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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC4875 it is the complementary color #13B78A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC4875. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC4875 shade: #F14870, #FF5A83, #FF6C96, #FF7EA9 and #FF90BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC4875. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC4875 shade: #EC4875, #DB3662, #CA244F, #B9123C and #A80029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC4875 shade: #EB4673, #EB4647 and #EB4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC4875 shade: #EB4673, #EB46A0, #EB46CC, #DD46EB and #B146EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC4875 shade matches the following richer shades: #EB4673 and #FC356C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC4875 shade: #EB4673, #DB567B, #CA6782, #BA778A and #A98891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC4875 shade: #EB46CD, #EB46A1, #EB4675, #EB4649 and #EB6F46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC4875 shade: #CA1546, #E72157, #EB4673, #EF6B8F and #F391AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC4875 shade: #EC4875, #EBDD46 and #46B7EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC4875 shade: #EC4875, #75EB46 and #4675EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC4875 shade: #EC4875, #EBDD46, #46EBBC and #4654EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC4875 shade: #EC4875, #C7EB46, #46EBBC and #6A46EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 50 / 7

HEX #EC4875

RGB 236 72 117

HSL 343.54, 0.81%, 0.6%

LAB 55.84, 65.42, 11.51

 

Complementary color

CMYK 90 / 0 / 25 / 28

HEX #13B78A

RGB 19 183 138

HSL 163.54, 0.81%, 0.4%

LAB 66.4, -49.15, 12.19

 

CMYK 0 / 70 / 54 / 5

HEX #F14870

RGB 241 72 112

HSL 345.8, 0.86%, 0.61%

LAB 56.59, 66.49, 15.65

 

CMYK 0 / 65 / 49 / 0

HEX #FF5A83

RGB 255 90 131

HSL 345.09, 1%, 0.68%

LAB 61.84, 65.4, 12.19

 

CMYK 0 / 58 / 41 / 0

HEX #FF6C96

RGB 255 108 150

HSL 342.86, 1%, 0.71%

LAB 65.11, 59.6, 5.9

 

CMYK 0 / 51 / 34 / 0

HEX #FF7EA9

RGB 255 126 169

HSL 340, 1%, 0.75%

LAB 68.78, 53.37, 0.44

 

CMYK 0 / 44 / 26 / 0

HEX #FF90BC

RGB 255 144 188

HSL 336.22, 1%, 0.78%

LAB 72.78, 46.92, -4.3

 

CMYK 0 / 69 / 50 / 7

HEX #EC4875

RGB 236 72 117

HSL 343.54, 0.81%, 0.6%

LAB 55.84, 65.42, 11.51

 

CMYK 0 / 75 / 55 / 14

HEX #DB3662

RGB 219 54 98

HSL 344, 0.7%, 0.54%

LAB 50.19, 65.17, 14.6

 

CMYK 0 / 82 / 61 / 21

HEX #CA244F

RGB 202 36 79

HSL 344.46, 0.7%, 0.47%

LAB 44.78, 64.26, 18.38

 

CMYK 0 / 90 / 68 / 27

HEX #B9123C

RGB 185 18 60

HSL 344.91, 0.82%, 0.4%

LAB 39.7, 62.36, 23

 

CMYK 0 / 100 / 76 / 34

HEX #A80029

RGB 168 0 41

HSL 345.36, 1%, 0.33%

LAB 34.97, 59.49, 28.41

 

CMYK 0 / 70 / 51 / 8

HEX #EB4673

RGB 235 70 115

HSL 343.64, 0.8%, 0.6%

LAB 55.36, 65.68, 12

 

CMYK 0 / 70 / 70 / 8

HEX #EB4647

RGB 235 70 71

HSL 359.64, 0.8%, 0.6%

LAB 54.55, 62.91, 36.76

 

CMYK 0 / 70 / 70 / 8

HEX #EB4646

RGB 235 70 70

HSL 0, 0.8%, 0.6%

LAB 54.54, 62.86, 37.31

 

CMYK 0 / 70 / 51 / 8

HEX #EB4673

RGB 235 70 115

HSL 343.64, 0.8%, 0.6%

LAB 55.36, 65.68, 12

 

CMYK 0 / 70 / 32 / 8

HEX #EB46A0

RGB 235 70 160

HSL 327.27, 0.8%, 0.6%

LAB 56.66, 70.02, -12.69

 

CMYK 0 / 70 / 13 / 8

HEX #EB46CC

RGB 235 70 204

HSL 311.27, 0.8%, 0.6%

LAB 58.42, 75.61, -35.41

 

CMYK 6 / 70 / 0 / 8

HEX #DD46EB

RGB 221 70 235

HSL 294.91, 0.8%, 0.6%

LAB 57.8, 77.3, -54.05

 

CMYK 25 / 70 / 0 / 8

HEX #B146EB

RGB 177 70 235

HSL 278.91, 0.8%, 0.6%

LAB 51.53, 68.4, -64.45

 

CMYK 0 / 70 / 51 / 8

HEX #EB4673

RGB 235 70 115

HSL 343.64, 0.8%, 0.6%

LAB 55.36, 65.68, 12

 

CMYK 0 / 79 / 57 / 1

HEX #FC356C

RGB 252 53 108

HSL 343.42, 0.97%, 0.6%

LAB 56.41, 75.04, 18.1

 

CMYK 0 / 70 / 51 / 8

HEX #EB4673

RGB 235 70 115

HSL 343.64, 0.8%, 0.6%

LAB 55.36, 65.68, 12

 

CMYK 0 / 61 / 44 / 14

HEX #DB567B

RGB 219 86 123

HSL 343.31, 0.65%, 0.6%

LAB 55.22, 55.16, 6.69

 

CMYK 0 / 49 / 36 / 21

HEX #CA6782

RGB 202 103 130

HSL 343.64, 0.48%, 0.6%

LAB 55.96, 42.1, 3.29

 

CMYK 0 / 36 / 26 / 27

HEX #BA778A

RGB 186 119 138

HSL 342.99, 0.33%, 0.6%

LAB 57.53, 28.84, 0.65

 

CMYK 0 / 20 / 14 / 34

HEX #A98891

RGB 169 136 145

HSL 343.64, 0.16%, 0.6%

LAB 59.97, 14.03, -0.04

 

CMYK 0 / 70 / 13 / 8

HEX #EB46CD

RGB 235 70 205

HSL 310.91, 0.8%, 0.6%

LAB 58.46, 75.75, -35.91

 

CMYK 0 / 70 / 31 / 8

HEX #EB46A1

RGB 235 70 161

HSL 326.91, 0.8%, 0.6%

LAB 56.7, 70.13, -13.22

 

CMYK 0 / 70 / 50 / 8

HEX #EB4675

RGB 235 70 117

HSL 342.91, 0.8%, 0.6%

LAB 55.41, 65.85, 10.88

 

CMYK 0 / 70 / 69 / 8

HEX #EB4649

RGB 235 70 73

HSL 358.91, 0.8%, 0.6%

LAB 54.58, 63, 35.66

 

CMYK 0 / 53 / 70 / 8

HEX #EB6F46

RGB 235 111 70

HSL 14.91, 0.8%, 0.6%

LAB 61.2, 45.2, 44.96

 

CMYK 0 / 90 / 65 / 21

HEX #CA1546

RGB 202 21 70

HSL 343.76, 0.81%, 0.44%

LAB 43.56, 66.73, 22.37

 

CMYK 0 / 86 / 62 / 9

HEX #E72157

RGB 231 33 87

HSL 343.64, 0.8%, 0.52%

LAB 50.41, 72.88, 21.97

 

CMYK 0 / 70 / 51 / 8

HEX #EB4673

RGB 235 70 115

HSL 343.64, 0.8%, 0.6%

LAB 55.36, 65.68, 12

 

CMYK 0 / 55 / 40 / 6

HEX #EF6B8F

RGB 239 107 143

HSL 343.64, 0.8%, 0.68%

LAB 62.38, 54.18, 5.68

 

CMYK 0 / 40 / 29 / 5

HEX #F391AC

RGB 243 145 172

HSL 343.47, 0.8%, 0.76%

LAB 71.07, 40.19, 1.9

 

CMYK 0 / 69 / 50 / 7

HEX #EC4875

RGB 236 72 117

HSL 343.54, 0.81%, 0.6%

LAB 55.84, 65.42, 11.51

 

CMYK 0 / 6 / 70 / 8

HEX #EBDD46

RGB 235 221 70

HSL 54.91, 0.8%, 0.6%

LAB 86.91, -11.75, 71.79

 

CMYK 70 / 22 / 0 / 8

HEX #46B7EB

RGB 70 183 235

HSL 198.91, 0.8%, 0.6%

LAB 70.29, -15.44, -35.18

 

CMYK 0 / 69 / 50 / 7

HEX #EC4875

RGB 236 72 117

HSL 343.54, 0.81%, 0.6%

LAB 55.84, 65.42, 11.51

 

CMYK 50 / 0 / 70 / 8

HEX #75EB46

RGB 117 235 70

HSL 102.91, 0.8%, 0.6%

LAB 83.78, -61.25, 66.34

 

CMYK 70 / 50 / 0 / 8

HEX #4675EB

RGB 70 117 235

HSL 222.91, 0.8%, 0.6%

LAB 51.86, 23, -64.37

 

CMYK 0 / 69 / 50 / 7

HEX #EC4875

RGB 236 72 117

HSL 343.54, 0.81%, 0.6%

LAB 55.84, 65.42, 11.51

 

CMYK 0 / 6 / 70 / 8

HEX #EBDD46

RGB 235 221 70

HSL 54.91, 0.8%, 0.6%

LAB 86.91, -11.75, 71.79

 

CMYK 70 / 0 / 20 / 8

HEX #46EBBC

RGB 70 235 188

HSL 162.91, 0.8%, 0.6%

LAB 84.15, -52.93, 10.71

 

CMYK 70 / 64 / 0 / 8

HEX #4654EB

RGB 70 84 235

HSL 234.91, 0.8%, 0.6%

LAB 43.71, 43.4, -77.62

 

CMYK 0 / 69 / 50 / 7

HEX #EC4875

RGB 236 72 117

HSL 343.54, 0.81%, 0.6%

LAB 55.84, 65.42, 11.51

 

CMYK 15 / 0 / 70 / 8

HEX #C7EB46

RGB 199 235 70

HSL 73.09, 0.8%, 0.6%

LAB 87.97, -33.09, 71.93

 

CMYK 70 / 0 / 20 / 8

HEX #46EBBC

RGB 70 235 188

HSL 162.91, 0.8%, 0.6%

LAB 84.15, -52.93, 10.71

 

CMYK 55 / 70 / 0 / 8

HEX #6A46EB

RGB 106 70 235

HSL 253.09, 0.8%, 0.6%

LAB 43.42, 56.03, -78

 

Description

Color code: HEX #EC4875 | qconv.com Color code: HEX #EC4875 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 72 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 72 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 50 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 50% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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