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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC4FE0 it is the complementary color #13B01F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC4FE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC4FE0 shade: #F14FDB, #FF61EE, #FF73FF, #FF85FF and #FF97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC4FE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC4FE0 shade: #EC4FE0, #DB3DCD, #CA2BBA, #B919A7 and #A80794

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC4FE0 shade: #EC4FE0, #EC4FB6, #EC4F8B, #EC4F61 and #EC4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC4FE0 shade: #EC4FE0, #CE4FEC, #A34FEC, #794FEC and #4F4FEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC4FE0 shade matches the following richer shades: #EC4FE0 and #FC3FED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC4FE0 shade: #EC4FE0, #DC5FD3, #CD6EC6, #BD7EB8 and #AD8EAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC4FE0 shade: #A34FEC, #CD4FEC, #EC4FE2, #EC4FB8 and #EC4F8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC4FE0 shade: #D316C5, #E82ADA, #EC4FE0, #F074E7 and #F49AED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC4FE0 shade: #EC4FE0, #EC794F and #4FECB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC4FE0 shade: #EC4FE0, #E2EC4F and #4FE2EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC4FE0 shade: #EC4FE0, #EC794F, #4FEC5A and #4FC2EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC4FE0 shade: #EC4FE0, #ECA84F, #4FEC5A and #4F93EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 5 / 7

HEX #EC4FE0

RGB 236 79 224

HSL 304.59, 0.81%, 0.62%

LAB 60.61, 75.66, -43.28

 

Complementary color

CMYK 89 / 0 / 82 / 31

HEX #13B01F

RGB 19 176 31

HSL 124.59, 0.81%, 0.38%

LAB 62.75, -63.13, 57.65

 

CMYK 0 / 67 / 9 / 5

HEX #F14FDB

RGB 241 79 219

HSL 308.15, 0.85%, 0.63%

LAB 61.14, 76.07, -39.58

 

CMYK 0 / 62 / 7 / 0

HEX #FF61EE

RGB 255 97 238

HSL 306.46, 1%, 0.69%

LAB 66.51, 75.53, -41.63

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 67 / 5 / 7

HEX #EC4FE0

RGB 236 79 224

HSL 304.59, 0.81%, 0.62%

LAB 60.61, 75.66, -43.28

 

CMYK 0 / 72 / 6 / 14

HEX #DB3DCD

RGB 219 61 205

HSL 305.32, 0.69%, 0.55%

LAB 54.87, 75.06, -41.73

 

CMYK 0 / 79 / 8 / 21

HEX #CA2BBA

RGB 202 43 186

HSL 306.04, 0.65%, 0.48%

LAB 49.29, 73.81, -39.75

 

CMYK 0 / 86 / 10 / 27

HEX #B919A7

RGB 185 25 167

HSL 306.75, 0.76%, 0.41%

LAB 43.94, 71.64, -37.19

 

CMYK 0 / 96 / 12 / 34

HEX #A80794

RGB 168 7 148

HSL 307.45, 0.92%, 0.34%

LAB 38.92, 68.24, -33.88

 

CMYK 0 / 67 / 5 / 7

HEX #EC4FE0

RGB 236 79 224

HSL 304.59, 0.81%, 0.62%

LAB 60.61, 75.66, -43.28

 

CMYK 0 / 67 / 23 / 7

HEX #EC4FB6

RGB 236 79 182

HSL 320.64, 0.81%, 0.62%

LAB 58.79, 69.71, -22.22

 

CMYK 0 / 67 / 41 / 7

HEX #EC4F8B

RGB 236 79 139

HSL 337.07, 0.81%, 0.62%

LAB 57.36, 64.79, 0.68

 

CMYK 0 / 67 / 59 / 7

HEX #EC4F61

RGB 236 79 97

HSL 353.12, 0.81%, 0.62%

LAB 56.37, 61.31, 24.05

 

CMYK 0 / 67 / 67 / 7

HEX #EC4F4F

RGB 236 79 79

HSL 0, 0.81%, 0.62%

LAB 56.08, 60.23, 34.09

 

CMYK 0 / 67 / 5 / 7

HEX #EC4FE0

RGB 236 79 224

HSL 304.59, 0.81%, 0.62%

LAB 60.61, 75.66, -43.28

 

CMYK 13 / 67 / 0 / 7

HEX #CE4FEC

RGB 206 79 236

HSL 288.54, 0.81%, 0.62%

LAB 56.85, 70.98, -56.25

 

CMYK 31 / 67 / 0 / 7

HEX #A34FEC

RGB 163 79 236

HSL 272.1, 0.81%, 0.62%

LAB 51.19, 61.95, -65.64

 

CMYK 49 / 67 / 0 / 7

HEX #794FEC

RGB 121 79 236

HSL 256.05, 0.81%, 0.62%

LAB 46.6, 54.02, -73.32

 

CMYK 67 / 67 / 0 / 7

HEX #4F4FEC

RGB 79 79 236

HSL 240, 0.81%, 0.62%

LAB 43.23, 47.75, -78.96

 

CMYK 0 / 67 / 5 / 7

HEX #EC4FE0

RGB 236 79 224

HSL 304.59, 0.81%, 0.62%

LAB 60.61, 75.66, -43.28

 

CMYK 0 / 75 / 6 / 1

HEX #FC3FED

RGB 252 63 237

HSL 304.76, 0.97%, 0.62%

LAB 61.97, 86.09, -48.25

 

CMYK 0 / 67 / 5 / 7

HEX #EC4FE0

RGB 236 79 224

HSL 304.59, 0.81%, 0.62%

LAB 60.61, 75.66, -43.28

 

CMYK 0 / 57 / 4 / 14

HEX #DC5FD3

RGB 220 95 211

HSL 304.32, 0.64%, 0.62%

LAB 59.98, 63.24, -37.11

 

CMYK 0 / 46 / 3 / 20

HEX #CD6EC6

RGB 205 110 198

HSL 304.42, 0.49%, 0.62%

LAB 60.08, 49.71, -29.75

 

CMYK 0 / 33 / 3 / 26

HEX #BD7EB8

RGB 189 126 184

HSL 304.76, 0.32%, 0.62%

LAB 60.96, 33.69, -20.61

 

CMYK 0 / 18 / 1 / 32

HEX #AD8EAB

RGB 173 142 171

HSL 303.87, 0.16%, 0.62%

LAB 62.65, 16.81, -10.83

 

CMYK 31 / 67 / 0 / 7

HEX #A34FEC

RGB 163 79 236

HSL 272.1, 0.81%, 0.62%

LAB 51.19, 61.95, -65.64

 

CMYK 13 / 67 / 0 / 7

HEX #CD4FEC

RGB 205 79 236

HSL 288.15, 0.81%, 0.62%

LAB 56.71, 70.77, -56.48

 

CMYK 0 / 67 / 4 / 7

HEX #EC4FE2

RGB 236 79 226

HSL 303.82, 0.81%, 0.62%

LAB 60.71, 75.97, -44.25

 

CMYK 0 / 67 / 22 / 7

HEX #EC4FB8

RGB 236 79 184

HSL 319.87, 0.81%, 0.62%

LAB 58.87, 69.97, -23.25

 

CMYK 0 / 67 / 40 / 7

HEX #EC4F8E

RGB 236 79 142

HSL 335.92, 0.81%, 0.62%

LAB 57.44, 65.09, -0.95

 

CMYK 0 / 90 / 7 / 17

HEX #D316C5

RGB 211 22 197

HSL 304.44, 0.81%, 0.46%

LAB 50.04, 81.17, -44.86

 

CMYK 0 / 82 / 6 / 9

HEX #E82ADA

RGB 232 42 218

HSL 304.42, 0.81%, 0.54%

LAB 55.96, 84.54, -47.28

 

CMYK 0 / 67 / 5 / 7

HEX #EC4FE0

RGB 236 79 224

HSL 304.59, 0.81%, 0.62%

LAB 60.61, 75.66, -43.28

 

CMYK 0 / 52 / 4 / 6

HEX #F074E7

RGB 240 116 231

HSL 304.35, 0.81%, 0.7%

LAB 67.12, 62.41, -36.96

 

CMYK 0 / 37 / 3 / 4

HEX #F49AED

RGB 244 154 237

HSL 304.67, 0.8%, 0.78%

LAB 75.11, 45.86, -27.85

 

CMYK 0 / 67 / 5 / 7

HEX #EC4FE0

RGB 236 79 224

HSL 304.59, 0.81%, 0.62%

LAB 60.61, 75.66, -43.28

 

CMYK 0 / 49 / 67 / 7

HEX #EC794F

RGB 236 121 79

HSL 16.05, 0.81%, 0.62%

LAB 63.4, 41.11, 42.83

 

CMYK 67 / 0 / 22 / 7

HEX #4FECB8

RGB 79 236 184

HSL 160.13, 0.81%, 0.62%

LAB 84.54, -52.92, 13.39

 

CMYK 0 / 67 / 5 / 7

HEX #EC4FE0

RGB 236 79 224

HSL 304.59, 0.81%, 0.62%

LAB 60.61, 75.66, -43.28

 

CMYK 4 / 0 / 67 / 7

HEX #E2EC4F

RGB 226 236 79

HSL 63.82, 0.81%, 0.62%

LAB 90.19, -22.31, 71.53

 

CMYK 67 / 4 / 0 / 7

HEX #4FE2EC

RGB 79 226 236

HSL 183.82, 0.81%, 0.62%

LAB 82.97, -35.29, -16.32

 

CMYK 0 / 67 / 5 / 7

HEX #EC4FE0

RGB 236 79 224

HSL 304.59, 0.81%, 0.62%

LAB 60.61, 75.66, -43.28

 

CMYK 0 / 49 / 67 / 7

HEX #EC794F

RGB 236 121 79

HSL 16.05, 0.81%, 0.62%

LAB 63.4, 41.11, 42.83

 

CMYK 67 / 0 / 62 / 7

HEX #4FEC5A

RGB 79 236 90

HSL 124.2, 0.81%, 0.62%

LAB 83.12, -68.64, 57.46

 

CMYK 67 / 18 / 0 / 7

HEX #4FC2EC

RGB 79 194 236

HSL 196.05, 0.81%, 0.62%

LAB 73.74, -19.59, -30.37

 

CMYK 0 / 67 / 5 / 7

HEX #EC4FE0

RGB 236 79 224

HSL 304.59, 0.81%, 0.62%

LAB 60.61, 75.66, -43.28

 

CMYK 0 / 29 / 67 / 7

HEX #ECA84F

RGB 236 168 79

HSL 34.01, 0.81%, 0.62%

LAB 73.81, 16.55, 54.57

 

CMYK 67 / 0 / 62 / 7

HEX #4FEC5A

RGB 79 236 90

HSL 124.2, 0.81%, 0.62%

LAB 83.12, -68.64, 57.46

 

CMYK 67 / 38 / 0 / 7

HEX #4F93EC

RGB 79 147 236

HSL 214.01, 0.81%, 0.62%

LAB 60.41, 6.45, -51.21

 

Description

Color code: HEX #EC4FE0 | qconv.com Color code: HEX #EC4FE0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 79 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 79 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 5 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 5% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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