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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC98E2 it is the complementary color #13671D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC98E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC98E2 shade: #F198DD, #FFAAF0, #FFBCFF, #FFCEFF and #FFE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC98E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC98E2 shade: #EC98E2, #DB86CF, #CA74BC, #B962A9 and #A85096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC98E2 shade: #EC97E1, #EC97CB, #EC97B4, #EC979D and #EC9797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC98E2 shade: #EC97E1, #DF97EC, #C897EC, #B197EC and #9A97EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC98E2 shade matches the following richer shades: #EC97E1 and #F58DE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC98E2 shade: #EC97E1, #E2A1DA, #D8ABD2, #CEB5CB and #C4BFC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC98E2 shade: #C897EC, #DF97EC, #EC97E2, #EC97CB and #EC97B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC98E2 shade: #DF51CE, #E574D8, #EC97E1, #F2BAEB and #F8DDF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC98E2 shade: #EC98E2, #ECB297 and #97ECD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC98E2 shade: #EC98E2, #E2EC97 and #97E2EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC98E2 shade: #EC98E2, #ECB297, #97ECA1 and #97D1EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC98E2 shade: #EC98E2, #ECCB97, #97ECA1 and #97B7EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 4 / 7

HEX #EC98E2

RGB 236 152 226

HSL 307.14, 0.69%, 0.76%

LAB 73.4, 42.48, -24.54

 

Complementary color

CMYK 82 / 0 / 72 / 60

HEX #13671D

RGB 19 103 29

HSL 127.14, 0.69%, 0.24%

LAB 37.71, -40.01, 33.59

 

CMYK 0 / 37 / 8 / 5

HEX #F198DD

RGB 241 152 221

HSL 313.48, 0.76%, 0.77%

LAB 73.79, 43.21, -21.16

 

CMYK 0 / 33 / 6 / 0

HEX #FFAAF0

RGB 255 170 240

HSL 310.59, 1%, 0.83%

LAB 79.78, 41.54, -22.23

 

CMYK 0 / 26 / 0 / 0

HEX #FFBCFF

RGB 255 188 255

HSL 300, 1%, 0.87%

LAB 84.2, 34.77, -23.56

 

CMYK 0 / 19 / 0 / 0

HEX #FFCEFF

RGB 255 206 255

HSL 300, 1%, 0.9%

LAB 88.27, 25.32, -17.41

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 0 / 36 / 4 / 7

HEX #EC98E2

RGB 236 152 226

HSL 307.14, 0.69%, 0.76%

LAB 73.4, 42.48, -24.54

 

CMYK 0 / 39 / 5 / 14

HEX #DB86CF

RGB 219 134 207

HSL 308.47, 0.54%, 0.69%

LAB 66.99, 43.22, -24.03

 

CMYK 0 / 43 / 7 / 21

HEX #CA74BC

RGB 202 116 188

HSL 309.77, 0.45%, 0.62%

LAB 60.5, 43.96, -23.45

 

CMYK 0 / 47 / 9 / 27

HEX #B962A9

RGB 185 98 169

HSL 311.03, 0.38%, 0.55%

LAB 53.94, 44.7, -22.78

 

CMYK 0 / 52 / 11 / 34

HEX #A85096

RGB 168 80 150

HSL 312.27, 0.35%, 0.49%

LAB 47.32, 45.38, -21.98

 

CMYK 0 / 36 / 5 / 7

HEX #EC97E1

RGB 236 151 225

HSL 307.76, 0.69%, 0.76%

LAB 73.16, 42.83, -24.37

 

CMYK 0 / 36 / 14 / 7

HEX #EC97CB

RGB 236 151 203

HSL 323.29, 0.69%, 0.76%

LAB 72.41, 39.16, -13.4

 

CMYK 0 / 36 / 24 / 7

HEX #EC97B4

RGB 236 151 180

HSL 339.53, 0.69%, 0.76%

LAB 71.73, 35.7, -1.68

 

CMYK 0 / 36 / 33 / 7

HEX #EC979D

RGB 236 151 157

HSL 355.76, 0.69%, 0.76%

LAB 71.15, 32.64, 10.24

 

CMYK 0 / 36 / 36 / 7

HEX #EC9797

RGB 236 151 151

HSL 0, 0.69%, 0.76%

LAB 71.01, 31.91, 13.37

 

CMYK 0 / 36 / 5 / 7

HEX #EC97E1

RGB 236 151 225

HSL 307.76, 0.69%, 0.76%

LAB 73.16, 42.83, -24.37

 

CMYK 6 / 36 / 0 / 7

HEX #DF97EC

RGB 223 151 236

HSL 290.82, 0.69%, 0.76%

LAB 72.15, 40.81, -32.06

 

CMYK 15 / 36 / 0 / 7

HEX #C897EC

RGB 200 151 236

HSL 274.59, 0.69%, 0.76%

LAB 69.8, 33.86, -35.88

 

CMYK 25 / 36 / 0 / 7

HEX #B197EC

RGB 177 151 236

HSL 258.35, 0.69%, 0.76%

LAB 67.68, 27.1, -39.35

 

CMYK 35 / 36 / 0 / 7

HEX #9A97EC

RGB 154 151 236

HSL 242.12, 0.69%, 0.76%

LAB 65.79, 20.67, -42.43

 

CMYK 0 / 36 / 5 / 7

HEX #EC97E1

RGB 236 151 225

HSL 307.76, 0.69%, 0.76%

LAB 73.16, 42.83, -24.37

 

CMYK 0 / 42 / 5 / 4

HEX #F58DE9

RGB 245 141 233

HSL 306.92, 0.84%, 0.76%

LAB 72.46, 52.09, -29.73

 

CMYK 0 / 36 / 5 / 7

HEX #EC97E1

RGB 236 151 225

HSL 307.76, 0.69%, 0.76%

LAB 73.16, 42.83, -24.37

 

CMYK 0 / 29 / 4 / 11

HEX #E2A1DA

RGB 226 161 218

HSL 307.38, 0.53%, 0.76%

LAB 74.01, 33.09, -19.34

 

CMYK 0 / 21 / 3 / 15

HEX #D8ABD2

RGB 216 171 210

HSL 308, 0.37%, 0.76%

LAB 75.06, 22.92, -13.48

 

CMYK 0 / 12 / 1 / 19

HEX #CEB5CB

RGB 206 181 203

HSL 307.2, 0.2%, 0.76%

LAB 76.36, 12.79, -7.82

 

CMYK 0 / 3 / 1 / 23

HEX #C4BFC3

RGB 196 191 195

HSL 312, 0.04%, 0.76%

LAB 77.84, 2.48, -1.4

 

CMYK 15 / 36 / 0 / 7

HEX #C897EC

RGB 200 151 236

HSL 274.59, 0.69%, 0.76%

LAB 69.8, 33.86, -35.88

 

CMYK 6 / 36 / 0 / 7

HEX #DF97EC

RGB 223 151 236

HSL 290.82, 0.69%, 0.76%

LAB 72.15, 40.81, -32.06

 

CMYK 0 / 36 / 4 / 7

HEX #EC97E2

RGB 236 151 226

HSL 307.06, 0.69%, 0.76%

LAB 73.19, 43, -24.87

 

CMYK 0 / 36 / 14 / 7

HEX #EC97CB

RGB 236 151 203

HSL 323.29, 0.69%, 0.76%

LAB 72.41, 39.16, -13.4

 

CMYK 0 / 36 / 23 / 7

HEX #EC97B5

RGB 236 151 181

HSL 338.82, 0.69%, 0.76%

LAB 71.76, 35.84, -2.19

 

CMYK 0 / 64 / 8 / 13

HEX #DF51CE

RGB 223 81 206

HSL 307.18, 0.69%, 0.6%

LAB 58.06, 69.05, -37.24

 

CMYK 0 / 49 / 6 / 10

HEX #E574D8

RGB 229 116 216

HSL 306.9, 0.68%, 0.68%

LAB 65.05, 56.83, -31.94

 

CMYK 0 / 36 / 5 / 7

HEX #EC97E1

RGB 236 151 225

HSL 307.76, 0.69%, 0.76%

LAB 73.16, 42.83, -24.37

 

CMYK 0 / 23 / 3 / 5

HEX #F2BAEB

RGB 242 186 235

HSL 307.5, 0.68%, 0.84%

LAB 81.83, 28.05, -16.57

 

CMYK 0 / 11 / 1 / 3

HEX #F8DDF5

RGB 248 221 245

HSL 306.67, 0.66%, 0.92%

LAB 90.9, 13.37, -8.28

 

CMYK 0 / 36 / 4 / 7

HEX #EC98E2

RGB 236 152 226

HSL 307.14, 0.69%, 0.76%

LAB 73.4, 42.48, -24.54

 

CMYK 0 / 25 / 36 / 7

HEX #ECB297

RGB 236 178 151

HSL 19.06, 0.69%, 0.76%

LAB 77.23, 17.58, 22

 

CMYK 36 / 0 / 10 / 7

HEX #97ECD4

RGB 151 236 212

HSL 163.06, 0.69%, 0.76%

LAB 87.64, -30.98, 3.51

 

CMYK 0 / 36 / 4 / 7

HEX #EC98E2

RGB 236 152 226

HSL 307.14, 0.69%, 0.76%

LAB 73.4, 42.48, -24.54

 

CMYK 4 / 0 / 36 / 7

HEX #E2EC97

RGB 226 236 151

HSL 67.06, 0.69%, 0.76%

LAB 90.96, -16.16, 40.13

 

CMYK 36 / 4 / 0 / 7

HEX #97E2EC

RGB 151 226 236

HSL 187.06, 0.69%, 0.76%

LAB 85.52, -20.67, -12.24

 

CMYK 0 / 36 / 4 / 7

HEX #EC98E2

RGB 236 152 226

HSL 307.14, 0.69%, 0.76%

LAB 73.4, 42.48, -24.54

 

CMYK 0 / 25 / 36 / 7

HEX #ECB297

RGB 236 178 151

HSL 19.06, 0.69%, 0.76%

LAB 77.23, 17.58, 22

 

CMYK 36 / 0 / 32 / 7

HEX #97ECA1

RGB 151 236 161

HSL 127.06, 0.69%, 0.76%

LAB 86.58, -40.7, 28.46

 

CMYK 36 / 11 / 0 / 7

HEX #97D1EC

RGB 151 209 236

HSL 199.06, 0.69%, 0.76%

LAB 80.87, -12.03, -19.23

 

CMYK 0 / 36 / 4 / 7

HEX #EC98E2

RGB 236 152 226

HSL 307.14, 0.69%, 0.76%

LAB 73.4, 42.48, -24.54

 

CMYK 0 / 14 / 36 / 7

HEX #ECCB97

RGB 236 203 151

HSL 36.71, 0.69%, 0.76%

LAB 83.33, 4.41, 30.25

 

CMYK 36 / 0 / 32 / 7

HEX #97ECA1

RGB 151 236 161

HSL 127.06, 0.69%, 0.76%

LAB 86.58, -40.7, 28.46

 

CMYK 36 / 22 / 0 / 7

HEX #97B7EC

RGB 151 183 236

HSL 217.41, 0.69%, 0.76%

LAB 73.87, 1.85, -29.9

 

Description

Color code: HEX #EC98E2 | qconv.com Color code: HEX #EC98E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 152 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 152 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 4 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 4% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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