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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC45B9 it is the complementary color #13BA46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC45B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC45B9 shade: #F145B4, #FF57C7, #FF69DA, #FF7BED and #FF8DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC45B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC45B9 shade: #EC45B9, #DB33A6, #CA2193, #B90F80 and #A8006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC45B9 shade: #EB46B9, #EB468C, #EB4660 and #EB4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC45B9 shade: #EB46B9, #EB46E5, #C446EB, #9846EB and #6B46EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC45B9 shade matches the following richer shades: #EB46B9 and #FC35BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC45B9 shade: #EB46B9, #DB56B2, #CA67AC, #BA77A5 and #A9889F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC45B9 shade: #C546EB, #EB46E6, #EB46BA, #EB468D and #EB4661

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC45B9 shade: #CA1592, #E721AB, #EB46B9, #EF6BC7 and #F391D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC45B9 shade: #EC45B9, #EB9946 and #46EBDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC45B9 shade: #EC45B9, #BAEB46 and #46BAEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC45B9 shade: #EC45B9, #EB9946, #46EB77 and #4699EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC45B9 shade: #EC45B9, #EBCA46, #46EB77 and #4667EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 22 / 7

HEX #EC45B9

RGB 236 69 185

HSL 318.32, 0.81%, 0.6%

LAB 57.65, 73.62, -25.7

 

Complementary color

CMYK 90 / 0 / 62 / 27

HEX #13BA46

RGB 19 186 70

HSL 138.32, 0.81%, 0.4%

LAB 66.29, -62.68, 46.83

 

CMYK 0 / 71 / 25 / 5

HEX #F145B4

RGB 241 69 180

HSL 321.28, 0.86%, 0.61%

LAB 58.28, 74.23, -21.78

 

CMYK 0 / 66 / 22 / 0

HEX #FF57C7

RGB 255 87 199

HSL 320, 1%, 0.67%

LAB 63.51, 73.84, -24.44

 

CMYK 0 / 59 / 15 / 0

HEX #FF69DA

RGB 255 105 218

HSL 314.8, 1%, 0.71%

LAB 66.84, 69.31, -29.99

 

CMYK 0 / 52 / 7 / 0

HEX #FF7BED

RGB 255 123 237

HSL 308.18, 1%, 0.74%

LAB 70.55, 64.28, -34.77

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 71 / 22 / 7

HEX #EC45B9

RGB 236 69 185

HSL 318.32, 0.81%, 0.6%

LAB 57.65, 73.62, -25.7

 

CMYK 0 / 77 / 24 / 14

HEX #DB33A6

RGB 219 51 166

HSL 318.93, 0.7%, 0.53%

LAB 52.04, 72.72, -23.51

 

CMYK 0 / 84 / 27 / 21

HEX #CA2193

RGB 202 33 147

HSL 319.53, 0.72%, 0.46%

LAB 46.65, 71.04, -20.75

 

CMYK 0 / 92 / 31 / 27

HEX #B90F80

RGB 185 15 128

HSL 320.12, 0.85%, 0.39%

LAB 41.55, 68.28, -17.25

 

CMYK 0 / 100 / 35 / 34

HEX #A8006D

RGB 168 0 109

HSL 321.07, 1%, 0.33%

LAB 36.8, 64.31, -12.93

 

CMYK 0 / 70 / 21 / 8

HEX #EB46B9

RGB 235 70 185

HSL 318.18, 0.8%, 0.6%

LAB 57.6, 73.04, -25.78

 

CMYK 0 / 70 / 40 / 8

HEX #EB468C

RGB 235 70 140

HSL 334.55, 0.8%, 0.6%

LAB 56.02, 67.91, -1.87

 

CMYK 0 / 70 / 59 / 8

HEX #EB4660

RGB 235 70 96

HSL 350.55, 0.8%, 0.6%

LAB 54.96, 64.31, 22.73

 

CMYK 0 / 70 / 70 / 8

HEX #EB4646

RGB 235 70 70

HSL 0, 0.8%, 0.6%

LAB 54.54, 62.86, 37.31

 

CMYK 0 / 70 / 21 / 8

HEX #EB46B9

RGB 235 70 185

HSL 318.18, 0.8%, 0.6%

LAB 57.6, 73.04, -25.78

 

CMYK 0 / 70 / 3 / 8

HEX #EB46E5

RGB 235 70 229

HSL 302.18, 0.8%, 0.6%

LAB 59.62, 79.29, -47.67

 

CMYK 17 / 70 / 0 / 8

HEX #C446EB

RGB 196 70 235

HSL 285.82, 0.8%, 0.6%

LAB 54.15, 72.18, -60.1

 

CMYK 35 / 70 / 0 / 8

HEX #9846EB

RGB 152 70 235

HSL 269.82, 0.8%, 0.6%

LAB 48.33, 63.67, -69.79

 

CMYK 54 / 70 / 0 / 8

HEX #6B46EB

RGB 107 70 235

HSL 253.45, 0.8%, 0.6%

LAB 43.51, 56.17, -77.85

 

CMYK 0 / 70 / 21 / 8

HEX #EB46B9

RGB 235 70 185

HSL 318.18, 0.8%, 0.6%

LAB 57.6, 73.04, -25.78

 

CMYK 0 / 79 / 24 / 1

HEX #FC35BF

RGB 252 53 191

HSL 318.39, 0.97%, 0.6%

LAB 58.98, 82.65, -26.88

 

CMYK 0 / 70 / 21 / 8

HEX #EB46B9

RGB 235 70 185

HSL 318.18, 0.8%, 0.6%

LAB 57.6, 73.04, -25.78

 

CMYK 0 / 61 / 19 / 14

HEX #DB56B2

RGB 219 86 178

HSL 318.5, 0.65%, 0.6%

LAB 57.01, 61.8, -22.87

 

CMYK 0 / 49 / 15 / 21

HEX #CA67AC

RGB 202 103 172

HSL 318.18, 0.48%, 0.6%

LAB 57.3, 47.97, -19.17

 

CMYK 0 / 36 / 11 / 27

HEX #BA77A5

RGB 186 119 165

HSL 318.81, 0.33%, 0.6%

LAB 58.37, 33.12, -13.71

 

CMYK 0 / 20 / 6 / 34

HEX #A9889F

RGB 169 136 159

HSL 318.18, 0.16%, 0.6%

LAB 60.38, 16.52, -7.44

 

CMYK 16 / 70 / 0 / 8

HEX #C546EB

RGB 197 70 235

HSL 286.18, 0.8%, 0.6%

LAB 54.29, 72.38, -59.86

 

CMYK 0 / 70 / 2 / 8

HEX #EB46E6

RGB 235 70 230

HSL 301.82, 0.8%, 0.6%

LAB 59.67, 79.44, -48.15

 

CMYK 0 / 70 / 21 / 8

HEX #EB46BA

RGB 235 70 186

HSL 317.82, 0.8%, 0.6%

LAB 57.64, 73.17, -26.3

 

CMYK 0 / 70 / 40 / 8

HEX #EB468D

RGB 235 70 141

HSL 334.18, 0.8%, 0.6%

LAB 56.05, 68.01, -2.42

 

CMYK 0 / 70 / 59 / 8

HEX #EB4661

RGB 235 70 97

HSL 350.18, 0.8%, 0.6%

LAB 54.97, 64.37, 22.16

 

CMYK 0 / 90 / 28 / 21

HEX #CA1592

RGB 202 21 146

HSL 318.56, 0.81%, 0.44%

LAB 45.86, 73.07, -21.35

 

CMYK 0 / 86 / 26 / 9

HEX #E721AB

RGB 231 33 171

HSL 318.18, 0.8%, 0.52%

LAB 52.97, 80.05, -24.84

 

CMYK 0 / 70 / 21 / 8

HEX #EB46B9

RGB 235 70 185

HSL 318.18, 0.8%, 0.6%

LAB 57.6, 73.04, -25.78

 

CMYK 0 / 55 / 17 / 6

HEX #EF6BC7

RGB 239 107 199

HSL 318.18, 0.8%, 0.68%

LAB 64.15, 61.25, -23.66

 

CMYK 0 / 40 / 12 / 5

HEX #F391D5

RGB 243 145 213

HSL 318.37, 0.8%, 0.76%

LAB 72.3, 46.15, -19

 

CMYK 0 / 71 / 22 / 7

HEX #EC45B9

RGB 236 69 185

HSL 318.32, 0.81%, 0.6%

LAB 57.65, 73.62, -25.7

 

CMYK 0 / 35 / 70 / 8

HEX #EB9946

RGB 235 153 70

HSL 30.18, 0.8%, 0.6%

LAB 70.1, 23.6, 54.67

 

CMYK 70 / 0 / 7 / 8

HEX #46EBDB

RGB 70 235 219

HSL 174.18, 0.8%, 0.6%

LAB 84.91, -45.21, -4.47

 

CMYK 0 / 71 / 22 / 7

HEX #EC45B9

RGB 236 69 185

HSL 318.32, 0.81%, 0.6%

LAB 57.65, 73.62, -25.7

 

CMYK 21 / 0 / 70 / 8

HEX #BAEB46

RGB 186 235 70

HSL 77.82, 0.8%, 0.6%

LAB 87.14, -38.11, 70.84

 

CMYK 70 / 21 / 0 / 8

HEX #46BAEB

RGB 70 186 235

HSL 197.82, 0.8%, 0.6%

LAB 71.16, -17.03, -33.84

 

CMYK 0 / 71 / 22 / 7

HEX #EC45B9

RGB 236 69 185

HSL 318.32, 0.81%, 0.6%

LAB 57.65, 73.62, -25.7

 

CMYK 0 / 35 / 70 / 8

HEX #EB9946

RGB 235 153 70

HSL 30.18, 0.8%, 0.6%

LAB 70.1, 23.6, 54.67

 

CMYK 70 / 0 / 49 / 8

HEX #46EB77

RGB 70 235 119

HSL 137.82, 0.8%, 0.6%

LAB 82.94, -66.17, 44.08

 

CMYK 70 / 35 / 0 / 8

HEX #4699EB

RGB 70 153 235

HSL 209.82, 0.8%, 0.6%

LAB 61.73, 1.24, -48.6

 

CMYK 0 / 71 / 22 / 7

HEX #EC45B9

RGB 236 69 185

HSL 318.32, 0.81%, 0.6%

LAB 57.65, 73.62, -25.7

 

CMYK 0 / 14 / 70 / 8

HEX #EBCA46

RGB 235 202 70

HSL 48, 0.8%, 0.6%

LAB 82.03, -2.15, 66.96

 

CMYK 70 / 0 / 49 / 8

HEX #46EB77

RGB 70 235 119

HSL 137.82, 0.8%, 0.6%

LAB 82.94, -66.17, 44.08

 

CMYK 70 / 56 / 0 / 8

HEX #4667EB

RGB 70 103 235

HSL 228, 0.8%, 0.6%

LAB 48.26, 31.73, -70.2

 

Description

Color code: HEX #EC45B9 | qconv.com Color code: HEX #EC45B9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 69 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 69 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 22 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 22% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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