

HEX #B88800

RGB 184 136 0

HSL 44.35, 1%, 0.36%

LAB 59.71, 8.62, 64.83

 

CMYK 0 / 29 / 100 / 35

HEX #A77600

RGB 167 118 0

HSL 42.4, 1%, 0.33%

LAB 53.14, 10.91, 59.44

 

CMYK 0 / 20 / 83 / 8

HEX #EBBD28

RGB 235 189 40

HSL 45.85, 0.83%, 0.54%

LAB 78.58, 3.44, 73.8

 

CMYK 0 / 42 / 83 / 8

HEX #EB8928

RGB 235 137 40

HSL 29.85, 0.83%, 0.54%

LAB 66.3, 30.86, 63.32

 

CMYK 0 / 64 / 83 / 8

HEX #EB5428

RGB 235 84 40

HSL 13.54, 0.83%, 0.54%

LAB 56.24, 56.35, 54.51

 

CMYK 0 / 83 / 83 / 8

HEX #EB2828

RGB 235 40 40

HSL 0, 0.83%, 0.54%

LAB 51.07, 70.64, 49.87

 

CMYK 0 / 20 / 83 / 8

HEX #EBBD28

RGB 235 189 40

HSL 45.85, 0.83%, 0.54%

LAB 78.58, 3.44, 73.8

 

CMYK 3 / 0 / 83 / 8

HEX #E3EB28

RGB 227 235 40

HSL 62.46, 0.83%, 0.54%

LAB 89.81, -23, 82.95

 

CMYK 26 / 0 / 83 / 8

HEX #AFEB28

RGB 175 235 40

HSL 78.46, 0.83%, 0.54%

LAB 86.35, -43.62, 78.62

 

CMYK 48 / 0 / 83 / 8

HEX #7AEB28

RGB 122 235 40

HSL 94.77, 0.83%, 0.54%

LAB 83.81, -61.51, 75.42

 

CMYK 70 / 0 / 83 / 8

HEX #46EB28

RGB 70 235 40

HSL 110.77, 0.83%, 0.54%

LAB 82.31, -73.69, 73.51

 

CMYK 0 / 20 / 83 / 8

HEX #EBBD28

RGB 235 189 40

HSL 45.85, 0.83%, 0.54%

LAB 78.58, 3.44, 73.8

 

CMYK 0 / 21 / 92 / 0

HEX #FEC815

RGB 254 200 21

HSL 46.09, 0.99%, 0.54%

LAB 83.14, 5.5, 82.2

 

CMYK 0 / 20 / 83 / 8

HEX #EBBD28

RGB 235 189 40

HSL 45.85, 0.83%, 0.54%

LAB 78.58, 3.44, 73.8

 

CMYK 0 / 17 / 73 / 15

HEX #D8B33B

RGB 216 179 59

HSL 45.86, 0.67%, 0.54%

LAB 74.29, 1.18, 62.93

 

CMYK 0 / 14 / 60 / 23

HEX #C5A94E

RGB 197 169 78

HSL 45.88, 0.51%, 0.54%

LAB 70.03, -0.6, 49.73

 

CMYK 0 / 11 / 46 / 30

HEX #B29F61

RGB 178 159 97

HSL 45.93, 0.34%, 0.54%

LAB 65.85, -1.66, 34.8

 

CMYK 0 / 6 / 27 / 38

HEX #9F9574

RGB 159 149 116

HSL 46.05, 0.18%, 0.54%

LAB 61.76, -1.71, 18.79

 

CMYK 0 / 64 / 83 / 8

HEX #EB5528

RGB 235 85 40

HSL 13.85, 0.83%, 0.54%

LAB 56.4, 55.93, 54.65

 

CMYK 0 / 42 / 83 / 8

HEX #EB8928

RGB 235 137 40

HSL 29.85, 0.83%, 0.54%

LAB 66.3, 30.86, 63.32

 

CMYK 0 / 20 / 83 / 8

HEX #EBBD28

RGB 235 189 40

HSL 45.85, 0.83%, 0.54%

LAB 78.58, 3.44, 73.8

 

CMYK 3 / 0 / 83 / 8

HEX #E4EB28

RGB 228 235 40

HSL 62.15, 0.83%, 0.54%

LAB 89.89, -22.59, 83.04

 

CMYK 25 / 0 / 83 / 8

HEX #B0EB28

RGB 176 235 40

HSL 78.15, 0.83%, 0.54%

LAB 86.4, -43.24, 78.69

 

CMYK 0 / 21 / 91 / 31

HEX #B08B10

RGB 176 139 16

HSL 46.13, 0.83%, 0.38%

LAB 59.65, 3.55, 61.75

 

CMYK 0 / 21 / 91 / 16

HEX #D6A913

RGB 214 169 19

HSL 46.15, 0.84%, 0.46%

LAB 71.36, 4.38, 71.88

 

CMYK 0 / 20 / 83 / 8

HEX #EBBD28

RGB 235 189 40

HSL 45.85, 0.83%, 0.54%

LAB 78.58, 3.44, 73.8

 

CMYK 0 / 16 / 67 / 7

HEX #EEC94E

RGB 238 201 78

HSL 46.13, 0.82%, 0.62%

LAB 82.11, 0.04, 63.94

 

CMYK 0 / 12 / 52 / 5

HEX #F2D473

RGB 242 212 115

HSL 45.83, 0.83%, 0.7%

LAB 85.61, -1.42, 51.33

 

CMYK 0 / 19 / 83 / 8

HEX #EBBE29

RGB 235 190 41

HSL 46.08, 0.83%, 0.54%

LAB 78.84, 2.95, 73.74

 

CMYK 80 / 0 / 83 / 8

HEX #2EEB28

RGB 46 235 40

HSL 118.15, 0.83%, 0.54%

LAB 81.92, -77.09, 73.01

 

CMYK 53 / 83 / 0 / 8

HEX #6F28EB

RGB 111 40 235

HSL 261.85, 0.83%, 0.54%

LAB 39.4, 69.62, -84.59

 

CMYK 0 / 19 / 83 / 8

HEX #EBBE29

RGB 235 190 41

HSL 46.08, 0.83%, 0.54%

LAB 78.84, 2.95, 73.74

 

CMYK 83 / 0 / 20 / 8

HEX #28EBBD

RGB 40 235 189

HSL 165.85, 0.83%, 0.54%

LAB 83.73, -55.89, 9.53

 

CMYK 20 / 83 / 0 / 8

HEX #BD28EB

RGB 189 40 235

HSL 285.85, 0.83%, 0.54%

LAB 49.9, 80.18, -67

 

CMYK 0 / 19 / 83 / 8

HEX #EBBE29

RGB 235 190 41

HSL 46.08, 0.83%, 0.54%

LAB 78.84, 2.95, 73.74

 

CMYK 80 / 0 / 83 / 8

HEX #2EEB28

RGB 46 235 40

HSL 118.15, 0.83%, 0.54%

LAB 81.92, -77.09, 73.01

 

CMYK 83 / 64 / 0 / 8

HEX #2855EB

RGB 40 85 235

HSL 226.15, 0.83%, 0.54%

LAB 42.68, 40.02, -79.36

 

CMYK 3 / 83 / 0 / 8

HEX #E428EB

RGB 228 40 235

HSL 297.85, 0.83%, 0.54%

LAB 56.1, 86.71, -56.7

 

CMYK 0 / 19 / 83 / 8

HEX #EBBE29

RGB 235 190 41

HSL 46.08, 0.83%, 0.54%

LAB 78.84, 2.95, 73.74

 

CMYK 83 / 0 / 61 / 8

HEX #28EB5C

RGB 40 235 92

HSL 136, 0.83%, 0.54%

LAB 82.19, -73.52, 55.38

 

CMYK 83 / 64 / 0 / 8

HEX #2855EB

RGB 40 85 235

HSL 226.15, 0.83%, 0.54%

LAB 42.68, 40.02, -79.36

 

CMYK 0 / 83 / 22 / 8

HEX #EB28B7

RGB 235 40 183

HSL 316, 0.83%, 0.54%

LAB 54.66, 80.96, -29.18

 

Description

Color code: HEX #EBBE29 | qconv.com Color code: HEX #EBBE29 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 190 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 190 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 83 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 83% 8% C M Y K

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