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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC27D4 it is the complementary color #13D82B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC27D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC27D4 shade: #F127CF, #FF39E2, #FF4BF5, #FF5DFF and #FF6FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC27D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC27D4 shade: #EC27D4, #DB15C1, #CA03AE, #B9009B and #A80088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC27D4 shade: #EC27D4, #EC279F, #EC2769, #EC2734 and #EC2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC27D4 shade: #EC27D4, #CF27EC, #9927EC, #6427EC and #2F27EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC27D4 shade matches the following richer shades: #EC27D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC27D4 shade: #EC27D4, #D93AC5, #C64DB7, #B360A9 and #A0739A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC27D4 shade: #9A27EC, #CE27EC, #EC27D5, #EC27A0 and #EC276C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC27D4 shade: #B10F9D, #D712BF, #EC27D4, #EF4DDB and #F273E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC27D4 shade: #EC27D4, #EC6527 and #27ECB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC27D4 shade: #EC27D4, #D5EC27 and #27D5EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC27D4 shade: #EC27D4, #EC6527, #27EC3E and #27ADEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC27D4 shade: #EC27D4, #ECA027, #27EC3E and #2772EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 10 / 7

HEX #EC27D4

RGB 236 39 212

HSL 307.31, 0.84%, 0.54%

LAB 56.13, 85.07, -43.56

 

Complementary color

CMYK 91 / 0 / 80 / 15

HEX #13D82B

RGB 19 216 43

HSL 127.31, 0.84%, 0.46%

LAB 75.71, -73.85, 66.43

 

CMYK 0 / 84 / 14 / 5

HEX #F127CF

RGB 241 39 207

HSL 310.1, 0.88%, 0.55%

LAB 56.74, 85.37, -39.68

 

CMYK 0 / 78 / 11 / 0

HEX #FF39E2

RGB 255 57 226

HSL 308.79, 1%, 0.61%

LAB 61.37, 86.73, -42.99

 

CMYK 0 / 71 / 4 / 0

HEX #FF4BF5

RGB 255 75 245

HSL 303.33, 1%, 0.65%

LAB 64.07, 84.36, -49.34

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 83 / 10 / 7

HEX #EC27D4

RGB 236 39 212

HSL 307.31, 0.84%, 0.54%

LAB 56.13, 85.07, -43.56

 

CMYK 0 / 90 / 12 / 14

HEX #DB15C1

RGB 219 21 193

HSL 307.88, 0.83%, 0.47%

LAB 51.21, 82.21, -40.6

 

CMYK 0 / 99 / 14 / 21

HEX #CA03AE

RGB 202 3 174

HSL 308.44, 0.97%, 0.4%

LAB 46.55, 78.34, -37.03

 

CMYK 0 / 100 / 16 / 27

HEX #B9009B

RGB 185 0 155

HSL 309.73, 1%, 0.36%

LAB 42.28, 73.06, -32.62

 

CMYK 0 / 100 / 19 / 34

HEX #A80088

RGB 168 0 136

HSL 311.43, 1%, 0.33%

LAB 38.03, 67.43, -27.93

 

CMYK 0 / 83 / 10 / 7

HEX #EC27D4

RGB 236 39 212

HSL 307.31, 0.84%, 0.54%

LAB 56.13, 85.07, -43.56

 

CMYK 0 / 83 / 33 / 7

HEX #EC279F

RGB 236 39 159

HSL 323.45, 0.84%, 0.54%

LAB 53.8, 78.69, -16.42

 

CMYK 0 / 83 / 56 / 7

HEX #EC2769

RGB 236 39 105

HSL 339.9, 0.84%, 0.54%

LAB 52.18, 74.04, 13.6

 

CMYK 0 / 83 / 78 / 7

HEX #EC2734

RGB 236 39 52

HSL 356.04, 0.84%, 0.54%

LAB 51.3, 71.45, 43.83

 

CMYK 0 / 83 / 83 / 7

HEX #EC2727

RGB 236 39 39

HSL 0, 0.84%, 0.54%

LAB 51.19, 71.1, 50.54

 

CMYK 0 / 83 / 10 / 7

HEX #EC27D4

RGB 236 39 212

HSL 307.31, 0.84%, 0.54%

LAB 56.13, 85.07, -43.56

 

CMYK 12 / 83 / 0 / 7

HEX #CF27EC

RGB 207 39 236

HSL 291.17, 0.84%, 0.54%

LAB 52.7, 83.5, -62.9

 

CMYK 35 / 83 / 0 / 7

HEX #9927EC

RGB 153 39 236

HSL 274.72, 0.84%, 0.54%

LAB 44.63, 75.28, -76.37

 

CMYK 58 / 83 / 0 / 7

HEX #6427EC

RGB 100 39 236

HSL 258.58, 0.84%, 0.54%

LAB 38.23, 69.11, -87.14

 

CMYK 80 / 83 / 0 / 7

HEX #2F27EC

RGB 47 39 236

HSL 242.44, 0.84%, 0.54%

LAB 34.21, 65.48, -93.91

 

CMYK 0 / 83 / 10 / 7

HEX #EC27D4

RGB 236 39 212

HSL 307.31, 0.84%, 0.54%

LAB 56.13, 85.07, -43.56

 

CMYK 0 / 83 / 10 / 7

HEX #EC27D4

RGB 236 39 212

HSL 307.31, 0.84%, 0.54%

LAB 56.13, 85.07, -43.56

 

CMYK 0 / 73 / 9 / 15

HEX #D93AC5

RGB 217 58 197

HSL 307.55, 0.68%, 0.54%

LAB 53.82, 74.37, -38.81

 

CMYK 0 / 61 / 8 / 22

HEX #C64DB7

RGB 198 77 183

HSL 307.44, 0.51%, 0.54%

LAB 52.66, 60.7, -32.76

 

CMYK 0 / 46 / 6 / 30

HEX #B360A9

RGB 179 96 169

HSL 307.23, 0.35%, 0.54%

LAB 52.75, 43.87, -24.68

 

CMYK 0 / 28 / 4 / 37

HEX #A0739A

RGB 160 115 154

HSL 308, 0.19%, 0.54%

LAB 54.1, 24.33, -14.07

 

CMYK 35 / 83 / 0 / 7

HEX #9A27EC

RGB 154 39 236

HSL 275.03, 0.84%, 0.54%

LAB 44.77, 75.41, -76.14

 

CMYK 13 / 83 / 0 / 7

HEX #CE27EC

RGB 206 39 236

HSL 290.86, 0.84%, 0.54%

LAB 52.54, 83.33, -63.17

 

CMYK 0 / 83 / 10 / 7

HEX #EC27D5

RGB 236 39 213

HSL 307.01, 0.84%, 0.54%

LAB 56.18, 85.2, -44.05

 

CMYK 0 / 83 / 32 / 7

HEX #EC27A0

RGB 236 39 160

HSL 323.15, 0.84%, 0.54%

LAB 53.84, 78.79, -16.95

 

CMYK 0 / 83 / 54 / 7

HEX #EC276C

RGB 236 39 108

HSL 338.98, 0.84%, 0.54%

LAB 52.25, 74.24, 11.88

 

CMYK 0 / 92 / 11 / 31

HEX #B10F9D

RGB 177 15 157

HSL 307.41, 0.84%, 0.38%

LAB 41.41, 70.26, -35.29

 

CMYK 0 / 92 / 11 / 16

HEX #D712BF

RGB 215 18 191

HSL 307.31, 0.85%, 0.46%

LAB 50.26, 81.57, -40.98

 

CMYK 0 / 83 / 10 / 7

HEX #EC27D4

RGB 236 39 212

HSL 307.31, 0.84%, 0.54%

LAB 56.13, 85.07, -43.56

 

CMYK 0 / 68 / 8 / 6

HEX #EF4DDB

RGB 239 77 219

HSL 307.41, 0.84%, 0.62%

LAB 60.58, 76.31, -40.48

 

CMYK 0 / 52 / 6 / 5

HEX #F273E3

RGB 242 115 227

HSL 307.09, 0.83%, 0.7%

LAB 67.04, 62.76, -34.84

 

CMYK 0 / 83 / 10 / 7

HEX #EC27D4

RGB 236 39 212

HSL 307.31, 0.84%, 0.54%

LAB 56.13, 85.07, -43.56

 

CMYK 0 / 57 / 83 / 7

HEX #EC6527

RGB 236 101 39

HSL 18.88, 0.84%, 0.54%

LAB 59.24, 49.17, 57.63

 

CMYK 83 / 0 / 24 / 7

HEX #27ECB4

RGB 39 236 180

HSL 162.94, 0.84%, 0.54%

LAB 83.82, -58.48, 14.36

 

CMYK 0 / 83 / 10 / 7

HEX #EC27D4

RGB 236 39 212

HSL 307.31, 0.84%, 0.54%

LAB 56.13, 85.07, -43.56

 

CMYK 10 / 0 / 83 / 7

HEX #D5EC27

RGB 213 236 39

HSL 67.01, 0.84%, 0.54%

LAB 89.06, -29.21, 82.12

 

CMYK 83 / 10 / 0 / 7

HEX #27D5EC

RGB 39 213 236

HSL 187.01, 0.84%, 0.54%

LAB 78.51, -33.37, -23.14

 

CMYK 0 / 83 / 10 / 7

HEX #EC27D4

RGB 236 39 212

HSL 307.31, 0.84%, 0.54%

LAB 56.13, 85.07, -43.56

 

CMYK 0 / 57 / 83 / 7

HEX #EC6527

RGB 236 101 39

HSL 18.88, 0.84%, 0.54%

LAB 59.24, 49.17, 57.63

 

CMYK 83 / 0 / 74 / 7

HEX #27EC3E

RGB 39 236 62

HSL 127.01, 0.84%, 0.54%

LAB 82.25, -76.76, 67

 

CMYK 83 / 27 / 0 / 7

HEX #27ADEC

RGB 39 173 236

HSL 199.19, 0.84%, 0.54%

LAB 66.81, -13.04, -41.21

 

CMYK 0 / 83 / 10 / 7

HEX #EC27D4

RGB 236 39 212

HSL 307.31, 0.84%, 0.54%

LAB 56.13, 85.07, -43.56

 

CMYK 0 / 32 / 83 / 7

HEX #ECA027

RGB 236 160 39

HSL 36.85, 0.84%, 0.54%

LAB 71.64, 19.12, 68.26

 

CMYK 83 / 0 / 74 / 7

HEX #27EC3E

RGB 39 236 62

HSL 127.01, 0.84%, 0.54%

LAB 82.25, -76.76, 67

 

CMYK 83 / 52 / 0 / 7

HEX #2772EC

RGB 39 114 236

HSL 217.16, 0.84%, 0.54%

LAB 50.12, 21.95, -67.79

 

Description

Color code: HEX #EC27D4 | qconv.com Color code: HEX #EC27D4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 39 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 39 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 10 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 10% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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