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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBE1B1 it is the complementary color #141E4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBE1B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBE1B1 shade: #F0E1AC, #FFF3BF, #FFFFD2, #FFFFE5 and #FFFFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBE1B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBE1B1 shade: #EBE1B1, #DACF9E, #C9BD8B, #B8AB78 and #A79965

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBE1B1 shade: #EBE1B1, #EBD1B1, #EBC2B1, #EBB3B1 and #EBB1B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBE1B1 shade: #EBE1B1, #E5EBB1, #D6EBB1, #C6EBB1 and #B7EBB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBE1B1 shade matches the following richer shades: #EBE1B1, #F2E6AA and #FAEBA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBE1B1 shade: #EBE1B1, #E3DCB9, #DBD7C1, #D3D1C9 and #CBCCD1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBE1B1 shade: #EBC2B1, #EBD1B1, #EBE0B1, #E6EBB1 and #D7EBB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBE1B1 shade: #DAC770, #E2D491, #EBE1B1, #F3EDD2 and #FCFAF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBE1B1 shade: #EBE1B1, #B1EBB2 and #C9B1EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBE1B1 shade: #EBE1B1, #B1EBE0 and #E0B1EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBE1B1 shade: #EBE1B1, #B1EBB2, #B1BCEB and #EBB1EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBE1B1 shade: #EBE1B1, #B1EBC4, #B1BCEB and #EBB1D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 25 / 8

HEX #EBE1B1

RGB 235 225 177

HSL 49.66, 0.59%, 0.81%

LAB 89.25, -4.01, 24.76

 

Complementary color

CMYK 74 / 62 / 0 / 69

HEX #141E4E

RGB 20 30 78

HSL 229.66, 0.59%, 0.19%

LAB 13.4, 14.22, -30.97

 

CMYK 0 / 6 / 28 / 6

HEX #F0E1AC

RGB 240 225 172

HSL 46.76, 0.69%, 0.81%

LAB 89.56, -2.8, 27.83

 

CMYK 0 / 5 / 25 / 0

HEX #FFF3BF

RGB 255 243 191

HSL 48.75, 1%, 0.87%

LAB 95.63, -3.84, 26.58

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE5

RGB 255 255 229

HSL 60, 1%, 0.95%

LAB 99.39, -4.32, 12.43

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 0 / 4 / 25 / 8

HEX #EBE1B1

RGB 235 225 177

HSL 49.66, 0.59%, 0.81%

LAB 89.25, -4.01, 24.76

 

CMYK 0 / 5 / 28 / 15

HEX #DACF9E

RGB 218 207 158

HSL 49, 0.45%, 0.74%

LAB 82.91, -3.72, 25.78

 

CMYK 0 / 6 / 31 / 21

HEX #C9BD8B

RGB 201 189 139

HSL 48.39, 0.36%, 0.67%

LAB 76.48, -3.4, 26.85

 

CMYK 0 / 7 / 35 / 28

HEX #B8AB78

RGB 184 171 120

HSL 47.81, 0.31%, 0.6%

LAB 69.95, -3.02, 27.99

 

CMYK 0 / 8 / 40 / 35

HEX #A79965

RGB 167 153 101

HSL 47.27, 0.27%, 0.53%

LAB 63.29, -2.57, 29.2

 

CMYK 0 / 4 / 25 / 8

HEX #EBE1B1

RGB 235 225 177

HSL 49.66, 0.59%, 0.81%

LAB 89.25, -4.01, 24.76

 

CMYK 0 / 11 / 25 / 8

HEX #EBD1B1

RGB 235 209 177

HSL 33.1, 0.59%, 0.81%

LAB 85.22, 4.22, 19.2

 

CMYK 0 / 17 / 25 / 8

HEX #EBC2B1

RGB 235 194 177

HSL 17.59, 0.59%, 0.81%

LAB 81.52, 12.08, 14.02

 

CMYK 0 / 24 / 25 / 8

HEX #EBB3B1

RGB 235 179 177

HSL 2.07, 0.59%, 0.81%

LAB 77.92, 20.04, 8.91

 

CMYK 0 / 25 / 25 / 8

HEX #EBB1B1

RGB 235 177 177

HSL 0, 0.59%, 0.81%

LAB 77.45, 21.11, 8.24

 

CMYK 0 / 4 / 25 / 8

HEX #EBE1B1

RGB 235 225 177

HSL 49.66, 0.59%, 0.81%

LAB 89.25, -4.01, 24.76

 

CMYK 3 / 0 / 25 / 8

HEX #E5EBB1

RGB 229 235 177

HSL 66.21, 0.59%, 0.81%

LAB 91.35, -11.26, 27.55

 

CMYK 9 / 0 / 25 / 8

HEX #D6EBB1

RGB 214 235 177

HSL 81.72, 0.59%, 0.81%

LAB 90.27, -16.7, 25.91

 

CMYK 16 / 0 / 25 / 8

HEX #C6EBB1

RGB 198 235 177

HSL 98.28, 0.59%, 0.81%

LAB 89.2, -22.34, 24.28

 

CMYK 22 / 0 / 25 / 8

HEX #B7EBB1

RGB 183 235 177

HSL 113.79, 0.59%, 0.81%

LAB 88.28, -27.43, 22.87

 

CMYK 0 / 4 / 25 / 8

HEX #EBE1B1

RGB 235 225 177

HSL 49.66, 0.59%, 0.81%

LAB 89.25, -4.01, 24.76

 

CMYK 0 / 5 / 30 / 5

HEX #F2E6AA

RGB 242 230 170

HSL 50, 0.73%, 0.81%

LAB 90.95, -4.84, 30.76

 

CMYK 0 / 6 / 35 / 2

HEX #FAEBA2

RGB 250 235 162

HSL 49.77, 0.9%, 0.81%

LAB 92.73, -5.28, 37.29

 

CMYK 0 / 4 / 25 / 8

HEX #EBE1B1

RGB 235 225 177

HSL 49.66, 0.59%, 0.81%

LAB 89.25, -4.01, 24.76

 

CMYK 0 / 3 / 19 / 11

HEX #E3DCB9

RGB 227 220 185

HSL 50, 0.43%, 0.81%

LAB 87.49, -3.27, 18.08

 

CMYK 0 / 2 / 12 / 14

HEX #DBD7C1

RGB 219 215 193

HSL 50.77, 0.27%, 0.81%

LAB 85.76, -2.35, 11.34

 

CMYK 0 / 1 / 5 / 17

HEX #D3D1C9

RGB 211 209 201

HSL 48, 0.1%, 0.81%

LAB 83.79, -0.73, 4.2

 

CMYK 3 / 2 / 0 / 18

HEX #CBCCD1

RGB 203 204 209

HSL 230, 0.06%, 0.81%

LAB 82.1, 0.59, -2.61

 

CMYK 0 / 17 / 25 / 8

HEX #EBC2B1

RGB 235 194 177

HSL 17.59, 0.59%, 0.81%

LAB 81.52, 12.08, 14.02

 

CMYK 0 / 11 / 25 / 8

HEX #EBD1B1

RGB 235 209 177

HSL 33.1, 0.59%, 0.81%

LAB 85.22, 4.22, 19.2

 

CMYK 0 / 5 / 25 / 8

HEX #EBE0B1

RGB 235 224 177

HSL 48.62, 0.59%, 0.81%

LAB 88.99, -3.5, 24.41

 

CMYK 2 / 0 / 25 / 8

HEX #E6EBB1

RGB 230 235 177

HSL 65.17, 0.59%, 0.81%

LAB 91.42, -10.89, 27.67

 

CMYK 9 / 0 / 25 / 8

HEX #D7EBB1

RGB 215 235 177

HSL 80.69, 0.59%, 0.81%

LAB 90.34, -16.34, 26.01

 

CMYK 0 / 9 / 49 / 15

HEX #DAC770

RGB 218 199 112

HSL 49.25, 0.59%, 0.65%

LAB 80.14, -4.76, 45.68

 

CMYK 0 / 6 / 36 / 11

HEX #E2D491

RGB 226 212 145

HSL 49.63, 0.58%, 0.73%

LAB 84.64, -4.82, 34.93

 

CMYK 0 / 4 / 25 / 8

HEX #EBE1B1

RGB 235 225 177

HSL 49.66, 0.59%, 0.81%

LAB 89.25, -4.01, 24.76

 

CMYK 0 / 2 / 14 / 5

HEX #F3EDD2

RGB 243 237 210

HSL 49.09, 0.58%, 0.89%

LAB 93.57, -2.42, 13.8

 

CMYK 0 / 1 / 4 / 1

HEX #FCFAF3

RGB 252 250 243

HSL 46.67, 0.6%, 0.97%

LAB 98.25, -0.54, 3.57

 

CMYK 0 / 4 / 25 / 8

HEX #EBE1B1

RGB 235 225 177

HSL 49.66, 0.59%, 0.81%

LAB 89.25, -4.01, 24.76

 

CMYK 25 / 0 / 24 / 8

HEX #B1EBB2

RGB 177 235 178

HSL 121.03, 0.59%, 0.81%

LAB 87.96, -29.24, 21.84

 

CMYK 14 / 25 / 0 / 8

HEX #C9B1EB

RGB 201 177 235

HSL 264.83, 0.59%, 0.81%

LAB 75.98, 19.68, -25.8

 

CMYK 0 / 4 / 25 / 8

HEX #EBE1B1

RGB 235 225 177

HSL 49.66, 0.59%, 0.81%

LAB 89.25, -4.01, 24.76

 

CMYK 25 / 0 / 5 / 8

HEX #B1EBE0

RGB 177 235 224

HSL 168.62, 0.59%, 0.81%

LAB 88.99, -20.57, -0.65

 

CMYK 5 / 25 / 0 / 8

HEX #E0B1EB

RGB 224 177 235

HSL 288.62, 0.59%, 0.81%

LAB 78.05, 26.99, -22.47

 

CMYK 0 / 4 / 25 / 8

HEX #EBE1B1

RGB 235 225 177

HSL 49.66, 0.59%, 0.81%

LAB 89.25, -4.01, 24.76

 

CMYK 25 / 0 / 24 / 8

HEX #B1EBB2

RGB 177 235 178

HSL 121.03, 0.59%, 0.81%

LAB 87.96, -29.24, 21.84

 

CMYK 25 / 20 / 0 / 8

HEX #B1BCEB

RGB 177 188 235

HSL 228.62, 0.59%, 0.81%

LAB 76.87, 6.3, -24.62

 

CMYK 0 / 25 / 0 / 8

HEX #EBB1EA

RGB 235 177 234

HSL 301.03, 0.59%, 0.81%

LAB 79.07, 30.36, -20.28

 

CMYK 0 / 4 / 25 / 8

HEX #EBE1B1

RGB 235 225 177

HSL 49.66, 0.59%, 0.81%

LAB 89.25, -4.01, 24.76

 

CMYK 25 / 0 / 17 / 8

HEX #B1EBC4

RGB 177 235 196

HSL 139.66, 0.59%, 0.81%

LAB 88.33, -26.07, 13.03

 

CMYK 25 / 20 / 0 / 8

HEX #B1BCEB

RGB 177 188 235

HSL 228.62, 0.59%, 0.81%

LAB 76.87, 6.3, -24.62

 

CMYK 0 / 25 / 8 / 8

HEX #EBB1D9

RGB 235 177 217

HSL 318.62, 0.59%, 0.81%

LAB 78.53, 27.36, -11.9

 

Description

Color code: HEX #EBE1B1 | qconv.com Color code: HEX #EBE1B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 225 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 225 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 25 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 25% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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