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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC7DA9 it is the complementary color #138256. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC7DA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC7DA9 shade: #F17DA4, #FF8FB7, #FFA1CA, #FFB3DD and #FFC5F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC7DA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC7DA9 shade: #EC7DA9, #DB6B96, #CA5983, #B94770 and #A8355D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC7DA9 shade: #EB7EA9, #EB7E8C and #EB7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC7DA9 shade: #EB7EA9, #EB7EC7, #EB7EE4, #D57EEB and #B77EEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC7DA9 shade matches the following richer shades: #EB7EA9 and #F772A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC7DA9 shade: #EB7EA9, #DF8AAC, #D396AE, #C7A2B1 and #BBAEB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC7DA9 shade: #EB7EE4, #EB7EC7, #EB7EAA, #EB7E8C and #EB8C7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC7DA9 shade: #E1367A, #E65A91, #EB7EA9, #F1A2C1 and #F6C6D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC7DA9 shade: #EC7DA9, #EBD57E and #7ED5EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC7DA9 shade: #EC7DA9, #AAEB7E and #7EAAEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC7DA9 shade: #EC7DA9, #EBD57E, #7EEBBF and #7E94EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC7DA9 shade: #EC7DA9, #E0EB7E, #7EEBBF and #897EEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 28 / 7

HEX #EC7DA9

RGB 236 125 169

HSL 336.22, 0.74%, 0.71%

LAB 66.03, 47.57, -3.89

 

Complementary color

CMYK 85 / 0 / 34 / 49

HEX #138256

RGB 19 130 86

HSL 156.22, 0.74%, 0.29%

LAB 47.98, -40.26, 15.71

 

CMYK 0 / 48 / 32 / 5

HEX #F17DA4

RGB 241 125 164

HSL 339.83, 0.81%, 0.72%

LAB 66.56, 48.61, -0.21

 

CMYK 0 / 44 / 28 / 0

HEX #FF8FB7

RGB 255 143 183

HSL 338.57, 1%, 0.78%

LAB 72.44, 46.76, -2.03

 

CMYK 0 / 37 / 21 / 0

HEX #FFA1CA

RGB 255 161 202

HSL 333.83, 1%, 0.82%

LAB 76.69, 40.2, -6.25

 

CMYK 0 / 30 / 13 / 0

HEX #FFB3DD

RGB 255 179 221

HSL 326.84, 1%, 0.85%

LAB 81.14, 33.72, -9.96

 

CMYK 0 / 23 / 6 / 0

HEX #FFC5F0

RGB 255 197 240

HSL 315.52, 1%, 0.89%

LAB 85.75, 27.41, -13.24

 

CMYK 0 / 47 / 28 / 7

HEX #EC7DA9

RGB 236 125 169

HSL 336.22, 0.74%, 0.71%

LAB 66.03, 47.57, -3.89

 

CMYK 0 / 51 / 32 / 14

HEX #DB6B96

RGB 219 107 150

HSL 336.96, 0.61%, 0.64%

LAB 59.69, 48.38, -2.63

 

CMYK 0 / 56 / 35 / 21

HEX #CA5983

RGB 202 89 131

HSL 337.7, 0.52%, 0.57%

LAB 53.32, 49.14, -1.13

 

CMYK 0 / 62 / 39 / 27

HEX #B94770

RGB 185 71 112

HSL 338.42, 0.45%, 0.5%

LAB 46.96, 49.76, 0.67

 

CMYK 0 / 68 / 45 / 34

HEX #A8355D

RGB 168 53 93

HSL 339.13, 0.52%, 0.43%

LAB 40.67, 50.1, 2.94

 

CMYK 0 / 46 / 28 / 8

HEX #EB7EA9

RGB 235 126 169

HSL 336.33, 0.73%, 0.71%

LAB 66.1, 46.74, -3.81

 

CMYK 0 / 46 / 40 / 8

HEX #EB7E8C

RGB 235 126 140

HSL 352.29, 0.73%, 0.71%

LAB 65.34, 43.25, 11.54

 

CMYK 0 / 46 / 46 / 8

HEX #EB7E7E

RGB 235 126 126

HSL 0, 0.73%, 0.71%

LAB 65.03, 41.82, 19.03

 

CMYK 0 / 46 / 28 / 8

HEX #EB7EA9

RGB 235 126 169

HSL 336.33, 0.73%, 0.71%

LAB 66.1, 46.74, -3.81

 

CMYK 0 / 46 / 15 / 8

HEX #EB7EC7

RGB 235 126 199

HSL 319.82, 0.73%, 0.71%

LAB 67.06, 51.02, -19.27

 

CMYK 0 / 46 / 3 / 8

HEX #EB7EE4

RGB 235 126 228

HSL 303.85, 0.73%, 0.71%

LAB 68.16, 55.73, -33.73

 

CMYK 9 / 46 / 0 / 8

HEX #D57EEB

RGB 213 126 235

HSL 287.89, 0.73%, 0.71%

LAB 65.8, 50.76, -41.47

 

CMYK 22 / 46 / 0 / 8

HEX #B77EEB

RGB 183 126 235

HSL 271.38, 0.73%, 0.71%

LAB 62.5, 42.44, -46.89

 

CMYK 0 / 46 / 28 / 8

HEX #EB7EA9

RGB 235 126 169

HSL 336.33, 0.73%, 0.71%

LAB 66.1, 46.74, -3.81

 

CMYK 0 / 54 / 32 / 3

HEX #F772A7

RGB 247 114 167

HSL 336.09, 0.89%, 0.71%

LAB 65.44, 56.21, -3.47

 

CMYK 0 / 46 / 28 / 8

HEX #EB7EA9

RGB 235 126 169

HSL 336.33, 0.73%, 0.71%

LAB 66.1, 46.74, -3.81

 

CMYK 0 / 38 / 23 / 13

HEX #DF8AAC

RGB 223 138 172

HSL 336, 0.57%, 0.71%

LAB 67.16, 36.85, -4.11

 

CMYK 0 / 29 / 18 / 17

HEX #D396AE

RGB 211 150 174

HSL 336.39, 0.41%, 0.71%

LAB 68.55, 26.46, -3.34

 

CMYK 0 / 19 / 11 / 22

HEX #C7A2B1

RGB 199 162 177

HSL 335.68, 0.25%, 0.71%

LAB 70.29, 16.06, -2.59

 

CMYK 0 / 7 / 4 / 27

HEX #BBAEB3

RGB 187 174 179

HSL 336.92, 0.09%, 0.71%

LAB 72.29, 5.54, -0.89

 

CMYK 0 / 46 / 3 / 8

HEX #EB7EE4

RGB 235 126 228

HSL 303.85, 0.73%, 0.71%

LAB 68.16, 55.73, -33.73

 

CMYK 0 / 46 / 15 / 8

HEX #EB7EC7

RGB 235 126 199

HSL 319.82, 0.73%, 0.71%

LAB 67.06, 51.02, -19.27

 

CMYK 0 / 46 / 28 / 8

HEX #EB7EAA

RGB 235 126 170

HSL 335.78, 0.73%, 0.71%

LAB 66.13, 46.87, -4.34

 

CMYK 0 / 46 / 40 / 8

HEX #EB7E8C

RGB 235 126 140

HSL 352.29, 0.73%, 0.71%

LAB 65.34, 43.25, 11.54

 

CMYK 0 / 40 / 46 / 8

HEX #EB8C7E

RGB 235 140 126

HSL 7.71, 0.73%, 0.71%

LAB 67.97, 34.6, 23.02

 

CMYK 0 / 76 / 46 / 12

HEX #E1367A

RGB 225 54 122

HSL 336.14, 0.74%, 0.55%

LAB 51.89, 68.72, 2.63

 

CMYK 0 / 61 / 37 / 10

HEX #E65A91

RGB 230 90 145

HSL 336.43, 0.74%, 0.63%

LAB 58.21, 59.16, -1.7

 

CMYK 0 / 46 / 28 / 8

HEX #EB7EA9

RGB 235 126 169

HSL 336.33, 0.73%, 0.71%

LAB 66.1, 46.74, -3.81

 

CMYK 0 / 33 / 20 / 5

HEX #F1A2C1

RGB 241 162 193

HSL 336.46, 0.74%, 0.79%

LAB 75.07, 33.54, -3.88

 

CMYK 0 / 20 / 12 / 4

HEX #F6C6D9

RGB 246 198 217

HSL 336.25, 0.73%, 0.87%

LAB 84.48, 19.99, -2.97

 

CMYK 0 / 47 / 28 / 7

HEX #EC7DA9

RGB 236 125 169

HSL 336.22, 0.74%, 0.71%

LAB 66.03, 47.57, -3.89

 

CMYK 0 / 9 / 46 / 8

HEX #EBD57E

RGB 235 213 126

HSL 47.89, 0.73%, 0.71%

LAB 85.38, -3.77, 45.58

 

CMYK 46 / 9 / 0 / 8

HEX #7ED5EB

RGB 126 213 235

HSL 192.11, 0.73%, 0.71%

LAB 80.75, -20.54, -18.99

 

CMYK 0 / 47 / 28 / 7

HEX #EC7DA9

RGB 236 125 169

HSL 336.22, 0.74%, 0.71%

LAB 66.03, 47.57, -3.89

 

CMYK 28 / 0 / 46 / 8

HEX #AAEB7E

RGB 170 235 126

HSL 95.78, 0.73%, 0.71%

LAB 86.74, -39.06, 46.26

 

CMYK 46 / 28 / 0 / 8

HEX #7EAAEB

RGB 126 170 235

HSL 215.78, 0.73%, 0.71%

LAB 68.88, 2.38, -37.19

 

CMYK 0 / 47 / 28 / 7

HEX #EC7DA9

RGB 236 125 169

HSL 336.22, 0.74%, 0.71%

LAB 66.03, 47.57, -3.89

 

CMYK 0 / 9 / 46 / 8

HEX #EBD57E

RGB 235 213 126

HSL 47.89, 0.73%, 0.71%

LAB 85.38, -3.77, 45.58

 

CMYK 46 / 0 / 19 / 8

HEX #7EEBBF

RGB 126 235 191

HSL 155.78, 0.73%, 0.71%

LAB 85.81, -41.46, 11.73

 

CMYK 46 / 37 / 0 / 8

HEX #7E94EB

RGB 126 148 235

HSL 227.89, 0.73%, 0.71%

LAB 63.02, 14.98, -46.38

 

CMYK 0 / 47 / 28 / 7

HEX #EC7DA9

RGB 236 125 169

HSL 336.22, 0.74%, 0.71%

LAB 66.03, 47.57, -3.89

 

CMYK 5 / 0 / 46 / 8

HEX #E0EB7E

RGB 224 235 126

HSL 66.06, 0.73%, 0.71%

LAB 90.22, -19.09, 51.32

 

CMYK 46 / 0 / 19 / 8

HEX #7EEBBF

RGB 126 235 191

HSL 155.78, 0.73%, 0.71%

LAB 85.81, -41.46, 11.73

 

CMYK 42 / 46 / 0 / 8

HEX #897EEB

RGB 137 126 235

HSL 246.06, 0.73%, 0.71%

LAB 58.26, 30.52, -53.87

 

Description

Color code: HEX #EC7DA9 | qconv.com Color code: HEX #EC7DA9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 125 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 125 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 28 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 28% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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