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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC2B78 it is the complementary color #13D487. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC2B78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC2B78 shade: #F12B73, #FF3D86, #FF4F99, #FF61AC and #FF73BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC2B78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC2B78 shade: #EC2B78, #DB1965, #CA0752, #B9003F and #A8002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC2B78 shade: #EC2B78, #EC2B44 and #EC2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC2B78 shade: #EC2B78, #EC2BAC, #EC2BE0, #C42BEC and #902BEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC2B78 shade matches the following richer shades: #EC2B78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC2B78 shade: #EC2B78, #DA3E7C, #C75080, #B46384 and #A27687

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC2B78 shade: #EC2BDF, #EC2BAC, #EC2B78, #EC2B45 and #EC452B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC2B78 shade: #B60F52, #DC1363, #EC2B78, #EF5190 and #F377A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC2B78 shade: #EC2B78, #ECC62B and #2BC6EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC2B78 shade: #EC2B78, #78EC2B and #2B78EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC2B78 shade: #EC2B78, #ECC62B, #2BEC9F and #2B52EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC2B78 shade: #EC2B78, #D9EC2B, #2BEC9F and #3F2BEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 49 / 7

HEX #EC2B78

RGB 236 43 120

HSL 336.06, 0.84%, 0.55%

LAB 52.86, 74.25, 5.49

 

Complementary color

CMYK 91 / 0 / 36 / 17

HEX #13D487

RGB 19 212 135

HSL 156.06, 0.84%, 0.45%

LAB 75.44, -60.69, 26.23

 

CMYK 0 / 82 / 52 / 5

HEX #F12B73

RGB 241 43 115

HSL 338.18, 0.88%, 0.56%

LAB 53.67, 75.12, 9.79

 

CMYK 0 / 76 / 47 / 0

HEX #FF3D86

RGB 255 61 134

HSL 337.42, 1%, 0.62%

LAB 58.34, 75.56, 5.46

 

CMYK 0 / 69 / 40 / 0

HEX #FF4F99

RGB 255 79 153

HSL 334.77, 1%, 0.65%

LAB 60.92, 71.52, -1.92

 

CMYK 0 / 62 / 33 / 0

HEX #FF61AC

RGB 255 97 172

HSL 331.52, 1%, 0.69%

LAB 63.99, 66.66, -8.33

 

CMYK 0 / 55 / 25 / 0

HEX #FF73BF

RGB 255 115 191

HSL 327.43, 1%, 0.73%

LAB 67.49, 61.22, -13.87

 

CMYK 0 / 82 / 49 / 7

HEX #EC2B78

RGB 236 43 120

HSL 336.06, 0.84%, 0.55%

LAB 52.86, 74.25, 5.49

 

CMYK 0 / 89 / 54 / 14

HEX #DB1965

RGB 219 25 101

HSL 336.49, 0.8%, 0.48%

LAB 47.87, 72.19, 9.54

 

CMYK 0 / 97 / 59 / 21

HEX #CA0752

RGB 202 7 82

HSL 336.92, 0.93%, 0.41%

LAB 43.24, 69.06, 14.42

 

CMYK 0 / 100 / 66 / 27

HEX #B9003F

RGB 185 0 63

HSL 339.57, 1%, 0.36%

LAB 39.02, 64.64, 20.22

 

CMYK 0 / 100 / 74 / 34

HEX #A8002C

RGB 168 0 44

HSL 344.29, 1%, 0.33%

LAB 35.02, 59.6, 26.56

 

CMYK 0 / 82 / 49 / 7

HEX #EC2B78

RGB 236 43 120

HSL 336.06, 0.84%, 0.55%

LAB 52.86, 74.25, 5.49

 

CMYK 0 / 82 / 71 / 7

HEX #EC2B44

RGB 236 43 68

HSL 352.23, 0.84%, 0.55%

LAB 51.81, 71.13, 35.29

 

CMYK 0 / 82 / 82 / 7

HEX #EC2B2B

RGB 236 43 43

HSL 0, 0.84%, 0.55%

LAB 51.54, 70.3, 48.85

 

CMYK 0 / 82 / 49 / 7

HEX #EC2B78

RGB 236 43 120

HSL 336.06, 0.84%, 0.55%

LAB 52.86, 74.25, 5.49

 

CMYK 0 / 82 / 27 / 7

HEX #EC2BAC

RGB 236 43 172

HSL 319.9, 0.84%, 0.55%

LAB 54.59, 79.26, -22.85

 

CMYK 0 / 82 / 5 / 7

HEX #EC2BE0

RGB 236 43 224

HSL 303.73, 0.84%, 0.55%

LAB 57.02, 85.94, -48.96

 

CMYK 17 / 82 / 0 / 7

HEX #C42BEC

RGB 196 43 236

HSL 287.56, 0.84%, 0.55%

LAB 51.29, 80.77, -65.26

 

CMYK 39 / 82 / 0 / 7

HEX #902BEC

RGB 144 43 236

HSL 271.4, 0.84%, 0.55%

LAB 43.82, 72.88, -77.75

 

CMYK 0 / 82 / 49 / 7

HEX #EC2B78

RGB 236 43 120

HSL 336.06, 0.84%, 0.55%

LAB 52.86, 74.25, 5.49

 

CMYK 0 / 82 / 49 / 7

HEX #EC2B78

RGB 236 43 120

HSL 336.06, 0.84%, 0.55%

LAB 52.86, 74.25, 5.49

 

CMYK 0 / 72 / 43 / 15

HEX #DA3E7C

RGB 218 62 124

HSL 336.15, 0.68%, 0.55%

LAB 51.62, 64.43, 0.87

 

CMYK 0 / 60 / 36 / 22

HEX #C75080

RGB 199 80 128

HSL 335.8, 0.52%, 0.55%

LAB 51.2, 51.99, -2.52

 

CMYK 0 / 45 / 27 / 29

HEX #B46384

RGB 180 99 132

HSL 335.56, 0.35%, 0.55%

LAB 52.17, 36.67, -3.79

 

CMYK 0 / 27 / 17 / 36

HEX #A27687

RGB 162 118 135

HSL 336.82, 0.19%, 0.55%

LAB 54.44, 19.94, -2.46

 

CMYK 0 / 82 / 6 / 7

HEX #EC2BDF

RGB 236 43 223

HSL 304.04, 0.84%, 0.55%

LAB 56.97, 85.79, -48.47

 

CMYK 0 / 82 / 27 / 7

HEX #EC2BAC

RGB 236 43 172

HSL 319.9, 0.84%, 0.55%

LAB 54.59, 79.26, -22.85

 

CMYK 0 / 82 / 49 / 7

HEX #EC2B78

RGB 236 43 120

HSL 336.06, 0.84%, 0.55%

LAB 52.86, 74.25, 5.49

 

CMYK 0 / 82 / 71 / 7

HEX #EC2B45

RGB 236 43 69

HSL 351.92, 0.84%, 0.55%

LAB 51.83, 71.18, 34.73

 

CMYK 0 / 71 / 82 / 7

HEX #EC452B

RGB 236 69 43

HSL 8.08, 0.84%, 0.55%

LAB 54.31, 62.55, 51.44

 

CMYK 0 / 92 / 55 / 29

HEX #B60F52

RGB 182 15 82

HSL 335.93, 0.85%, 0.39%

LAB 39.4, 63.39, 8.47

 

CMYK 0 / 91 / 55 / 14

HEX #DC1363

RGB 220 19 99

HSL 336.12, 0.84%, 0.47%

LAB 47.73, 73.14, 10.6

 

CMYK 0 / 82 / 49 / 7

HEX #EC2B78

RGB 236 43 120

HSL 336.06, 0.84%, 0.55%

LAB 52.86, 74.25, 5.49

 

CMYK 0 / 66 / 40 / 6

HEX #EF5190

RGB 239 81 144

HSL 336.08, 0.83%, 0.63%

LAB 58.27, 65.39, -0.85

 

CMYK 0 / 51 / 30 / 5

HEX #F377A9

RGB 243 119 169

HSL 335.81, 0.84%, 0.71%

LAB 65.84, 52.81, -4.07

 

CMYK 0 / 82 / 49 / 7

HEX #EC2B78

RGB 236 43 120

HSL 336.06, 0.84%, 0.55%

LAB 52.86, 74.25, 5.49

 

CMYK 0 / 16 / 82 / 7

HEX #ECC62B

RGB 236 198 43

HSL 48.19, 0.84%, 0.55%

LAB 80.96, -0.71, 75.03

 

CMYK 82 / 16 / 0 / 7

HEX #2BC6EC

RGB 43 198 236

HSL 191.81, 0.84%, 0.55%

LAB 74.16, -25.77, -29.78

 

CMYK 0 / 82 / 49 / 7

HEX #EC2B78

RGB 236 43 120

HSL 336.06, 0.84%, 0.55%

LAB 52.86, 74.25, 5.49

 

CMYK 49 / 0 / 82 / 7

HEX #78EC2B

RGB 120 236 43

HSL 96.06, 0.84%, 0.55%

LAB 84.05, -62.33, 74.89

 

CMYK 82 / 49 / 0 / 7

HEX #2B78EC

RGB 43 120 236

HSL 216.06, 0.84%, 0.55%

LAB 51.84, 18.5, -65.01

 

CMYK 0 / 82 / 49 / 7

HEX #EC2B78

RGB 236 43 120

HSL 336.06, 0.84%, 0.55%

LAB 52.86, 74.25, 5.49

 

CMYK 0 / 16 / 82 / 7

HEX #ECC62B

RGB 236 198 43

HSL 48.19, 0.84%, 0.55%

LAB 80.96, -0.71, 75.03

 

CMYK 82 / 0 / 33 / 7

HEX #2BEC9F

RGB 43 236 159

HSL 156.06, 0.84%, 0.55%

LAB 83.45, -62.75, 24.73

 

CMYK 82 / 65 / 0 / 7

HEX #2B52EC

RGB 43 82 236

HSL 227.88, 0.84%, 0.55%

LAB 42.16, 42.45, -80.78

 

CMYK 0 / 82 / 49 / 7

HEX #EC2B78

RGB 236 43 120

HSL 336.06, 0.84%, 0.55%

LAB 52.86, 74.25, 5.49

 

CMYK 8 / 0 / 82 / 7

HEX #D9EC2B

RGB 217 236 43

HSL 65.91, 0.84%, 0.55%

LAB 89.35, -27.48, 81.59

 

CMYK 82 / 0 / 33 / 7

HEX #2BEC9F

RGB 43 236 159

HSL 156.06, 0.84%, 0.55%

LAB 83.45, -62.75, 24.73

 

CMYK 73 / 82 / 0 / 7

HEX #3F2BEC

RGB 63 43 236

HSL 246.22, 0.84%, 0.55%

LAB 35.68, 64.68, -91.46

 

Description

Color code: HEX #EC2B78 | qconv.com Color code: HEX #EC2B78 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 43 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 43 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 49 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 49% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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