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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC7821 it is the complementary color #1387DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC7821. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC7821 shade: #F1781C, #FF8A2F, #FF9C42, #FFAE55 and #FFC068

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC7821. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC7821 shade: #EC7821, #DB660E, #CA5400, #B94200 and #A83000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC7821 shade: #EB7822, #EB4222 and #EB2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC7821 shade: #EB7822, #EBAF22, #EBE522, #BCEB22 and #85EB22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC7821 shade matches the following richer shades: #EB7822

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC7821 shade: #EB7822, #D87B35, #C57E49, #B1815C and #9E8370

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC7821 shade: #EB2239, #EB4022, #EB7622, #EBAC22 and #EBE122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC7821 shade: #AC520F, #D26412, #EB7822, #EF8F48 and #F2A66E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC7821 shade: #EC7821, #6FEB22 and #2522EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC7821 shade: #EC7821, #22EB76 and #7622EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC7821 shade: #EC7821, #6FEB22, #2297EB and #9E22EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC7821 shade: #EC7821, #33EB22, #2297EB and #DB22EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 86 / 7

HEX #EC7821

RGB 236 120 33

HSL 25.71, 0.84%, 0.53%

LAB 62.82, 39.82, 62.86

 

Complementary color

CMYK 91 / 39 / 0 / 13

HEX #1387DE

RGB 19 135 222

HSL 205.71, 0.84%, 0.47%

LAB 54.8, 2.35, -52.43

 

CMYK 0 / 50 / 88 / 5

HEX #F1781C

RGB 241 120 28

HSL 25.92, 0.88%, 0.53%

LAB 63.52, 41.67, 65.3

 

CMYK 0 / 46 / 82 / 0

HEX #FF8A2F

RGB 255 138 47

HSL 26.25, 1%, 0.59%

LAB 69.21, 38.58, 64.35

 

CMYK 0 / 39 / 74 / 0

HEX #FF9C42

RGB 255 156 66

HSL 28.57, 1%, 0.63%

LAB 73.17, 30.03, 60.4

 

CMYK 0 / 32 / 67 / 0

HEX #FFAE55

RGB 255 174 85

HSL 31.41, 1%, 0.67%

LAB 77.39, 21.58, 56.35

 

CMYK 0 / 25 / 59 / 0

HEX #FFC068

RGB 255 192 104

HSL 34.97, 1%, 0.7%

LAB 81.82, 13.38, 52.42

 

CMYK 0 / 49 / 86 / 7

HEX #EC7821

RGB 236 120 33

HSL 25.71, 0.84%, 0.53%

LAB 62.82, 39.82, 62.86

 

CMYK 0 / 53 / 94 / 14

HEX #DB660E

RGB 219 102 14

HSL 25.76, 0.88%, 0.46%

LAB 56.68, 41.82, 62.52

 

CMYK 0 / 58 / 100 / 21

HEX #CA5400

RGB 202 84 0

HSL 24.95, 1%, 0.4%

LAB 50.57, 43.88, 60.32

 

CMYK 0 / 64 / 100 / 27

HEX #B94200

RGB 185 66 0

HSL 21.41, 1%, 0.36%

LAB 44.53, 45.87, 55.53

 

CMYK 0 / 71 / 100 / 34

HEX #A83000

RGB 168 48 0

HSL 17.14, 1%, 0.33%

LAB 38.62, 47.42, 50.83

 

CMYK 0 / 49 / 86 / 8

HEX #EB7822

RGB 235 120 34

HSL 25.67, 0.83%, 0.53%

LAB 62.69, 39.45, 62.35

 

CMYK 0 / 72 / 86 / 8

HEX #EB4222

RGB 235 66 34

HSL 9.55, 0.83%, 0.53%

LAB 53.68, 63.08, 54.93

 

CMYK 0 / 86 / 86 / 8

HEX #EB2222

RGB 235 34 34

HSL 0, 0.83%, 0.53%

LAB 50.6, 71.75, 52.37

 

CMYK 0 / 49 / 86 / 8

HEX #EB7822

RGB 235 120 34

HSL 25.67, 0.83%, 0.53%

LAB 62.69, 39.45, 62.35

 

CMYK 0 / 26 / 86 / 8

HEX #EBAF22

RGB 235 175 34

HSL 42.09, 0.83%, 0.53%

LAB 75.1, 10.63, 72.49

 

CMYK 0 / 3 / 86 / 8

HEX #EBE522

RGB 235 229 34

HSL 58.21, 0.83%, 0.53%

LAB 88.84, -16.92, 83.64

 

CMYK 20 / 0 / 86 / 8

HEX #BCEB22

RGB 188 235 34

HSL 74.03, 0.83%, 0.53%

LAB 87.11, -38.83, 80.84

 

CMYK 43 / 0 / 86 / 8

HEX #85EB22

RGB 133 235 34

HSL 90.45, 0.83%, 0.53%

LAB 84.24, -58.39, 77.26

 

CMYK 0 / 49 / 86 / 8

HEX #EB7822

RGB 235 120 34

HSL 25.67, 0.83%, 0.53%

LAB 62.69, 39.45, 62.35

 

CMYK 0 / 49 / 86 / 8

HEX #EB7822

RGB 235 120 34

HSL 25.67, 0.83%, 0.53%

LAB 62.69, 39.45, 62.35

 

CMYK 0 / 43 / 75 / 15

HEX #D87B35

RGB 216 123 53

HSL 25.77, 0.68%, 0.53%

LAB 60.8, 30.87, 52.03

 

CMYK 0 / 36 / 63 / 23

HEX #C57E49

RGB 197 126 73

HSL 25.65, 0.52%, 0.53%

LAB 59.23, 22.46, 39.77

 

CMYK 0 / 27 / 48 / 31

HEX #B1815C

RGB 177 129 92

HSL 26.12, 0.35%, 0.53%

LAB 57.87, 13.96, 27.29

 

CMYK 0 / 17 / 29 / 38

HEX #9E8370

RGB 158 131 112

HSL 24.78, 0.19%, 0.53%

LAB 56.75, 7.37, 14.14

 

CMYK 0 / 86 / 76 / 8

HEX #EB2239

RGB 235 34 57

HSL 353.13, 0.83%, 0.53%

LAB 50.81, 72.37, 40.44

 

CMYK 0 / 73 / 86 / 8

HEX #EB4022

RGB 235 64 34

HSL 8.96, 0.83%, 0.53%

LAB 53.43, 63.76, 54.73

 

CMYK 0 / 50 / 86 / 8

HEX #EB7622

RGB 235 118 34

HSL 25.07, 0.83%, 0.53%

LAB 62.28, 40.45, 62.02

 

CMYK 0 / 27 / 86 / 8

HEX #EBAC22

RGB 235 172 34

HSL 41.19, 0.83%, 0.53%

LAB 74.37, 12.21, 71.9

 

CMYK 0 / 4 / 86 / 8

HEX #EBE122

RGB 235 225 34

HSL 57.01, 0.83%, 0.53%

LAB 87.79, -14.96, 82.79

 

CMYK 0 / 52 / 91 / 33

HEX #AC520F

RGB 172 82 15

HSL 25.61, 0.84%, 0.37%

LAB 45.41, 33.26, 50.95

 

CMYK 0 / 52 / 91 / 18

HEX #D26412

RGB 210 100 18

HSL 25.63, 0.84%, 0.45%

LAB 54.93, 39.36, 59.69

 

CMYK 0 / 49 / 86 / 8

HEX #EB7822

RGB 235 120 34

HSL 25.67, 0.83%, 0.53%

LAB 62.69, 39.45, 62.35

 

CMYK 0 / 40 / 70 / 6

HEX #EF8F48

RGB 239 143 72

HSL 25.51, 0.84%, 0.61%

LAB 68.36, 30.61, 52.02

 

CMYK 0 / 31 / 55 / 5

HEX #F2A66E

RGB 242 166 110

HSL 25.45, 0.84%, 0.69%

LAB 74.37, 22.21, 40.1

 

CMYK 0 / 49 / 86 / 7

HEX #EC7821

RGB 236 120 33

HSL 25.71, 0.84%, 0.53%

LAB 62.82, 39.82, 62.86

 

CMYK 53 / 0 / 86 / 8

HEX #6FEB22

RGB 111 235 34

HSL 97.01, 0.83%, 0.53%

LAB 83.4, -64.83, 76.21

 

CMYK 84 / 86 / 0 / 8

HEX #2522EB

RGB 37 34 235

HSL 240.9, 0.83%, 0.53%

LAB 33, 66.77, -95.38

 

CMYK 0 / 49 / 86 / 7

HEX #EC7821

RGB 236 120 33

HSL 25.71, 0.84%, 0.53%

LAB 62.82, 39.82, 62.86

 

CMYK 86 / 0 / 50 / 8

HEX #22EB76

RGB 34 235 118

HSL 145.07, 0.83%, 0.53%

LAB 82.41, -70.52, 43.79

 

CMYK 50 / 86 / 0 / 8

HEX #7622EB

RGB 118 34 235

HSL 265.07, 0.83%, 0.53%

LAB 39.57, 72.23, -84.29

 

CMYK 0 / 49 / 86 / 7

HEX #EC7821

RGB 236 120 33

HSL 25.71, 0.84%, 0.53%

LAB 62.82, 39.82, 62.86

 

CMYK 53 / 0 / 86 / 8

HEX #6FEB22

RGB 111 235 34

HSL 97.01, 0.83%, 0.53%

LAB 83.4, -64.83, 76.21

 

CMYK 86 / 36 / 0 / 8

HEX #2297EB

RGB 34 151 235

HSL 205.07, 0.83%, 0.53%

LAB 60.31, -1.38, -50.89

 

CMYK 33 / 86 / 0 / 8

HEX #9E22EB

RGB 158 34 235

HSL 277.01, 0.83%, 0.53%

LAB 44.82, 77.03, -75.47

 

CMYK 0 / 49 / 86 / 7

HEX #EC7821

RGB 236 120 33

HSL 25.71, 0.84%, 0.53%

LAB 62.82, 39.82, 62.86

 

CMYK 78 / 0 / 86 / 8

HEX #33EB22

RGB 51 235 34

HSL 114.93, 0.83%, 0.53%

LAB 81.97, -76.76, 74.4

 

CMYK 86 / 36 / 0 / 8

HEX #2297EB

RGB 34 151 235

HSL 205.07, 0.83%, 0.53%

LAB 60.31, -1.38, -50.89

 

CMYK 7 / 86 / 0 / 8

HEX #DB22EB

RGB 219 34 235

HSL 295.22, 0.83%, 0.53%

LAB 54.24, 86.3, -59.76

 

Description

Color code: HEX #EC7821 | qconv.com Color code: HEX #EC7821 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 120 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 120 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 86 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 86% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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