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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBDF60 it is the complementary color #14209F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBDF60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBDF60 shade: #F0DF5B, #FFF16E, #FFFF81, #FFFF94 and #FFFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBDF60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBDF60 shade: #EBDF60, #DACD4D, #C9BB3A, #B8A927 and #A79714

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBDF60 shade: #EBDF60, #EBB960, #EB9460, #EB6E60 and #EB6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBDF60 shade: #EBDF60, #D1EB60, #ACEB60, #86EB60 and #61EB60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBDF60 shade matches the following richer shades: #EBDF60 and #F9EB51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBDF60 shade: #EBDF60, #DCD36E, #CEC77D, #C0BB8B and #B1AF99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBDF60 shade: #EB9360, #EBB860, #EBDD60, #D4EB60 and #AFEB60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBDF60 shade: #DDCC1B, #E6D83B, #EBDF60, #EFE684 and #F4EDA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBDF60 shade: #EBDF60, #60EB6E and #A560EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBDF60 shade: #EBDF60, #60EBDD and #DD60EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBDF60 shade: #EBDF60, #60EB6E, #606EEB and #EB60DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBDF60 shade: #EBDF60, #60EB97, #606EEB and #EB60B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 59 / 8

HEX #EBDF60

RGB 235 223 96

HSL 54.82, 0.78%, 0.65%

LAB 87.62, -11.25, 62.16

 

Complementary color

CMYK 87 / 80 / 0 / 38

HEX #14209F

RGB 20 32 159

HSL 234.82, 0.78%, 0.35%

LAB 22.6, 43.83, -67.98

 

CMYK 0 / 7 / 62 / 6

HEX #F0DF5B

RGB 240 223 91

HSL 53.15, 0.83%, 0.65%

LAB 88, -9.53, 64.82

 

CMYK 0 / 5 / 57 / 0

HEX #FFF16E

RGB 255 241 110

HSL 54.21, 1%, 0.72%

LAB 94.01, -11.1, 63.66

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 0 / 5 / 59 / 8

HEX #EBDF60

RGB 235 223 96

HSL 54.82, 0.78%, 0.65%

LAB 87.62, -11.25, 62.16

 

CMYK 0 / 6 / 65 / 15

HEX #DACD4D

RGB 218 205 77

HSL 54.47, 0.66%, 0.58%

LAB 81.35, -10.45, 63

 

CMYK 0 / 7 / 71 / 21

HEX #C9BB3A

RGB 201 187 58

HSL 54.13, 0.57%, 0.51%

LAB 74.99, -9.5, 63.53

 

CMYK 0 / 8 / 79 / 28

HEX #B8A927

RGB 184 169 39

HSL 53.79, 0.65%, 0.44%

LAB 68.54, -8.36, 63.48

 

CMYK 0 / 10 / 88 / 35

HEX #A79714

RGB 167 151 20

HSL 53.47, 0.79%, 0.37%

LAB 62, -6.99, 62.39

 

CMYK 0 / 5 / 59 / 8

HEX #EBDF60

RGB 235 223 96

HSL 54.82, 0.78%, 0.65%

LAB 87.62, -11.25, 62.16

 

CMYK 0 / 21 / 59 / 8

HEX #EBB960

RGB 235 185 96

HSL 38.42, 0.78%, 0.65%

LAB 78, 8.25, 51.28

 

CMYK 0 / 37 / 59 / 8

HEX #EB9460

RGB 235 148 96

HSL 22.45, 0.78%, 0.65%

LAB 69.25, 27.84, 40.89

 

CMYK 0 / 53 / 59 / 8

HEX #EB6E60

RGB 235 110 96

HSL 6.04, 0.78%, 0.65%

LAB 61.36, 47.24, 31.06

 

CMYK 0 / 59 / 59 / 8

HEX #EB6060

RGB 235 96 96

HSL 0, 0.78%, 0.65%

LAB 58.86, 53.76, 27.84

 

CMYK 0 / 5 / 59 / 8

HEX #EBDF60

RGB 235 223 96

HSL 54.82, 0.78%, 0.65%

LAB 87.62, -11.25, 62.16

 

CMYK 11 / 0 / 59 / 8

HEX #D1EB60

RGB 209 235 96

HSL 71.22, 0.78%, 0.65%

LAB 88.84, -27.5, 62.95

 

CMYK 27 / 0 / 59 / 8

HEX #ACEB60

RGB 172 235 96

HSL 87.19, 0.78%, 0.65%

LAB 86.52, -41.43, 59.73

 

CMYK 43 / 0 / 59 / 8

HEX #86EB60

RGB 134 235 96

HSL 103.6, 0.78%, 0.65%

LAB 84.65, -54.07, 57.11

 

CMYK 59 / 0 / 59 / 8

HEX #61EB60

RGB 97 235 96

HSL 119.57, 0.78%, 0.65%

LAB 83.34, -63.93, 55.26

 

CMYK 0 / 5 / 59 / 8

HEX #EBDF60

RGB 235 223 96

HSL 54.82, 0.78%, 0.65%

LAB 87.62, -11.25, 62.16

 

CMYK 0 / 6 / 67 / 2

HEX #F9EB51

RGB 249 235 81

HSL 55, 0.93%, 0.65%

LAB 91.75, -12.36, 72.95

 

CMYK 0 / 5 / 59 / 8

HEX #EBDF60

RGB 235 223 96

HSL 54.82, 0.78%, 0.65%

LAB 87.62, -11.25, 62.16

 

CMYK 0 / 4 / 50 / 14

HEX #DCD36E

RGB 220 211 110

HSL 55.09, 0.61%, 0.65%

LAB 83.41, -10.25, 50.63

 

CMYK 0 / 3 / 39 / 19

HEX #CEC77D

RGB 206 199 125

HSL 54.81, 0.45%, 0.65%

LAB 79.3, -8.28, 37.9

 

CMYK 0 / 3 / 28 / 25

HEX #C0BB8B

RGB 192 187 139

HSL 54.34, 0.3%, 0.65%

LAB 75.21, -5.86, 25.01

 

CMYK 0 / 1 / 14 / 31

HEX #B1AF99

RGB 177 175 153

HSL 55, 0.13%, 0.65%

LAB 71.08, -3.14, 11.54

 

CMYK 0 / 37 / 59 / 8

HEX #EB9360

RGB 235 147 96

HSL 22.01, 0.78%, 0.65%

LAB 69.02, 28.37, 40.61

 

CMYK 0 / 22 / 59 / 8

HEX #EBB860

RGB 235 184 96

HSL 37.99, 0.78%, 0.65%

LAB 77.75, 8.77, 50.99

 

CMYK 0 / 6 / 59 / 8

HEX #EBDD60

RGB 235 221 96

HSL 53.96, 0.78%, 0.65%

LAB 87.1, -10.25, 61.59

 

CMYK 10 / 0 / 59 / 8

HEX #D4EB60

RGB 212 235 96

HSL 69.93, 0.78%, 0.65%

LAB 89.04, -26.33, 63.24

 

CMYK 26 / 0 / 59 / 8

HEX #AFEB60

RGB 175 235 96

HSL 85.9, 0.78%, 0.65%

LAB 86.69, -40.35, 59.96

 

CMYK 0 / 8 / 88 / 13

HEX #DDCC1B

RGB 221 204 27

HSL 54.74, 0.78%, 0.49%

LAB 81.09, -10.59, 78.28

 

CMYK 0 / 6 / 74 / 10

HEX #E6D83B

RGB 230 216 59

HSL 55.09, 0.77%, 0.57%

LAB 85.12, -11.83, 73.72

 

CMYK 0 / 5 / 59 / 8

HEX #EBDF60

RGB 235 223 96

HSL 54.82, 0.78%, 0.65%

LAB 87.62, -11.25, 62.16

 

CMYK 0 / 4 / 45 / 6

HEX #EFE684

RGB 239 230 132

HSL 54.95, 0.77%, 0.73%

LAB 90.14, -10.19, 48.62

 

CMYK 0 / 3 / 31 / 4

HEX #F4EDA9

RGB 244 237 169

HSL 54.4, 0.77%, 0.81%

LAB 92.87, -7.73, 33.87

 

CMYK 0 / 5 / 59 / 8

HEX #EBDF60

RGB 235 223 96

HSL 54.82, 0.78%, 0.65%

LAB 87.62, -11.25, 62.16

 

CMYK 59 / 0 / 53 / 8

HEX #60EB6E

RGB 96 235 110

HSL 126.04, 0.78%, 0.65%

LAB 83.46, -62.48, 49.09

 

CMYK 30 / 59 / 0 / 8

HEX #A560EB

RGB 165 96 235

HSL 269.78, 0.78%, 0.65%

LAB 54.41, 53.85, -59.89

 

CMYK 0 / 5 / 59 / 8

HEX #EBDF60

RGB 235 223 96

HSL 54.82, 0.78%, 0.65%

LAB 87.62, -11.25, 62.16

 

CMYK 59 / 0 / 6 / 8

HEX #60EBDD

RGB 96 235 221

HSL 173.96, 0.78%, 0.65%

LAB 85.57, -40.77, -4.49

 

CMYK 6 / 59 / 0 / 8

HEX #DD60EB

RGB 221 96 235

HSL 293.96, 0.78%, 0.65%

LAB 61.43, 67.18, -48.29

 

CMYK 0 / 5 / 59 / 8

HEX #EBDF60

RGB 235 223 96

HSL 54.82, 0.78%, 0.65%

LAB 87.62, -11.25, 62.16

 

CMYK 59 / 0 / 53 / 8

HEX #60EB6E

RGB 96 235 110

HSL 126.04, 0.78%, 0.65%

LAB 83.46, -62.48, 49.09

 

CMYK 59 / 53 / 0 / 8

HEX #606EEB

RGB 96 110 235

HSL 233.96, 0.78%, 0.65%

LAB 51.42, 31.42, -65.01

 

CMYK 0 / 59 / 6 / 8

HEX #EB60DD

RGB 235 96 221

HSL 306.04, 0.78%, 0.65%

LAB 62.72, 68.31, -38.3

 

CMYK 0 / 5 / 59 / 8

HEX #EBDF60

RGB 235 223 96

HSL 54.82, 0.78%, 0.65%

LAB 87.62, -11.25, 62.16

 

CMYK 59 / 0 / 36 / 8

HEX #60EB97

RGB 96 235 151

HSL 143.74, 0.78%, 0.65%

LAB 84.04, -56.13, 29.79

 

CMYK 59 / 53 / 0 / 8

HEX #606EEB

RGB 96 110 235

HSL 233.96, 0.78%, 0.65%

LAB 51.42, 31.42, -65.01

 

CMYK 0 / 59 / 24 / 8

HEX #EB60B3

RGB 235 96 179

HSL 324.17, 0.78%, 0.65%

LAB 61.03, 62.18, -17.09

 

Description

Color code: HEX #EBDF60 | qconv.com Color code: HEX #EBDF60 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 223 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 223 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 59 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 59% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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