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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC6592 it is the complementary color #139A6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC6592. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC6592 shade: #F1658D, #FF77A0, #FF89B3, #FF9BC6 and #FFADD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC6592. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC6592 shade: #EC6592, #DB537F, #CA416C, #B92F59 and #A81D46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC6592 shade: #EB6491, #EB646D and #EB6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC6592 shade: #EB6491, #EB64B6, #EB64DA, #D864EB and #B464EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC6592 shade matches the following richer shades: #EB6491 and #F9568D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC6592 shade: #EB6491, #DD7296, #CF809B, #C18E9F and #B39CA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC6592 shade: #EB64D9, #EB64B5, #EB6491, #EB646D and #EB7F64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC6592 shade: #E21B5E, #E73F77, #EB6491, #F089AB and #F5AEC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC6592 shade: #EC6592, #EBD964 and #64C7EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC6592 shade: #EC6592, #91EB64 and #6491EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC6592 shade: #EC6592, #EBD964, #64EBBE and #6476EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC6592 shade: #EC6592, #D5EB64, #64EBBE and #7B64EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 38 / 7

HEX #EC6592

RGB 236 101 146

HSL 340, 0.78%, 0.66%

LAB 60.97, 56.28, 1.86

 

Complementary color

CMYK 88 / 0 / 29 / 40

HEX #139A6D

RGB 19 154 109

HSL 160, 0.78%, 0.34%

LAB 56.44, -44.56, 14.32

 

CMYK 0 / 58 / 41 / 5

HEX #F1658D

RGB 241 101 141

HSL 342.86, 0.83%, 0.67%

LAB 61.59, 57.35, 5.75

 

CMYK 0 / 53 / 37 / 0

HEX #FF77A0

RGB 255 119 160

HSL 341.91, 1%, 0.73%

LAB 67.27, 55.65, 3.33

 

CMYK 0 / 46 / 30 / 0

HEX #FF89B3

RGB 255 137 179

HSL 338.64, 1%, 0.77%

LAB 71.15, 49.24, -1.7

 

CMYK 0 / 39 / 22 / 0

HEX #FF9BC6

RGB 255 155 198

HSL 334.2, 1%, 0.8%

LAB 75.31, 42.71, -6.09

 

CMYK 0 / 32 / 15 / 0

HEX #FFADD9

RGB 255 173 217

HSL 327.8, 1%, 0.84%

LAB 79.7, 36.22, -9.93

 

CMYK 0 / 57 / 38 / 7

HEX #EC6592

RGB 236 101 146

HSL 340, 0.78%, 0.66%

LAB 60.97, 56.28, 1.86

 

CMYK 0 / 62 / 42 / 14

HEX #DB537F

RGB 219 83 127

HSL 340.59, 0.65%, 0.59%

LAB 54.84, 56.86, 3.78

 

CMYK 0 / 68 / 47 / 21

HEX #CA416C

RGB 202 65 108

HSL 341.17, 0.56%, 0.52%

LAB 48.78, 57.19, 6.11

 

CMYK 0 / 75 / 52 / 27

HEX #B92F59

RGB 185 47 89

HSL 341.74, 0.59%, 0.45%

LAB 42.87, 57.06, 9

 

CMYK 0 / 83 / 58 / 34

HEX #A81D46

RGB 168 29 70

HSL 342.3, 0.71%, 0.39%

LAB 37.2, 56.19, 12.67

 

CMYK 0 / 57 / 38 / 8

HEX #EB6491

RGB 235 100 145

HSL 340, 0.77%, 0.66%

LAB 60.62, 56.31, 1.92

 

CMYK 0 / 57 / 54 / 8

HEX #EB646D

RGB 235 100 109

HSL 356, 0.77%, 0.66%

LAB 59.78, 52.92, 21.59

 

CMYK 0 / 57 / 57 / 8

HEX #EB6464

RGB 235 100 100

HSL 0, 0.77%, 0.66%

LAB 59.61, 52.23, 26.54

 

CMYK 0 / 57 / 38 / 8

HEX #EB6491

RGB 235 100 145

HSL 340, 0.77%, 0.66%

LAB 60.62, 56.31, 1.92

 

CMYK 0 / 57 / 23 / 8

HEX #EB64B6

RGB 235 100 182

HSL 323.56, 0.77%, 0.66%

LAB 61.79, 60.83, -17.66

 

CMYK 0 / 57 / 7 / 8

HEX #EB64DA

RGB 235 100 218

HSL 307.56, 0.77%, 0.66%

LAB 63.21, 66.13, -35.85

 

CMYK 8 / 57 / 0 / 8

HEX #D864EB

RGB 216 100 235

HSL 291.56, 0.77%, 0.66%

LAB 61.4, 64.18, -48.36

 

CMYK 23 / 57 / 0 / 8

HEX #B464EB

RGB 180 100 235

HSL 275.56, 0.77%, 0.66%

LAB 56.9, 55.35, -55.81

 

CMYK 0 / 57 / 38 / 8

HEX #EB6491

RGB 235 100 145

HSL 340, 0.77%, 0.66%

LAB 60.62, 56.31, 1.92

 

CMYK 0 / 65 / 43 / 2

HEX #F9568D

RGB 249 86 141

HSL 339.75, 0.93%, 0.66%

LAB 60.53, 66.07, 4.38

 

CMYK 0 / 57 / 38 / 8

HEX #EB6491

RGB 235 100 145

HSL 340, 0.77%, 0.66%

LAB 60.62, 56.31, 1.92

 

CMYK 0 / 48 / 32 / 13

HEX #DD7296

RGB 221 114 150

HSL 339.81, 0.61%, 0.66%

LAB 61.32, 45.58, -0.21

 

CMYK 0 / 38 / 25 / 19

HEX #CF809B

RGB 207 128 155

HSL 339.49, 0.45%, 0.66%

LAB 62.57, 34.06, -1.46

 

CMYK 0 / 26 / 18 / 24

HEX #C18E9F

RGB 193 142 159

HSL 340, 0.29%, 0.66%

LAB 64.31, 21.92, -1.36

 

CMYK 0 / 13 / 8 / 30

HEX #B39CA4

RGB 179 156 164

HSL 339.13, 0.13%, 0.66%

LAB 66.55, 9.85, -1.05

 

CMYK 0 / 57 / 8 / 8

HEX #EB64D9

RGB 235 100 217

HSL 308, 0.77%, 0.66%

LAB 63.17, 65.98, -35.36

 

CMYK 0 / 57 / 23 / 8

HEX #EB64B5

RGB 235 100 181

HSL 324, 0.77%, 0.66%

LAB 61.75, 60.7, -17.14

 

CMYK 0 / 57 / 38 / 8

HEX #EB6491

RGB 235 100 145

HSL 340, 0.77%, 0.66%

LAB 60.62, 56.31, 1.92

 

CMYK 0 / 57 / 54 / 8

HEX #EB646D

RGB 235 100 109

HSL 356, 0.77%, 0.66%

LAB 59.78, 52.92, 21.59

 

CMYK 0 / 46 / 57 / 8

HEX #EB7F64

RGB 235 127 100

HSL 12, 0.77%, 0.66%

LAB 64.77, 39.07, 33.18

 

CMYK 0 / 88 / 58 / 11

HEX #E21B5E

RGB 226 27 94

HSL 339.8, 0.79%, 0.5%

LAB 49.2, 73.1, 15.9

 

CMYK 0 / 73 / 48 / 9

HEX #E73F77

RGB 231 63 119

HSL 340, 0.78%, 0.58%

LAB 53.9, 67.27, 7.45

 

CMYK 0 / 57 / 38 / 8

HEX #EB6491

RGB 235 100 145

HSL 340, 0.77%, 0.66%

LAB 60.62, 56.31, 1.92

 

CMYK 0 / 43 / 29 / 6

HEX #F089AB

RGB 240 137 171

HSL 340.19, 0.77%, 0.74%

LAB 69.01, 43.13, -0.59

 

CMYK 0 / 29 / 20 / 4

HEX #F5AEC5

RGB 245 174 197

HSL 340.56, 0.78%, 0.82%

LAB 78.3, 29.2, -1.28

 

CMYK 0 / 57 / 38 / 7

HEX #EC6592

RGB 236 101 146

HSL 340, 0.78%, 0.66%

LAB 60.97, 56.28, 1.86

 

CMYK 0 / 8 / 57 / 8

HEX #EBD964

RGB 235 217 100

HSL 52, 0.77%, 0.66%

LAB 86.11, -7.96, 58.72

 

CMYK 57 / 15 / 0 / 8

HEX #64C7EB

RGB 100 199 235

HSL 196, 0.77%, 0.66%

LAB 75.79, -18.88, -26.62

 

CMYK 0 / 57 / 38 / 7

HEX #EC6592

RGB 236 101 146

HSL 340, 0.78%, 0.66%

LAB 60.97, 56.28, 1.86

 

CMYK 38 / 0 / 57 / 8

HEX #91EB64

RGB 145 235 100

HSL 100, 0.77%, 0.66%

LAB 85.18, -50.25, 56.09

 

CMYK 57 / 38 / 0 / 8

HEX #6491EB

RGB 100 145 235

HSL 220, 0.77%, 0.66%

LAB 60.74, 11.05, -50.08

 

CMYK 0 / 57 / 38 / 7

HEX #EC6592

RGB 236 101 146

HSL 340, 0.78%, 0.66%

LAB 60.97, 56.28, 1.86

 

CMYK 0 / 8 / 57 / 8

HEX #EBD964

RGB 235 217 100

HSL 52, 0.77%, 0.66%

LAB 86.11, -7.96, 58.72

 

CMYK 57 / 0 / 19 / 8

HEX #64EBBE

RGB 100 235 190

HSL 160, 0.77%, 0.66%

LAB 84.92, -47.44, 10.86

 

CMYK 57 / 50 / 0 / 8

HEX #6476EB

RGB 100 118 235

HSL 232, 0.77%, 0.66%

LAB 53.67, 27.28, -61.38

 

CMYK 0 / 57 / 38 / 7

HEX #EC6592

RGB 236 101 146

HSL 340, 0.78%, 0.66%

LAB 60.97, 56.28, 1.86

 

CMYK 9 / 0 / 57 / 8

HEX #D5EB64

RGB 213 235 100

HSL 69.78, 0.77%, 0.66%

LAB 89.15, -25.63, 61.67

 

CMYK 57 / 0 / 19 / 8

HEX #64EBBE

RGB 100 235 190

HSL 160, 0.77%, 0.66%

LAB 84.92, -47.44, 10.86

 

CMYK 48 / 57 / 0 / 8

HEX #7B64EB

RGB 123 100 235

HSL 250.22, 0.77%, 0.66%

LAB 51.06, 42.52, -65.49

 

Description

Color code: HEX #EC6592 | qconv.com Color code: HEX #EC6592 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 101 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 101 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 38 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 38% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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