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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC796A it is the complementary color #138695. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC796A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC796A shade: #F17965, #FF8B78, #FF9D8B, #FFAF9E and #FFC1B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC796A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC796A shade: #EC796A, #DB6757, #CA5544, #B94331 and #A8311E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC796A shade: #EB796A and #EB6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC796A shade: #EB796A, #EB9B6A, #EBBE6A, #EBE16A and #D2EB6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC796A shade matches the following richer shades: #EB796A and #F96E5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC796A shade: #EB796A, #DE8377, #D08D85, #C29892 and #B5A2A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC796A shade: #EB6AA2, #EB6A7F, #EB776A, #EB996A and #EBBC6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC796A shade: #E23721, #E65845, #EB796A, #F0998E and #F5BAB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC796A shade: #EC796A, #C4EB6A and #6A90EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC796A shade: #EC796A, #6AEB77 and #776AEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC796A shade: #EC796A, #C4EB6A, #6ADEEB and #906AEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC796A shade: #EC796A, #9DEB6A, #6ADEEB and #B76AEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 55 / 7

HEX #EC796A

RGB 236 121 106

HSL 6.92, 0.77%, 0.67%

LAB 63.79, 42.94, 28.63

 

Complementary color

CMYK 87 / 10 / 0 / 42

HEX #138695

RGB 19 134 149

HSL 186.92, 0.77%, 0.33%

LAB 51.1, -23.82, -16.47

 

CMYK 0 / 50 / 58 / 5

HEX #F17965

RGB 241 121 101

HSL 8.57, 0.83%, 0.67%

LAB 64.42, 44.41, 32.35

 

CMYK 0 / 45 / 53 / 0

HEX #FF8B78

RGB 255 139 120

HSL 8.44, 1%, 0.74%

LAB 70.23, 42.07, 29.81

 

CMYK 0 / 38 / 45 / 0

HEX #FF9D8B

RGB 255 157 139

HSL 9.31, 1%, 0.77%

LAB 74.34, 34.59, 24.92

 

CMYK 0 / 31 / 38 / 0

HEX #FFAF9E

RGB 255 175 158

HSL 10.52, 1%, 0.81%

LAB 78.69, 27.22, 20.57

 

CMYK 0 / 24 / 31 / 0

HEX #FFC1B1

RGB 255 193 177

HSL 12.31, 1%, 0.85%

LAB 83.22, 20.07, 16.69

 

CMYK 0 / 49 / 55 / 7

HEX #EC796A

RGB 236 121 106

HSL 6.92, 0.77%, 0.67%

LAB 63.79, 42.94, 28.63

 

CMYK 0 / 53 / 60 / 14

HEX #DB6757

RGB 219 103 87

HSL 7.27, 0.65%, 0.6%

LAB 57.51, 44.18, 30.74

 

CMYK 0 / 58 / 66 / 21

HEX #CA5544

RGB 202 85 68

HSL 7.61, 0.56%, 0.53%

LAB 51.23, 45.44, 33.15

 

CMYK 0 / 64 / 74 / 27

HEX #B94331

RGB 185 67 49

HSL 7.94, 0.58%, 0.46%

LAB 45.01, 46.64, 35.92

 

CMYK 0 / 71 / 82 / 34

HEX #A8311E

RGB 168 49 30

HSL 8.26, 0.7%, 0.39%

LAB 38.92, 47.6, 38.97

 

CMYK 0 / 49 / 55 / 8

HEX #EB796A

RGB 235 121 106

HSL 6.98, 0.76%, 0.67%

LAB 63.65, 42.57, 28.42

 

CMYK 0 / 55 / 55 / 8

HEX #EB6A6A

RGB 235 106 106

HSL 0, 0.76%, 0.67%

LAB 60.79, 49.89, 24.66

 

CMYK 0 / 49 / 55 / 8

HEX #EB796A

RGB 235 121 106

HSL 6.98, 0.76%, 0.67%

LAB 63.65, 42.57, 28.42

 

CMYK 0 / 34 / 55 / 8

HEX #EB9B6A

RGB 235 155 106

HSL 22.79, 0.76%, 0.67%

LAB 70.97, 24.9, 37.78

 

CMYK 0 / 19 / 55 / 8

HEX #EBBE6A

RGB 235 190 106

HSL 39.07, 0.76%, 0.67%

LAB 79.35, 6.38, 48.03

 

CMYK 0 / 4 / 55 / 8

HEX #EBE16A

RGB 235 225 106

HSL 55.35, 0.76%, 0.67%

LAB 88.23, -11.53, 58.44

 

CMYK 11 / 0 / 55 / 8

HEX #D2EB6A

RGB 210 235 106

HSL 71.63, 0.76%, 0.67%

LAB 89, -26.32, 58.81

 

CMYK 0 / 49 / 55 / 8

HEX #EB796A

RGB 235 121 106

HSL 6.98, 0.76%, 0.67%

LAB 63.65, 42.57, 28.42

 

CMYK 0 / 56 / 63 / 2

HEX #F96E5C

RGB 249 110 92

HSL 6.88, 0.93%, 0.67%

LAB 63.4, 51.97, 36.28

 

CMYK 0 / 49 / 55 / 8

HEX #EB796A

RGB 235 121 106

HSL 6.98, 0.76%, 0.67%

LAB 63.65, 42.57, 28.42

 

CMYK 0 / 41 / 46 / 13

HEX #DE8377

RGB 222 131 119

HSL 6.99, 0.61%, 0.67%

LAB 64.24, 33.69, 21.61

 

CMYK 0 / 32 / 36 / 18

HEX #D08D85

RGB 208 141 133

HSL 6.4, 0.44%, 0.67%

LAB 65.08, 24.48, 14.64

 

CMYK 0 / 22 / 25 / 24

HEX #C29892

RGB 194 152 146

HSL 7.5, 0.28%, 0.67%

LAB 66.52, 14.78, 9.16

 

CMYK 0 / 10 / 12 / 29

HEX #B5A2A0

RGB 181 162 160

HSL 5.71, 0.12%, 0.67%

LAB 68.17, 6.58, 3.56

 

CMYK 0 / 55 / 31 / 8

HEX #EB6AA2

RGB 235 106 162

HSL 333.95, 0.76%, 0.67%

LAB 62.15, 55.53, -5.65

 

CMYK 0 / 55 / 46 / 8

HEX #EB6A7F

RGB 235 106 127

HSL 350.23, 0.76%, 0.67%

LAB 61.22, 51.71, 13.18

 

CMYK 0 / 49 / 55 / 8

HEX #EB776A

RGB 235 119 106

HSL 6.05, 0.76%, 0.67%

LAB 63.26, 43.57, 27.91

 

CMYK 0 / 35 / 55 / 8

HEX #EB996A

RGB 235 153 106

HSL 21.86, 0.76%, 0.67%

LAB 70.51, 25.96, 37.21

 

CMYK 0 / 20 / 55 / 8

HEX #EBBC6A

RGB 235 188 106

HSL 38.14, 0.76%, 0.67%

LAB 78.85, 7.43, 47.44

 

CMYK 0 / 76 / 85 / 11

HEX #E23721

RGB 226 55 33

HSL 6.84, 0.77%, 0.51%

LAB 50.7, 63.94, 52.21

 

CMYK 0 / 62 / 70 / 10

HEX #E65845

RGB 230 88 69

HSL 7.08, 0.76%, 0.59%

LAB 56.32, 54.01, 39.73

 

CMYK 0 / 49 / 55 / 8

HEX #EB796A

RGB 235 121 106

HSL 6.98, 0.76%, 0.67%

LAB 63.65, 42.57, 28.42

 

CMYK 0 / 36 / 41 / 6

HEX #F0998E

RGB 240 153 142

HSL 6.73, 0.77%, 0.75%

LAB 71.73, 31.33, 19.42

 

CMYK 0 / 24 / 27 / 4

HEX #F5BAB3

RGB 245 186 179

HSL 6.36, 0.77%, 0.83%

LAB 80.62, 20.3, 11.81

 

CMYK 0 / 49 / 55 / 7

HEX #EC796A

RGB 236 121 106

HSL 6.92, 0.77%, 0.67%

LAB 63.79, 42.94, 28.63

 

CMYK 17 / 0 / 55 / 8

HEX #C4EB6A

RGB 196 235 106

HSL 78.14, 0.76%, 0.67%

LAB 88.06, -31.7, 57.49

 

CMYK 55 / 39 / 0 / 8

HEX #6A90EB

RGB 106 144 235

HSL 222.33, 0.76%, 0.67%

LAB 60.79, 12.86, -49.99

 

CMYK 0 / 49 / 55 / 7

HEX #EC796A

RGB 236 121 106

HSL 6.92, 0.77%, 0.67%

LAB 63.79, 42.94, 28.63

 

CMYK 55 / 0 / 49 / 8

HEX #6AEB77

RGB 106 235 119

HSL 126.05, 0.76%, 0.67%

LAB 83.87, -58.98, 45.44

 

CMYK 49 / 55 / 0 / 8

HEX #776AEB

RGB 119 106 235

HSL 246.05, 0.76%, 0.67%

LAB 52.09, 38.22, -63.84

 

CMYK 0 / 49 / 55 / 7

HEX #EC796A

RGB 236 121 106

HSL 6.92, 0.77%, 0.67%

LAB 63.79, 42.94, 28.63

 

CMYK 17 / 0 / 55 / 8

HEX #C4EB6A

RGB 196 235 106

HSL 78.14, 0.76%, 0.67%

LAB 88.06, -31.7, 57.49

 

CMYK 55 / 6 / 0 / 8

HEX #6ADEEB

RGB 106 222 235

HSL 186.05, 0.76%, 0.67%

LAB 82.54, -29.19, -16.36

 

CMYK 39 / 55 / 0 / 8

HEX #906AEB

RGB 144 106 235

HSL 257.67, 0.76%, 0.67%

LAB 54.28, 43.65, -60.22

 

CMYK 0 / 49 / 55 / 7

HEX #EC796A

RGB 236 121 106

HSL 6.92, 0.77%, 0.67%

LAB 63.79, 42.94, 28.63

 

CMYK 33 / 0 / 55 / 8

HEX #9DEB6A

RGB 157 235 106

HSL 96.28, 0.76%, 0.67%

LAB 85.82, -45.7, 54.31

 

CMYK 55 / 6 / 0 / 8

HEX #6ADEEB

RGB 106 222 235

HSL 186.05, 0.76%, 0.67%

LAB 82.54, -29.19, -16.36

 

CMYK 22 / 55 / 0 / 8

HEX #B76AEB

RGB 183 106 235

HSL 275.81, 0.76%, 0.67%

LAB 58.39, 53.04, -53.4

 

Description

Color code: HEX #EC796A | qconv.com Color code: HEX #EC796A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 121 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 121 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 55 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 55% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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