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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBFC49 it is the complementary color #1403B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBFC49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBFC49 shade: #F0FC44, #FFFF57, #FFFF6A, #FFFF7D and #FFFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBFC49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBFC49 shade: #EBFC49, #DAEA36, #C9D823, #B8C610 and #A7B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBFC49 shade: #EBFC4A, #FCDD4A, #FCAD4A, #FC7D4A and #FC4D4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBFC49 shade: #EBFC4A, #BBFC4A, #8BFC4A, #5BFC4A and #4AFC69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBFC49 shade matches the following richer shades: #EBFC4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBFC49 shade: #EBFC4A, #DFED59, #D3DE67, #C7CF76 and #BBC085

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBFC49 shade: #FCAC4A, #FCDB4A, #EDFC4A, #BDFC4A and #8EFC4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBFC49 shade: #D9F003, #E6FB21, #EBFC4A, #EFFC72 and #F4FD9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBFC49 shade: #EBFC49, #4AFC7C and #C34AFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBFC49 shade: #EBFC49, #4AEDFC and #FC4AED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBFC49 shade: #EBFC49, #4AFC7C, #584AFC and #FC4AC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBFC49 shade: #EBFC49, #4AFCB2, #584AFC and #FC4A94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 71 / 1

HEX #EBFC49

RGB 235 252 73

HSL 65.7, 0.97%, 0.64%

LAB 95.06, -26.59, 78.67

 

Complementary color

CMYK 89 / 98 / 0 / 29

HEX #1403B6

RGB 20 3 182

HSL 245.7, 0.97%, 0.36%

LAB 22.27, 60.93, -82.42

 

CMYK 5 / 0 / 73 / 1

HEX #F0FC44

RGB 240 252 68

HSL 63.91, 0.97%, 0.63%

LAB 95.4, -24.81, 80.74

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 7 / 0 / 71 / 1

HEX #EBFC49

RGB 235 252 73

HSL 65.7, 0.97%, 0.64%

LAB 95.06, -26.59, 78.67

 

CMYK 7 / 0 / 77 / 8

HEX #DAEA36

RGB 218 234 54

HSL 65.33, 0.81%, 0.56%

LAB 88.93, -25.76, 78.39

 

CMYK 7 / 0 / 84 / 15

HEX #C9D823

RGB 201 216 35

HSL 64.97, 0.72%, 0.49%

LAB 82.73, -24.78, 77.33

 

CMYK 7 / 0 / 92 / 22

HEX #B8C610

RGB 184 198 16

HSL 64.62, 0.85%, 0.42%

LAB 76.45, -23.61, 75.11

 

CMYK 7 / 0 / 100 / 29

HEX #A7B400

RGB 167 180 0

HSL 64.33, 1%, 0.35%

LAB 70.08, -22.25, 71.52

 

CMYK 7 / 0 / 71 / 1

HEX #EBFC4A

RGB 235 252 74

HSL 65.73, 0.97%, 0.64%

LAB 95.07, -26.54, 78.35

 

CMYK 0 / 12 / 71 / 1

HEX #FCDD4A

RGB 252 221 74

HSL 49.55, 0.97%, 0.64%

LAB 88.4, -4.49, 72.29

 

CMYK 0 / 31 / 71 / 1

HEX #FCAD4A

RGB 252 173 74

HSL 33.37, 0.97%, 0.64%

LAB 76.73, 20.3, 60.47

 

CMYK 0 / 50 / 71 / 1

HEX #FC7D4A

RGB 252 125 74

HSL 17.19, 0.97%, 0.64%

LAB 66.41, 44.92, 49.42

 

CMYK 0 / 69 / 71 / 1

HEX #FC4D4A

RGB 252 77 74

HSL 1.01, 0.97%, 0.64%

LAB 58.51, 65.74, 40.47

 

CMYK 7 / 0 / 71 / 1

HEX #EBFC4A

RGB 235 252 74

HSL 65.73, 0.97%, 0.64%

LAB 95.07, -26.54, 78.35

 

CMYK 26 / 0 / 71 / 1

HEX #BBFC4A

RGB 187 252 74

HSL 81.91, 0.97%, 0.64%

LAB 91.99, -44.96, 74.29

 

CMYK 45 / 0 / 71 / 1

HEX #8BFC4A

RGB 139 252 74

HSL 98.09, 0.97%, 0.64%

LAB 89.68, -60.97, 71.21

 

CMYK 64 / 0 / 71 / 1

HEX #5BFC4A

RGB 91 252 74

HSL 114.27, 0.97%, 0.64%

LAB 88.13, -73.03, 69.14

 

CMYK 71 / 0 / 58 / 1

HEX #4AFC69

RGB 74 252 105

HSL 130.45, 0.97%, 0.64%

LAB 88.02, -73.07, 56.6

 

CMYK 7 / 0 / 71 / 1

HEX #EBFC4A

RGB 235 252 74

HSL 65.73, 0.97%, 0.64%

LAB 95.07, -26.54, 78.35

 

CMYK 7 / 0 / 71 / 1

HEX #EBFC4A

RGB 235 252 74

HSL 65.73, 0.97%, 0.64%

LAB 95.07, -26.54, 78.35

 

CMYK 6 / 0 / 62 / 7

HEX #DFED59

RGB 223 237 89

HSL 65.68, 0.8%, 0.64%

LAB 90.31, -23.4, 67.72

 

CMYK 5 / 0 / 54 / 13

HEX #D3DE67

RGB 211 222 103

HSL 65.55, 0.64%, 0.64%

LAB 85.54, -19.92, 56.21

 

CMYK 4 / 0 / 43 / 19

HEX #C7CF76

RGB 199 207 118

HSL 65.39, 0.48%, 0.64%

LAB 80.78, -15.87, 43.17

 

CMYK 3 / 0 / 31 / 25

HEX #BBC085

RGB 187 192 133

HSL 65.08, 0.32%, 0.64%

LAB 76.04, -11.19, 29.23

 

CMYK 0 / 32 / 71 / 1

HEX #FCAC4A

RGB 252 172 74

HSL 33.03, 0.97%, 0.64%

LAB 76.49, 20.82, 60.23

 

CMYK 0 / 13 / 71 / 1

HEX #FCDB4A

RGB 252 219 74

HSL 48.88, 0.97%, 0.64%

LAB 87.9, -3.48, 71.8

 

CMYK 6 / 0 / 71 / 1

HEX #EDFC4A

RGB 237 252 74

HSL 65.06, 0.97%, 0.64%

LAB 95.21, -25.75, 78.54

 

CMYK 25 / 0 / 71 / 1

HEX #BDFC4A

RGB 189 252 74

HSL 81.24, 0.97%, 0.64%

LAB 92.1, -44.23, 74.44

 

CMYK 44 / 0 / 71 / 1

HEX #8EFC4A

RGB 142 252 74

HSL 97.08, 0.97%, 0.64%

LAB 89.8, -60.07, 71.37

 

CMYK 10 / 0 / 99 / 6

HEX #D9F003

RGB 217 240 3

HSL 65.82, 0.98%, 0.48%

LAB 90.36, -30.02, 87.99

 

CMYK 8 / 0 / 87 / 2

HEX #E6FB21

RGB 230 251 33

HSL 65.78, 0.96%, 0.56%

LAB 94.28, -29.47, 88.07

 

CMYK 7 / 0 / 71 / 1

HEX #EBFC4A

RGB 235 252 74

HSL 65.73, 0.97%, 0.64%

LAB 95.07, -26.54, 78.35

 

CMYK 5 / 0 / 55 / 1

HEX #EFFC72

RGB 239 252 114

HSL 65.65, 0.96%, 0.72%

LAB 95.66, -22.46, 63.45

 

CMYK 4 / 0 / 39 / 1

HEX #F4FD9B

RGB 244 253 155

HSL 65.51, 0.96%, 0.8%

LAB 96.76, -17.21, 45.87

 

CMYK 7 / 0 / 71 / 1

HEX #EBFC49

RGB 235 252 73

HSL 65.7, 0.97%, 0.64%

LAB 95.06, -26.59, 78.67

 

CMYK 71 / 0 / 51 / 1

HEX #4AFC7C

RGB 74 252 124

HSL 136.85, 0.97%, 0.64%

LAB 88.22, -70.61, 48.28

 

CMYK 23 / 71 / 0 / 1

HEX #C34AFC

RGB 195 74 252

HSL 280.79, 0.97%, 0.64%

LAB 55.61, 73.75, -67.24

 

CMYK 7 / 0 / 71 / 1

HEX #EBFC49

RGB 235 252 73

HSL 65.7, 0.97%, 0.64%

LAB 95.06, -26.59, 78.67

 

CMYK 71 / 6 / 0 / 1

HEX #4AEDFC

RGB 74 237 252

HSL 185.06, 0.97%, 0.64%

LAB 86.53, -36.49, -19.4

 

CMYK 0 / 71 / 6 / 1

HEX #FC4AED

RGB 252 74 237

HSL 305.06, 0.97%, 0.64%

LAB 63.1, 82.86, -46.46

 

CMYK 7 / 0 / 71 / 1

HEX #EBFC49

RGB 235 252 73

HSL 65.7, 0.97%, 0.64%

LAB 95.06, -26.59, 78.67

 

CMYK 71 / 0 / 51 / 1

HEX #4AFC7C

RGB 74 252 124

HSL 136.85, 0.97%, 0.64%

LAB 88.22, -70.61, 48.28

 

CMYK 65 / 71 / 0 / 1

HEX #584AFC

RGB 88 74 252

HSL 244.72, 0.97%, 0.64%

LAB 44.23, 56.59, -86.27

 

CMYK 0 / 71 / 20 / 1

HEX #FC4AC9

RGB 252 74 201

HSL 317.19, 0.97%, 0.64%

LAB 61.49, 77.89, -28.72

 

CMYK 7 / 0 / 71 / 1

HEX #EBFC49

RGB 235 252 73

HSL 65.7, 0.97%, 0.64%

LAB 95.06, -26.59, 78.67

 

CMYK 71 / 0 / 29 / 1

HEX #4AFCB2

RGB 74 252 178

HSL 155.06, 0.97%, 0.64%

LAB 89.06, -61.22, 22.78

 

CMYK 65 / 71 / 0 / 1

HEX #584AFC

RGB 88 74 252

HSL 244.72, 0.97%, 0.64%

LAB 44.23, 56.59, -86.27

 

CMYK 0 / 71 / 41 / 1

HEX #FC4A94

RGB 252 74 148

HSL 335.06, 0.97%, 0.64%

LAB 59.65, 71.95, -0.93

 

Description

Color code: HEX #EBFC49 | qconv.com Color code: HEX #EBFC49 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 252 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 252 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 71 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 71% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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