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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBE8A6 it is the complementary color #141759. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBE8A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBE8A6 shade: #F0E8A1, #FFFAB4, #FFFFC7, #FFFFDA and #FFFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBE8A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBE8A6 shade: #EBE8A6, #DAD693, #C9C480, #B8B26D and #A7A05A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBE8A6 shade: #EBE8A7, #EBD6A7, #EBC3A7, #EBB1A7 and #EBA7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBE8A6 shade: #EBE8A7, #DBEBA7, #C9EBA7, #B7EBA7 and #A7EBAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBE8A6 shade matches the following richer shades: #EBE8A7, #F3F09F and #FCF896

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBE8A6 shade: #EBE8A7, #E2E0B0, #D9D8B9, #D1D0C1 and #C8C8CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBE8A6 shade: #EBC3A7, #EBD5A7, #EBE7A7, #DCEBA7 and #CAEBA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBE8A6 shade: #DBD664, #E3DF86, #EBE8A7, #F2F1C9 and #FAF9EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBE8A6 shade: #EBE8A6, #A7EBB1 and #CCA7EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBE8A6 shade: #EBE8A6, #A7EBE7 and #E7A7EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBE8A6 shade: #EBE8A6, #A7EBB1, #A7ABEB and #EBA7E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBE8A6 shade: #EBE8A6, #A7EBC6, #A7ABEB and #EBA7CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 29 / 8

HEX #EBE8A6

RGB 235 232 166

HSL 57.39, 0.63%, 0.79%

LAB 90.84, -8.98, 32.55

 

Complementary color

CMYK 78 / 74 / 0 / 65

HEX #141759

RGB 20 23 89

HSL 237.39, 0.63%, 0.21%

LAB 12.5, 23.81, -39.91

 

CMYK 0 / 3 / 33 / 6

HEX #F0E8A1

RGB 240 232 161

HSL 53.92, 0.72%, 0.79%

LAB 91.15, -7.7, 35.57

 

CMYK 0 / 2 / 29 / 0

HEX #FFFAB4

RGB 255 250 180

HSL 56, 1%, 0.85%

LAB 97.2, -8.74, 34.26

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 0 / 1 / 29 / 8

HEX #EBE8A6

RGB 235 232 166

HSL 57.39, 0.63%, 0.79%

LAB 90.84, -8.98, 32.55

 

CMYK 0 / 2 / 33 / 15

HEX #DAD693

RGB 218 214 147

HSL 56.62, 0.49%, 0.72%

LAB 84.54, -8.7, 33.65

 

CMYK 0 / 2 / 36 / 21

HEX #C9C480

RGB 201 196 128

HSL 55.89, 0.4%, 0.65%

LAB 78.14, -8.38, 34.79

 

CMYK 0 / 3 / 41 / 28

HEX #B8B26D

RGB 184 178 109

HSL 55.2, 0.35%, 0.57%

LAB 71.65, -8, 35.99

 

CMYK 0 / 4 / 46 / 35

HEX #A7A05A

RGB 167 160 90

HSL 54.55, 0.3%, 0.5%

LAB 65.04, -7.54, 37.23

 

CMYK 0 / 1 / 29 / 8

HEX #EBE8A7

RGB 235 232 167

HSL 57.35, 0.63%, 0.79%

LAB 90.86, -8.85, 32.07

 

CMYK 0 / 9 / 29 / 8

HEX #EBD6A7

RGB 235 214 167

HSL 41.47, 0.63%, 0.79%

LAB 86.28, 0.3, 25.89

 

CMYK 0 / 17 / 29 / 8

HEX #EBC3A7

RGB 235 195 167

HSL 24.71, 0.63%, 0.79%

LAB 81.56, 10.2, 19.4

 

CMYK 0 / 25 / 29 / 8

HEX #EBB1A7

RGB 235 177 167

HSL 8.82, 0.63%, 0.79%

LAB 77.22, 19.74, 13.34

 

CMYK 0 / 29 / 29 / 8

HEX #EBA7A7

RGB 235 167 167

HSL 0, 0.63%, 0.79%

LAB 74.88, 25.06, 10.03

 

CMYK 0 / 1 / 29 / 8

HEX #EBE8A7

RGB 235 232 167

HSL 57.35, 0.63%, 0.79%

LAB 90.86, -8.85, 32.07

 

CMYK 7 / 0 / 29 / 8

HEX #DBEBA7

RGB 219 235 167

HSL 74.12, 0.63%, 0.79%

LAB 90.44, -16.28, 31.31

 

CMYK 14 / 0 / 29 / 8

HEX #C9EBA7

RGB 201 235 167

HSL 90, 0.63%, 0.79%

LAB 89.22, -22.77, 29.45

 

CMYK 22 / 0 / 29 / 8

HEX #B7EBA7

RGB 183 235 167

HSL 105.88, 0.63%, 0.79%

LAB 88.1, -29.01, 27.75

 

CMYK 29 / 0 / 28 / 8

HEX #A7EBAA

RGB 167 235 170

HSL 122.65, 0.63%, 0.79%

LAB 87.26, -33.79, 24.92

 

CMYK 0 / 1 / 29 / 8

HEX #EBE8A7

RGB 235 232 167

HSL 57.35, 0.63%, 0.79%

LAB 90.86, -8.85, 32.07

 

CMYK 0 / 1 / 35 / 5

HEX #F3F09F

RGB 243 240 159

HSL 57.86, 0.78%, 0.79%

LAB 93.4, -10.78, 39.56

 

CMYK 0 / 2 / 40 / 1

HEX #FCF896

RGB 252 248 150

HSL 57.65, 0.94%, 0.79%

LAB 96.01, -12.26, 47.47

 

CMYK 0 / 1 / 29 / 8

HEX #EBE8A7

RGB 235 232 167

HSL 57.35, 0.63%, 0.79%

LAB 90.86, -8.85, 32.07

 

CMYK 0 / 1 / 22 / 11

HEX #E2E0B0

RGB 226 224 176

HSL 57.6, 0.46%, 0.79%

LAB 88.26, -6.97, 23.82

 

CMYK 0 / 0 / 15 / 15

HEX #D9D8B9

RGB 217 216 185

HSL 58.13, 0.3%, 0.79%

LAB 85.69, -4.85, 15.43

 

CMYK 0 / 0 / 8 / 18

HEX #D1D0C1

RGB 209 208 193

HSL 56.25, 0.15%, 0.79%

LAB 83.19, -2.28, 7.56

 

CMYK 1 / 1 / 0 / 21

HEX #C8C8CA

RGB 200 200 202

HSL 240, 0.02%, 0.79%

LAB 80.66, 0.37, -1.01

 

CMYK 0 / 17 / 29 / 8

HEX #EBC3A7

RGB 235 195 167

HSL 24.71, 0.63%, 0.79%

LAB 81.56, 10.2, 19.4

 

CMYK 0 / 9 / 29 / 8

HEX #EBD5A7

RGB 235 213 167

HSL 40.59, 0.63%, 0.79%

LAB 86.03, 0.81, 25.55

 

CMYK 0 / 2 / 29 / 8

HEX #EBE7A7

RGB 235 231 167

HSL 56.47, 0.63%, 0.79%

LAB 90.6, -8.35, 31.73

 

CMYK 6 / 0 / 29 / 8

HEX #DCEBA7

RGB 220 235 167

HSL 73.24, 0.63%, 0.79%

LAB 90.52, -15.91, 31.42

 

CMYK 14 / 0 / 29 / 8

HEX #CAEBA7

RGB 202 235 167

HSL 89.12, 0.63%, 0.79%

LAB 89.28, -22.42, 29.55

 

CMYK 0 / 2 / 54 / 14

HEX #DBD664

RGB 219 214 100

HSL 57.48, 0.62%, 0.63%

LAB 84, -12.99, 55.97

 

CMYK 0 / 2 / 41 / 11

HEX #E3DF86

RGB 227 223 134

HSL 57.42, 0.62%, 0.71%

LAB 87.4, -11.2, 44.02

 

CMYK 0 / 1 / 29 / 8

HEX #EBE8A7

RGB 235 232 167

HSL 57.35, 0.63%, 0.79%

LAB 90.86, -8.85, 32.07

 

CMYK 0 / 0 / 17 / 5

HEX #F2F1C9

RGB 242 241 201

HSL 58.54, 0.61%, 0.87%

LAB 94.31, -6.15, 19.48

 

CMYK 0 / 0 / 6 / 2

HEX #FAF9EA

RGB 250 249 234

HSL 56.25, 0.62%, 0.95%

LAB 97.64, -2.22, 7.3

 

CMYK 0 / 1 / 29 / 8

HEX #EBE8A6

RGB 235 232 166

HSL 57.39, 0.63%, 0.79%

LAB 90.84, -8.98, 32.55

 

CMYK 29 / 0 / 25 / 8

HEX #A7EBB1

RGB 167 235 177

HSL 128.82, 0.63%, 0.79%

LAB 87.39, -32.61, 21.49

 

CMYK 13 / 29 / 0 / 8

HEX #CCA7EB

RGB 204 167 235

HSL 272.65, 0.63%, 0.79%

LAB 73.85, 26.1, -29.05

 

CMYK 0 / 1 / 29 / 8

HEX #EBE8A6

RGB 235 232 166

HSL 57.39, 0.63%, 0.79%

LAB 90.84, -8.98, 32.55

 

CMYK 29 / 0 / 2 / 8

HEX #A7EBE7

RGB 167 235 231

HSL 176.47, 0.63%, 0.79%

LAB 88.64, -21.95, -4.89

 

CMYK 2 / 29 / 0 / 8

HEX #E7A7EB

RGB 231 167 235

HSL 296.47, 0.63%, 0.79%

LAB 76.45, 34.6, -24.84

 

CMYK 0 / 1 / 29 / 8

HEX #EBE8A6

RGB 235 232 166

HSL 57.39, 0.63%, 0.79%

LAB 90.84, -8.98, 32.55

 

CMYK 29 / 0 / 25 / 8

HEX #A7EBB1

RGB 167 235 177

HSL 128.82, 0.63%, 0.79%

LAB 87.39, -32.61, 21.49

 

CMYK 29 / 27 / 0 / 8

HEX #A7ABEB

RGB 167 171 235

HSL 236.47, 0.63%, 0.79%

LAB 71.78, 12.74, -32.49

 

CMYK 0 / 29 / 4 / 8

HEX #EBA7E1

RGB 235 167 225

HSL 308.82, 0.63%, 0.79%

LAB 76.52, 34.07, -19.27

 

CMYK 0 / 1 / 29 / 8

HEX #EBE8A6

RGB 235 232 166

HSL 57.39, 0.63%, 0.79%

LAB 90.84, -8.98, 32.55

 

CMYK 29 / 0 / 16 / 8

HEX #A7EBC6

RGB 167 235 198

HSL 147.35, 0.63%, 0.79%

LAB 87.83, -28.78, 11.2

 

CMYK 29 / 27 / 0 / 8

HEX #A7ABEB

RGB 167 171 235

HSL 236.47, 0.63%, 0.79%

LAB 71.78, 12.74, -32.49

 

CMYK 0 / 29 / 13 / 8

HEX #EBA7CC

RGB 235 167 204

HSL 327.35, 0.63%, 0.79%

LAB 75.86, 30.52, -8.81

 

Description

Color code: HEX #EBE8A6 | qconv.com Color code: HEX #EBE8A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 232 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 232 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 29 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 29% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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