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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBE57A it is the complementary color #141A85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBE57A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBE57A shade: #F0E575, #FFF788, #FFFF9B, #FFFFAE and #FFFFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBE57A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBE57A shade: #EBE57A, #DAD367, #C9C154, #B8AF41 and #A79D2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBE57A shade: #EBE579, #EBC679, #EBA879, #EB8979 and #EB7979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBE57A shade: #EBE579, #D2EB79, #B4EB79, #95EB79 and #79EB7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBE57A shade matches the following richer shades: #EBE579 and #F7F06D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBE57A shade: #EBE579, #DEDA86, #D2CE92, #C5C39F and #B9B8AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBE57A shade: #EBA779, #EBC579, #EBE379, #D4EB79 and #B6EB79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBE57A shade: #E0D732, #E5DE55, #EBE579, #F0EC9D and #F5F3C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBE57A shade: #EBE57A, #79EB88 and #B679EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBE57A shade: #EBE57A, #79EBE3 and #E379EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBE57A shade: #EBE57A, #79EB88, #7981EB and #EB79DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBE57A shade: #EBE57A, #79EBAA, #7981EB and #EB79BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 48 / 8

HEX #EBE57A

RGB 235 229 122

HSL 56.81, 0.74%, 0.7%

LAB 89.44, -12.19, 52.47

 

Complementary color

CMYK 85 / 80 / 0 / 48

HEX #141A85

RGB 20 26 133

HSL 236.81, 0.74%, 0.3%

LAB 18.28, 38.22, -59.02

 

CMYK 0 / 5 / 51 / 6

HEX #F0E575

RGB 240 229 117

HSL 54.63, 0.8%, 0.7%

LAB 89.79, -10.63, 55.32

 

CMYK 0 / 3 / 47 / 0

HEX #FFF788

RGB 255 247 136

HSL 55.97, 1%, 0.77%

LAB 95.81, -11.95, 53.95

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAE

RGB 255 255 174

HSL 60, 1%, 0.84%

LAB 98.37, -11.92, 38.8

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 0 / 3 / 48 / 8

HEX #EBE57A

RGB 235 229 122

HSL 56.81, 0.74%, 0.7%

LAB 89.44, -12.19, 52.47

 

CMYK 0 / 3 / 53 / 15

HEX #DAD367

RGB 218 211 103

HSL 56.35, 0.61%, 0.63%

LAB 83.16, -11.65, 53.6

 

CMYK 0 / 4 / 58 / 21

HEX #C9C154

RGB 201 193 84

HSL 55.9, 0.52%, 0.56%

LAB 76.8, -11, 54.65

 

CMYK 0 / 5 / 65 / 28

HEX #B8AF41

RGB 184 175 65

HSL 55.46, 0.48%, 0.49%

LAB 70.34, -10.21, 55.54

 

CMYK 0 / 6 / 72 / 35

HEX #A79D2E

RGB 167 157 46

HSL 55.04, 0.57%, 0.42%

LAB 63.78, -9.25, 56.07

 

CMYK 0 / 3 / 49 / 8

HEX #EBE579

RGB 235 229 121

HSL 56.84, 0.74%, 0.7%

LAB 89.43, -12.28, 52.93

 

CMYK 0 / 16 / 49 / 8

HEX #EBC679

RGB 235 198 121

HSL 40.53, 0.74%, 0.7%

LAB 81.53, 3.49, 43.27

 

CMYK 0 / 29 / 49 / 8

HEX #EBA879

RGB 235 168 121

HSL 24.74, 0.74%, 0.7%

LAB 74.22, 19.31, 34

 

CMYK 0 / 42 / 49 / 8

HEX #EB8979

RGB 235 137 121

HSL 8.42, 0.74%, 0.7%

LAB 67.23, 35.69, 24.8

 

CMYK 0 / 49 / 49 / 8

HEX #EB7979

RGB 235 121 121

HSL 0, 0.74%, 0.7%

LAB 63.93, 43.86, 20.35

 

CMYK 0 / 3 / 49 / 8

HEX #EBE579

RGB 235 229 121

HSL 56.84, 0.74%, 0.7%

LAB 89.43, -12.28, 52.93

 

CMYK 11 / 0 / 49 / 8

HEX #D2EB79

RGB 210 235 121

HSL 73.16, 0.74%, 0.7%

LAB 89.16, -24.97, 52.15

 

CMYK 23 / 0 / 49 / 8

HEX #B4EB79

RGB 180 235 121

HSL 88.95, 0.74%, 0.7%

LAB 87.24, -36.12, 49.39

 

CMYK 37 / 0 / 49 / 8

HEX #95EB79

RGB 149 235 121

HSL 105.26, 0.74%, 0.7%

LAB 85.6, -46.63, 47

 

CMYK 49 / 0 / 47 / 8

HEX #79EB7C

RGB 121 235 124

HSL 121.58, 0.74%, 0.7%

LAB 84.45, -54.48, 43.88

 

CMYK 0 / 3 / 49 / 8

HEX #EBE579

RGB 235 229 121

HSL 56.84, 0.74%, 0.7%

LAB 89.43, -12.28, 52.93

 

CMYK 0 / 3 / 56 / 3

HEX #F7F06D

RGB 247 240 109

HSL 56.96, 0.9%, 0.7%

LAB 93.1, -13.88, 62.89

 

CMYK 0 / 3 / 49 / 8

HEX #EBE579

RGB 235 229 121

HSL 56.84, 0.74%, 0.7%

LAB 89.43, -12.28, 52.93

 

CMYK 0 / 2 / 40 / 13

HEX #DEDA86

RGB 222 218 134

HSL 57.27, 0.57%, 0.7%

LAB 85.7, -10.65, 41.79

 

CMYK 0 / 2 / 30 / 18

HEX #D2CE92

RGB 210 206 146

HSL 56.25, 0.42%, 0.7%

LAB 81.79, -7.83, 30.41

 

CMYK 0 / 1 / 19 / 23

HEX #C5C39F

RGB 197 195 159

HSL 56.84, 0.25%, 0.7%

LAB 78.11, -5.29, 18.39

 

CMYK 0 / 1 / 8 / 27

HEX #B9B8AB

RGB 185 184 171

HSL 55.71, 0.09%, 0.7%

LAB 74.53, -1.97, 6.72

 

CMYK 0 / 29 / 49 / 8

HEX #EBA779

RGB 235 167 121

HSL 24.21, 0.74%, 0.7%

LAB 73.98, 19.84, 33.69

 

CMYK 0 / 16 / 49 / 8

HEX #EBC579

RGB 235 197 121

HSL 40, 0.74%, 0.7%

LAB 81.28, 4.01, 42.96

 

CMYK 0 / 3 / 49 / 8

HEX #EBE379

RGB 235 227 121

HSL 55.79, 0.74%, 0.7%

LAB 88.91, -11.29, 52.3

 

CMYK 10 / 0 / 49 / 8

HEX #D4EB79

RGB 212 235 121

HSL 72.11, 0.74%, 0.7%

LAB 89.3, -24.21, 52.35

 

CMYK 23 / 0 / 49 / 8

HEX #B6EB79

RGB 182 235 121

HSL 87.89, 0.74%, 0.7%

LAB 87.36, -35.4, 49.56

 

CMYK 0 / 4 / 78 / 12

HEX #E0D732

RGB 224 215 50

HSL 56.9, 0.74%, 0.54%

LAB 84.32, -14.2, 75.58

 

CMYK 0 / 3 / 63 / 10

HEX #E5DE55

RGB 229 222 85

HSL 57.08, 0.73%, 0.62%

LAB 86.78, -13.92, 65.73

 

CMYK 0 / 3 / 49 / 8

HEX #EBE579

RGB 235 229 121

HSL 56.84, 0.74%, 0.7%

LAB 89.43, -12.28, 52.93

 

CMYK 0 / 2 / 35 / 6

HEX #F0EC9D

RGB 240 236 157

HSL 57.11, 0.73%, 0.78%

LAB 92.11, -10.16, 38.84

 

CMYK 0 / 1 / 21 / 4

HEX #F5F3C1

RGB 245 243 193

HSL 57.69, 0.72%, 0.86%

LAB 94.89, -7.22, 24.42

 

CMYK 0 / 3 / 48 / 8

HEX #EBE57A

RGB 235 229 122

HSL 56.81, 0.74%, 0.7%

LAB 89.44, -12.19, 52.47

 

CMYK 49 / 0 / 42 / 8

HEX #79EB88

RGB 121 235 136

HSL 127.89, 0.74%, 0.7%

LAB 84.62, -52.74, 38.23

 

CMYK 23 / 49 / 0 / 8

HEX #B679EB

RGB 182 121 235

HSL 272.11, 0.74%, 0.7%

LAB 61.32, 44.88, -48.75

 

CMYK 0 / 3 / 48 / 8

HEX #EBE57A

RGB 235 229 122

HSL 56.81, 0.74%, 0.7%

LAB 89.44, -12.19, 52.47

 

CMYK 49 / 0 / 3 / 8

HEX #79EBE3

RGB 121 235 227

HSL 175.79, 0.74%, 0.7%

LAB 86.52, -34.37, -6.15

 

CMYK 3 / 49 / 0 / 8

HEX #E379EB

RGB 227 121 235

HSL 295.79, 0.74%, 0.7%

LAB 66.52, 57.16, -40.22

 

CMYK 0 / 3 / 48 / 8

HEX #EBE57A

RGB 235 229 122

HSL 56.81, 0.74%, 0.7%

LAB 89.44, -12.19, 52.47

 

CMYK 49 / 0 / 42 / 8

HEX #79EB88

RGB 121 235 136

HSL 127.89, 0.74%, 0.7%

LAB 84.62, -52.74, 38.23

 

CMYK 49 / 45 / 0 / 8

HEX #7981EB

RGB 121 129 235

HSL 235.79, 0.74%, 0.7%

LAB 57.81, 25.02, -54.66

 

CMYK 0 / 49 / 6 / 8

HEX #EB79DC

RGB 235 121 220

HSL 307.89, 0.74%, 0.7%

LAB 66.9, 56.82, -31.23

 

CMYK 0 / 3 / 48 / 8

HEX #EBE57A

RGB 235 229 122

HSL 56.81, 0.74%, 0.7%

LAB 89.44, -12.19, 52.47

 

CMYK 49 / 0 / 28 / 8

HEX #79EBAA

RGB 121 235 170

HSL 145.79, 0.74%, 0.7%

LAB 85.19, -46.91, 21.75

 

CMYK 49 / 45 / 0 / 8

HEX #7981EB

RGB 121 129 235

HSL 235.79, 0.74%, 0.7%

LAB 57.81, 25.02, -54.66

 

CMYK 0 / 49 / 21 / 8

HEX #EB79BA

RGB 235 121 186

HSL 325.79, 0.74%, 0.7%

LAB 65.66, 51.55, -14.08

 

Description

Color code: HEX #EBE57A | qconv.com Color code: HEX #EBE57A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 229 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 229 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 48 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 48% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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