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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC5DB4 it is the complementary color #13A24B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC5DB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC5DB4 shade: #F15DAF, #FF6FC2, #FF81D5, #FF93E8 and #FFA5FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC5DB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC5DB4 shade: #EC5DB4, #DB4BA1, #CA398E, #B9277B and #A81568

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC5DB4 shade: #EC5FB5, #EC5F8E, #EC5F68 and #EC5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC5DB4 shade: #EC5FB5, #EC5FDB, #D75FEC, #B15FEC and #8B5FEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC5DB4 shade matches the following richer shades: #EC5FB5 and #FA50B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC5DB4 shade: #EC5FB5, #DD6DB1, #CF7CAE, #C08AAB and #B299A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC5DB4 shade: #D75FEC, #EC5FDB, #EC5FB6, #EC5F90 and #EC5F6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC5DB4 shade: #DE1A91, #E73AA3, #EC5FB5, #F084C6 and #F4A9D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC5DB4 shade: #EC5DB4, #ECB15F and #5FECE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC5DB4 shade: #EC5DB4, #B6EC5F and #5FB6EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC5DB4 shade: #EC5DB4, #ECB15F, #5FEC95 and #5F99EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC5DB4 shade: #EC5DB4, #ECDB5F, #5FEC95 and #5F6FEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 24 / 7

HEX #EC5DB4

RGB 236 93 180

HSL 323.5, 0.79%, 0.65%

LAB 60.74, 63.88, -18.09

 

Complementary color

CMYK 88 / 0 / 54 / 36

HEX #13A24B

RGB 19 162 75

HSL 143.5, 0.79%, 0.35%

LAB 58.5, -54.19, 35.27

 

CMYK 0 / 61 / 27 / 5

HEX #F15DAF

RGB 241 93 175

HSL 326.76, 0.84%, 0.65%

LAB 61.33, 64.66, -14.26

 

CMYK 0 / 56 / 24 / 0

HEX #FF6FC2

RGB 255 111 194

HSL 325.42, 1%, 0.72%

LAB 66.92, 63.41, -16.42

 

CMYK 0 / 49 / 16 / 0

HEX #FF81D5

RGB 255 129 213

HSL 320, 1%, 0.75%

LAB 70.71, 57.78, -21.28

 

CMYK 0 / 42 / 9 / 0

HEX #FF93E8

RGB 255 147 232

HSL 312.78, 1%, 0.79%

LAB 74.8, 51.94, -25.5

 

CMYK 0 / 35 / 2 / 0

HEX #FFA5FB

RGB 255 165 251

HSL 302.67, 1%, 0.82%

LAB 79.12, 46.02, -29.17

 

CMYK 0 / 61 / 24 / 7

HEX #EC5DB4

RGB 236 93 180

HSL 323.5, 0.79%, 0.65%

LAB 60.74, 63.88, -18.09

 

CMYK 0 / 66 / 26 / 14

HEX #DB4BA1

RGB 219 75 161

HSL 324.17, 0.67%, 0.58%

LAB 54.73, 64.01, -16.46

 

CMYK 0 / 72 / 30 / 21

HEX #CA398E

RGB 202 57 142

HSL 324.83, 0.58%, 0.51%

LAB 48.8, 63.74, -14.44

 

CMYK 0 / 79 / 34 / 27

HEX #B9277B

RGB 185 39 123

HSL 325.48, 0.65%, 0.44%

LAB 43.06, 62.82, -11.88

 

CMYK 0 / 88 / 38 / 34

HEX #A81568

RGB 168 21 104

HSL 326.12, 0.78%, 0.37%

LAB 37.59, 60.92, -8.55

 

CMYK 0 / 60 / 23 / 7

HEX #EC5FB5

RGB 236 95 181

HSL 323.4, 0.79%, 0.65%

LAB 61.09, 63.16, -18.13

 

CMYK 0 / 60 / 40 / 7

HEX #EC5F8E

RGB 236 95 142

HSL 340, 0.79%, 0.65%

LAB 59.86, 58.53, 2.57

 

CMYK 0 / 60 / 56 / 7

HEX #EC5F68

RGB 236 95 104

HSL 356.17, 0.79%, 0.65%

LAB 58.99, 55.12, 23.44

 

CMYK 0 / 60 / 60 / 7

HEX #EC5F5F

RGB 236 95 95

HSL 0, 0.79%, 0.65%

LAB 58.83, 54.48, 28.41

 

CMYK 0 / 60 / 23 / 7

HEX #EC5FB5

RGB 236 95 181

HSL 323.4, 0.79%, 0.65%

LAB 61.09, 63.16, -18.13

 

CMYK 0 / 60 / 7 / 7

HEX #EC5FDB

RGB 236 95 219

HSL 307.23, 0.79%, 0.65%

LAB 62.62, 68.67, -37.32

 

CMYK 9 / 60 / 0 / 7

HEX #D75FEC

RGB 215 95 236

HSL 291.06, 0.79%, 0.65%

LAB 60.5, 66.34, -50.36

 

CMYK 25 / 60 / 0 / 7

HEX #B15FEC

RGB 177 95 236

HSL 274.89, 0.79%, 0.65%

LAB 55.67, 57.34, -58.34

 

CMYK 41 / 60 / 0 / 7

HEX #8B5FEC

RGB 139 95 236

HSL 258.72, 0.79%, 0.65%

LAB 51.53, 48.9, -65.23

 

CMYK 0 / 60 / 23 / 7

HEX #EC5FB5

RGB 236 95 181

HSL 323.4, 0.79%, 0.65%

LAB 61.09, 63.16, -18.13

 

CMYK 0 / 68 / 26 / 2

HEX #FA50B8

RGB 250 80 184

HSL 323.29, 0.94%, 0.65%

LAB 61.24, 73.22, -19.42

 

CMYK 0 / 60 / 23 / 7

HEX #EC5FB5

RGB 236 95 181

HSL 323.4, 0.79%, 0.65%

LAB 61.09, 63.16, -18.13

 

CMYK 0 / 51 / 20 / 13

HEX #DD6DB1

RGB 221 109 177

HSL 323.57, 0.62%, 0.65%

LAB 61.21, 51.71, -15.87

 

CMYK 0 / 40 / 16 / 19

HEX #CF7CAE

RGB 207 124 174

HSL 323.86, 0.46%, 0.65%

LAB 62.28, 39.06, -12.71

 

CMYK 0 / 28 / 11 / 25

HEX #C08AAB

RGB 192 138 171

HSL 323.33, 0.3%, 0.65%

LAB 63.61, 25.77, -9.2

 

CMYK 0 / 14 / 6 / 30

HEX #B299A8

RGB 178 153 168

HSL 324, 0.14%, 0.65%

LAB 65.81, 11.87, -4.4

 

CMYK 9 / 60 / 0 / 7

HEX #D75FEC

RGB 215 95 236

HSL 291.06, 0.79%, 0.65%

LAB 60.5, 66.34, -50.36

 

CMYK 0 / 60 / 7 / 7

HEX #EC5FDB

RGB 236 95 219

HSL 307.23, 0.79%, 0.65%

LAB 62.62, 68.67, -37.32

 

CMYK 0 / 60 / 23 / 7

HEX #EC5FB6

RGB 236 95 182

HSL 322.98, 0.79%, 0.65%

LAB 61.13, 63.3, -18.65

 

CMYK 0 / 60 / 39 / 7

HEX #EC5F90

RGB 236 95 144

HSL 339.15, 0.79%, 0.65%

LAB 59.92, 58.74, 1.49

 

CMYK 0 / 60 / 55 / 7

HEX #EC5F6A

RGB 236 95 106

HSL 355.32, 0.79%, 0.65%

LAB 59.03, 55.27, 22.34

 

CMYK 0 / 88 / 35 / 13

HEX #DE1A91

RGB 222 26 145

HSL 323.57, 0.79%, 0.49%

LAB 49.87, 76.5, -14.28

 

CMYK 0 / 75 / 29 / 9

HEX #E73AA3

RGB 231 58 163

HSL 323.58, 0.78%, 0.57%

LAB 54.72, 73.21, -17.46

 

CMYK 0 / 60 / 23 / 7

HEX #EC5FB5

RGB 236 95 181

HSL 323.4, 0.79%, 0.65%

LAB 61.09, 63.16, -18.13

 

CMYK 0 / 45 / 18 / 6

HEX #F084C6

RGB 240 132 198

HSL 323.33, 0.78%, 0.73%

LAB 68.83, 49.45, -15.97

 

CMYK 0 / 31 / 12 / 4

HEX #F4A9D7

RGB 244 169 215

HSL 323.2, 0.77%, 0.81%

LAB 77.59, 34.3, -12.13

 

CMYK 0 / 61 / 24 / 7

HEX #EC5DB4

RGB 236 93 180

HSL 323.5, 0.79%, 0.65%

LAB 60.74, 63.88, -18.09

 

CMYK 0 / 25 / 60 / 7

HEX #ECB15F

RGB 236 177 95

HSL 34.89, 0.79%, 0.65%

LAB 76.13, 12.81, 49.62

 

CMYK 60 / 0 / 1 / 7

HEX #5FECE9

RGB 95 236 233

HSL 178.72, 0.79%, 0.65%

LAB 86.16, -38.28, -9.93

 

CMYK 0 / 61 / 24 / 7

HEX #EC5DB4

RGB 236 93 180

HSL 323.5, 0.79%, 0.65%

LAB 60.74, 63.88, -18.09

 

CMYK 23 / 0 / 60 / 7

HEX #B6EC5F

RGB 182 236 95

HSL 82.98, 0.79%, 0.65%

LAB 87.37, -38.32, 61.26

 

CMYK 60 / 23 / 0 / 7

HEX #5FB6EC

RGB 95 182 236

HSL 202.98, 0.79%, 0.65%

LAB 70.83, -10.56, -34.82

 

CMYK 0 / 61 / 24 / 7

HEX #EC5DB4

RGB 236 93 180

HSL 323.5, 0.79%, 0.65%

LAB 60.74, 63.88, -18.09

 

CMYK 0 / 25 / 60 / 7

HEX #ECB15F

RGB 236 177 95

HSL 34.89, 0.79%, 0.65%

LAB 76.13, 12.81, 49.62

 

CMYK 60 / 0 / 37 / 7

HEX #5FEC95

RGB 95 236 149

HSL 142.98, 0.79%, 0.65%

LAB 84.27, -57.09, 31.11

 

CMYK 60 / 35 / 0 / 7

HEX #5F99EC

RGB 95 153 236

HSL 215.32, 0.79%, 0.65%

LAB 62.74, 5.72, -47.49

 

CMYK 0 / 61 / 24 / 7

HEX #EC5DB4

RGB 236 93 180

HSL 323.5, 0.79%, 0.65%

LAB 60.74, 63.88, -18.09

 

CMYK 0 / 7 / 60 / 7

HEX #ECDB5F

RGB 236 219 95

HSL 52.77, 0.79%, 0.65%

LAB 86.66, -8.91, 61.56

 

CMYK 60 / 0 / 37 / 7

HEX #5FEC95

RGB 95 236 149

HSL 142.98, 0.79%, 0.65%

LAB 84.27, -57.09, 31.11

 

CMYK 60 / 53 / 0 / 7

HEX #5F6FEC

RGB 95 111 236

HSL 233.19, 0.79%, 0.65%

LAB 51.68, 30.96, -65.16

 

Description

Color code: HEX #EC5DB4 | qconv.com Color code: HEX #EC5DB4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 93 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 93 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 24 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 24% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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