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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC9DCD it is the complementary color #136232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC9DCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC9DCD shade: #F19DC8, #FFAFDB, #FFC1EE, #FFD3FF and #FFE5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC9DCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC9DCD shade: #EC9DCD, #DB8BBA, #CA79A7, #B96794 and #A85581

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC9DCD shade: #EC9CCC, #EC9CB7, #EC9CA1 and #EC9C9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC9DCD shade: #EC9CCC, #EC9CE2, #E09CEC, #CA9CEC and #B59CEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC9DCD shade matches the following richer shades: #EC9CCC and #F592CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC9DCD shade: #EC9CCC, #E2A5CA, #D9AFC8, #CFB8C6 and #C6C2C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC9DCD shade: #E09CEC, #EC9CE2, #EC9CCD, #EC9CB8 and #EC9CA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC9DCD shade: #DF57A9, #E579BB, #EC9CCC, #F2BFDE and #F9E1F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC9DCD shade: #EC9DCD, #ECCA9C and #9CECEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC9DCD shade: #EC9DCD, #CDEC9C and #9CCDEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC9DCD shade: #EC9DCD, #ECCA9C, #9CECBB and #9CBDEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC9DCD shade: #EC9DCD, #ECE29C, #9CECBB and #9CA5EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 13 / 7

HEX #EC9DCD

RGB 236 157 205

HSL 323.54, 0.68%, 0.77%

LAB 73.78, 36.33, -12.46

 

Complementary color

CMYK 81 / 0 / 49 / 62

HEX #136232

RGB 19 98 50

HSL 143.54, 0.68%, 0.23%

LAB 36.18, -34.97, 20.82

 

CMYK 0 / 35 / 17 / 5

HEX #F19DC8

RGB 241 157 200

HSL 329.29, 0.75%, 0.78%

LAB 74.18, 37.23, -9.04

 

CMYK 0 / 31 / 14 / 0

HEX #FFAFDB

RGB 255 175 219

HSL 327, 1%, 0.84%

LAB 80.2, 35.49, -10.27

 

CMYK 0 / 24 / 7 / 0

HEX #FFC1EE

RGB 255 193 238

HSL 316.45, 1%, 0.88%

LAB 84.78, 29.17, -13.63

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FF

RGB 255 229 255

HSL 300, 1%, 0.95%

LAB 93.68, 13.31, -9.32

 

CMYK 0 / 33 / 13 / 7

HEX #EC9DCD

RGB 236 157 205

HSL 323.54, 0.68%, 0.77%

LAB 73.78, 36.33, -12.46

 

CMYK 0 / 37 / 15 / 14

HEX #DB8BBA

RGB 219 139 186

HSL 324.75, 0.53%, 0.7%

LAB 67.33, 37.07, -11.77

 

CMYK 0 / 40 / 17 / 21

HEX #CA79A7

RGB 202 121 167

HSL 325.93, 0.43%, 0.63%

LAB 60.8, 37.85, -11

 

CMYK 0 / 44 / 20 / 27

HEX #B96794

RGB 185 103 148

HSL 327.07, 0.37%, 0.56%

LAB 54.19, 38.66, -10.13

 

CMYK 0 / 49 / 23 / 34

HEX #A85581

RGB 168 85 129

HSL 328.19, 0.33%, 0.5%

LAB 47.5, 39.47, -9.11

 

CMYK 0 / 34 / 14 / 7

HEX #EC9CCC

RGB 236 156 204

HSL 324, 0.68%, 0.77%

LAB 73.53, 36.69, -12.28

 

CMYK 0 / 34 / 22 / 7

HEX #EC9CB7

RGB 236 156 183

HSL 339.75, 0.68%, 0.77%

LAB 72.91, 33.49, -1.61

 

CMYK 0 / 34 / 32 / 7

HEX #EC9CA1

RGB 236 156 161

HSL 356.25, 0.68%, 0.77%

LAB 72.35, 30.5, 9.74

 

CMYK 0 / 34 / 34 / 7

HEX #EC9C9C

RGB 236 156 156

HSL 0, 0.68%, 0.77%

LAB 72.24, 29.87, 12.34

 

CMYK 0 / 34 / 14 / 7

HEX #EC9CCC

RGB 236 156 204

HSL 324, 0.68%, 0.77%

LAB 73.53, 36.69, -12.28

 

CMYK 0 / 34 / 4 / 7

HEX #EC9CE2

RGB 236 156 226

HSL 307.5, 0.68%, 0.77%

LAB 74.25, 40.39, -23.24

 

CMYK 5 / 34 / 0 / 7

HEX #E09CEC

RGB 224 156 236

HSL 291, 0.68%, 0.77%

LAB 73.34, 38.46, -30.22

 

CMYK 14 / 34 / 0 / 7

HEX #CA9CEC

RGB 202 156 236

HSL 274.5, 0.68%, 0.77%

LAB 71.14, 31.72, -33.79

 

CMYK 23 / 34 / 0 / 7

HEX #B59CEC

RGB 181 156 236

HSL 258.75, 0.68%, 0.77%

LAB 69.22, 25.46, -36.91

 

CMYK 0 / 34 / 14 / 7

HEX #EC9CCC

RGB 236 156 204

HSL 324, 0.68%, 0.77%

LAB 73.53, 36.69, -12.28

 

CMYK 0 / 40 / 16 / 4

HEX #F592CE

RGB 245 146 206

HSL 323.64, 0.83%, 0.77%

LAB 72.51, 45.18, -14.8

 

CMYK 0 / 34 / 14 / 7

HEX #EC9CCC

RGB 236 156 204

HSL 324, 0.68%, 0.77%

LAB 73.53, 36.69, -12.28

 

CMYK 0 / 27 / 11 / 11

HEX #E2A5CA

RGB 226 165 202

HSL 323.61, 0.51%, 0.77%

LAB 74.41, 28.17, -9.97

 

CMYK 0 / 19 / 8 / 15

HEX #D9AFC8

RGB 217 175 200

HSL 324.29, 0.36%, 0.77%

LAB 75.81, 19.32, -6.89

 

CMYK 0 / 11 / 4 / 19

HEX #CFB8C6

RGB 207 184 198

HSL 323.48, 0.19%, 0.77%

LAB 77.06, 10.61, -4.07

 

CMYK 0 / 2 / 1 / 22

HEX #C6C2C4

RGB 198 194 196

HSL 330, 0.03%, 0.77%

LAB 78.8, 1.76, -0.52

 

CMYK 5 / 34 / 0 / 7

HEX #E09CEC

RGB 224 156 236

HSL 291, 0.68%, 0.77%

LAB 73.34, 38.46, -30.22

 

CMYK 0 / 34 / 4 / 7

HEX #EC9CE2

RGB 236 156 226

HSL 307.5, 0.68%, 0.77%

LAB 74.25, 40.39, -23.24

 

CMYK 0 / 34 / 13 / 7

HEX #EC9CCD

RGB 236 156 205

HSL 323.25, 0.68%, 0.77%

LAB 73.56, 36.85, -12.78

 

CMYK 0 / 34 / 22 / 7

HEX #EC9CB8

RGB 236 156 184

HSL 339, 0.68%, 0.77%

LAB 72.94, 33.64, -2.12

 

CMYK 0 / 34 / 31 / 7

HEX #EC9CA3

RGB 236 156 163

HSL 354.75, 0.68%, 0.77%

LAB 72.4, 30.75, 8.7

 

CMYK 0 / 61 / 24 / 13

HEX #DF57A9

RGB 223 87 169

HSL 323.82, 0.68%, 0.61%

LAB 57.43, 61.27, -16.95

 

CMYK 0 / 47 / 18 / 10

HEX #E579BB

RGB 229 121 187

HSL 323.33, 0.68%, 0.69%

LAB 64.9, 49.8, -15.87

 

CMYK 0 / 34 / 14 / 7

HEX #EC9CCC

RGB 236 156 204

HSL 324, 0.68%, 0.77%

LAB 73.53, 36.69, -12.28

 

CMYK 0 / 21 / 8 / 5

HEX #F2BFDE

RGB 242 191 222

HSL 323.53, 0.66%, 0.85%

LAB 82.6, 23.14, -8.46

 

CMYK 0 / 10 / 4 / 2

HEX #F9E1F0

RGB 249 225 240

HSL 322.5, 0.67%, 0.93%

LAB 91.81, 10.74, -4.3

 

CMYK 0 / 33 / 13 / 7

HEX #EC9DCD

RGB 236 157 205

HSL 323.54, 0.68%, 0.77%

LAB 73.78, 36.33, -12.46

 

CMYK 0 / 14 / 34 / 7

HEX #ECCA9C

RGB 236 202 156

HSL 34.5, 0.68%, 0.77%

LAB 83.16, 5.53, 27.43

 

CMYK 34 / 0 / 1 / 7

HEX #9CECEA

RGB 156 236 234

HSL 178.5, 0.68%, 0.77%

LAB 88.45, -24.75, -6.81

 

CMYK 0 / 33 / 13 / 7

HEX #EC9DCD

RGB 236 157 205

HSL 323.54, 0.68%, 0.77%

LAB 73.78, 36.33, -12.46

 

CMYK 13 / 0 / 34 / 7

HEX #CDEC9C

RGB 205 236 156

HSL 83.25, 0.68%, 0.77%

LAB 89.57, -23.33, 35.53

 

CMYK 34 / 13 / 0 / 7

HEX #9CCDEC

RGB 156 205 236

HSL 203.25, 0.68%, 0.77%

LAB 80.06, -8.6, -20.43

 

CMYK 0 / 33 / 13 / 7

HEX #EC9DCD

RGB 236 157 205

HSL 323.54, 0.68%, 0.77%

LAB 73.78, 36.33, -12.46

 

CMYK 0 / 14 / 34 / 7

HEX #ECCA9C

RGB 236 202 156

HSL 34.5, 0.68%, 0.77%

LAB 83.16, 5.53, 27.43

 

CMYK 34 / 0 / 21 / 7

HEX #9CECBB

RGB 156 236 187

HSL 143.25, 0.68%, 0.77%

LAB 87.31, -34.61, 16.12

 

CMYK 34 / 20 / 0 / 7

HEX #9CBDEC

RGB 156 189 236

HSL 215.25, 0.68%, 0.77%

LAB 75.77, -0.05, -26.96

 

CMYK 0 / 33 / 13 / 7

HEX #EC9DCD

RGB 236 157 205

HSL 323.54, 0.68%, 0.77%

LAB 73.78, 36.33, -12.46

 

CMYK 0 / 4 / 34 / 7

HEX #ECE29C

RGB 236 226 156

HSL 52.5, 0.68%, 0.77%

LAB 89.22, -6.79, 35.49

 

CMYK 34 / 0 / 21 / 7

HEX #9CECBB

RGB 156 236 187

HSL 143.25, 0.68%, 0.77%

LAB 87.31, -34.61, 16.12

 

CMYK 34 / 30 / 0 / 7

HEX #9CA5EC

RGB 156 165 236

HSL 233.25, 0.68%, 0.77%

LAB 69.49, 13.25, -36.65

 

Description

Color code: HEX #EC9DCD | qconv.com Color code: HEX #EC9DCD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 157 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 157 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 13 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 13% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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