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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC4797 it is the complementary color #13B868. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC4797. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC4797 shade: #F14792, #FF59A5, #FF6BB8, #FF7DCB and #FF8FDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC4797. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC4797 shade: #EC4797, #DB3584, #CA2371, #B9115E and #A8004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC4797 shade: #EB4696, #EB4669 and #EB4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC4797 shade: #EB4696, #EB46C3, #E746EB, #BB46EB and #8E46EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC4797 shade matches the following richer shades: #EB4696 and #FC3595

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC4797 shade: #EB4696, #DB5696, #CA6797, #BA7797 and #A98898

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC4797 shade: #E646EB, #EB46C5, #EB4699, #EB466C and #EB4B46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC4797 shade: #CA156C, #E72181, #EB4696, #EF6BAB and #F391C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC4797 shade: #EC4797, #EBBA46 and #46DBEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC4797 shade: #EC4797, #99EB46 and #4699EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC4797 shade: #EC4797, #EBBA46, #46EB99 and #4677EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC4797 shade: #EC4797, #EBEB46, #46EB99 and #4646EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 36 / 7

HEX #EC4797

RGB 236 71 151

HSL 330.91, 0.81%, 0.6%

LAB 56.66, 68.96, -7.4

 

Complementary color

CMYK 90 / 0 / 43 / 28

HEX #13B868

RGB 19 184 104

HSL 150.91, 0.81%, 0.4%

LAB 66.07, -56.83, 29.97

 

CMYK 0 / 71 / 39 / 5

HEX #F14792

RGB 241 71 146

HSL 333.53, 0.86%, 0.61%

LAB 57.35, 69.8, -3.34

 

CMYK 0 / 65 / 35 / 0

HEX #FF59A5

RGB 255 89 165

HSL 332.53, 1%, 0.67%

LAB 62.61, 69.06, -6.36

 

CMYK 0 / 58 / 28 / 0

HEX #FF6BB8

RGB 255 107 184

HSL 328.78, 1%, 0.71%

LAB 65.93, 63.88, -12.25

 

CMYK 0 / 51 / 20 / 0

HEX #FF7DCB

RGB 255 125 203

HSL 324, 1%, 0.75%

LAB 69.64, 58.24, -17.34

 

CMYK 0 / 44 / 13 / 0

HEX #FF8FDE

RGB 255 143 222

HSL 317.68, 1%, 0.78%

LAB 73.66, 52.34, -21.75

 

CMYK 0 / 70 / 36 / 7

HEX #EC4797

RGB 236 71 151

HSL 330.91, 0.81%, 0.6%

LAB 56.66, 68.96, -7.4

 

CMYK 0 / 76 / 40 / 14

HEX #DB3584

RGB 219 53 132

HSL 331.45, 0.7%, 0.53%

LAB 51, 68.38, -4.82

 

CMYK 0 / 83 / 44 / 21

HEX #CA2371

RGB 202 35 113

HSL 331.98, 0.7%, 0.46%

LAB 45.57, 67.08, -1.62

 

CMYK 0 / 91 / 49 / 27

HEX #B9115E

RGB 185 17 94

HSL 332.5, 0.83%, 0.4%

LAB 40.45, 64.74, 2.4

 

CMYK 0 / 100 / 55 / 34

HEX #A8004B

RGB 168 0 75

HSL 333.21, 1%, 0.33%

LAB 35.66, 61.33, 7.29

 

CMYK 0 / 70 / 36 / 8

HEX #EB4696

RGB 235 70 150

HSL 330.91, 0.8%, 0.6%

LAB 56.33, 68.93, -7.32

 

CMYK 0 / 70 / 55 / 8

HEX #EB4669

RGB 235 70 105

HSL 347.27, 0.8%, 0.6%

LAB 55.14, 64.93, 17.64

 

CMYK 0 / 70 / 70 / 8

HEX #EB4646

RGB 235 70 70

HSL 0, 0.8%, 0.6%

LAB 54.54, 62.86, 37.31

 

CMYK 0 / 70 / 36 / 8

HEX #EB4696

RGB 235 70 150

HSL 330.91, 0.8%, 0.6%

LAB 56.33, 68.93, -7.32

 

CMYK 0 / 70 / 17 / 8

HEX #EB46C3

RGB 235 70 195

HSL 314.55, 0.8%, 0.6%

LAB 58.02, 74.36, -30.89

 

CMYK 2 / 70 / 0 / 8

HEX #E746EB

RGB 231 70 235

HSL 298.55, 0.8%, 0.6%

LAB 59.31, 79.38, -51.55

 

CMYK 20 / 70 / 0 / 8

HEX #BB46EB

RGB 187 70 235

HSL 282.55, 0.8%, 0.6%

LAB 52.89, 70.37, -62.19

 

CMYK 40 / 70 / 0 / 8

HEX #8E46EB

RGB 142 70 235

HSL 266.18, 0.8%, 0.6%

LAB 47.14, 61.87, -71.77

 

CMYK 0 / 70 / 36 / 8

HEX #EB4696

RGB 235 70 150

HSL 330.91, 0.8%, 0.6%

LAB 56.33, 68.93, -7.32

 

CMYK 0 / 79 / 41 / 1

HEX #FC3595

RGB 252 53 149

HSL 331.06, 0.97%, 0.6%

LAB 57.47, 78.25, -4.71

 

CMYK 0 / 70 / 36 / 8

HEX #EB4696

RGB 235 70 150

HSL 330.91, 0.8%, 0.6%

LAB 56.33, 68.93, -7.32

 

CMYK 0 / 61 / 32 / 14

HEX #DB5696

RGB 219 86 150

HSL 331.13, 0.65%, 0.6%

LAB 56.01, 58.12, -8.08

 

CMYK 0 / 49 / 25 / 21

HEX #CA6797

RGB 202 103 151

HSL 330.91, 0.48%, 0.6%

LAB 56.58, 44.85, -8.08

 

CMYK 0 / 36 / 19 / 27

HEX #BA7797

RGB 186 119 151

HSL 331.34, 0.33%, 0.6%

LAB 57.91, 30.81, -6.31

 

CMYK 0 / 20 / 10 / 34

HEX #A98898

RGB 169 136 152

HSL 330.91, 0.16%, 0.6%

LAB 60.17, 15.25, -3.75

 

CMYK 2 / 70 / 0 / 8

HEX #E646EB

RGB 230 70 235

HSL 298.18, 0.8%, 0.6%

LAB 59.16, 79.17, -51.8

 

CMYK 0 / 70 / 16 / 8

HEX #EB46C5

RGB 235 70 197

HSL 313.82, 0.8%, 0.6%

LAB 58.11, 74.64, -31.9

 

CMYK 0 / 70 / 35 / 8

HEX #EB4699

RGB 235 70 153

HSL 329.82, 0.8%, 0.6%

LAB 56.43, 69.25, -8.94

 

CMYK 0 / 70 / 54 / 8

HEX #EB466C

RGB 235 70 108

HSL 346.18, 0.8%, 0.6%

LAB 55.2, 65.15, 15.95

 

CMYK 0 / 68 / 70 / 8

HEX #EB4B46

RGB 235 75 70

HSL 1.82, 0.8%, 0.6%

LAB 55.21, 61.01, 38.1

 

CMYK 0 / 90 / 47 / 21

HEX #CA156C

RGB 202 21 108

HSL 331.16, 0.81%, 0.44%

LAB 44.48, 69.32, -0.11

 

CMYK 0 / 86 / 44 / 9

HEX #E72181

RGB 231 33 129

HSL 330.91, 0.8%, 0.52%

LAB 51.45, 75.85, -2.1

 

CMYK 0 / 70 / 36 / 8

HEX #EB4696

RGB 235 70 150

HSL 330.91, 0.8%, 0.6%

LAB 56.33, 68.93, -7.32

 

CMYK 0 / 55 / 28 / 6

HEX #EF6BAB

RGB 239 107 171

HSL 330.91, 0.8%, 0.68%

LAB 63.18, 57.43, -9.21

 

CMYK 0 / 40 / 21 / 5

HEX #F391C0

RGB 243 145 192

HSL 331.22, 0.8%, 0.76%

LAB 71.63, 42.95, -8.39

 

CMYK 0 / 70 / 36 / 7

HEX #EC4797

RGB 236 71 151

HSL 330.91, 0.81%, 0.6%

LAB 56.66, 68.96, -7.4

 

CMYK 0 / 21 / 70 / 8

HEX #EBBA46

RGB 235 186 70

HSL 42.18, 0.8%, 0.6%

LAB 78.01, 6.15, 62.9

 

CMYK 70 / 7 / 0 / 8

HEX #46DBEB

RGB 70 219 235

HSL 185.82, 0.8%, 0.6%

LAB 80.72, -33.49, -19.21

 

CMYK 0 / 70 / 36 / 7

HEX #EC4797

RGB 236 71 151

HSL 330.91, 0.81%, 0.6%

LAB 56.66, 68.96, -7.4

 

CMYK 35 / 0 / 70 / 8

HEX #99EB46

RGB 153 235 70

HSL 89.82, 0.8%, 0.6%

LAB 85.32, -50.07, 68.4

 

CMYK 70 / 35 / 0 / 8

HEX #4699EB

RGB 70 153 235

HSL 209.82, 0.8%, 0.6%

LAB 61.73, 1.24, -48.6

 

CMYK 0 / 70 / 36 / 7

HEX #EC4797

RGB 236 71 151

HSL 330.91, 0.81%, 0.6%

LAB 56.66, 68.96, -7.4

 

CMYK 0 / 21 / 70 / 8

HEX #EBBA46

RGB 235 186 70

HSL 42.18, 0.8%, 0.6%

LAB 78.01, 6.15, 62.9

 

CMYK 70 / 0 / 35 / 8

HEX #46EB99

RGB 70 235 153

HSL 150.18, 0.8%, 0.6%

LAB 83.45, -60.38, 27.87

 

CMYK 70 / 49 / 0 / 8

HEX #4677EB

RGB 70 119 235

HSL 222.18, 0.8%, 0.6%

LAB 52.39, 21.76, -63.51

 

CMYK 0 / 70 / 36 / 7

HEX #EC4797

RGB 236 71 151

HSL 330.91, 0.81%, 0.6%

LAB 56.66, 68.96, -7.4

 

CMYK 0 / 0 / 70 / 8

HEX #EBEB46

RGB 235 235 70

HSL 60, 0.8%, 0.6%

LAB 90.56, -18.63, 75.34

 

CMYK 70 / 0 / 35 / 8

HEX #46EB99

RGB 70 235 153

HSL 150.18, 0.8%, 0.6%

LAB 83.45, -60.38, 27.87

 

CMYK 70 / 70 / 0 / 8

HEX #4646EB

RGB 70 70 235

HSL 240, 0.8%, 0.6%

LAB 40.7, 51.54, -82.56

 

Description

Color code: HEX #EC4797 | qconv.com Color code: HEX #EC4797 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 71 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 71 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 36 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 36% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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