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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC9459 it is the complementary color #136BA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC9459. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC9459 shade: #F19454, #FFA667, #FFB87A, #FFCA8D and #FFDCA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC9459. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC9459 shade: #EC9459, #DB8246, #CA7033, #B95E20 and #A84C0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC9459 shade: #EB945A, #EB6D5A and #EB5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC9459 shade: #EB945A, #EBBC5A, #EBE35A, #CDEB5A and #A6EB5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC9459 shade matches the following richer shades: #EB945A and #FA914B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC9459 shade: #EB945A, #DC9769, #CE9A78, #BF9D87 and #B0A096

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC9459 shade: #EB5A6E, #EB6E5A, #EB945A, #EBBB5A and #EBE25A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC9459 shade: #DA6619, #E77D35, #EB945A, #F0AC7F and #F4C4A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC9459 shade: #EC9459, #94EB5A and #5A5AEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC9459 shade: #EC9459, #5AEB94 and #945AEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC9459 shade: #EC9459, #94EB5A, #5AB1EB and #B15AEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC9459 shade: #EC9459, #69EB5A, #5AB1EB and #DD5AEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 62 / 7

HEX #EC9459

RGB 236 148 89

HSL 24.08, 0.79%, 0.64%

LAB 69.28, 27.76, 44.56

 

Complementary color

CMYK 89 / 36 / 0 / 35

HEX #136BA6

RGB 19 107 166

HSL 204.08, 0.79%, 0.36%

LAB 43.37, -2.25, -38.46

 

CMYK 0 / 39 / 65 / 5

HEX #F19454

RGB 241 148 84

HSL 24.46, 0.85%, 0.64%

LAB 69.84, 29.46, 47.89

 

CMYK 0 / 35 / 60 / 0

HEX #FFA667

RGB 255 166 103

HSL 24.87, 1%, 0.7%

LAB 75.77, 26.89, 45.74

 

CMYK 0 / 28 / 52 / 0

HEX #FFB87A

RGB 255 184 122

HSL 27.97, 1%, 0.74%

LAB 80.15, 18.95, 41.47

 

CMYK 0 / 21 / 45 / 0

HEX #FFCA8D

RGB 255 202 141

HSL 32.11, 1%, 0.78%

LAB 84.7, 11.3, 37.56

 

CMYK 0 / 14 / 37 / 0

HEX #FFDCA0

RGB 255 220 160

HSL 37.89, 1%, 0.81%

LAB 89.39, 4.02, 33.98

 

CMYK 0 / 37 / 62 / 7

HEX #EC9459

RGB 236 148 89

HSL 24.08, 0.79%, 0.64%

LAB 69.28, 27.76, 44.56

 

CMYK 0 / 41 / 68 / 14

HEX #DB8246

RGB 219 130 70

HSL 24.16, 0.67%, 0.57%

LAB 62.9, 29.23, 46.25

 

CMYK 0 / 45 / 75 / 21

HEX #CA7033

RGB 202 112 51

HSL 24.24, 0.6%, 0.5%

LAB 56.47, 30.87, 47.93

 

CMYK 0 / 49 / 83 / 27

HEX #B95E20

RGB 185 94 32

HSL 24.31, 0.71%, 0.43%

LAB 50.01, 32.7, 49.36

 

CMYK 0 / 55 / 92 / 34

HEX #A84C0D

RGB 168 76 13

HSL 24.39, 0.86%, 0.35%

LAB 43.54, 34.71, 49.89

 

CMYK 0 / 37 / 62 / 8

HEX #EB945A

RGB 235 148 90

HSL 24, 0.78%, 0.64%

LAB 69.17, 27.42, 43.89

 

CMYK 0 / 54 / 62 / 8

HEX #EB6D5A

RGB 235 109 90

HSL 7.86, 0.78%, 0.64%

LAB 61.08, 47.31, 34.05

 

CMYK 0 / 62 / 62 / 8

HEX #EB5A5A

RGB 235 90 90

HSL 0, 0.78%, 0.64%

LAB 57.76, 56.01, 29.87

 

CMYK 0 / 37 / 62 / 8

HEX #EB945A

RGB 235 148 90

HSL 24, 0.78%, 0.64%

LAB 69.17, 27.42, 43.89

 

CMYK 0 / 20 / 62 / 8

HEX #EBBC5A

RGB 235 188 90

HSL 40.55, 0.78%, 0.64%

LAB 78.68, 6.26, 54.88

 

CMYK 0 / 3 / 62 / 8

HEX #EBE35A

RGB 235 227 90

HSL 56.69, 0.78%, 0.64%

LAB 88.61, -13.63, 65.77

 

CMYK 13 / 0 / 62 / 8

HEX #CDEB5A

RGB 205 235 90

HSL 72.41, 0.78%, 0.64%

LAB 88.51, -29.5, 65.01

 

CMYK 29 / 0 / 62 / 8

HEX #A6EB5A

RGB 166 235 90

HSL 88.55, 0.78%, 0.64%

LAB 86.14, -44.08, 61.74

 

CMYK 0 / 37 / 62 / 8

HEX #EB945A

RGB 235 148 90

HSL 24, 0.78%, 0.64%

LAB 69.17, 27.42, 43.89

 

CMYK 0 / 42 / 70 / 2

HEX #FA914B

RGB 250 145 75

HSL 24, 0.95%, 0.64%

LAB 70.23, 34.12, 53.04

 

CMYK 0 / 37 / 62 / 8

HEX #EB945A

RGB 235 148 90

HSL 24, 0.78%, 0.64%

LAB 69.17, 27.42, 43.89

 

CMYK 0 / 31 / 52 / 14

HEX #DC9769

RGB 220 151 105

HSL 24, 0.62%, 0.64%

LAB 68.29, 20.9, 34.56

 

CMYK 0 / 25 / 42 / 19

HEX #CE9A78

RGB 206 154 120

HSL 23.72, 0.47%, 0.64%

LAB 67.72, 15.09, 25.41

 

CMYK 0 / 18 / 29 / 25

HEX #BF9D87

RGB 191 157 135

HSL 23.57, 0.3%, 0.64%

LAB 67.23, 9.31, 16.24

 

CMYK 0 / 9 / 15 / 31

HEX #B0A096

RGB 176 160 150

HSL 23.08, 0.14%, 0.64%

LAB 66.96, 4.13, 7.32

 

CMYK 0 / 62 / 53 / 8

HEX #EB5A6E

RGB 235 90 110

HSL 351.72, 0.78%, 0.64%

LAB 58.13, 57.43, 18.78

 

CMYK 0 / 53 / 62 / 8

HEX #EB6E5A

RGB 235 110 90

HSL 8.28, 0.78%, 0.64%

LAB 61.27, 46.83, 34.28

 

CMYK 0 / 37 / 62 / 8

HEX #EB945A

RGB 235 148 90

HSL 24, 0.78%, 0.64%

LAB 69.17, 27.42, 43.89

 

CMYK 0 / 20 / 62 / 8

HEX #EBBB5A

RGB 235 187 90

HSL 40.14, 0.78%, 0.64%

LAB 78.43, 6.79, 54.6

 

CMYK 0 / 4 / 62 / 8

HEX #EBE25A

RGB 235 226 90

HSL 56.28, 0.78%, 0.64%

LAB 88.35, -13.13, 65.49

 

CMYK 0 / 53 / 89 / 15

HEX #DA6619

RGB 218 102 25

HSL 23.94, 0.79%, 0.48%

LAB 56.56, 41.61, 59.4

 

CMYK 0 / 46 / 77 / 9

HEX #E77D35

RGB 231 125 53

HSL 24.27, 0.79%, 0.56%

LAB 63.27, 35.89, 55.16

 

CMYK 0 / 37 / 62 / 8

HEX #EB945A

RGB 235 148 90

HSL 24, 0.78%, 0.64%

LAB 69.17, 27.42, 43.89

 

CMYK 0 / 28 / 47 / 6

HEX #F0AC7F

RGB 240 172 127

HSL 23.89, 0.79%, 0.72%

LAB 75.8, 19.75, 32.98

 

CMYK 0 / 20 / 33 / 4

HEX #F4C4A4

RGB 244 196 164

HSL 24, 0.78%, 0.8%

LAB 82.59, 12.72, 22.55

 

CMYK 0 / 37 / 62 / 7

HEX #EC9459

RGB 236 148 89

HSL 24.08, 0.79%, 0.64%

LAB 69.28, 27.76, 44.56

 

CMYK 37 / 0 / 62 / 8

HEX #94EB5A

RGB 148 235 90

HSL 96, 0.78%, 0.64%

LAB 85.23, -50.21, 60.47

 

CMYK 62 / 62 / 0 / 8

HEX #5A5AEB

RGB 90 90 235

HSL 240, 0.78%, 0.64%

LAB 46.29, 42.49, -73.36

 

CMYK 0 / 37 / 62 / 7

HEX #EC9459

RGB 236 148 89

HSL 24.08, 0.79%, 0.64%

LAB 69.28, 27.76, 44.56

 

CMYK 62 / 0 / 37 / 8

HEX #5AEB94

RGB 90 235 148

HSL 144, 0.78%, 0.64%

LAB 83.82, -57.88, 30.99

 

CMYK 37 / 62 / 0 / 8

HEX #945AEB

RGB 148 90 235

HSL 264, 0.78%, 0.64%

LAB 51.39, 53.2, -64.85

 

CMYK 0 / 37 / 62 / 7

HEX #EC9459

RGB 236 148 89

HSL 24.08, 0.79%, 0.64%

LAB 69.28, 27.76, 44.56

 

CMYK 37 / 0 / 62 / 8

HEX #94EB5A

RGB 148 235 90

HSL 96, 0.78%, 0.64%

LAB 85.23, -50.21, 60.47

 

CMYK 62 / 25 / 0 / 8

HEX #5AB1EB

RGB 90 177 235

HSL 204, 0.78%, 0.64%

LAB 69.2, -9.06, -36.83

 

CMYK 25 / 62 / 0 / 8

HEX #B15AEB

RGB 177 90 235

HSL 276, 0.78%, 0.64%

LAB 54.72, 59.55, -59.32

 

CMYK 0 / 37 / 62 / 7

HEX #EC9459

RGB 236 148 89

HSL 24.08, 0.79%, 0.64%

LAB 69.28, 27.76, 44.56

 

CMYK 55 / 0 / 62 / 8

HEX #69EB5A

RGB 105 235 90

HSL 113.79, 0.78%, 0.64%

LAB 83.53, -62.66, 58.11

 

CMYK 62 / 25 / 0 / 8

HEX #5AB1EB

RGB 90 177 235

HSL 204, 0.78%, 0.64%

LAB 69.2, -9.06, -36.83

 

CMYK 6 / 62 / 0 / 8

HEX #DD5AEB

RGB 221 90 235

HSL 294.21, 0.78%, 0.64%

LAB 60.5, 69.72, -49.75

 

Description

Color code: HEX #EC9459 | qconv.com Color code: HEX #EC9459 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 148 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 148 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 62 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 62% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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