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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC3675 it is the complementary color #13C98A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC3675. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC3675 shade: #F13670, #FF4883, #FF5A96, #FF6CA9 and #FF7EBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC3675. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC3675 shade: #EC3675, #DB2462, #CA124F, #B9003C and #A80029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC3675 shade: #EC3675, #EC3644 and #EC3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC3675 shade: #EC3675, #EC36A6, #EC36D7, #D036EC and #9F36EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC3675 shade matches the following richer shades: #EC3675 and #FE246F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC3675 shade: #EC3675, #DA487A, #C85980, #B76B85 and #A57D8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC3675 shade: #EC36D7, #EC36A6, #EC3676, #EC3645 and #EC5736

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC3675 shade: #BE114D, #E4155C, #EC3675, #EF5C8F and #F381A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC3675 shade: #EC3675, #ECD136 and #36BEEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC3675 shade: #EC3675, #76EC36 and #3676EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC3675 shade: #EC3675, #ECD136, #36ECAC and #3651EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC3675 shade: #EC3675, #D1EC36, #36ECAC and #5136EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 50 / 7

HEX #EC3675

RGB 236 54 117

HSL 339.23, 0.83%, 0.57%

LAB 53.77, 71.21, 8.59

 

Complementary color

CMYK 91 / 0 / 31 / 21

HEX #13C98A

RGB 19 201 138

HSL 159.23, 0.83%, 0.43%

LAB 72.06, -56.06, 20.07

 

CMYK 0 / 78 / 54 / 5

HEX #F13670

RGB 241 54 112

HSL 341.39, 0.87%, 0.58%

LAB 54.56, 72.16, 12.84

 

CMYK 0 / 72 / 49 / 0

HEX #FF4883

RGB 255 72 131

HSL 340.66, 1%, 0.64%

LAB 59.46, 71.93, 8.84

 

CMYK 0 / 65 / 41 / 0

HEX #FF5A96

RGB 255 90 150

HSL 338.18, 1%, 0.68%

LAB 62.32, 67.13, 1.87

 

CMYK 0 / 58 / 34 / 0

HEX #FF6CA9

RGB 255 108 169

HSL 335.1, 1%, 0.71%

LAB 65.63, 61.65, -4.18

 

CMYK 0 / 51 / 26 / 0

HEX #FF7EBC

RGB 255 126 188

HSL 331.16, 1%, 0.75%

LAB 69.34, 55.73, -9.42

 

CMYK 0 / 77 / 50 / 7

HEX #EC3675

RGB 236 54 117

HSL 339.23, 0.83%, 0.57%

LAB 53.77, 71.21, 8.59

 

CMYK 0 / 84 / 55 / 14

HEX #DB2462

RGB 219 36 98

HSL 339.67, 0.72%, 0.5%

LAB 48.52, 69.93, 12.28

 

CMYK 0 / 91 / 61 / 21

HEX #CA124F

RGB 202 18 79

HSL 340.11, 0.84%, 0.43%

LAB 43.59, 67.68, 16.78

 

CMYK 0 / 100 / 68 / 27

HEX #B9003C

RGB 185 0 60

HSL 340.54, 1%, 0.36%

LAB 38.97, 64.49, 22.07

 

CMYK 0 / 100 / 76 / 34

HEX #A80029

RGB 168 0 41

HSL 345.36, 1%, 0.33%

LAB 34.97, 59.49, 28.41

 

CMYK 0 / 77 / 50 / 7

HEX #EC3675

RGB 236 54 117

HSL 339.23, 0.83%, 0.57%

LAB 53.77, 71.21, 8.59

 

CMYK 0 / 77 / 71 / 7

HEX #EC3644

RGB 236 54 68

HSL 355.38, 0.83%, 0.57%

LAB 52.83, 68.26, 36.49

 

CMYK 0 / 77 / 77 / 7

HEX #EC3636

RGB 236 54 54

HSL 0, 0.83%, 0.57%

LAB 52.66, 67.73, 44.16

 

CMYK 0 / 77 / 50 / 7

HEX #EC3675

RGB 236 54 117

HSL 339.23, 0.83%, 0.57%

LAB 53.77, 71.21, 8.59

 

CMYK 0 / 77 / 30 / 7

HEX #EC36A6

RGB 236 54 166

HSL 323.08, 0.83%, 0.57%

LAB 55.3, 75.88, -18.25

 

CMYK 0 / 77 / 9 / 7

HEX #EC36D7

RGB 236 54 215

HSL 306.92, 0.83%, 0.57%

LAB 57.44, 82.1, -43.19

 

CMYK 12 / 77 / 0 / 7

HEX #D036EC

RGB 208 54 236

HSL 290.77, 0.83%, 0.57%

LAB 54.14, 79.94, -60.58

 

CMYK 33 / 77 / 0 / 7

HEX #9F36EC

RGB 159 54 236

HSL 274.62, 0.83%, 0.57%

LAB 47.06, 71.46, -72.37

 

CMYK 0 / 77 / 50 / 7

HEX #EC3675

RGB 236 54 117

HSL 339.23, 0.83%, 0.57%

LAB 53.77, 71.21, 8.59

 

CMYK 0 / 86 / 56 / 0

HEX #FE246F

RGB 254 36 111

HSL 339.36, 0.99%, 0.57%

LAB 55.56, 79.42, 15.2

 

CMYK 0 / 77 / 50 / 7

HEX #EC3675

RGB 236 54 117

HSL 339.23, 0.83%, 0.57%

LAB 53.77, 71.21, 8.59

 

CMYK 0 / 67 / 44 / 15

HEX #DA487A

RGB 218 72 122

HSL 339.45, 0.66%, 0.57%

LAB 52.89, 60.57, 3.92

 

CMYK 0 / 56 / 36 / 22

HEX #C85980

RGB 200 89 128

HSL 338.92, 0.5%, 0.57%

LAB 52.93, 48.12, 0.04

 

CMYK 0 / 42 / 27 / 28

HEX #B76B85

RGB 183 107 133

HSL 339.47, 0.35%, 0.57%

LAB 54.32, 33.59, -1.16

 

CMYK 0 / 24 / 16 / 35

HEX #A57D8B

RGB 165 125 139

HSL 339, 0.18%, 0.57%

LAB 56.62, 17.75, -1.55

 

CMYK 0 / 77 / 9 / 7

HEX #EC36D7

RGB 236 54 215

HSL 306.92, 0.83%, 0.57%

LAB 57.44, 82.1, -43.19

 

CMYK 0 / 77 / 30 / 7

HEX #EC36A6

RGB 236 54 166

HSL 323.08, 0.83%, 0.57%

LAB 55.3, 75.88, -18.25

 

CMYK 0 / 77 / 50 / 7

HEX #EC3676

RGB 236 54 118

HSL 338.9, 0.83%, 0.57%

LAB 53.79, 71.29, 8.03

 

CMYK 0 / 77 / 71 / 7

HEX #EC3645

RGB 236 54 69

HSL 355.05, 0.83%, 0.57%

LAB 52.84, 68.31, 35.93

 

CMYK 0 / 63 / 77 / 7

HEX #EC5736

RGB 236 87 54

HSL 10.88, 0.83%, 0.57%

LAB 56.99, 55.86, 48.65

 

CMYK 0 / 91 / 59 / 25

HEX #BE114D

RGB 190 17 77

HSL 339.19, 0.84%, 0.41%

LAB 41.03, 64.74, 14.16

 

CMYK 0 / 91 / 60 / 11

HEX #E4155C

RGB 228 21 92

HSL 339.42, 0.83%, 0.49%

LAB 49.26, 74.34, 17.27

 

CMYK 0 / 77 / 50 / 7

HEX #EC3675

RGB 236 54 117

HSL 339.23, 0.83%, 0.57%

LAB 53.77, 71.21, 8.59

 

CMYK 0 / 62 / 40 / 6

HEX #EF5C8F

RGB 239 92 143

HSL 339.18, 0.82%, 0.65%

LAB 59.88, 60.84, 2.07

 

CMYK 0 / 47 / 30 / 5

HEX #F381A9

RGB 243 129 169

HSL 338.95, 0.83%, 0.73%

LAB 67.74, 47.92, -1.28

 

CMYK 0 / 77 / 50 / 7

HEX #EC3675

RGB 236 54 117

HSL 339.23, 0.83%, 0.57%

LAB 53.77, 71.21, 8.59

 

CMYK 0 / 11 / 77 / 7

HEX #ECD136

RGB 236 209 54

HSL 51.1, 0.83%, 0.57%

LAB 83.81, -5.97, 74.3

 

CMYK 77 / 19 / 0 / 7

HEX #36BEEC

RGB 54 190 236

HSL 195.16, 0.83%, 0.57%

LAB 72.01, -20.7, -33.1

 

CMYK 0 / 77 / 50 / 7

HEX #EC3675

RGB 236 54 117

HSL 339.23, 0.83%, 0.57%

LAB 53.77, 71.21, 8.59

 

CMYK 50 / 0 / 77 / 7

HEX #76EC36

RGB 118 236 54

HSL 98.9, 0.83%, 0.57%

LAB 84.02, -62.36, 71.86

 

CMYK 77 / 50 / 0 / 7

HEX #3676EC

RGB 54 118 236

HSL 218.9, 0.83%, 0.57%

LAB 51.61, 20.8, -65.37

 

CMYK 0 / 77 / 50 / 7

HEX #EC3675

RGB 236 54 117

HSL 339.23, 0.83%, 0.57%

LAB 53.77, 71.21, 8.59

 

CMYK 0 / 11 / 77 / 7

HEX #ECD136

RGB 236 209 54

HSL 51.1, 0.83%, 0.57%

LAB 83.81, -5.97, 74.3

 

CMYK 77 / 0 / 27 / 7

HEX #36ECAC

RGB 54 236 172

HSL 158.9, 0.83%, 0.57%

LAB 83.84, -58.91, 18.58

 

CMYK 77 / 66 / 0 / 7

HEX #3651EC

RGB 54 81 236

HSL 231.1, 0.83%, 0.57%

LAB 42.35, 43.93, -80.46

 

CMYK 0 / 77 / 50 / 7

HEX #EC3675

RGB 236 54 117

HSL 339.23, 0.83%, 0.57%

LAB 53.77, 71.21, 8.59

 

CMYK 11 / 0 / 77 / 7

HEX #D1EC36

RGB 209 236 54

HSL 68.9, 0.83%, 0.57%

LAB 88.83, -30.33, 78.07

 

CMYK 77 / 0 / 27 / 7

HEX #36ECAC

RGB 54 236 172

HSL 158.9, 0.83%, 0.57%

LAB 83.84, -58.91, 18.58

 

CMYK 66 / 77 / 0 / 7

HEX #5136EC

RGB 81 54 236

HSL 248.9, 0.83%, 0.57%

LAB 38.63, 61.2, -86.53

 

Description

Color code: HEX #EC3675 | qconv.com Color code: HEX #EC3675 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 54 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 54 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 50 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 50% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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