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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC74AC it is the complementary color #138B53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC74AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC74AC shade: #F174A7, #FF86BA, #FF98CD, #FFAAE0 and #FFBCF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC74AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC74AC shade: #EC74AC, #DB6299, #CA5086, #B93E73 and #A82C60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC74AC shade: #EC73AB, #EC738B and #EC7373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC74AC shade: #EC73AB, #EC73CC, #EB73EC, #CA73EC and #AA73EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC74AC shade matches the following richer shades: #EC73AB and #F867AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC74AC shade: #EC73AB, #DF80AC, #D28DAD, #C59AAE and #B8A7AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC74AC shade: #EC73EC, #EC73CB, #EC73AB, #EC738B and #EC7B73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC74AC shade: #E22B80, #E74F96, #EC73AB, #F098C1 and #F5BCD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC74AC shade: #EC74AC, #ECCB73 and #73DCEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC74AC shade: #EC74AC, #ABEC73 and #73ABEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC74AC shade: #EC74AC, #ECCB73, #73ECB3 and #7393EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC74AC shade: #EC74AC, #E8EC73, #73ECB3 and #7773EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 27 / 7

HEX #EC74AC

RGB 236 116 172

HSL 332, 0.76%, 0.69%

LAB 64.4, 52.38, -8.01

 

Complementary color

CMYK 86 / 0 / 40 / 45

HEX #138B53

RGB 19 139 83

HSL 152, 0.76%, 0.31%

LAB 50.95, -44.47, 21.42

 

CMYK 0 / 52 / 31 / 5

HEX #F174A7

RGB 241 116 167

HSL 335.52, 0.82%, 0.7%

LAB 64.95, 53.35, -4.28

 

CMYK 0 / 47 / 27 / 0

HEX #FF86BA

RGB 255 134 186

HSL 334.21, 1%, 0.76%

LAB 70.77, 51.61, -6.17

 

CMYK 0 / 40 / 20 / 0

HEX #FF98CD

RGB 255 152 205

HSL 329.13, 1%, 0.8%

LAB 74.9, 45.25, -10.54

 

CMYK 0 / 33 / 12 / 0

HEX #FFAAE0

RGB 255 170 224

HSL 321.88, 1%, 0.83%

LAB 79.27, 38.89, -14.37

 

CMYK 0 / 26 / 5 / 0

HEX #FFBCF3

RGB 255 188 243

HSL 310.75, 1%, 0.87%

LAB 83.81, 32.65, -17.76

 

CMYK 0 / 51 / 27 / 7

HEX #EC74AC

RGB 236 116 172

HSL 332, 0.76%, 0.69%

LAB 64.4, 52.38, -8.01

 

CMYK 0 / 55 / 30 / 14

HEX #DB6299

RGB 219 98 153

HSL 332.73, 0.63%, 0.62%

LAB 58.13, 53.08, -6.67

 

CMYK 0 / 60 / 34 / 21

HEX #CA5086

RGB 202 80 134

HSL 333.44, 0.54%, 0.55%

LAB 51.85, 53.64, -5.08

 

CMYK 0 / 66 / 38 / 27

HEX #B93E73

RGB 185 62 115

HSL 334.15, 0.5%, 0.48%

LAB 45.63, 53.96, -3.11

 

CMYK 0 / 74 / 43 / 34

HEX #A82C60

RGB 168 44 96

HSL 334.84, 0.58%, 0.42%

LAB 39.53, 53.82, -0.61

 

CMYK 0 / 51 / 28 / 7

HEX #EC73AB

RGB 236 115 171

HSL 332.23, 0.76%, 0.69%

LAB 64.19, 52.73, -7.76

 

CMYK 0 / 51 / 41 / 7

HEX #EC738B

RGB 236 115 139

HSL 348.1, 0.76%, 0.69%

LAB 63.31, 48.95, 9.25

 

CMYK 0 / 51 / 51 / 7

HEX #EC7373

RGB 236 115 115

HSL 0, 0.76%, 0.69%

LAB 62.79, 46.65, 22.23

 

CMYK 0 / 51 / 28 / 7

HEX #EC73AB

RGB 236 115 171

HSL 332.23, 0.76%, 0.69%

LAB 64.19, 52.73, -7.76

 

CMYK 0 / 51 / 14 / 7

HEX #EC73CC

RGB 236 115 204

HSL 315.87, 0.76%, 0.69%

LAB 65.32, 57.42, -24.72

 

CMYK 0 / 51 / 0 / 7

HEX #EB73EC

RGB 235 115 236

HSL 299.5, 0.76%, 0.69%

LAB 66.5, 62.37, -40.72

 

CMYK 14 / 51 / 0 / 7

HEX #CA73EC

RGB 202 115 236

HSL 283.14, 0.76%, 0.69%

LAB 62.4, 53.57, -47.46

 

CMYK 28 / 51 / 0 / 7

HEX #AA73EC

RGB 170 115 236

HSL 267.27, 0.76%, 0.69%

LAB 58.85, 45.23, -53.32

 

CMYK 0 / 51 / 28 / 7

HEX #EC73AB

RGB 236 115 171

HSL 332.23, 0.76%, 0.69%

LAB 64.19, 52.73, -7.76

 

CMYK 0 / 58 / 31 / 3

HEX #F867AB

RGB 248 103 171

HSL 331.86, 0.91%, 0.69%

LAB 63.83, 61.96, -8.1

 

CMYK 0 / 51 / 28 / 7

HEX #EC73AB

RGB 236 115 171

HSL 332.23, 0.76%, 0.69%

LAB 64.19, 52.73, -7.76

 

CMYK 0 / 43 / 23 / 13

HEX #DF80AC

RGB 223 128 172

HSL 332.21, 0.6%, 0.69%

LAB 65.05, 42.08, -7.24

 

CMYK 0 / 33 / 18 / 18

HEX #D28DAD

RGB 210 141 173

HSL 332.17, 0.43%, 0.69%

LAB 66.34, 30.82, -6.05

 

CMYK 0 / 22 / 12 / 23

HEX #C59AAE

RGB 197 154 174

HSL 332.09, 0.27%, 0.69%

LAB 68.05, 19.23, -4.24

 

CMYK 0 / 9 / 5 / 28

HEX #B8A7AF

RGB 184 167 175

HSL 331.76, 0.11%, 0.69%

LAB 70.12, 7.57, -1.89

 

CMYK 0 / 51 / 0 / 7

HEX #EC73EC

RGB 236 115 236

HSL 300, 0.76%, 0.69%

LAB 66.63, 62.64, -40.51

 

CMYK 0 / 51 / 14 / 7

HEX #EC73CB

RGB 236 115 203

HSL 316.36, 0.76%, 0.69%

LAB 65.28, 57.27, -24.21

 

CMYK 0 / 51 / 28 / 7

HEX #EC73AB

RGB 236 115 171

HSL 332.23, 0.76%, 0.69%

LAB 64.19, 52.73, -7.76

 

CMYK 0 / 51 / 41 / 7

HEX #EC738B

RGB 236 115 139

HSL 348.1, 0.76%, 0.69%

LAB 63.31, 48.95, 9.25

 

CMYK 0 / 48 / 51 / 7

HEX #EC7B73

RGB 236 123 115

HSL 3.97, 0.76%, 0.69%

LAB 64.35, 42.69, 24.33

 

CMYK 0 / 81 / 43 / 11

HEX #E22B80

RGB 226 43 128

HSL 332.13, 0.76%, 0.53%

LAB 51.22, 72.46, -1.95

 

CMYK 0 / 66 / 35 / 9

HEX #E74F96

RGB 231 79 150

HSL 331.97, 0.76%, 0.61%

LAB 56.86, 64.51, -6.6

 

CMYK 0 / 51 / 28 / 7

HEX #EC73AB

RGB 236 115 171

HSL 332.23, 0.76%, 0.69%

LAB 64.19, 52.73, -7.76

 

CMYK 0 / 37 / 20 / 6

HEX #F098C1

RGB 240 152 193

HSL 332.05, 0.75%, 0.77%

LAB 72.78, 38.45, -7.28

 

CMYK 0 / 23 / 12 / 4

HEX #F5BCD7

RGB 245 188 215

HSL 331.58, 0.74%, 0.85%

LAB 81.99, 24.6, -5.57

 

CMYK 0 / 51 / 27 / 7

HEX #EC74AC

RGB 236 116 172

HSL 332, 0.76%, 0.69%

LAB 64.4, 52.38, -8.01

 

CMYK 0 / 14 / 51 / 7

HEX #ECCB73

RGB 236 203 115

HSL 43.64, 0.76%, 0.69%

LAB 82.8, 0.77, 47.82

 

CMYK 51 / 7 / 0 / 7

HEX #73DCEC

RGB 115 220 236

HSL 187.93, 0.76%, 0.69%

LAB 82.32, -26.16, -17.2

 

CMYK 0 / 51 / 27 / 7

HEX #EC74AC

RGB 236 116 172

HSL 332, 0.76%, 0.69%

LAB 64.4, 52.38, -8.01

 

CMYK 28 / 0 / 51 / 7

HEX #ABEC73

RGB 171 236 115

HSL 92.23, 0.76%, 0.69%

LAB 86.94, -40.4, 51.71

 

CMYK 51 / 28 / 0 / 7

HEX #73ABEC

RGB 115 171 236

HSL 212.23, 0.76%, 0.69%

LAB 68.63, -0.43, -38.19

 

CMYK 0 / 51 / 27 / 7

HEX #EC74AC

RGB 236 116 172

HSL 332, 0.76%, 0.69%

LAB 64.4, 52.38, -8.01

 

CMYK 0 / 14 / 51 / 7

HEX #ECCB73

RGB 236 203 115

HSL 43.64, 0.76%, 0.69%

LAB 82.8, 0.77, 47.82

 

CMYK 51 / 0 / 24 / 7

HEX #73ECB3

RGB 115 236 179

HSL 151.74, 0.76%, 0.69%

LAB 85.45, -47, 17.41

 

CMYK 51 / 38 / 0 / 7

HEX #7393EC

RGB 115 147 236

HSL 224.13, 0.76%, 0.69%

LAB 62.14, 13.34, -48.36

 

CMYK 0 / 51 / 27 / 7

HEX #EC74AC

RGB 236 116 172

HSL 332, 0.76%, 0.69%

LAB 64.4, 52.38, -8.01

 

CMYK 2 / 0 / 51 / 7

HEX #E8EC73

RGB 232 236 115

HSL 61.98, 0.76%, 0.69%

LAB 90.96, -17.43, 57.45

 

CMYK 51 / 0 / 24 / 7

HEX #73ECB3

RGB 115 236 179

HSL 151.74, 0.76%, 0.69%

LAB 85.45, -47, 17.41

 

CMYK 50 / 51 / 0 / 7

HEX #7773EC

RGB 119 115 236

HSL 241.98, 0.76%, 0.69%

LAB 54.28, 33.21, -60.88

 

Description

Color code: HEX #EC74AC | qconv.com Color code: HEX #EC74AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 116 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 116 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 27 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 27% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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