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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBE1FB it is the complementary color #141E04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBE1FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBE1FB shade: #F0E1F6 and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBE1FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBE1FB shade: #EBE1FB, #DACFE8, #C9BDD5, #B8ABC2 and #A799AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBE1FB shade: #EADFFA, #F1DFFA, #F8DFFA, #FADFF5 and #FADFEE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBE1FB shade: #EADFFA, #E2DFFA and #DFDFFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBE1FB shade matches the following richer shades: #EADFFA and #E9DCFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBE1FB shade: #EADFFA, #EAE2F7, #EBE5F4, #ECE8F2 and #ECEBEF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBE1FB shade: #DFE3FA, #E2DFFA, #E9DFFA, #F1DFFA and #F8DFFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBE1FB shade: #B996F0, #D1BBF5 and #EADFFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBE1FB shade: #EBE1FB, #FADFEA and #E0FADF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBE1FB shade: #EBE1FB, #FAE9DF and #DFFAE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBE1FB shade: #EBE1FB, #FADFEA, #F0FADF and #DFFAEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBE1FB shade: #EBE1FB, #FADFE2, #F0FADF and #DFFAF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 10 / 0 / 2

HEX #EBE1FB

RGB 235 225 251

HSL 263.08, 0.76%, 0.93%

LAB 91, 8.12, -11.39

 

Complementary color

CMYK 33 / 0 / 87 / 88

HEX #141E04

RGB 20 30 4

HSL 83.08, 0.76%, 0.07%

LAB 9.69, -10.03, 12.65

 

CMYK 2 / 9 / 0 / 4

HEX #F0E1F6

RGB 240 225 246

HSL 282.86, 0.54%, 0.92%

LAB 91.25, 8.82, -8.36

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 6 / 10 / 0 / 2

HEX #EBE1FB

RGB 235 225 251

HSL 263.08, 0.76%, 0.93%

LAB 91, 8.12, -11.39

 

CMYK 6 / 11 / 0 / 9

HEX #DACFE8

RGB 218 207 232

HSL 266.4, 0.35%, 0.86%

LAB 84.67, 8.39, -10.94

 

CMYK 6 / 11 / 0 / 16

HEX #C9BDD5

RGB 201 189 213

HSL 270, 0.22%, 0.79%

LAB 78.24, 8.67, -10.49

 

CMYK 5 / 12 / 0 / 24

HEX #B8ABC2

RGB 184 171 194

HSL 273.91, 0.16%, 0.72%

LAB 71.7, 8.98, -10.04

 

CMYK 5 / 13 / 0 / 31

HEX #A799AF

RGB 167 153 175

HSL 278.18, 0.12%, 0.64%

LAB 65.04, 9.31, -9.58

 

CMYK 6 / 11 / 0 / 2

HEX #EADFFA

RGB 234 223 250

HSL 264.44, 0.73%, 0.93%

LAB 90.4, 8.65, -11.76

 

CMYK 4 / 11 / 0 / 2

HEX #F1DFFA

RGB 241 223 250

HSL 280, 0.73%, 0.93%

LAB 90.95, 10.92, -10.88

 

CMYK 1 / 11 / 0 / 2

HEX #F8DFFA

RGB 248 223 250

HSL 295.56, 0.73%, 0.93%

LAB 91.52, 13.22, -9.98

 

CMYK 0 / 11 / 2 / 2

HEX #FADFF5

RGB 250 223 245

HSL 311.11, 0.73%, 0.93%

LAB 91.55, 12.99, -7.3

 

CMYK 0 / 11 / 5 / 2

HEX #FADFEE

RGB 250 223 238

HSL 326.67, 0.73%, 0.93%

LAB 91.36, 11.77, -3.92

 

CMYK 6 / 11 / 0 / 2

HEX #EADFFA

RGB 234 223 250

HSL 264.44, 0.73%, 0.93%

LAB 90.4, 8.65, -11.76

 

CMYK 10 / 11 / 0 / 2

HEX #E2DFFA

RGB 226 223 250

HSL 246.67, 0.73%, 0.93%

LAB 89.79, 6.07, -12.74

 

CMYK 11 / 11 / 0 / 2

HEX #DFDFFA

RGB 223 223 250

HSL 240, 0.73%, 0.93%

LAB 89.56, 5.11, -13.1

 

CMYK 6 / 11 / 0 / 2

HEX #EADFFA

RGB 234 223 250

HSL 264.44, 0.73%, 0.93%

LAB 90.4, 8.65, -11.76

 

CMYK 8 / 13 / 0 / 1

HEX #E9DCFD

RGB 233 220 253

HSL 263.64, 0.89%, 0.93%

LAB 89.67, 10.47, -14.43

 

CMYK 6 / 11 / 0 / 2

HEX #EADFFA

RGB 234 223 250

HSL 264.44, 0.73%, 0.93%

LAB 90.4, 8.65, -11.76

 

CMYK 5 / 9 / 0 / 3

HEX #EAE2F7

RGB 234 226 247

HSL 262.86, 0.57%, 0.93%

LAB 91.05, 6.51, -9.22

 

CMYK 4 / 6 / 0 / 4

HEX #EBE5F4

RGB 235 229 244

HSL 264, 0.41%, 0.93%

LAB 91.79, 4.73, -6.55

 

CMYK 2 / 4 / 0 / 5

HEX #ECE8F2

RGB 236 232 242

HSL 264, 0.28%, 0.93%

LAB 92.56, 3.14, -4.37

 

CMYK 1 / 2 / 0 / 6

HEX #ECEBEF

RGB 236 235 239

HSL 255, 0.11%, 0.93%

LAB 93.22, 1.05, -1.82

 

CMYK 11 / 9 / 0 / 2

HEX #DFE3FA

RGB 223 227 250

HSL 231.11, 0.73%, 0.93%

LAB 90.56, 3.03, -11.61

 

CMYK 10 / 11 / 0 / 2

HEX #E2DFFA

RGB 226 223 250

HSL 246.67, 0.73%, 0.93%

LAB 89.79, 6.07, -12.74

 

CMYK 7 / 11 / 0 / 2

HEX #E9DFFA

RGB 233 223 250

HSL 262.22, 0.73%, 0.93%

LAB 90.32, 8.32, -11.89

 

CMYK 4 / 11 / 0 / 2

HEX #F1DFFA

RGB 241 223 250

HSL 280, 0.73%, 0.93%

LAB 90.95, 10.92, -10.88

 

CMYK 1 / 11 / 0 / 2

HEX #F8DFFA

RGB 248 223 250

HSL 295.56, 0.73%, 0.93%

LAB 91.52, 13.22, -9.98

 

CMYK 23 / 38 / 0 / 6

HEX #B996F0

RGB 185 150 240

HSL 263.33, 0.75%, 0.76%

LAB 68.33, 30.9, -40.48

 

CMYK 15 / 24 / 0 / 4

HEX #D1BBF5

RGB 209 187 245

HSL 262.76, 0.74%, 0.85%

LAB 79.44, 18.85, -25.85

 

CMYK 6 / 11 / 0 / 2

HEX #EADFFA

RGB 234 223 250

HSL 264.44, 0.73%, 0.93%

LAB 90.4, 8.65, -11.76

 

CMYK 6 / 10 / 0 / 2

HEX #EBE1FB

RGB 235 225 251

HSL 263.08, 0.76%, 0.93%

LAB 91, 8.12, -11.39

 

CMYK 0 / 11 / 6 / 2

HEX #FADFEA

RGB 250 223 234

HSL 335.56, 0.73%, 0.93%

LAB 91.25, 11.09, -1.97

 

CMYK 10 / 0 / 11 / 2

HEX #E0FADF

RGB 224 250 223

HSL 117.78, 0.73%, 0.93%

LAB 95.81, -13.32, 10.09

 

CMYK 6 / 10 / 0 / 2

HEX #EBE1FB

RGB 235 225 251

HSL 263.08, 0.76%, 0.93%

LAB 91, 8.12, -11.39

 

CMYK 0 / 7 / 11 / 2

HEX #FAE9DF

RGB 250 233 223

HSL 22.22, 0.73%, 0.93%

LAB 93.42, 4.12, 6.92

 

CMYK 11 / 0 / 7 / 2

HEX #DFFAE9

RGB 223 250 233

HSL 142.22, 0.73%, 0.93%

LAB 95.97, -11.89, 5.17

 

CMYK 6 / 10 / 0 / 2

HEX #EBE1FB

RGB 235 225 251

HSL 263.08, 0.76%, 0.93%

LAB 91, 8.12, -11.39

 

CMYK 0 / 11 / 6 / 2

HEX #FADFEA

RGB 250 223 234

HSL 335.56, 0.73%, 0.93%

LAB 91.25, 11.09, -1.97

 

CMYK 4 / 0 / 11 / 2

HEX #F0FADF

RGB 240 250 223

HSL 82.22, 0.73%, 0.93%

LAB 96.91, -7.93, 11.82

 

CMYK 11 / 0 / 4 / 2

HEX #DFFAEF

RGB 223 250 239

HSL 155.56, 0.73%, 0.93%

LAB 96.12, -10.79, 2.29

 

CMYK 6 / 10 / 0 / 2

HEX #EBE1FB

RGB 235 225 251

HSL 263.08, 0.76%, 0.93%

LAB 91, 8.12, -11.39

 

CMYK 0 / 11 / 10 / 2

HEX #FADFE2

RGB 250 223 226

HSL 353.33, 0.73%, 0.93%

LAB 91.05, 9.76, 1.92

 

CMYK 4 / 0 / 11 / 2

HEX #F0FADF

RGB 240 250 223

HSL 82.22, 0.73%, 0.93%

LAB 96.91, -7.93, 11.82

 

CMYK 11 / 0 / 1 / 2

HEX #DFFAF7

RGB 223 250 247

HSL 173.33, 0.73%, 0.93%

LAB 96.32, -9.29, -1.55

 

Description

Color code: HEX #EBE1FB | qconv.com Color code: HEX #EBE1FB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 225 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 225 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 10 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 10% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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