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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC515C it is the complementary color #13AEA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC515C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC515C shade: #F15157, #FF636A, #FF757D, #FF8790 and #FF99A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC515C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC515C shade: #EC515C, #DB3F49, #CA2D36, #B91B23 and #A80910

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC515C shade: #EB505B and #EB5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC515C shade: #EB505B, #EB5085, #EB50AF, #EB50D9 and #D450EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC515C shade matches the following richer shades: #EB505B and #FB404E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC515C shade: #EB505B, #DB6069, #CC6F76, #BC7F83 and #AC8F91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC515C shade: #EB50B0, #EB5086, #EB505D, #EB6D50 and #EB9650

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC515C shade: #D21724, #E72B38, #EB505B, #EF757E and #F39AA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC515C shade: #EC515C, #D9EB50 and #509BEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC515C shade: #EC515C, #5DEB50 and #505DEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC515C shade: #EC515C, #D9EB50, #50EBDE and #6250EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC515C shade: #EC515C, #ABEB50, #50EBDE and #9150EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 61 / 7

HEX #EC515C

RGB 236 81 92

HSL 355.74, 0.8%, 0.62%

LAB 56.58, 60.19, 27.23

 

Complementary color

CMYK 89 / 0 / 6 / 32

HEX #13AEA3

RGB 19 174 163

HSL 175.74, 0.8%, 0.38%

LAB 64.21, -38.65, -4.8

 

CMYK 0 / 66 / 64 / 5

HEX #F15157

RGB 241 81 87

HSL 357.75, 0.85%, 0.63%

LAB 57.34, 61.48, 31.27

 

CMYK 0 / 61 / 58 / 0

HEX #FF636A

RGB 255 99 106

HSL 357.31, 1%, 0.69%

LAB 62.7, 59.8, 27.74

 

CMYK 0 / 54 / 51 / 0

HEX #FF757D

RGB 255 117 125

HSL 356.52, 1%, 0.73%

LAB 66.11, 53.19, 21.52

 

CMYK 0 / 47 / 44 / 0

HEX #FF8790

RGB 255 135 144

HSL 355.5, 1%, 0.76%

LAB 69.9, 46.26, 16.06

 

CMYK 0 / 40 / 36 / 0

HEX #FF99A3

RGB 255 153 163

HSL 354.12, 1%, 0.8%

LAB 73.99, 39.22, 11.27

 

CMYK 0 / 66 / 61 / 7

HEX #EC515C

RGB 236 81 92

HSL 355.74, 0.8%, 0.62%

LAB 56.58, 60.19, 27.23

 

CMYK 0 / 71 / 67 / 14

HEX #DB3F49

RGB 219 63 73

HSL 356.15, 0.68%, 0.55%

LAB 50.8, 60.61, 30.4

 

CMYK 0 / 78 / 73 / 21

HEX #CA2D36

RGB 202 45 54

HSL 356.56, 0.64%, 0.48%

LAB 45.22, 60.53, 34.13

 

CMYK 0 / 85 / 81 / 27

HEX #B91B23

RGB 185 27 35

HSL 356.96, 0.75%, 0.42%

LAB 39.95, 59.68, 38.4

 

CMYK 0 / 95 / 90 / 34

HEX #A80910

RGB 168 9 16

HSL 357.36, 0.9%, 0.35%

LAB 35.12, 57.68, 42.65

 

CMYK 0 / 66 / 61 / 8

HEX #EB505B

RGB 235 80 91

HSL 355.74, 0.79%, 0.62%

LAB 56.24, 60.21, 27.34

 

CMYK 0 / 66 / 66 / 8

HEX #EB5050

RGB 235 80 80

HSL 0, 0.79%, 0.62%

LAB 56.07, 59.57, 33.47

 

CMYK 0 / 66 / 61 / 8

HEX #EB505B

RGB 235 80 91

HSL 355.74, 0.79%, 0.62%

LAB 56.24, 60.21, 27.34

 

CMYK 0 / 66 / 43 / 8

HEX #EB5085

RGB 235 80 133

HSL 339.48, 0.79%, 0.62%

LAB 57.17, 63.53, 3.92

 

CMYK 0 / 66 / 26 / 8

HEX #EB50AF

RGB 235 80 175

HSL 323.23, 0.79%, 0.62%

LAB 58.5, 68.18, -18.63

 

CMYK 0 / 66 / 8 / 8

HEX #EB50D9

RGB 235 80 217

HSL 306.97, 0.79%, 0.62%

LAB 60.26, 74, -39.91

 

CMYK 10 / 66 / 0 / 8

HEX #D450EB

RGB 212 80 235

HSL 291.1, 0.79%, 0.62%

LAB 57.78, 71.72, -54.15

 

CMYK 0 / 66 / 61 / 8

HEX #EB505B

RGB 235 80 91

HSL 355.74, 0.79%, 0.62%

LAB 56.24, 60.21, 27.34

 

CMYK 0 / 75 / 69 / 2

HEX #FB404E

RGB 251 64 78

HSL 355.51, 0.96%, 0.62%

LAB 56.81, 69.99, 36.16

 

CMYK 0 / 66 / 61 / 8

HEX #EB505B

RGB 235 80 91

HSL 355.74, 0.79%, 0.62%

LAB 56.24, 60.21, 27.34

 

CMYK 0 / 56 / 52 / 14

HEX #DB6069

RGB 219 96 105

HSL 355.61, 0.63%, 0.62%

LAB 56.53, 48.95, 19.1

 

CMYK 0 / 46 / 42 / 20

HEX #CC6F76

RGB 204 111 118

HSL 355.48, 0.48%, 0.62%

LAB 57.57, 37.31, 12.63

 

CMYK 0 / 32 / 30 / 26

HEX #BC7F83

RGB 188 127 131

HSL 356.07, 0.31%, 0.62%

LAB 59.44, 24.19, 7.48

 

CMYK 0 / 17 / 16 / 33

HEX #AC8F91

RGB 172 143 145

HSL 355.86, 0.15%, 0.62%

LAB 62.05, 11.22, 3.02

 

CMYK 0 / 66 / 25 / 8

HEX #EB50B0

RGB 235 80 176

HSL 322.84, 0.79%, 0.62%

LAB 58.54, 68.3, -19.15

 

CMYK 0 / 66 / 43 / 8

HEX #EB5086

RGB 235 80 134

HSL 339.1, 0.79%, 0.62%

LAB 57.19, 63.63, 3.37

 

CMYK 0 / 66 / 60 / 8

HEX #EB505D

RGB 235 80 93

HSL 354.97, 0.79%, 0.62%

LAB 56.28, 60.34, 26.23

 

CMYK 0 / 54 / 66 / 8

HEX #EB6D50

RGB 235 109 80

HSL 11.23, 0.79%, 0.62%

LAB 60.94, 46.7, 39.36

 

CMYK 0 / 36 / 66 / 8

HEX #EB9650

RGB 235 150 80

HSL 27.1, 0.79%, 0.62%

LAB 69.51, 25.74, 49.29

 

CMYK 0 / 89 / 83 / 18

HEX #D21724

RGB 210 23 36

HSL 355.83, 0.8%, 0.46%

LAB 44.86, 67.18, 44.37

 

CMYK 0 / 81 / 76 / 9

HEX #E72B38

RGB 231 43 56

HSL 355.85, 0.8%, 0.54%

LAB 50.69, 69.32, 40.65

 

CMYK 0 / 66 / 61 / 8

HEX #EB505B

RGB 235 80 91

HSL 355.74, 0.79%, 0.62%

LAB 56.24, 60.21, 27.34

 

CMYK 0 / 51 / 47 / 6

HEX #EF757E

RGB 239 117 126

HSL 355.57, 0.79%, 0.7%

LAB 63.82, 47.73, 17.45

 

CMYK 0 / 37 / 34 / 5

HEX #F39AA1

RGB 243 154 161

HSL 355.28, 0.79%, 0.78%

LAB 72.72, 34.12, 10.38

 

CMYK 0 / 66 / 61 / 7

HEX #EC515C

RGB 236 81 92

HSL 355.74, 0.8%, 0.62%

LAB 56.58, 60.19, 27.23

 

CMYK 8 / 0 / 66 / 8

HEX #D9EB50

RGB 217 235 80

HSL 66.97, 0.79%, 0.62%

LAB 89.27, -25.4, 70.01

 

CMYK 66 / 34 / 0 / 8

HEX #509BEB

RGB 80 155 235

HSL 210.97, 0.79%, 0.62%

LAB 62.63, 1.6, -47.15

 

CMYK 0 / 66 / 61 / 7

HEX #EC515C

RGB 236 81 92

HSL 355.74, 0.8%, 0.62%

LAB 56.58, 60.19, 27.23

 

CMYK 60 / 0 / 66 / 8

HEX #5DEB50

RGB 93 235 80

HSL 114.97, 0.79%, 0.62%

LAB 83.08, -66.43, 61.6

 

CMYK 66 / 60 / 0 / 8

HEX #505DEB

RGB 80 93 235

HSL 234.97, 0.79%, 0.62%

LAB 46.35, 39.23, -73.28

 

CMYK 0 / 66 / 61 / 7

HEX #EC515C

RGB 236 81 92

HSL 355.74, 0.8%, 0.62%

LAB 56.58, 60.19, 27.23

 

CMYK 8 / 0 / 66 / 8

HEX #D9EB50

RGB 217 235 80

HSL 66.97, 0.79%, 0.62%

LAB 89.27, -25.4, 70.01

 

CMYK 66 / 0 / 6 / 8

HEX #50EBDE

RGB 80 235 222

HSL 174.97, 0.79%, 0.62%

LAB 85.2, -43.06, -5.61

 

CMYK 58 / 66 / 0 / 8

HEX #6250EB

RGB 98 80 235

HSL 246.97, 0.79%, 0.62%

LAB 44.71, 49.47, -75.92

 

CMYK 0 / 66 / 61 / 7

HEX #EC515C

RGB 236 81 92

HSL 355.74, 0.8%, 0.62%

LAB 56.58, 60.19, 27.23

 

CMYK 27 / 0 / 66 / 8

HEX #ABEB50

RGB 171 235 80

HSL 84.77, 0.79%, 0.62%

LAB 86.33, -43.05, 66.04

 

CMYK 66 / 0 / 6 / 8

HEX #50EBDE

RGB 80 235 222

HSL 174.97, 0.79%, 0.62%

LAB 85.2, -43.06, -5.61

 

CMYK 38 / 66 / 0 / 8

HEX #9150EB

RGB 145 80 235

HSL 265.16, 0.79%, 0.62%

LAB 49.2, 57.66, -68.41

 

Description

Color code: HEX #EC515C | qconv.com Color code: HEX #EC515C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 81 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 81 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 61 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 61% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

84% - Coca-Cola Global
Link: http://www.coca-cola.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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