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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC64E3 it is the complementary color #139B1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC64E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC64E3 shade: #F164DE, #FF76F1, #FF88FF, #FF9AFF and #FFACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC64E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC64E3 shade: #EC64E3, #DB52D0, #CA40BD, #B92EAA and #A81C97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC64E3 shade: #EB64E2, #EB64BE, #EB649A, #EB6475 and #EB6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC64E3 shade: #EB64E2, #D064EB, #AB64EB, #8764EB and #6464EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC64E3 shade matches the following richer shades: #EB64E2 and #F956EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC64E3 shade: #EB64E2, #DD72D6, #CF80CA, #C18EBE and #B39CB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC64E3 shade: #AA64EB, #CE64EB, #EB64E5, #EB64C1 and #EB649D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC64E3 shade: #E21BD5, #E73FDC, #EB64E2, #F089E9 and #F5AEF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC64E3 shade: #EC64E3, #EB8664 and #64EBBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC64E3 shade: #EC64E3, #E5EB64 and #64E5EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC64E3 shade: #EC64E3, #EB8664, #64EB6B and #64CAEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC64E3 shade: #EC64E3, #EBAF64, #64EB6B and #64A1EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 4 / 7

HEX #EC64E3

RGB 236 100 227

HSL 303.97, 0.78%, 0.66%

LAB 63.75, 67.84, -40.03

 

Complementary color

CMYK 88 / 0 / 82 / 39

HEX #139B1C

RGB 19 155 28

HSL 123.97, 0.78%, 0.34%

LAB 55.75, -57.06, 51.98

 

CMYK 0 / 59 / 8 / 5

HEX #F164DE

RGB 241 100 222

HSL 308.09, 0.83%, 0.67%

LAB 64.23, 68.33, -36.43

 

CMYK 0 / 54 / 5 / 0

HEX #FF76F1

RGB 255 118 241

HSL 306.13, 1%, 0.73%

LAB 69.87, 67.18, -38.03

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 0 / 58 / 4 / 7

HEX #EC64E3

RGB 236 100 227

HSL 303.97, 0.78%, 0.66%

LAB 63.75, 67.84, -40.03

 

CMYK 0 / 63 / 5 / 14

HEX #DB52D0

RGB 219 82 208

HSL 304.82, 0.66%, 0.59%

LAB 57.7, 67.98, -38.99

 

CMYK 0 / 68 / 6 / 21

HEX #CA40BD

RGB 202 64 189

HSL 305.65, 0.57%, 0.52%

LAB 51.72, 67.76, -37.66

 

CMYK 0 / 75 / 8 / 27

HEX #B92EAA

RGB 185 46 170

HSL 306.47, 0.6%, 0.45%

LAB 45.87, 66.97, -35.94

 

CMYK 0 / 83 / 10 / 34

HEX #A81C97

RGB 168 28 151

HSL 307.29, 0.71%, 0.38%

LAB 40.23, 65.32, -33.64

 

CMYK 0 / 57 / 4 / 8

HEX #EB64E2

RGB 235 100 226

HSL 304, 0.77%, 0.66%

LAB 63.56, 67.42, -39.77

 

CMYK 0 / 57 / 19 / 8

HEX #EB64BE

RGB 235 100 190

HSL 320, 0.77%, 0.66%

LAB 62.08, 61.94, -21.78

 

CMYK 0 / 57 / 34 / 8

HEX #EB649A

RGB 235 100 154

HSL 336, 0.77%, 0.66%

LAB 60.88, 57.32, -2.92

 

CMYK 0 / 57 / 50 / 8

HEX #EB6475

RGB 235 100 117

HSL 352.44, 0.77%, 0.66%

LAB 59.94, 53.58, 17.19

 

CMYK 0 / 57 / 57 / 8

HEX #EB6464

RGB 235 100 100

HSL 0, 0.77%, 0.66%

LAB 59.61, 52.23, 26.54

 

CMYK 0 / 57 / 4 / 8

HEX #EB64E2

RGB 235 100 226

HSL 304, 0.77%, 0.66%

LAB 63.56, 67.42, -39.77

 

CMYK 11 / 57 / 0 / 8

HEX #D064EB

RGB 208 100 235

HSL 288, 0.77%, 0.66%

LAB 60.36, 62.19, -50.09

 

CMYK 27 / 57 / 0 / 8

HEX #AB64EB

RGB 171 100 235

HSL 271.56, 0.77%, 0.66%

LAB 55.86, 53.19, -57.53

 

CMYK 43 / 57 / 0 / 8

HEX #8764EB

RGB 135 100 235

HSL 255.56, 0.77%, 0.66%

LAB 52.13, 45.02, -63.71

 

CMYK 57 / 57 / 0 / 8

HEX #6464EB

RGB 100 100 235

HSL 240, 0.77%, 0.66%

LAB 49.28, 38.16, -68.47

 

CMYK 0 / 57 / 4 / 8

HEX #EB64E2

RGB 235 100 226

HSL 304, 0.77%, 0.66%

LAB 63.56, 67.42, -39.77

 

CMYK 0 / 65 / 4 / 2

HEX #F956EF

RGB 249 86 239

HSL 303.68, 0.93%, 0.66%

LAB 64.18, 78.42, -45.89

 

CMYK 0 / 57 / 4 / 8

HEX #EB64E2

RGB 235 100 226

HSL 304, 0.77%, 0.66%

LAB 63.56, 67.42, -39.77

 

CMYK 0 / 48 / 3 / 13

HEX #DD72D6

RGB 221 114 214

HSL 303.93, 0.61%, 0.66%

LAB 63.56, 55.17, -33.21

 

CMYK 0 / 38 / 2 / 19

HEX #CF80CA

RGB 207 128 202

HSL 303.8, 0.45%, 0.66%

LAB 64.13, 41.71, -25.73

 

CMYK 0 / 26 / 2 / 24

HEX #C18EBE

RGB 193 142 190

HSL 303.53, 0.29%, 0.66%

LAB 65.28, 27.32, -17.38

 

CMYK 0 / 13 / 1 / 30

HEX #B39CB2

RGB 179 156 178

HSL 302.61, 0.13%, 0.66%

LAB 66.96, 12.43, -8.28

 

CMYK 28 / 57 / 0 / 8

HEX #AA64EB

RGB 170 100 235

HSL 271.11, 0.77%, 0.66%

LAB 55.74, 52.96, -57.72

 

CMYK 12 / 57 / 0 / 8

HEX #CE64EB

RGB 206 100 235

HSL 287.11, 0.77%, 0.66%

LAB 60.1, 61.7, -50.51

 

CMYK 0 / 57 / 3 / 8

HEX #EB64E5

RGB 235 100 229

HSL 302.67, 0.77%, 0.66%

LAB 63.7, 67.91, -41.23

 

CMYK 0 / 57 / 18 / 8

HEX #EB64C1

RGB 235 100 193

HSL 318.67, 0.77%, 0.66%

LAB 62.19, 62.36, -23.31

 

CMYK 0 / 57 / 33 / 8

HEX #EB649D

RGB 235 100 157

HSL 334.67, 0.77%, 0.66%

LAB 60.97, 57.66, -4.52

 

CMYK 0 / 88 / 6 / 11

HEX #E21BD5

RGB 226 27 213

HSL 303.92, 0.79%, 0.5%

LAB 53.77, 85.38, -47.98

 

CMYK 0 / 73 / 5 / 9

HEX #E73FDC

RGB 231 63 220

HSL 303.93, 0.78%, 0.58%

LAB 57.76, 79.26, -45.57

 

CMYK 0 / 57 / 4 / 8

HEX #EB64E2

RGB 235 100 226

HSL 304, 0.77%, 0.66%

LAB 63.56, 67.42, -39.77

 

CMYK 0 / 43 / 3 / 6

HEX #F089E9

RGB 240 137 233

HSL 304.08, 0.77%, 0.74%

LAB 71.08, 52.6, -31.91

 

CMYK 0 / 29 / 2 / 4

HEX #F5AEF0

RGB 245 174 240

HSL 304.23, 0.78%, 0.82%

LAB 79.6, 36.26, -22.61

 

CMYK 0 / 58 / 4 / 7

HEX #EC64E3

RGB 236 100 227

HSL 303.97, 0.78%, 0.66%

LAB 63.75, 67.84, -40.03

 

CMYK 0 / 43 / 57 / 8

HEX #EB8664

RGB 235 134 100

HSL 15.11, 0.77%, 0.66%

LAB 66.24, 35.47, 35.04

 

CMYK 57 / 0 / 20 / 8

HEX #64EBBC

RGB 100 235 188

HSL 159.11, 0.77%, 0.66%

LAB 84.87, -47.88, 11.84

 

CMYK 0 / 58 / 4 / 7

HEX #EC64E3

RGB 236 100 227

HSL 303.97, 0.78%, 0.66%

LAB 63.75, 67.84, -40.03

 

CMYK 3 / 0 / 57 / 8

HEX #E5EB64

RGB 229 235 100

HSL 62.67, 0.77%, 0.66%

LAB 90.32, -19.29, 63.29

 

CMYK 57 / 3 / 0 / 8

HEX #64E5EB

RGB 100 229 235

HSL 182.67, 0.77%, 0.66%

LAB 84.35, -33.64, -13.66

 

CMYK 0 / 58 / 4 / 7

HEX #EC64E3

RGB 236 100 227

HSL 303.97, 0.78%, 0.66%

LAB 63.75, 67.84, -40.03

 

CMYK 0 / 43 / 57 / 8

HEX #EB8664

RGB 235 134 100

HSL 15.11, 0.77%, 0.66%

LAB 66.24, 35.47, 35.04

 

CMYK 57 / 0 / 54 / 8

HEX #64EB6B

RGB 100 235 107

HSL 123.11, 0.77%, 0.66%

LAB 83.54, -61.95, 50.6

 

CMYK 57 / 14 / 0 / 8

HEX #64CAEB

RGB 100 202 235

HSL 194.67, 0.77%, 0.66%

LAB 76.65, -20.42, -25.32

 

CMYK 0 / 58 / 4 / 7

HEX #EC64E3

RGB 236 100 227

HSL 303.97, 0.78%, 0.66%

LAB 63.75, 67.84, -40.03

 

CMYK 0 / 26 / 57 / 8

HEX #EBAF64

RGB 235 175 100

HSL 33.33, 0.77%, 0.66%

LAB 75.6, 13.82, 46.51

 

CMYK 57 / 0 / 54 / 8

HEX #64EB6B

RGB 100 235 107

HSL 123.11, 0.77%, 0.66%

LAB 83.54, -61.95, 50.6

 

CMYK 57 / 31 / 0 / 8

HEX #64A1EB

RGB 100 161 235

HSL 212.89, 0.77%, 0.66%

LAB 65.12, 1.76, -43.18

 

Description

Color code: HEX #EC64E3 | qconv.com Color code: HEX #EC64E3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 100 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 100 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 4 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 4% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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