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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBEEA6 it is the complementary color #141159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBEEA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBEEA6 shade: #F0EEA1, #FFFFB4, #FFFFC7, #FFFFDA and #FFFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBEEA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBEEA6 shade: #EBEEA6, #DADC93, #C9CA80, #B8B86D and #A7A65A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBEEA6 shade: #EAEDA5, #EDDDA5, #EDC9A5, #EDB5A5 and #EDA5A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBEEA6 shade: #EAEDA5, #D7EDA5, #C3EDA5, #AFEDA5 and #A5EDAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBEEA6 shade matches the following richer shades: #EAEDA5 and #F2F69C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBEEA6 shade: #EAEDA5, #E2E5AD, #DADCB6, #D3D3BF and #CBCBC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBEEA6 shade: #EDC9A5, #EDDCA5, #EBEDA5, #D8EDA5 and #C4EDA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBEEA6 shade: #DBE05F, #E3E782, #EAEDA5, #F2F4C7 and #FAFBEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBEEA6 shade: #EBEEA6, #A5EDB6 and #D3A5ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBEEA6 shade: #EBEEA6, #A5EBED and #EDA5EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBEEA6 shade: #EBEEA6, #A5EDB6, #A7A5ED and #EDA5DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBEEA6 shade: #EBEEA6, #A5EDCB, #A7A5ED and #EDA5C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 30 / 7

HEX #EBEEA6

RGB 235 238 166

HSL 62.5, 0.68%, 0.79%

LAB 92.38, -11.97, 34.61

 

Complementary color

CMYK 78 / 81 / 0 / 65

HEX #141159

RGB 20 17 89

HSL 242.5, 0.68%, 0.21%

LAB 11.07, 27.77, -42.27

 

CMYK 0 / 1 / 33 / 6

HEX #F0EEA1

RGB 240 238 161

HSL 58.48, 0.72%, 0.79%

LAB 92.68, -10.69, 37.59

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 1 / 0 / 30 / 7

HEX #EBEEA6

RGB 235 238 166

HSL 62.5, 0.68%, 0.79%

LAB 92.38, -11.97, 34.61

 

CMYK 1 / 0 / 33 / 14

HEX #DADC93

RGB 218 220 147

HSL 61.64, 0.51%, 0.72%

LAB 86.11, -11.73, 35.71

 

CMYK 0 / 0 / 37 / 21

HEX #C9CA80

RGB 201 202 128

HSL 60.81, 0.41%, 0.65%

LAB 79.74, -11.46, 36.85

 

CMYK 0 / 0 / 41 / 28

HEX #B8B86D

RGB 184 184 109

HSL 60, 0.35%, 0.57%

LAB 73.27, -11.13, 38.04

 

CMYK 0 / 1 / 46 / 35

HEX #A7A65A

RGB 167 166 90

HSL 59.22, 0.3%, 0.5%

LAB 66.69, -10.72, 39.26

 

CMYK 1 / 0 / 30 / 7

HEX #EAEDA5

RGB 234 237 165

HSL 62.5, 0.67%, 0.79%

LAB 92.03, -11.97, 34.64

 

CMYK 0 / 7 / 30 / 7

HEX #EDDDA5

RGB 237 221 165

HSL 46.67, 0.67%, 0.79%

LAB 88.18, -2.79, 29.53

 

CMYK 0 / 15 / 30 / 7

HEX #EDC9A5

RGB 237 201 165

HSL 30, 0.67%, 0.79%

LAB 83.18, 7.55, 22.73

 

CMYK 0 / 24 / 30 / 7

HEX #EDB5A5

RGB 237 181 165

HSL 13.33, 0.67%, 0.79%

LAB 78.33, 18.1, 16

 

CMYK 0 / 30 / 30 / 7

HEX #EDA5A5

RGB 237 165 165

HSL 0, 0.67%, 0.79%

LAB 74.59, 26.61, 10.74

 

CMYK 1 / 0 / 30 / 7

HEX #EAEDA5

RGB 234 237 165

HSL 62.5, 0.67%, 0.79%

LAB 92.03, -11.97, 34.64

 

CMYK 9 / 0 / 30 / 7

HEX #D7EDA5

RGB 215 237 165

HSL 78.33, 0.67%, 0.79%

LAB 90.66, -18.99, 32.56

 

CMYK 18 / 0 / 30 / 7

HEX #C3EDA5

RGB 195 237 165

HSL 95, 0.67%, 0.79%

LAB 89.34, -26.13, 30.57

 

CMYK 26 / 0 / 30 / 7

HEX #AFEDA5

RGB 175 237 165

HSL 111.67, 0.67%, 0.79%

LAB 88.16, -32.93, 28.77

 

CMYK 30 / 0 / 27 / 7

HEX #A5EDAD

RGB 165 237 173

HSL 126.67, 0.67%, 0.79%

LAB 87.77, -34.85, 24.06

 

CMYK 1 / 0 / 30 / 7

HEX #EAEDA5

RGB 234 237 165

HSL 62.5, 0.67%, 0.79%

LAB 92.03, -11.97, 34.64

 

CMYK 2 / 0 / 37 / 4

HEX #F2F69C

RGB 242 246 156

HSL 62.67, 0.83%, 0.79%

LAB 94.82, -14.45, 42.87

 

CMYK 1 / 0 / 30 / 7

HEX #EAEDA5

RGB 234 237 165

HSL 62.5, 0.67%, 0.79%

LAB 92.03, -11.97, 34.64

 

CMYK 1 / 0 / 24 / 10

HEX #E2E5AD

RGB 226 229 173

HSL 63.21, 0.52%, 0.79%

LAB 89.5, -9.91, 27.05

 

CMYK 1 / 0 / 17 / 14

HEX #DADCB6

RGB 218 220 182

HSL 63.16, 0.35%, 0.79%

LAB 86.74, -6.99, 18.48

 

CMYK 0 / 0 / 9 / 17

HEX #D3D3BF

RGB 211 211 191

HSL 60, 0.19%, 0.79%

LAB 84.07, -3.46, 9.9

 

CMYK 0 / 0 / 2 / 20

HEX #CBCBC7

RGB 203 203 199

HSL 60, 0.04%, 0.79%

LAB 81.58, -0.72, 1.98

 

CMYK 0 / 15 / 30 / 7

HEX #EDC9A5

RGB 237 201 165

HSL 30, 0.67%, 0.79%

LAB 83.18, 7.55, 22.73

 

CMYK 0 / 7 / 30 / 7

HEX #EDDCA5

RGB 237 220 165

HSL 45.83, 0.67%, 0.79%

LAB 87.92, -2.28, 29.19

 

CMYK 1 / 0 / 30 / 7

HEX #EBEDA5

RGB 235 237 165

HSL 61.67, 0.67%, 0.79%

LAB 92.11, -11.59, 34.75

 

CMYK 9 / 0 / 30 / 7

HEX #D8EDA5

RGB 216 237 165

HSL 77.5, 0.67%, 0.79%

LAB 90.73, -18.62, 32.66

 

CMYK 17 / 0 / 30 / 7

HEX #C4EDA5

RGB 196 237 165

HSL 94.17, 0.67%, 0.79%

LAB 89.4, -25.78, 30.66

 

CMYK 2 / 0 / 58 / 12

HEX #DBE05F

RGB 219 224 95

HSL 62.33, 0.68%, 0.63%

LAB 86.6, -18.31, 61.11

 

CMYK 2 / 0 / 44 / 9

HEX #E3E782

RGB 227 231 130

HSL 62.38, 0.68%, 0.71%

LAB 89.44, -15.58, 48.5

 

CMYK 1 / 0 / 30 / 7

HEX #EAEDA5

RGB 234 237 165

HSL 62.5, 0.67%, 0.79%

LAB 92.03, -11.97, 34.64

 

CMYK 1 / 0 / 18 / 4

HEX #F2F4C7

RGB 242 244 199

HSL 62.67, 0.67%, 0.87%

LAB 95.04, -7.94, 21.51

 

CMYK 0 / 0 / 7 / 2

HEX #FAFBEA

RGB 250 251 234

HSL 63.53, 0.68%, 0.95%

LAB 98.14, -3.22, 8.02

 

CMYK 1 / 0 / 30 / 7

HEX #EBEEA6

RGB 235 238 166

HSL 62.5, 0.68%, 0.79%

LAB 92.38, -11.97, 34.61

 

CMYK 30 / 0 / 23 / 7

HEX #A5EDB6

RGB 165 237 182

HSL 134.17, 0.67%, 0.79%

LAB 87.94, -33.29, 19.66

 

CMYK 11 / 30 / 0 / 7

HEX #D3A5ED

RGB 211 165 237

HSL 278.33, 0.67%, 0.79%

LAB 74.11, 29.78, -29.68

 

CMYK 1 / 0 / 30 / 7

HEX #EBEEA6

RGB 235 238 166

HSL 62.5, 0.68%, 0.79%

LAB 92.38, -11.97, 34.61

 

CMYK 30 / 1 / 0 / 7

HEX #A5EBED

RGB 165 235 237

HSL 181.67, 0.67%, 0.79%

LAB 88.7, -21.16, -7.96

 

CMYK 0 / 30 / 1 / 7

HEX #EDA5EB

RGB 237 165 235

HSL 301.67, 0.67%, 0.79%

LAB 76.63, 37.56, -24.52

 

CMYK 1 / 0 / 30 / 7

HEX #EBEEA6

RGB 235 238 166

HSL 62.5, 0.68%, 0.79%

LAB 92.38, -11.97, 34.61

 

CMYK 30 / 0 / 23 / 7

HEX #A5EDB6

RGB 165 237 182

HSL 134.17, 0.67%, 0.79%

LAB 87.94, -33.29, 19.66

 

CMYK 30 / 30 / 0 / 7

HEX #A7A5ED

RGB 167 165 237

HSL 241.67, 0.67%, 0.79%

LAB 70.34, 16.59, -35.81

 

CMYK 0 / 30 / 7 / 7

HEX #EDA5DC

RGB 237 165 220

HSL 314.17, 0.67%, 0.79%

LAB 76.12, 34.92, -17.13

 

CMYK 1 / 0 / 30 / 7

HEX #EBEEA6

RGB 235 238 166

HSL 62.5, 0.68%, 0.79%

LAB 92.38, -11.97, 34.61

 

CMYK 30 / 0 / 14 / 7

HEX #A5EDCB

RGB 165 237 203

HSL 151.67, 0.67%, 0.79%

LAB 88.39, -29.35, 9.38

 

CMYK 30 / 30 / 0 / 7

HEX #A7A5ED

RGB 167 165 237

HSL 241.67, 0.67%, 0.79%

LAB 70.34, 16.59, -35.81

 

CMYK 0 / 30 / 16 / 7

HEX #EDA5C7

RGB 237 165 199

HSL 331.67, 0.67%, 0.79%

LAB 75.48, 31.48, -6.62

 

Description

Color code: HEX #EBEEA6 | qconv.com Color code: HEX #EBEEA6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 238 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 238 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 30 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 30% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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