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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC2EF9 it is the complementary color #13D106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC2EF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC2EF9 shade: #F12EF4, #FF40FF, #FF52FF, #FF64FF and #FF76FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC2EF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC2EF9 shade: #EC2EF9, #DB1CE6, #CA0AD3, #B900C0 and #A800AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC2EF9 shade: #EB2FF8, #F82FCF, #F82F98, #F82F62 and #F82F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC2EF9 shade: #EB2FF8, #B52FF8, #7F2FF8, #482FF8 and #2F2FF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC2EF9 shade matches the following richer shades: #EB2FF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC2EF9 shade: #EB2FF8, #DC40E7, #CD51D5, #BE63C4 and #AF74B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC2EF9 shade: #7F2FF8, #B52FF8, #EB2FF8, #F82FD0 and #F82F9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC2EF9 shade: #C206CE, #E707F6, #EB2FF8, #EF57F9 and #F37FFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC2EF9 shade: #EC2EF9, #F84A2F and #2FF89A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC2EF9 shade: #EC2EF9, #F8EB2F and #2FF8EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC2EF9 shade: #EC2EF9, #F84A2F, #3CF82F and #2FDDF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC2EF9 shade: #EC2EF9, #F8862F, #3CF82F and #2FA1F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 82 / 0 / 2

HEX #EC2EF9

RGB 236 46 249

HSL 296.16, 0.94%, 0.58%

LAB 58.63, 89.01, -60.4

 

Complementary color

CMYK 91 / 0 / 97 / 18

HEX #13D106

RGB 19 209 6

HSL 116.16, 0.94%, 0.42%

LAB 73.38, -73.24, 71.1

 

CMYK 1 / 81 / 0 / 4

HEX #F12EF4

RGB 241 46 244

HSL 299.09, 0.9%, 0.57%

LAB 59.15, 89.14, -56.74

 

CMYK 0 / 75 / 0 / 0

HEX #FF40FF

RGB 255 64 255

HSL 300, 1%, 0.63%

LAB 63.46, 89.06, -55.83

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 5 / 82 / 0 / 2

HEX #EC2EF9

RGB 236 46 249

HSL 296.16, 0.94%, 0.58%

LAB 58.63, 89.01, -60.4

 

CMYK 5 / 88 / 0 / 10

HEX #DB1CE6

RGB 219 28 230

HSL 296.73, 0.8%, 0.51%

LAB 53.6, 86.51, -57.96

 

CMYK 4 / 95 / 0 / 17

HEX #CA0AD3

RGB 202 10 211

HSL 297.31, 0.91%, 0.43%

LAB 48.86, 82.96, -54.92

 

CMYK 4 / 100 / 0 / 25

HEX #B900C0

RGB 185 0 192

HSL 297.81, 1%, 0.38%

LAB 44.4, 78.25, -51.22

 

CMYK 3 / 100 / 0 / 32

HEX #A800AD

RGB 168 0 173

HSL 298.27, 1%, 0.34%

LAB 40.15, 72.64, -46.99

 

CMYK 5 / 81 / 0 / 3

HEX #EB2FF8

RGB 235 47 248

HSL 296.12, 0.93%, 0.58%

LAB 58.48, 88.47, -60.08

 

CMYK 0 / 81 / 17 / 3

HEX #F82FCF

RGB 248 47 207

HSL 312.24, 0.93%, 0.58%

LAB 58.5, 85.14, -36.83

 

CMYK 0 / 81 / 39 / 3

HEX #F82F98

RGB 248 47 152

HSL 328.66, 0.93%, 0.58%

LAB 56.34, 79.01, -8.23

 

CMYK 0 / 81 / 60 / 3

HEX #F82F62

RGB 248 47 98

HSL 344.78, 0.93%, 0.58%

LAB 54.94, 74.86, 21.94

 

CMYK 0 / 81 / 81 / 3

HEX #F82F2F

RGB 248 47 47

HSL 0, 0.93%, 0.58%

LAB 54.23, 72.72, 50.18

 

CMYK 5 / 81 / 0 / 3

HEX #EB2FF8

RGB 235 47 248

HSL 296.12, 0.93%, 0.58%

LAB 58.48, 88.47, -60.08

 

CMYK 27 / 81 / 0 / 3

HEX #B52FF8

RGB 181 47 248

HSL 280, 0.93%, 0.58%

LAB 50.26, 79.55, -73.78

 

CMYK 49 / 81 / 0 / 3

HEX #7F2FF8

RGB 127 47 248

HSL 263.88, 0.93%, 0.58%

LAB 43.25, 72.15, -85.53

 

CMYK 71 / 81 / 0 / 3

HEX #482FF8

RGB 72 47 248

HSL 247.46, 0.93%, 0.58%

LAB 38.18, 66.97, -94.07

 

CMYK 81 / 81 / 0 / 3

HEX #2F2FF8

RGB 47 47 248

HSL 240, 0.93%, 0.58%

LAB 36.77, 65.57, -96.45

 

CMYK 5 / 81 / 0 / 3

HEX #EB2FF8

RGB 235 47 248

HSL 296.12, 0.93%, 0.58%

LAB 58.48, 88.47, -60.08

 

CMYK 5 / 81 / 0 / 3

HEX #EB2FF8

RGB 235 47 248

HSL 296.12, 0.93%, 0.58%

LAB 58.48, 88.47, -60.08

 

CMYK 5 / 72 / 0 / 9

HEX #DC40E7

RGB 220 64 231

HSL 296.05, 0.78%, 0.58%

LAB 56.73, 78.4, -53.51

 

CMYK 4 / 62 / 0 / 16

HEX #CD51D5

RGB 205 81 213

HSL 296.36, 0.61%, 0.58%

LAB 55.75, 65.81, -45.04

 

CMYK 3 / 49 / 0 / 23

HEX #BE63C4

RGB 190 99 196

HSL 296.29, 0.45%, 0.58%

LAB 55.94, 50.52, -35.19

 

CMYK 2 / 35 / 0 / 30

HEX #AF74B3

RGB 175 116 179

HSL 296.19, 0.29%, 0.58%

LAB 56.94, 33.67, -24.05

 

CMYK 49 / 81 / 0 / 3

HEX #7F2FF8

RGB 127 47 248

HSL 263.88, 0.93%, 0.58%

LAB 43.25, 72.15, -85.53

 

CMYK 27 / 81 / 0 / 3

HEX #B52FF8

RGB 181 47 248

HSL 280, 0.93%, 0.58%

LAB 50.26, 79.55, -73.78

 

CMYK 5 / 81 / 0 / 3

HEX #EB2FF8

RGB 235 47 248

HSL 296.12, 0.93%, 0.58%

LAB 58.48, 88.47, -60.08

 

CMYK 0 / 81 / 16 / 3

HEX #F82FD0

RGB 248 47 208

HSL 311.94, 0.93%, 0.58%

LAB 58.55, 85.27, -37.33

 

CMYK 0 / 81 / 38 / 3

HEX #F82F9A

RGB 248 47 154

HSL 328.06, 0.93%, 0.58%

LAB 56.41, 79.2, -9.32

 

CMYK 6 / 97 / 0 / 19

HEX #C206CE

RGB 194 6 206

HSL 296.4, 0.94%, 0.42%

LAB 47.05, 81.27, -55.02

 

CMYK 6 / 97 / 0 / 4

HEX #E707F6

RGB 231 7 246

HSL 296.23, 0.94%, 0.5%

LAB 55.88, 92.89, -63.18

 

CMYK 5 / 81 / 0 / 3

HEX #EB2FF8

RGB 235 47 248

HSL 296.12, 0.93%, 0.58%

LAB 58.48, 88.47, -60.08

 

CMYK 4 / 65 / 0 / 2

HEX #EF57F9

RGB 239 87 249

HSL 296.3, 0.93%, 0.66%

LAB 63.35, 77.41, -52.85

 

CMYK 3 / 49 / 0 / 2

HEX #F37FFB

RGB 243 127 251

HSL 296.13, 0.94%, 0.74%

LAB 70.31, 61.5, -42.93

 

CMYK 5 / 82 / 0 / 2

HEX #EC2EF9

RGB 236 46 249

HSL 296.16, 0.94%, 0.58%

LAB 58.63, 89.01, -60.4

 

CMYK 0 / 70 / 81 / 3

HEX #F84A2F

RGB 248 74 47

HSL 8.06, 0.93%, 0.58%

LAB 57.13, 64.62, 52.93

 

CMYK 81 / 0 / 38 / 3

HEX #2FF89A

RGB 47 248 154

HSL 151.94, 0.93%, 0.58%

LAB 87.03, -67.63, 32.1

 

CMYK 5 / 82 / 0 / 2

HEX #EC2EF9

RGB 236 46 249

HSL 296.16, 0.94%, 0.58%

LAB 58.63, 89.01, -60.4

 

CMYK 0 / 5 / 81 / 3

HEX #F8EB2F

RGB 248 235 47

HSL 56.12, 0.93%, 0.58%

LAB 91.5, -14.11, 83.4

 

CMYK 81 / 0 / 5 / 3

HEX #2FF8EB

RGB 47 248 235

HSL 176.12, 0.93%, 0.58%

LAB 88.8, -48.8, -7.16

 

CMYK 5 / 82 / 0 / 2

HEX #EC2EF9

RGB 236 46 249

HSL 296.16, 0.94%, 0.58%

LAB 58.63, 89.01, -60.4

 

CMYK 0 / 70 / 81 / 3

HEX #F84A2F

RGB 248 74 47

HSL 8.06, 0.93%, 0.58%

LAB 57.13, 64.62, 52.93

 

CMYK 76 / 0 / 81 / 3

HEX #3CF82F

RGB 60 248 47

HSL 116.12, 0.93%, 0.58%

LAB 86.16, -78.75, 75.24

 

CMYK 81 / 11 / 0 / 3

HEX #2FDDF8

RGB 47 221 248

HSL 188.06, 0.93%, 0.58%

LAB 81.34, -32.88, -25.2

 

CMYK 5 / 82 / 0 / 2

HEX #EC2EF9

RGB 236 46 249

HSL 296.16, 0.94%, 0.58%

LAB 58.63, 89.01, -60.4

 

CMYK 0 / 46 / 81 / 3

HEX #F8862F

RGB 248 134 47

HSL 25.97, 0.93%, 0.58%

LAB 67.44, 37.84, 62.4

 

CMYK 76 / 0 / 81 / 3

HEX #3CF82F

RGB 60 248 47

HSL 116.12, 0.93%, 0.58%

LAB 86.16, -78.75, 75.24

 

CMYK 81 / 35 / 0 / 3

HEX #2FA1F8

RGB 47 161 248

HSL 205.97, 0.93%, 0.58%

LAB 64.06, -1.42, -52.09

 

Description

Color code: HEX #EC2EF9 | qconv.com Color code: HEX #EC2EF9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 46 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 46 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 82 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 82% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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