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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBE5DA it is the complementary color #141A25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBE5DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBE5DA shade: #F0E5D5, #FFF7E8 and #FFFFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBE5DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBE5DA shade: #EBE5DA, #DAD3C7, #C9C1B4, #B8AFA1 and #A79D8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBE5DA shade: #EBE5DA, #EBE0DA, #EBDCDA and #EBDADA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBE5DA shade: #EBE5DA, #EBE9DA, #E8EBDA, #E3EBDA and #DFEBDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBE5DA shade matches the following richer shades: #EBE5DA, #EFE6D5, #F4E8D1, #F8E9CC and #FDEAC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBE5DA shade: #EBE5DA, #E6E4DF, #E2E2E3, #DDE1E8 and #D9E0EC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBE5DA shade: #EBDCDA, #EBE0DA, #EBE5DA, #EBE9DA and #E8EBDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBE5DA shade: #CEBFA4, #DCD2BF, #EBE5DA and #F9F8F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBE5DA shade: #EBE5DA, #DDEBDA and #DEDAEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBE5DA shade: #EBE5DA, #DAEBE5 and #E5DAEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBE5DA shade: #EBE5DA, #DDEBDA, #DAE0EB and #E8DAEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBE5DA shade: #EBE5DA, #DAEBDC, #DAE0EB and #EBDAE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 7 / 8

HEX #EBE5DA

RGB 235 229 218

HSL 38.82, 0.3%, 0.89%

LAB 91.13, 0.15, 6.07

 

Complementary color

CMYK 46 / 30 / 0 / 85

HEX #141A25

RGB 20 26 37

HSL 218.82, 0.3%, 0.11%

LAB 9.17, 0.79, -8.44

 

CMYK 0 / 5 / 11 / 6

HEX #F0E5D5

RGB 240 229 213

HSL 35.56, 0.47%, 0.89%

LAB 91.4, 1.08, 9.12

 

CMYK 0 / 3 / 9 / 0

HEX #FFF7E8

RGB 255 247 232

HSL 39.13, 1%, 0.95%

LAB 97.47, 0.17, 8.14

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFB

RGB 255 255 251

HSL 60, 1%, 0.99%

LAB 99.9, -0.69, 1.9

 

CMYK 0 / 3 / 7 / 8

HEX #EBE5DA

RGB 235 229 218

HSL 38.82, 0.3%, 0.89%

LAB 91.13, 0.15, 6.07

 

CMYK 0 / 3 / 9 / 15

HEX #DAD3C7

RGB 218 211 199

HSL 37.89, 0.2%, 0.82%

LAB 84.8, 0.35, 6.78

 

CMYK 0 / 4 / 10 / 21

HEX #C9C1B4

RGB 201 193 180

HSL 37.14, 0.16%, 0.75%

LAB 78.38, 0.56, 7.53

 

CMYK 0 / 5 / 13 / 28

HEX #B8AFA1

RGB 184 175 161

HSL 36.52, 0.14%, 0.68%

LAB 71.84, 0.79, 8.32

 

CMYK 0 / 6 / 15 / 35

HEX #A79D8E

RGB 167 157 142

HSL 36, 0.12%, 0.61%

LAB 65.19, 1.04, 9.15

 

CMYK 0 / 3 / 7 / 8

HEX #EBE5DA

RGB 235 229 218

HSL 38.82, 0.3%, 0.89%

LAB 91.13, 0.15, 6.07

 

CMYK 0 / 5 / 7 / 8

HEX #EBE0DA

RGB 235 224 218

HSL 21.18, 0.3%, 0.89%

LAB 89.88, 2.72, 4.26

 

CMYK 0 / 6 / 7 / 8

HEX #EBDCDA

RGB 235 220 218

HSL 7.06, 0.3%, 0.89%

LAB 88.88, 4.8, 2.82

 

CMYK 0 / 7 / 7 / 8

HEX #EBDADA

RGB 235 218 218

HSL 0, 0.3%, 0.89%

LAB 88.38, 5.83, 2.1

 

CMYK 0 / 3 / 7 / 8

HEX #EBE5DA

RGB 235 229 218

HSL 38.82, 0.3%, 0.89%

LAB 91.13, 0.15, 6.07

 

CMYK 0 / 1 / 7 / 8

HEX #EBE9DA

RGB 235 233 218

HSL 52.94, 0.3%, 0.89%

LAB 92.13, -1.89, 7.51

 

CMYK 1 / 0 / 7 / 8

HEX #E8EBDA

RGB 232 235 218

HSL 70.59, 0.3%, 0.89%

LAB 92.41, -3.95, 7.89

 

CMYK 3 / 0 / 7 / 8

HEX #E3EBDA

RGB 227 235 218

HSL 88.24, 0.3%, 0.89%

LAB 92.05, -5.66, 7.31

 

CMYK 5 / 0 / 7 / 8

HEX #DFEBDA

RGB 223 235 218

HSL 102.35, 0.3%, 0.89%

LAB 91.76, -7.02, 6.86

 

CMYK 0 / 3 / 7 / 8

HEX #EBE5DA

RGB 235 229 218

HSL 38.82, 0.3%, 0.89%

LAB 91.13, 0.15, 6.07

 

CMYK 0 / 4 / 11 / 6

HEX #EFE6D5

RGB 239 230 213

HSL 39.23, 0.45%, 0.89%

LAB 91.57, 0.21, 9.36

 

CMYK 0 / 5 / 14 / 4

HEX #F4E8D1

RGB 244 232 209

HSL 39.43, 0.61%, 0.89%

LAB 92.38, 0.33, 12.64

 

CMYK 0 / 6 / 18 / 3

HEX #F8E9CC

RGB 248 233 204

HSL 39.55, 0.76%, 0.89%

LAB 92.84, 0.49, 15.93

 

CMYK 0 / 8 / 21 / 1

HEX #FDEAC8

RGB 253 234 200

HSL 38.49, 0.93%, 0.89%

LAB 93.41, 1.21, 18.86

 

CMYK 0 / 3 / 7 / 8

HEX #EBE5DA

RGB 235 229 218

HSL 38.82, 0.3%, 0.89%

LAB 91.13, 0.15, 6.07

 

CMYK 0 / 1 / 3 / 10

HEX #E6E4DF

RGB 230 228 223

HSL 42.86, 0.12%, 0.89%

LAB 90.61, -0.2, 2.66

 

CMYK 0 / 0 / 0 / 11

HEX #E2E2E3

RGB 226 226 227

HSL 240, 0.02%, 0.89%

LAB 89.91, 0.18, -0.5

 

CMYK 5 / 3 / 0 / 9

HEX #DDE1E8

RGB 221 225 232

HSL 218.18, 0.19%, 0.89%

LAB 89.42, -0.05, -3.89

 

CMYK 8 / 5 / 0 / 7

HEX #D9E0EC

RGB 217 224 236

HSL 217.89, 0.33%, 0.89%

LAB 88.98, -0.08, -6.67

 

CMYK 0 / 6 / 7 / 8

HEX #EBDCDA

RGB 235 220 218

HSL 7.06, 0.3%, 0.89%

LAB 88.88, 4.8, 2.82

 

CMYK 0 / 5 / 7 / 8

HEX #EBE0DA

RGB 235 224 218

HSL 21.18, 0.3%, 0.89%

LAB 89.88, 2.72, 4.26

 

CMYK 0 / 3 / 7 / 8

HEX #EBE5DA

RGB 235 229 218

HSL 38.82, 0.3%, 0.89%

LAB 91.13, 0.15, 6.07

 

CMYK 0 / 1 / 7 / 8

HEX #EBE9DA

RGB 235 233 218

HSL 52.94, 0.3%, 0.89%

LAB 92.13, -1.89, 7.51

 

CMYK 1 / 0 / 7 / 8

HEX #E8EBDA

RGB 232 235 218

HSL 70.59, 0.3%, 0.89%

LAB 92.41, -3.95, 7.89

 

CMYK 0 / 7 / 20 / 19

HEX #CEBFA4

RGB 206 191 164

HSL 38.57, 0.3%, 0.73%

LAB 77.91, 0.93, 15.54

 

CMYK 0 / 5 / 13 / 14

HEX #DCD2BF

RGB 220 210 191

HSL 39.31, 0.29%, 0.81%

LAB 84.52, 0.28, 10.64

 

CMYK 0 / 3 / 7 / 8

HEX #EBE5DA

RGB 235 229 218

HSL 38.82, 0.3%, 0.89%

LAB 91.13, 0.15, 6.07

 

CMYK 0 / 0 / 2 / 2

HEX #F9F8F5

RGB 249 248 245

HSL 45, 0.25%, 0.97%

LAB 97.58, -0.19, 1.54

 

CMYK 0 / 3 / 7 / 8

HEX #EBE5DA

RGB 235 229 218

HSL 38.82, 0.3%, 0.89%

LAB 91.13, 0.15, 6.07

 

CMYK 6 / 0 / 7 / 8

HEX #DDEBDA

RGB 221 235 218

HSL 109.41, 0.3%, 0.89%

LAB 91.62, -7.69, 6.64

 

CMYK 6 / 7 / 0 / 8

HEX #DEDAEB

RGB 222 218 235

HSL 254.12, 0.3%, 0.89%

LAB 87.81, 4.49, -7.83

 

CMYK 0 / 3 / 7 / 8

HEX #EBE5DA

RGB 235 229 218

HSL 38.82, 0.3%, 0.89%

LAB 91.13, 0.15, 6.07

 

CMYK 7 / 0 / 3 / 8

HEX #DAEBE5

RGB 218 235 229

HSL 158.82, 0.3%, 0.89%

LAB 91.68, -6.72, 0.97

 

CMYK 3 / 7 / 0 / 8

HEX #E5DAEB

RGB 229 218 235

HSL 278.82, 0.3%, 0.89%

LAB 88.35, 6.8, -6.97

 

CMYK 0 / 3 / 7 / 8

HEX #EBE5DA

RGB 235 229 218

HSL 38.82, 0.3%, 0.89%

LAB 91.13, 0.15, 6.07

 

CMYK 6 / 0 / 7 / 8

HEX #DDEBDA

RGB 221 235 218

HSL 109.41, 0.3%, 0.89%

LAB 91.62, -7.69, 6.64

 

CMYK 7 / 5 / 0 / 8

HEX #DAE0EB

RGB 218 224 235

HSL 218.82, 0.3%, 0.89%

LAB 89.02, 0.05, -6.07

 

CMYK 1 / 7 / 0 / 8

HEX #E8DAEB

RGB 232 218 235

HSL 289.41, 0.3%, 0.89%

LAB 88.59, 7.8, -6.59

 

CMYK 0 / 3 / 7 / 8

HEX #EBE5DA

RGB 235 229 218

HSL 38.82, 0.3%, 0.89%

LAB 91.13, 0.15, 6.07

 

CMYK 7 / 0 / 6 / 8

HEX #DAEBDC

RGB 218 235 220

HSL 127.06, 0.3%, 0.89%

LAB 91.46, -8.35, 5.34

 

CMYK 7 / 5 / 0 / 8

HEX #DAE0EB

RGB 218 224 235

HSL 218.82, 0.3%, 0.89%

LAB 89.02, 0.05, -6.07

 

CMYK 0 / 7 / 1 / 8

HEX #EBDAE9

RGB 235 218 233

HSL 307.06, 0.3%, 0.89%

LAB 88.77, 8.44, -5.23

 

Description

Color code: HEX #EBE5DA | qconv.com Color code: HEX #EBE5DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 229 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 229 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 7 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 7% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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