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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBCB92 it is the complementary color #14346D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBCB92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBCB92 shade: #F0CB8D, #FFDDA0, #FFEFB3, #FFFFC6 and #FFFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBCB92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBCB92 shade: #EBCB92, #DAB97F, #C9A76C, #B89559 and #A78346

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBCB92 shade: #EBCB93, #EBB393, #EB9C93 and #EB9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBCB92 shade: #EBCB93, #EBE393, #DBEB93, #C3EB93 and #ABEB93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBCB92 shade matches the following richer shades: #EBCB93 and #F5CE88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBCB92 shade: #EBCB93, #E0C89D, #D6C5A7, #CCC2B2 and #C1C0BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBCB92 shade: #EB9C93, #EBB393, #EBCA93, #EBE293 and #DCEB93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBCB92 shade: #DEAA4D, #E4BA70, #EBCB93, #F1DCB6 and #F8ECD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBCB92 shade: #EBCB92, #A1EB93 and #A793EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBCB92 shade: #EBCB92, #93EBCA and #CA93EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBCB92 shade: #EBCB92, #A1EB93, #93B3EB and #DC93EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBCB92 shade: #EBCB92, #93EB9E, #93B3EB and #EB93DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 38 / 8

HEX #EBCB92

RGB 235 203 146

HSL 38.43, 0.69%, 0.75%

LAB 83.15, 3.45, 32.6

 

Complementary color

CMYK 82 / 52 / 0 / 57

HEX #14346D

RGB 20 52 109

HSL 218.43, 0.69%, 0.25%

LAB 22.68, 11.1, -36.5

 

CMYK 0 / 15 / 41 / 6

HEX #F0CB8D

RGB 240 203 141

HSL 37.58, 0.77%, 0.75%

LAB 83.53, 4.87, 35.76

 

CMYK 0 / 13 / 37 / 0

HEX #FFDDA0

RGB 255 221 160

HSL 38.53, 1%, 0.81%

LAB 89.63, 3.51, 34.3

 

CMYK 0 / 6 / 30 / 0

HEX #FFEFB3

RGB 255 239 179

HSL 47.37, 1%, 0.85%

LAB 94.42, -3.38, 31.03

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 14 / 38 / 8

HEX #EBCB92

RGB 235 203 146

HSL 38.43, 0.69%, 0.75%

LAB 83.15, 3.45, 32.6

 

CMYK 0 / 15 / 42 / 15

HEX #DAB97F

RGB 218 185 127

HSL 38.24, 0.55%, 0.68%

LAB 76.76, 4.05, 33.81

 

CMYK 0 / 17 / 46 / 21

HEX #C9A76C

RGB 201 167 108

HSL 38.06, 0.46%, 0.61%

LAB 70.27, 4.74, 35.08

 

CMYK 0 / 19 / 52 / 28

HEX #B89559

RGB 184 149 89

HSL 37.89, 0.4%, 0.54%

LAB 63.68, 5.55, 36.42

 

CMYK 0 / 22 / 58 / 35

HEX #A78346

RGB 167 131 70

HSL 37.73, 0.41%, 0.46%

LAB 56.97, 6.51, 37.82

 

CMYK 0 / 14 / 37 / 8

HEX #EBCB93

RGB 235 203 147

HSL 38.18, 0.69%, 0.75%

LAB 83.17, 3.56, 32.1

 

CMYK 0 / 24 / 37 / 8

HEX #EBB393

RGB 235 179 147

HSL 21.82, 0.69%, 0.75%

LAB 77.29, 16.19, 24.21

 

CMYK 0 / 34 / 37 / 8

HEX #EB9C93

RGB 235 156 147

HSL 6.14, 0.69%, 0.75%

LAB 71.92, 28.42, 16.85

 

CMYK 0 / 37 / 37 / 8

HEX #EB9393

RGB 235 147 147

HSL 0, 0.69%, 0.75%

LAB 69.92, 33.18, 14.05

 

CMYK 0 / 14 / 37 / 8

HEX #EBCB93

RGB 235 203 147

HSL 38.18, 0.69%, 0.75%

LAB 83.17, 3.56, 32.1

 

CMYK 0 / 3 / 37 / 8

HEX #EBE393

RGB 235 227 147

HSL 54.55, 0.69%, 0.75%

LAB 89.26, -8.71, 40.06

 

CMYK 7 / 0 / 37 / 8

HEX #DBEB93

RGB 219 235 147

HSL 70.91, 0.69%, 0.75%

LAB 90.13, -18.78, 40.94

 

CMYK 17 / 0 / 37 / 8

HEX #C3EB93

RGB 195 235 147

HSL 87.27, 0.69%, 0.75%

LAB 88.51, -27.63, 38.53

 

CMYK 27 / 0 / 37 / 8

HEX #ABEB93

RGB 171 235 147

HSL 103.64, 0.69%, 0.75%

LAB 87.09, -36, 36.4

 

CMYK 0 / 14 / 37 / 8

HEX #EBCB93

RGB 235 203 147

HSL 38.18, 0.69%, 0.75%

LAB 83.17, 3.56, 32.1

 

CMYK 0 / 16 / 44 / 4

HEX #F5CE88

RGB 245 206 136

HSL 38.53, 0.84%, 0.75%

LAB 84.65, 4.78, 39.85

 

CMYK 0 / 14 / 37 / 8

HEX #EBCB93

RGB 235 203 147

HSL 38.18, 0.69%, 0.75%

LAB 83.17, 3.56, 32.1

 

CMYK 0 / 11 / 30 / 12

HEX #E0C89D

RGB 224 200 157

HSL 38.51, 0.52%, 0.75%

LAB 81.61, 2.07, 24.62

 

CMYK 0 / 8 / 22 / 16

HEX #D6C5A7

RGB 214 197 167

HSL 38.3, 0.36%, 0.75%

LAB 80.19, 1.22, 17.22

 

CMYK 0 / 5 / 13 / 20

HEX #CCC2B2

RGB 204 194 178

HSL 36.92, 0.2%, 0.75%

LAB 78.83, 0.79, 9.29

 

CMYK 0 / 1 / 3 / 24

HEX #C1C0BC

RGB 193 192 188

HSL 48, 0.04%, 0.75%

LAB 77.68, -0.38, 2.13

 

CMYK 0 / 34 / 37 / 8

HEX #EB9C93

RGB 235 156 147

HSL 6.14, 0.69%, 0.75%

LAB 71.92, 28.42, 16.85

 

CMYK 0 / 24 / 37 / 8

HEX #EBB393

RGB 235 179 147

HSL 21.82, 0.69%, 0.75%

LAB 77.29, 16.19, 24.21

 

CMYK 0 / 14 / 37 / 8

HEX #EBCA93

RGB 235 202 147

HSL 37.5, 0.69%, 0.75%

LAB 82.92, 4.08, 31.77

 

CMYK 0 / 4 / 37 / 8

HEX #EBE293

RGB 235 226 147

HSL 53.86, 0.69%, 0.75%

LAB 89, -8.2, 39.73

 

CMYK 6 / 0 / 37 / 8

HEX #DCEB93

RGB 220 235 147

HSL 70.23, 0.69%, 0.75%

LAB 90.2, -18.4, 41.05

 

CMYK 0 / 23 / 65 / 13

HEX #DEAA4D

RGB 222 170 77

HSL 38.48, 0.69%, 0.59%

LAB 72.77, 9.47, 53.93

 

CMYK 0 / 18 / 51 / 11

HEX #E4BA70

RGB 228 186 112

HSL 38.28, 0.68%, 0.67%

LAB 77.75, 6.11, 42.95

 

CMYK 0 / 14 / 37 / 8

HEX #EBCB93

RGB 235 203 147

HSL 38.18, 0.69%, 0.75%

LAB 83.17, 3.56, 32.1

 

CMYK 0 / 9 / 24 / 5

HEX #F1DCB6

RGB 241 220 182

HSL 38.64, 0.68%, 0.83%

LAB 88.57, 1.46, 21.32

 

CMYK 0 / 5 / 13 / 3

HEX #F8ECD8

RGB 248 236 216

HSL 37.5, 0.7%, 0.91%

LAB 93.84, 0.78, 11.14

 

CMYK 0 / 14 / 38 / 8

HEX #EBCB92

RGB 235 203 146

HSL 38.43, 0.69%, 0.75%

LAB 83.15, 3.45, 32.6

 

CMYK 31 / 0 / 37 / 8

HEX #A1EB93

RGB 161 235 147

HSL 110.45, 0.69%, 0.75%

LAB 86.55, -39.3, 35.61

 

CMYK 29 / 37 / 0 / 8

HEX #A793EB

RGB 167 147 235

HSL 253.64, 0.69%, 0.75%

LAB 65.81, 26.27, -41.78

 

CMYK 0 / 14 / 38 / 8

HEX #EBCB92

RGB 235 203 146

HSL 38.43, 0.69%, 0.75%

LAB 83.15, 3.45, 32.6

 

CMYK 37 / 0 / 14 / 8

HEX #93EBCA

RGB 147 235 202

HSL 157.5, 0.69%, 0.75%

LAB 86.94, -33.72, 7.71

 

CMYK 14 / 37 / 0 / 8

HEX #CA93EB

RGB 202 147 235

HSL 277.5, 0.69%, 0.75%

LAB 69.06, 36.43, -36.48

 

CMYK 0 / 14 / 38 / 8

HEX #EBCB92

RGB 235 203 146

HSL 38.43, 0.69%, 0.75%

LAB 83.15, 3.45, 32.6

 

CMYK 31 / 0 / 37 / 8

HEX #A1EB93

RGB 161 235 147

HSL 110.45, 0.69%, 0.75%

LAB 86.55, -39.3, 35.61

 

CMYK 37 / 24 / 0 / 8

HEX #93B3EB

RGB 147 179 235

HSL 218.18, 0.69%, 0.75%

LAB 72.52, 2.71, -31.46

 

CMYK 6 / 37 / 0 / 8

HEX #DC93EB

RGB 220 147 235

HSL 289.77, 0.69%, 0.75%

LAB 70.93, 41.83, -33.43

 

CMYK 0 / 14 / 38 / 8

HEX #EBCB92

RGB 235 203 146

HSL 38.43, 0.69%, 0.75%

LAB 83.15, 3.45, 32.6

 

CMYK 37 / 0 / 33 / 8

HEX #93EB9E

RGB 147 235 158

HSL 127.5, 0.69%, 0.75%

LAB 86.05, -41.94, 29.25

 

CMYK 37 / 24 / 0 / 8

HEX #93B3EB

RGB 147 179 235

HSL 218.18, 0.69%, 0.75%

LAB 72.52, 2.71, -31.46

 

CMYK 0 / 37 / 5 / 8

HEX #EB93DF

RGB 235 147 223

HSL 308.18, 0.69%, 0.75%

LAB 72.13, 44.25, -24.85

 

Description

Color code: HEX #EBCB92 | qconv.com Color code: HEX #EBCB92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 203 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 203 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 38 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 38% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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