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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBC6CE it is the complementary color #143931. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBC6CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBC6CE shade: #F0C6C9, #FFD8DC, #FFEAEF and #FFFCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBC6CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBC6CE shade: #EBC6CE, #DAB4BB, #C9A2A8, #B89095 and #A77E82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBC6CE shade: #EBC6CE and #EBC6C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBC6CE shade: #EBC6CE, #EBC6D8, #EBC6E2, #EAC6EB and #E0C6EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBC6CE shade matches the following richer shades: #EBC6CE, #F1C0CA, #F7BAC7 and #FDB3C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBC6CE shade: #EBC6CE, #E4CCD1, #DED2D5, #D8D8D8 and #D2DFDC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBC6CE shade: #EBC6E1, #EBC6D8, #EBC6CE, #EBC8C6 and #EBD2C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBC6CE shade: #D58999, #E0A7B4, #EBC6CE and #F5E4E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBC6CE shade: #EBC6CE, #EBEAC6 and #C6DDEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBC6CE shade: #EBC6CE, #CEEBC6 and #C6CEEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBC6CE shade: #EBC6CE, #EBEAC6, #C6EBE3 and #C6C7EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBC6CE shade: #EBC6CE, #E0EBC6, #C6EBE3 and #D0C6EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 12 / 8

HEX #EBC6CE

RGB 235 198 206

HSL 347.03, 0.48%, 0.85%

LAB 83.18, 14.35, 0.89

 

Complementary color

CMYK 65 / 0 / 14 / 78

HEX #143931

RGB 20 57 49

HSL 167.03, 0.48%, 0.15%

LAB 21.2, -15.58, 1.02

 

CMYK 0 / 18 / 16 / 6

HEX #F0C6C9

RGB 240 198 201

HSL 355.71, 0.58%, 0.86%

LAB 83.51, 15.33, 4.1

 

CMYK 0 / 15 / 14 / 0

HEX #FFD8DC

RGB 255 216 220

HSL 353.85, 1%, 0.92%

LAB 89.64, 14.18, 3.08

 

CMYK 0 / 8 / 6 / 0

HEX #FFEAEF

RGB 255 234 239

HSL 345.71, 1%, 0.96%

LAB 94.46, 7.95, 0.15

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252 255

HSL 300, 1%, 0.99%

LAB 99.26, 1.52, -1.09

 

CMYK 0 / 16 / 12 / 8

HEX #EBC6CE

RGB 235 198 206

HSL 347.03, 0.48%, 0.85%

LAB 83.18, 14.35, 0.89

 

CMYK 0 / 17 / 14 / 15

HEX #DAB4BB

RGB 218 180 187

HSL 348.95, 0.34%, 0.78%

LAB 76.76, 14.8, 1.6

 

CMYK 0 / 19 / 16 / 21

HEX #C9A2A8

RGB 201 162 168

HSL 350.77, 0.27%, 0.71%

LAB 70.24, 15.31, 2.34

 

CMYK 0 / 22 / 19 / 28

HEX #B89095

RGB 184 144 149

HSL 352.5, 0.22%, 0.64%

LAB 63.6, 15.86, 3.14

 

CMYK 0 / 25 / 22 / 35

HEX #A77E82

RGB 167 126 130

HSL 354.15, 0.19%, 0.57%

LAB 56.83, 16.48, 4

 

CMYK 0 / 16 / 12 / 8

HEX #EBC6CE

RGB 235 198 206

HSL 347.03, 0.48%, 0.85%

LAB 83.18, 14.35, 0.89

 

CMYK 0 / 16 / 16 / 8

HEX #EBC6C6

RGB 235 198 198

HSL 0, 0.48%, 0.85%

LAB 82.98, 13.08, 4.88

 

CMYK 0 / 16 / 12 / 8

HEX #EBC6CE

RGB 235 198 206

HSL 347.03, 0.48%, 0.85%

LAB 83.18, 14.35, 0.89

 

CMYK 0 / 16 / 8 / 8

HEX #EBC6D8

RGB 235 198 216

HSL 330.81, 0.48%, 0.85%

LAB 83.45, 16.01, -4.07

 

CMYK 0 / 16 / 4 / 8

HEX #EBC6E2

RGB 235 198 226

HSL 314.59, 0.48%, 0.85%

LAB 83.73, 17.74, -9

 

CMYK 0 / 16 / 0 / 8

HEX #EAC6EB

RGB 234 198 235

HSL 298.38, 0.48%, 0.85%

LAB 83.9, 19.02, -13.54

 

CMYK 5 / 16 / 0 / 8

HEX #E0C6EB

RGB 224 198 235

HSL 282.16, 0.48%, 0.85%

LAB 83.04, 15.72, -14.93

 

CMYK 0 / 16 / 12 / 8

HEX #EBC6CE

RGB 235 198 206

HSL 347.03, 0.48%, 0.85%

LAB 83.18, 14.35, 0.89

 

CMYK 0 / 20 / 16 / 5

HEX #F1C0CA

RGB 241 192 202

HSL 347.76, 0.64%, 0.85%

LAB 82.2, 19.02, 1.67

 

CMYK 0 / 25 / 19 / 3

HEX #F7BAC7

RGB 247 186 199

HSL 347.21, 0.79%, 0.85%

LAB 81.3, 23.87, 2.05

 

CMYK 0 / 29 / 23 / 1

HEX #FDB3C3

RGB 253 179 195

HSL 347.03, 0.95%, 0.85%

LAB 80.22, 29.11, 2.71

 

CMYK 0 / 16 / 12 / 8

HEX #EBC6CE

RGB 235 198 206

HSL 347.03, 0.48%, 0.85%

LAB 83.18, 14.35, 0.89

 

CMYK 0 / 11 / 8 / 11

HEX #E4CCD1

RGB 228 204 209

HSL 347.5, 0.31%, 0.85%

LAB 84.11, 9.21, 0.57

 

CMYK 0 / 5 / 4 / 13

HEX #DED2D5

RGB 222 210 213

HSL 345, 0.15%, 0.85%

LAB 85.21, 4.66, -0.01

 

CMYK 0 / 0 / 0 / 15

HEX #D8D8D8

RGB 216 216 216

HSL 0, 0%, 0.85%

LAB 86.34, 0, -0.01

 

CMYK 6 / 0 / 1 / 13

HEX #D2DFDC

RGB 210 223 220

HSL 166.15, 0.17%, 0.85%

LAB 87.8, -4.9, -0.04

 

CMYK 0 / 16 / 4 / 8

HEX #EBC6E1

RGB 235 198 225

HSL 316.22, 0.48%, 0.85%

LAB 83.7, 17.56, -8.5

 

CMYK 0 / 16 / 8 / 8

HEX #EBC6D8

RGB 235 198 216

HSL 330.81, 0.48%, 0.85%

LAB 83.45, 16.01, -4.07

 

CMYK 0 / 16 / 12 / 8

HEX #EBC6CE

RGB 235 198 206

HSL 347.03, 0.48%, 0.85%

LAB 83.18, 14.35, 0.89

 

CMYK 0 / 15 / 16 / 8

HEX #EBC8C6

RGB 235 200 198

HSL 3.24, 0.48%, 0.85%

LAB 83.47, 12.02, 5.58

 

CMYK 0 / 11 / 16 / 8

HEX #EBD2C6

RGB 235 210 198

HSL 19.46, 0.48%, 0.85%

LAB 85.92, 6.77, 9.11

 

CMYK 0 / 36 / 28 / 16

HEX #D58999

RGB 213 137 153

HSL 347.37, 0.48%, 0.69%

LAB 65.23, 31.12, 3.64

 

CMYK 0 / 25 / 20 / 12

HEX #E0A7B4

RGB 224 167 180

HSL 346.32, 0.48%, 0.77%

LAB 74.05, 22.88, 1.55

 

CMYK 0 / 16 / 12 / 8

HEX #EBC6CE

RGB 235 198 206

HSL 347.03, 0.48%, 0.85%

LAB 83.18, 14.35, 0.89

 

CMYK 0 / 7 / 5 / 4

HEX #F5E4E8

RGB 245 228 232

HSL 345.88, 0.46%, 0.93%

LAB 92.01, 6.46, 0.13

 

CMYK 0 / 16 / 12 / 8

HEX #EBC6CE

RGB 235 198 206

HSL 347.03, 0.48%, 0.85%

LAB 83.18, 14.35, 0.89

 

CMYK 0 / 0 / 16 / 8

HEX #EBEAC6

RGB 235 234 198

HSL 58.38, 0.48%, 0.85%

LAB 91.95, -5.57, 17.64

 

CMYK 16 / 6 / 0 / 8

HEX #C6DDEB

RGB 198 221 235

HSL 202.7, 0.48%, 0.85%

LAB 86.86, -4.79, -9.43

 

CMYK 0 / 16 / 12 / 8

HEX #EBC6CE

RGB 235 198 206

HSL 347.03, 0.48%, 0.85%

LAB 83.18, 14.35, 0.89

 

CMYK 12 / 0 / 16 / 8

HEX #CEEBC6

RGB 206 235 198

HSL 107.03, 0.48%, 0.85%

LAB 90.14, -16.2, 14.8

 

CMYK 16 / 12 / 0 / 8

HEX #C6CEEB

RGB 198 206 235

HSL 227.03, 0.48%, 0.85%

LAB 82.99, 3.08, -15.21

 

CMYK 0 / 16 / 12 / 8

HEX #EBC6CE

RGB 235 198 206

HSL 347.03, 0.48%, 0.85%

LAB 83.18, 14.35, 0.89

 

CMYK 0 / 0 / 16 / 8

HEX #EBEAC6

RGB 235 234 198

HSL 58.38, 0.48%, 0.85%

LAB 91.95, -5.57, 17.64

 

CMYK 16 / 0 / 3 / 8

HEX #C6EBE3

RGB 198 235 227

HSL 167.03, 0.48%, 0.85%

LAB 90.31, -13.54, -0.15

 

CMYK 16 / 15 / 0 / 8

HEX #C6C7EB

RGB 198 199 235

HSL 238.38, 0.48%, 0.85%

LAB 81.21, 6.81, -17.89

 

CMYK 0 / 16 / 12 / 8

HEX #EBC6CE

RGB 235 198 206

HSL 347.03, 0.48%, 0.85%

LAB 83.18, 14.35, 0.89

 

CMYK 5 / 0 / 16 / 8

HEX #E0EBC6

RGB 224 235 198

HSL 77.84, 0.48%, 0.85%

LAB 91.39, -9.97, 16.74

 

CMYK 16 / 0 / 3 / 8

HEX #C6EBE3

RGB 198 235 227

HSL 167.03, 0.48%, 0.85%

LAB 90.31, -13.54, -0.15

 

CMYK 11 / 16 / 0 / 8

HEX #D0C6EB

RGB 208 198 235

HSL 256.22, 0.48%, 0.85%

LAB 81.73, 10.52, -17.03

 

Description

Color code: HEX #EBC6CE | qconv.com Color code: HEX #EBC6CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 198 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 198 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 12 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 12% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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