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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBDEC5 it is the complementary color #14213A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBDEC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBDEC5 shade: #F0DEC0, #FFF0D3, #FFFFE6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBDEC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBDEC5 shade: #EBDEC5, #DACCB2, #C9BA9F, #B8A88C and #A79679

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBDEC5 shade: #EBDEC6, #EBD4C6, #EBCAC6 and #EBC6C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBDEC5 shade: #EBDEC6, #EBE8C6, #E4EBC6, #D9EBC6 and #CFEBC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBDEC5 shade matches the following richer shades: #EBDEC6, #F1E0BF, #F7E2B9 and #FEE4B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBDEC5 shade: #EBDEC6, #E5DCCC, #DFDAD2, #D8D8D8 and #D2D6DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBDEC5 shade: #EBCAC6, #EBD4C6, #EBDEC6, #EBE8C6 and #E4EBC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBDEC5 shade: #D6BB88, #E0CDA7, #EBDEC6 and #F6F0E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBDEC5 shade: #EBDEC5, #CBEBC6 and #CFC6EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBDEC5 shade: #EBDEC5, #C6EBDE and #DEC6EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBDEC5 shade: #EBDEC5, #CBEBC6, #C6D3EB and #E5C6EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBDEC5 shade: #EBDEC5, #C6EBCB, #C6D3EB and #EBC6E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 16 / 8

HEX #EBDEC5

RGB 235 222 197

HSL 39.47, 0.49%, 0.85%

LAB 88.89, 0.4, 13.86

 

Complementary color

CMYK 66 / 43 / 0 / 77

HEX #14213A

RGB 20 33 58

HSL 219.47, 0.49%, 0.15%

LAB 12.87, 3.59, -17.88

 

CMYK 0 / 8 / 20 / 6

HEX #F0DEC0

RGB 240 222 192

HSL 37.5, 0.62%, 0.85%

LAB 89.19, 1.47, 16.95

 

CMYK 0 / 6 / 17 / 0

HEX #FFF0D3

RGB 255 240 211

HSL 39.55, 1%, 0.91%

LAB 95.28, 0.47, 15.84

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 0 / 6 / 16 / 8

HEX #EBDEC5

RGB 235 222 197

HSL 39.47, 0.49%, 0.85%

LAB 88.89, 0.4, 13.86

 

CMYK 0 / 6 / 18 / 15

HEX #DACCB2

RGB 218 204 178

HSL 39, 0.35%, 0.78%

LAB 82.54, 0.66, 14.71

 

CMYK 0 / 7 / 21 / 21

HEX #C9BA9F

RGB 201 186 159

HSL 38.57, 0.28%, 0.71%

LAB 76.09, 0.96, 15.62

 

CMYK 0 / 9 / 24 / 28

HEX #B8A88C

RGB 184 168 140

HSL 38.18, 0.24%, 0.64%

LAB 69.53, 1.29, 16.58

 

CMYK 0 / 10 / 28 / 35

HEX #A79679

RGB 167 150 121

HSL 37.83, 0.21%, 0.56%

LAB 62.85, 1.67, 17.61

 

CMYK 0 / 6 / 16 / 8

HEX #EBDEC6

RGB 235 222 198

HSL 38.92, 0.48%, 0.85%

LAB 88.91, 0.55, 13.36

 

CMYK 0 / 10 / 16 / 8

HEX #EBD4C6

RGB 235 212 198

HSL 22.7, 0.48%, 0.85%

LAB 86.42, 5.73, 9.81

 

CMYK 0 / 14 / 16 / 8

HEX #EBCAC6

RGB 235 202 198

HSL 6.49, 0.48%, 0.85%

LAB 83.96, 10.97, 6.28

 

CMYK 0 / 16 / 16 / 8

HEX #EBC6C6

RGB 235 198 198

HSL 0, 0.48%, 0.85%

LAB 82.98, 13.08, 4.88

 

CMYK 0 / 6 / 16 / 8

HEX #EBDEC6

RGB 235 222 198

HSL 38.92, 0.48%, 0.85%

LAB 88.91, 0.55, 13.36

 

CMYK 0 / 1 / 16 / 8

HEX #EBE8C6

RGB 235 232 198

HSL 55.14, 0.48%, 0.85%

LAB 91.44, -4.56, 16.92

 

CMYK 3 / 0 / 16 / 8

HEX #E4EBC6

RGB 228 235 198

HSL 71.35, 0.48%, 0.85%

LAB 91.68, -8.56, 17.19

 

CMYK 8 / 0 / 16 / 8

HEX #D9EBC6

RGB 217 235 198

HSL 89.19, 0.48%, 0.85%

LAB 90.89, -12.42, 15.97

 

CMYK 12 / 0 / 16 / 8

HEX #CFEBC6

RGB 207 235 198

HSL 105.41, 0.48%, 0.85%

LAB 90.21, -15.86, 14.91

 

CMYK 0 / 6 / 16 / 8

HEX #EBDEC6

RGB 235 222 198

HSL 38.92, 0.48%, 0.85%

LAB 88.91, 0.55, 13.36

 

CMYK 0 / 7 / 21 / 5

HEX #F1E0BF

RGB 241 224 191

HSL 39.6, 0.64%, 0.85%

LAB 89.75, 0.66, 18.27

 

CMYK 0 / 9 / 25 / 3

HEX #F7E2B9

RGB 247 226 185

HSL 39.68, 0.79%, 0.85%

LAB 90.63, 1.01, 22.68

 

CMYK 0 / 10 / 30 / 0

HEX #FEE4B3

RGB 254 228 179

HSL 39.2, 0.97%, 0.85%

LAB 91.6, 1.81, 27.2

 

CMYK 0 / 6 / 16 / 8

HEX #EBDEC6

RGB 235 222 198

HSL 38.92, 0.48%, 0.85%

LAB 88.91, 0.55, 13.36

 

CMYK 0 / 4 / 11 / 10

HEX #E5DCCC

RGB 229 220 204

HSL 38.4, 0.32%, 0.85%

LAB 88.07, 0.39, 8.94

 

CMYK 0 / 2 / 6 / 13

HEX #DFDAD2

RGB 223 218 210

HSL 36.92, 0.17%, 0.85%

LAB 87.23, 0.32, 4.53

 

CMYK 0 / 0 / 0 / 15

HEX #D8D8D8

RGB 216 216 216

HSL 0, 0%, 0.85%

LAB 86.34, 0, -0.01

 

CMYK 5 / 4 / 0 / 13

HEX #D2D6DE

RGB 210 214 222

HSL 220, 0.15%, 0.85%

LAB 85.54, 0.14, -4.41

 

CMYK 0 / 14 / 16 / 8

HEX #EBCAC6

RGB 235 202 198

HSL 6.49, 0.48%, 0.85%

LAB 83.96, 10.97, 6.28

 

CMYK 0 / 10 / 16 / 8

HEX #EBD4C6

RGB 235 212 198

HSL 22.7, 0.48%, 0.85%

LAB 86.42, 5.73, 9.81

 

CMYK 0 / 6 / 16 / 8

HEX #EBDEC6

RGB 235 222 198

HSL 38.92, 0.48%, 0.85%

LAB 88.91, 0.55, 13.36

 

CMYK 0 / 1 / 16 / 8

HEX #EBE8C6

RGB 235 232 198

HSL 55.14, 0.48%, 0.85%

LAB 91.44, -4.56, 16.92

 

CMYK 3 / 0 / 16 / 8

HEX #E4EBC6

RGB 228 235 198

HSL 71.35, 0.48%, 0.85%

LAB 91.68, -8.56, 17.19

 

CMYK 0 / 13 / 36 / 16

HEX #D6BB88

RGB 214 187 136

HSL 39.23, 0.49%, 0.69%

LAB 77.05, 2.41, 29.39

 

CMYK 0 / 8 / 25 / 12

HEX #E0CDA7

RGB 224 205 167

HSL 40, 0.48%, 0.77%

LAB 83.07, 0.8, 21.35

 

CMYK 0 / 6 / 16 / 8

HEX #EBDEC6

RGB 235 222 198

HSL 38.92, 0.48%, 0.85%

LAB 88.91, 0.55, 13.36

 

CMYK 0 / 2 / 7 / 4

HEX #F6F0E4

RGB 246 240 228

HSL 40, 0.5%, 0.93%

LAB 94.96, -0.02, 6.5

 

CMYK 0 / 6 / 16 / 8

HEX #EBDEC5

RGB 235 222 197

HSL 39.47, 0.49%, 0.85%

LAB 88.89, 0.4, 13.86

 

CMYK 14 / 0 / 16 / 8

HEX #CBEBC6

RGB 203 235 198

HSL 111.89, 0.48%, 0.85%

LAB 89.95, -17.22, 14.5

 

CMYK 12 / 16 / 0 / 8

HEX #CFC6EB

RGB 207 198 235

HSL 254.59, 0.48%, 0.85%

LAB 81.65, 10.2, -17.16

 

CMYK 0 / 6 / 16 / 8

HEX #EBDEC5

RGB 235 222 197

HSL 39.47, 0.49%, 0.85%

LAB 88.89, 0.4, 13.86

 

CMYK 16 / 0 / 6 / 8

HEX #C6EBDE

RGB 198 235 222

HSL 158.92, 0.48%, 0.85%

LAB 90.18, -14.51, 2.28

 

CMYK 6 / 16 / 0 / 8

HEX #DEC6EB

RGB 222 198 235

HSL 278.92, 0.48%, 0.85%

LAB 82.87, 15.07, -15.2

 

CMYK 0 / 6 / 16 / 8

HEX #EBDEC5

RGB 235 222 197

HSL 39.47, 0.49%, 0.85%

LAB 88.89, 0.4, 13.86

 

CMYK 14 / 0 / 16 / 8

HEX #CBEBC6

RGB 203 235 198

HSL 111.89, 0.48%, 0.85%

LAB 89.95, -17.22, 14.5

 

CMYK 16 / 10 / 0 / 8

HEX #C6D3EB

RGB 198 211 235

HSL 218.92, 0.48%, 0.85%

LAB 84.27, 0.43, -13.28

 

CMYK 3 / 16 / 0 / 8

HEX #E5C6EB

RGB 229 198 235

HSL 290.27, 0.48%, 0.85%

LAB 83.47, 17.37, -14.24

 

CMYK 0 / 6 / 16 / 8

HEX #EBDEC5

RGB 235 222 197

HSL 39.47, 0.49%, 0.85%

LAB 88.89, 0.4, 13.86

 

CMYK 16 / 0 / 14 / 8

HEX #C6EBCB

RGB 198 235 203

HSL 128.11, 0.48%, 0.85%

LAB 89.74, -18.02, 11.55

 

CMYK 16 / 10 / 0 / 8

HEX #C6D3EB

RGB 198 211 235

HSL 218.92, 0.48%, 0.85%

LAB 84.27, 0.43, -13.28

 

CMYK 0 / 16 / 3 / 8

HEX #EBC6E5

RGB 235 198 229

HSL 309.73, 0.48%, 0.85%

LAB 83.81, 18.27, -10.47

 

Description

Color code: HEX #EBDEC5 | qconv.com Color code: HEX #EBDEC5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 222 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 222 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 16 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 16% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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