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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC621C it is the complementary color #139DE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC621C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC621C shade: #F16217, #FF742A, #FF863D, #FF9850 and #FFAA63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC621C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC621C shade: #EC621C, #DB5009, #CA3E00, #B92C00 and #A81A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC621C shade: #EC621C, #EC2A1C and #EC1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC621C shade: #EC621C, #EC9A1C, #ECD21C, #CEEC1C and #96EC1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC621C shade matches the following richer shades: #EC621C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC621C shade: #EC621C, #D86930, #C56F44, #B17657 and #9D7C6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC621C shade: #EC1C46, #EC2A1C, #EC611C, #EC991C and #ECD01C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC621C shade: #A8410D, #CF5010, #EC621C, #EF7C42 and #F29768

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC621C shade: #EC621C, #7DEC1C and #1C2AEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC621C shade: #EC621C, #1CEC61 and #611CEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC621C shade: #EC621C, #7DEC1C, #1CA7EC and #8B1CEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC621C shade: #EC621C, #3FEC1C, #1CA7EC and #C91CEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 88 / 7

HEX #EC621C

RGB 236 98 28

HSL 20.19, 0.85%, 0.52%

LAB 58.65, 50.31, 61.25

 

Complementary color

CMYK 92 / 31 / 0 / 11

HEX #139DE3

RGB 19 157 227

HSL 200.19, 0.85%, 0.48%

LAB 61.48, -8.6, -44.63

 

CMYK 0 / 59 / 90 / 5

HEX #F16217

RGB 241 98 23

HSL 20.64, 0.89%, 0.52%

LAB 59.43, 52.03, 63.75

 

CMYK 0 / 55 / 84 / 0

HEX #FF742A

RGB 255 116 42

HSL 20.85, 1%, 0.58%

LAB 64.9, 49.21, 62.48

 

CMYK 0 / 47 / 76 / 0

HEX #FF863D

RGB 255 134 61

HSL 22.58, 1%, 0.62%

LAB 68.49, 41.05, 57.9

 

CMYK 0 / 40 / 69 / 0

HEX #FF9850

RGB 255 152 80

HSL 24.69, 1%, 0.66%

LAB 72.43, 32.76, 53.23

 

CMYK 0 / 33 / 61 / 0

HEX #FFAA63

RGB 255 170 99

HSL 27.31, 1%, 0.69%

LAB 76.62, 24.53, 48.76

 

CMYK 0 / 58 / 88 / 7

HEX #EC621C

RGB 236 98 28

HSL 20.19, 0.85%, 0.52%

LAB 58.65, 50.31, 61.25

 

CMYK 0 / 63 / 96 / 14

HEX #DB5009

RGB 219 80 9

HSL 20.29, 0.92%, 0.45%

LAB 52.75, 51.98, 61.07

 

CMYK 0 / 69 / 100 / 21

HEX #CA3E00

RGB 202 62 0

HSL 18.42, 1%, 0.4%

LAB 46.98, 53.45, 58.46

 

CMYK 0 / 76 / 100 / 27

HEX #B92C00

RGB 185 44 0

HSL 14.27, 1%, 0.36%

LAB 41.4, 54.42, 54.01

 

CMYK 0 / 85 / 100 / 34

HEX #A81A00

RGB 168 26 0

HSL 9.29, 1%, 0.33%

LAB 36.11, 54.43, 49.68

 

CMYK 0 / 58 / 88 / 7

HEX #EC621C

RGB 236 98 28

HSL 20.19, 0.85%, 0.52%

LAB 58.65, 50.31, 61.25

 

CMYK 0 / 82 / 88 / 7

HEX #EC2A1C

RGB 236 42 28

HSL 4.04, 0.85%, 0.52%

LAB 51.35, 70.21, 55.72

 

CMYK 0 / 88 / 88 / 7

HEX #EC1C1C

RGB 236 28 28

HSL 0, 0.85%, 0.52%

LAB 50.39, 72.96, 55.01

 

CMYK 0 / 58 / 88 / 7

HEX #EC621C

RGB 236 98 28

HSL 20.19, 0.85%, 0.52%

LAB 58.65, 50.31, 61.25

 

CMYK 0 / 35 / 88 / 7

HEX #EC9A1C

RGB 236 154 28

HSL 36.35, 0.85%, 0.52%

LAB 70.2, 22.04, 70.15

 

CMYK 0 / 11 / 88 / 7

HEX #ECD21C

RGB 236 210 28

HSL 52.5, 0.85%, 0.52%

LAB 83.97, -7.18, 80.93

 

CMYK 13 / 0 / 88 / 7

HEX #CEEC1C

RGB 206 236 28

HSL 68.65, 0.85%, 0.52%

LAB 88.54, -32.3, 83.58

 

CMYK 36 / 0 / 88 / 7

HEX #96EC1C

RGB 150 236 28

HSL 84.81, 0.85%, 0.52%

LAB 85.28, -53.37, 79.56

 

CMYK 0 / 58 / 88 / 7

HEX #EC621C

RGB 236 98 28

HSL 20.19, 0.85%, 0.52%

LAB 58.65, 50.31, 61.25

 

CMYK 0 / 58 / 88 / 7

HEX #EC621C

RGB 236 98 28

HSL 20.19, 0.85%, 0.52%

LAB 58.65, 50.31, 61.25

 

CMYK 0 / 51 / 78 / 15

HEX #D86930

RGB 216 105 48

HSL 20.36, 0.68%, 0.52%

LAB 56.99, 39.98, 50.52

 

CMYK 0 / 44 / 65 / 23

HEX #C56F44

RGB 197 111 68

HSL 20, 0.53%, 0.52%

LAB 55.74, 30.26, 38.33

 

CMYK 0 / 33 / 51 / 31

HEX #B17657

RGB 177 118 87

HSL 20.67, 0.37%, 0.52%

LAB 55.06, 19.63, 26.46

 

CMYK 0 / 21 / 32 / 38

HEX #9D7C6B

RGB 157 124 107

HSL 20.4, 0.2%, 0.52%

LAB 54.7, 10.24, 14.15

 

CMYK 0 / 88 / 70 / 7

HEX #EC1C46

RGB 236 28 70

HSL 347.88, 0.85%, 0.52%

LAB 50.81, 74.16, 32.92

 

CMYK 0 / 82 / 88 / 7

HEX #EC2A1C

RGB 236 42 28

HSL 4.04, 0.85%, 0.52%

LAB 51.35, 70.21, 55.72

 

CMYK 0 / 59 / 88 / 7

HEX #EC611C

RGB 236 97 28

HSL 19.9, 0.85%, 0.52%

LAB 58.48, 50.77, 61.11

 

CMYK 0 / 35 / 88 / 7

HEX #EC991C

RGB 236 153 28

HSL 36.06, 0.85%, 0.52%

LAB 69.96, 22.57, 69.97

 

CMYK 0 / 12 / 88 / 7

HEX #ECD01C

RGB 236 208 28

HSL 51.92, 0.85%, 0.52%

LAB 83.46, -6.17, 80.52

 

CMYK 0 / 61 / 92 / 34

HEX #A8410D

RGB 168 65 13

HSL 20.13, 0.86%, 0.35%

LAB 41.43, 40.18, 48.37

 

CMYK 0 / 61 / 92 / 19

HEX #CF5010

RGB 207 80 16

HSL 20.1, 0.86%, 0.44%

LAB 50.73, 47.77, 57.08

 

CMYK 0 / 58 / 88 / 7

HEX #EC621C

RGB 236 98 28

HSL 20.19, 0.85%, 0.52%

LAB 58.65, 50.31, 61.25

 

CMYK 0 / 48 / 72 / 6

HEX #EF7C42

RGB 239 124 66

HSL 20.12, 0.84%, 0.6%

LAB 64.29, 40.09, 50.52

 

CMYK 0 / 38 / 57 / 5

HEX #F29768

RGB 242 151 104

HSL 20.43, 0.84%, 0.68%

LAB 70.88, 29.65, 38.9

 

CMYK 0 / 58 / 88 / 7

HEX #EC621C

RGB 236 98 28

HSL 20.19, 0.85%, 0.52%

LAB 58.65, 50.31, 61.25

 

CMYK 47 / 0 / 88 / 7

HEX #7DEC1C

RGB 125 236 28

HSL 92.02, 0.85%, 0.52%

LAB 84.19, -61.39, 78.21

 

CMYK 88 / 82 / 0 / 7

HEX #1C2AEC

RGB 28 42 236

HSL 235.96, 0.85%, 0.52%

LAB 33.9, 63.55, -94.46

 

CMYK 0 / 58 / 88 / 7

HEX #EC621C

RGB 236 98 28

HSL 20.19, 0.85%, 0.52%

LAB 58.65, 50.31, 61.25

 

CMYK 88 / 0 / 59 / 7

HEX #1CEC61

RGB 28 236 97

HSL 139.9, 0.85%, 0.52%

LAB 82.43, -74.17, 53.46

 

CMYK 59 / 88 / 0 / 7

HEX #611CEC

RGB 97 28 236

HSL 259.9, 0.85%, 0.52%

LAB 36.8, 72.21, -89.52

 

CMYK 0 / 58 / 88 / 7

HEX #EC621C

RGB 236 98 28

HSL 20.19, 0.85%, 0.52%

LAB 58.65, 50.31, 61.25

 

CMYK 47 / 0 / 88 / 7

HEX #7DEC1C

RGB 125 236 28

HSL 92.02, 0.85%, 0.52%

LAB 84.19, -61.39, 78.21

 

CMYK 88 / 29 / 0 / 7

HEX #1CA7EC

RGB 28 167 236

HSL 199.9, 0.85%, 0.52%

LAB 64.92, -10.48, -44.18

 

CMYK 41 / 88 / 0 / 7

HEX #8B1CEC

RGB 139 28 236

HSL 272.02, 0.85%, 0.52%

LAB 41.81, 76.25, -81.08

 

CMYK 0 / 58 / 88 / 7

HEX #EC621C

RGB 236 98 28

HSL 20.19, 0.85%, 0.52%

LAB 58.65, 50.31, 61.25

 

CMYK 73 / 0 / 88 / 7

HEX #3FEC1C

RGB 63 236 28

HSL 109.9, 0.85%, 0.52%

LAB 82.45, -75.59, 76.04

 

CMYK 88 / 29 / 0 / 7

HEX #1CA7EC

RGB 28 167 236

HSL 199.9, 0.85%, 0.52%

LAB 64.92, -10.48, -44.18

 

CMYK 15 / 88 / 0 / 7

HEX #C91CEC

RGB 201 28 236

HSL 289.9, 0.85%, 0.52%

LAB 51.04, 84.61, -65.63

 

Description

Color code: HEX #EC621C | qconv.com Color code: HEX #EC621C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 98 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 98 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 88 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 88% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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