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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBC883 it is the complementary color #14377C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBC883. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBC883 shade: #F0C87E, #FFDA91, #FFECA4, #FFFEB7 and #FFFFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBC883. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBC883 shade: #EBC883, #DAB670, #C9A45D, #B8924A and #A78037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBC883 shade: #EBC884, #EBAC84, #EB9084 and #EB8484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBC883 shade: #EBC884, #EBE484, #D6EB84, #BAEB84 and #9EEB84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBC883 shade matches the following richer shades: #EBC884 and #F6CC78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBC883 shade: #EBC884, #DFC48F, #D3C09B, #C8BDA6 and #BCB9B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBC883 shade: #EB9084, #EBAB84, #EBC784, #EBE284 and #D8EB84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBC883 shade: #DFA83D, #E5B860, #EBC884, #F0D8A7 and #F6E7CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBC883 shade: #EBC883, #93EB84 and #9D84EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBC883 shade: #EBC883, #84EBC7 and #C784EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBC883 shade: #EBC883, #93EB84, #84A8EB and #DB84EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBC883 shade: #EBC883, #84EB93, #84A8EB and #EB84DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 44 / 8

HEX #EBC883

RGB 235 200 131

HSL 39.81, 0.72%, 0.72%

LAB 82.17, 3.41, 39.03

 

Complementary color

CMYK 84 / 56 / 0 / 51

HEX #14377C

RGB 20 55 124

HSL 219.81, 0.72%, 0.28%

LAB 24.75, 15.27, -42.71

 

CMYK 0 / 17 / 48 / 6

HEX #F0C87E

RGB 240 200 126

HSL 38.95, 0.79%, 0.72%

LAB 82.56, 4.93, 42.15

 

CMYK 0 / 15 / 43 / 0

HEX #FFDA91

RGB 255 218 145

HSL 39.82, 1%, 0.78%

LAB 88.66, 3.45, 40.63

 

CMYK 0 / 7 / 36 / 0

HEX #FFECA4

RGB 255 236 164

HSL 47.47, 1%, 0.82%

LAB 93.42, -3.65, 37.28

 

CMYK 0 / 0 / 28 / 0

HEX #FFFEB7

RGB 255 254 183

HSL 59.17, 1%, 0.86%

LAB 98.26, -10.34, 34.17

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 15 / 44 / 8

HEX #EBC883

RGB 235 200 131

HSL 39.81, 0.72%, 0.72%

LAB 82.17, 3.41, 39.03

 

CMYK 0 / 17 / 49 / 15

HEX #DAB670

RGB 218 182 112

HSL 39.62, 0.59%, 0.65%

LAB 75.78, 4.13, 40.3

 

CMYK 0 / 18 / 54 / 21

HEX #C9A45D

RGB 201 164 93

HSL 39.44, 0.5%, 0.58%

LAB 69.3, 4.96, 41.62

 

CMYK 0 / 21 / 60 / 28

HEX #B8924A

RGB 184 146 74

HSL 39.27, 0.44%, 0.51%

LAB 62.71, 5.94, 42.96

 

CMYK 0 / 23 / 67 / 35

HEX #A78037

RGB 167 128 55

HSL 39.11, 0.5%, 0.44%

LAB 56.02, 7.12, 44.24

 

CMYK 0 / 15 / 44 / 8

HEX #EBC884

RGB 235 200 132

HSL 39.61, 0.72%, 0.72%

LAB 82.18, 3.51, 38.53

 

CMYK 0 / 27 / 44 / 8

HEX #EBAC84

RGB 235 172 132

HSL 23.3, 0.72%, 0.72%

LAB 75.35, 18.27, 29.63

 

CMYK 0 / 39 / 44 / 8

HEX #EB9084

RGB 235 144 132

HSL 6.99, 0.72%, 0.72%

LAB 68.95, 33.11, 21.03

 

CMYK 0 / 44 / 44 / 8

HEX #EB8484

RGB 235 132 132

HSL 0, 0.72%, 0.72%

LAB 66.39, 39.35, 17.52

 

CMYK 0 / 15 / 44 / 8

HEX #EBC884

RGB 235 200 132

HSL 39.61, 0.72%, 0.72%

LAB 82.18, 3.51, 38.53

 

CMYK 0 / 3 / 44 / 8

HEX #EBE484

RGB 235 228 132

HSL 55.92, 0.72%, 0.72%

LAB 89.31, -10.76, 47.51

 

CMYK 9 / 0 / 44 / 8

HEX #D6EB84

RGB 214 235 132

HSL 72.23, 0.72%, 0.72%

LAB 89.57, -22.34, 47.5

 

CMYK 21 / 0 / 44 / 8

HEX #BAEB84

RGB 186 235 132

HSL 88.54, 0.72%, 0.72%

LAB 87.74, -32.72, 44.81

 

CMYK 33 / 0 / 44 / 8

HEX #9EEB84

RGB 158 235 132

HSL 104.85, 0.72%, 0.72%

LAB 86.18, -42.34, 42.52

 

CMYK 0 / 15 / 44 / 8

HEX #EBC884

RGB 235 200 132

HSL 39.61, 0.72%, 0.72%

LAB 82.18, 3.51, 38.53

 

CMYK 0 / 17 / 51 / 4

HEX #F6CC78

RGB 246 204 120

HSL 40, 0.88%, 0.72%

LAB 84.04, 4.74, 47.09

 

CMYK 0 / 15 / 44 / 8

HEX #EBC884

RGB 235 200 132

HSL 39.61, 0.72%, 0.72%

LAB 82.18, 3.51, 38.53

 

CMYK 0 / 12 / 36 / 13

HEX #DFC48F

RGB 223 196 143

HSL 39.75, 0.56%, 0.72%

LAB 80.26, 2.05, 30.14

 

CMYK 0 / 9 / 27 / 17

HEX #D3C09B

RGB 211 192 155

HSL 39.64, 0.39%, 0.72%

LAB 78.41, 1.02, 21.11

 

CMYK 0 / 5 / 17 / 22

HEX #C8BDA6

RGB 200 189 166

HSL 40.59, 0.24%, 0.72%

LAB 76.94, 0.05, 13.02

 

CMYK 0 / 2 / 5 / 26

HEX #BCB9B2

RGB 188 185 178

HSL 42, 0.07%, 0.72%

LAB 75.2, -0.21, 3.91

 

CMYK 0 / 39 / 44 / 8

HEX #EB9084

RGB 235 144 132

HSL 6.99, 0.72%, 0.72%

LAB 68.95, 33.11, 21.03

 

CMYK 0 / 27 / 44 / 8

HEX #EBAB84

RGB 235 171 132

HSL 22.72, 0.72%, 0.72%

LAB 75.11, 18.8, 29.32

 

CMYK 0 / 15 / 44 / 8

HEX #EBC784

RGB 235 199 132

HSL 39.03, 0.72%, 0.72%

LAB 81.93, 4.03, 38.21

 

CMYK 0 / 4 / 44 / 8

HEX #EBE284

RGB 235 226 132

HSL 54.76, 0.72%, 0.72%

LAB 88.79, -9.77, 46.87

 

CMYK 8 / 0 / 44 / 8

HEX #D8EB84

RGB 216 235 132

HSL 71.07, 0.72%, 0.72%

LAB 89.71, -21.57, 47.7

 

CMYK 0 / 25 / 73 / 13

HEX #DFA83D

RGB 223 168 61

HSL 39.63, 0.72%, 0.56%

LAB 72.25, 10.11, 60.36

 

CMYK 0 / 20 / 58 / 10

HEX #E5B860

RGB 229 184 96

HSL 39.7, 0.72%, 0.64%

LAB 77.15, 6.28, 50.15

 

CMYK 0 / 15 / 44 / 8

HEX #EBC884

RGB 235 200 132

HSL 39.61, 0.72%, 0.72%

LAB 82.18, 3.51, 38.53

 

CMYK 0 / 10 / 30 / 6

HEX #F0D8A7

RGB 240 216 167

HSL 40.27, 0.71%, 0.8%

LAB 87.21, 1.17, 27.22

 

CMYK 0 / 6 / 17 / 4

HEX #F6E7CB

RGB 246 231 203

HSL 39.07, 0.7%, 0.88%

LAB 92.16, 0.64, 15.47

 

CMYK 0 / 15 / 44 / 8

HEX #EBC883

RGB 235 200 131

HSL 39.81, 0.72%, 0.72%

LAB 82.17, 3.41, 39.03

 

CMYK 37 / 0 / 44 / 8

HEX #93EB84

RGB 147 235 132

HSL 111.26, 0.72%, 0.72%

LAB 85.65, -45.84, 41.73

 

CMYK 33 / 44 / 0 / 8

HEX #9D84EB

RGB 157 132 235

HSL 254.56, 0.72%, 0.72%

LAB 61.37, 32.1, -48.84

 

CMYK 0 / 15 / 44 / 8

HEX #EBC883

RGB 235 200 131

HSL 39.81, 0.72%, 0.72%

LAB 82.17, 3.41, 39.03

 

CMYK 44 / 0 / 15 / 8

HEX #84EBC7

RGB 132 235 199

HSL 159.03, 0.72%, 0.72%

LAB 86.23, -38.28, 8.17

 

CMYK 15 / 44 / 0 / 8

HEX #C784EB

RGB 199 132 235

HSL 279.03, 0.72%, 0.72%

LAB 65.47, 43.66, -42.1

 

CMYK 0 / 15 / 44 / 8

HEX #EBC883

RGB 235 200 131

HSL 39.81, 0.72%, 0.72%

LAB 82.17, 3.41, 39.03

 

CMYK 37 / 0 / 44 / 8

HEX #93EB84

RGB 147 235 132

HSL 111.26, 0.72%, 0.72%

LAB 85.65, -45.84, 41.73

 

CMYK 44 / 29 / 0 / 8

HEX #84A8EB

RGB 132 168 235

HSL 219.03, 0.72%, 0.72%

LAB 68.69, 4.97, -37.48

 

CMYK 7 / 44 / 0 / 8

HEX #DB84EB

RGB 219 132 235

HSL 290.68, 0.72%, 0.72%

LAB 67.7, 49.38, -38.46

 

CMYK 0 / 15 / 44 / 8

HEX #EBC883

RGB 235 200 131

HSL 39.81, 0.72%, 0.72%

LAB 82.17, 3.41, 39.03

 

CMYK 44 / 0 / 37 / 8

HEX #84EB93

RGB 132 235 147

HSL 128.74, 0.72%, 0.72%

LAB 85.21, -48.05, 33.6

 

CMYK 44 / 29 / 0 / 8

HEX #84A8EB

RGB 132 168 235

HSL 219.03, 0.72%, 0.72%

LAB 68.69, 4.97, -37.48

 

CMYK 0 / 44 / 7 / 8

HEX #EB84DB

RGB 235 132 219

HSL 309.32, 0.72%, 0.72%

LAB 68.95, 51.23, -27.52

 

Description

Color code: HEX #EBC883 | qconv.com Color code: HEX #EBC883 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 200 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 200 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 44 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 44% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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