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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC9F3B it is the complementary color #1360C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC9F3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC9F3B shade: #F19F36, #FFB149, #FFC35C, #FFD56F and #FFE782

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC9F3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC9F3B shade: #EC9F3B, #DB8D28, #CA7B15, #B96902 and #A85700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC9F3B shade: #EB9F3C, #EB6F3C, #EB403C and #EB3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC9F3B shade: #EB9F3C, #EBCE3C, #D9EB3C, #AAEB3C and #7AEB3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC9F3B shade matches the following richer shades: #EB9F3C and #FDA12A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC9F3B shade: #EB9F3C, #DA9D4D, #C99A5E, #B79870 and #A69681

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC9F3B shade: #EB3F3C, #EB6D3C, #EB9C3C, #EBCB3C and #DDEB3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC9F3B shade: #C27613, #E78C16, #EB9F3C, #EFB161 and #F3C487

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC9F3B shade: #EC9F3B, #67EB3C and #563CEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC9F3B shade: #EC9F3B, #3CEB9C and #9C3CEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC9F3B shade: #EC9F3B, #67EB3C, #3C8BEB and #BF3CEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC9F3B shade: #EC9F3B, #3CEB44, #3C8BEB and #EB3CE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 75 / 7

HEX #EC9F3B

RGB 236 159 59

HSL 33.9, 0.82%, 0.58%

LAB 71.52, 20.33, 60.93

 

Complementary color

CMYK 90 / 51 / 0 / 23

HEX #1360C4

RGB 19 96 196

HSL 213.9, 0.82%, 0.42%

LAB 41.98, 16.71, -58.22

 

CMYK 0 / 34 / 78 / 5

HEX #F19F36

RGB 241 159 54

HSL 33.69, 0.87%, 0.58%

LAB 72.07, 22.23, 63.65

 

CMYK 0 / 31 / 71 / 0

HEX #FFB149

RGB 255 177 73

HSL 34.29, 1%, 0.64%

LAB 77.98, 19.39, 62.3

 

CMYK 0 / 24 / 64 / 0

HEX #FFC35C

RGB 255 195 92

HSL 37.91, 1%, 0.68%

LAB 82.41, 11.04, 58.69

 

CMYK 0 / 16 / 56 / 0

HEX #FFD56F

RGB 255 213 111

HSL 42.5, 1%, 0.72%

LAB 86.99, 3.04, 55.16

 

CMYK 0 / 9 / 49 / 0

HEX #FFE782

RGB 255 231 130

HSL 48.48, 1%, 0.75%

LAB 91.7, -4.55, 51.78

 

CMYK 0 / 33 / 75 / 7

HEX #EC9F3B

RGB 236 159 59

HSL 33.9, 0.82%, 0.58%

LAB 71.52, 20.33, 60.93

 

CMYK 0 / 36 / 82 / 14

HEX #DB8D28

RGB 219 141 40

HSL 33.85, 0.71%, 0.51%

LAB 65.17, 22.06, 61.55

 

CMYK 0 / 39 / 90 / 21

HEX #CA7B15

RGB 202 123 21

HSL 33.81, 0.81%, 0.44%

LAB 58.77, 24.02, 61.26

 

CMYK 0 / 43 / 99 / 27

HEX #B96902

RGB 185 105 2

HSL 33.77, 0.98%, 0.37%

LAB 52.31, 26.22, 59.62

 

CMYK 0 / 48 / 100 / 34

HEX #A85700

RGB 168 87 0

HSL 31.07, 1%, 0.33%

LAB 45.83, 28.69, 54.8

 

CMYK 0 / 32 / 74 / 8

HEX #EB9F3C

RGB 235 159 60

HSL 33.94, 0.81%, 0.58%

LAB 71.41, 19.95, 60.38

 

CMYK 0 / 53 / 74 / 8

HEX #EB6F3C

RGB 235 111 60

HSL 17.49, 0.81%, 0.58%

LAB 61.1, 44.75, 49.88

 

CMYK 0 / 73 / 74 / 8

HEX #EB403C

RGB 235 64 60

HSL 1.37, 0.81%, 0.58%

LAB 53.66, 64.53, 41.9

 

CMYK 0 / 74 / 74 / 8

HEX #EB3C3C

RGB 235 60 60

HSL 0, 0.81%, 0.58%

LAB 53.19, 65.84, 41.38

 

CMYK 0 / 32 / 74 / 8

HEX #EB9F3C

RGB 235 159 60

HSL 33.94, 0.81%, 0.58%

LAB 71.41, 19.95, 60.38

 

CMYK 0 / 12 / 74 / 8

HEX #EBCE3C

RGB 235 206 60

HSL 50.06, 0.81%, 0.58%

LAB 82.98, -4.64, 71.54

 

CMYK 8 / 0 / 74 / 8

HEX #D9EB3C

RGB 217 235 60

HSL 66.17, 0.81%, 0.58%

LAB 89.16, -26.4, 76.79

 

CMYK 28 / 0 / 74 / 8

HEX #AAEB3C

RGB 170 235 60

HSL 82.29, 0.81%, 0.58%

LAB 86.15, -44.63, 72.89

 

CMYK 48 / 0 / 74 / 8

HEX #7AEB3C

RGB 122 235 60

HSL 98.74, 0.81%, 0.58%

LAB 83.9, -60.51, 69.94

 

CMYK 0 / 32 / 74 / 8

HEX #EB9F3C

RGB 235 159 60

HSL 33.94, 0.81%, 0.58%

LAB 71.41, 19.95, 60.38

 

CMYK 0 / 36 / 83 / 1

HEX #FDA12A

RGB 253 161 42

HSL 33.84, 0.98%, 0.58%

LAB 73.89, 25.8, 70.04

 

CMYK 0 / 32 / 74 / 8

HEX #EB9F3C

RGB 235 159 60

HSL 33.94, 0.81%, 0.58%

LAB 71.41, 19.95, 60.38

 

CMYK 0 / 28 / 65 / 15

HEX #DA9D4D

RGB 218 157 77

HSL 34.04, 0.66%, 0.58%

LAB 69.15, 14.74, 49.8

 

CMYK 0 / 23 / 53 / 21

HEX #C99A5E

RGB 201 154 94

HSL 33.64, 0.5%, 0.58%

LAB 66.78, 10.46, 38.02

 

CMYK 0 / 17 / 39 / 28

HEX #B79870

RGB 183 152 112

HSL 33.8, 0.33%, 0.58%

LAB 64.72, 5.9, 25.37

 

CMYK 0 / 10 / 22 / 35

HEX #A69681

RGB 166 150 129

HSL 34.05, 0.17%, 0.58%

LAB 62.93, 2.45, 13.23

 

CMYK 0 / 73 / 74 / 8

HEX #EB3F3C

RGB 235 63 60

HSL 1.03, 0.81%, 0.58%

LAB 53.54, 64.86, 41.77

 

CMYK 0 / 54 / 74 / 8

HEX #EB6D3C

RGB 235 109 60

HSL 16.8, 0.81%, 0.58%

LAB 60.72, 45.72, 49.49

 

CMYK 0 / 34 / 74 / 8

HEX #EB9C3C

RGB 235 156 60

HSL 32.91, 0.81%, 0.58%

LAB 70.71, 21.54, 59.68

 

CMYK 0 / 14 / 74 / 8

HEX #EBCB3C

RGB 235 203 60

HSL 49.03, 0.81%, 0.58%

LAB 82.22, -3.11, 70.82

 

CMYK 6 / 0 / 74 / 8

HEX #DDEB3C

RGB 221 235 60

HSL 64.8, 0.81%, 0.58%

LAB 89.45, -24.78, 77.17

 

CMYK 0 / 39 / 90 / 24

HEX #C27613

RGB 194 118 19

HSL 33.94, 0.82%, 0.42%

LAB 56.56, 23.25, 59.63

 

CMYK 0 / 39 / 90 / 9

HEX #E78C16

RGB 231 140 22

HSL 33.88, 0.83%, 0.5%

LAB 66.37, 27.24, 68.39

 

CMYK 0 / 32 / 74 / 8

HEX #EB9F3C

RGB 235 159 60

HSL 33.94, 0.81%, 0.58%

LAB 71.41, 19.95, 60.38

 

CMYK 0 / 26 / 59 / 6

HEX #EFB161

RGB 239 177 97

HSL 33.8, 0.82%, 0.66%

LAB 76.47, 14.19, 49.12

 

CMYK 0 / 19 / 44 / 5

HEX #F3C487

RGB 243 196 135

HSL 33.89, 0.82%, 0.74%

LAB 81.99, 9.08, 36.9

 

CMYK 0 / 33 / 75 / 7

HEX #EC9F3B

RGB 236 159 59

HSL 33.9, 0.82%, 0.58%

LAB 71.52, 20.33, 60.93

 

CMYK 56 / 0 / 74 / 8

HEX #67EB3C

RGB 103 235 60

HSL 105.26, 0.81%, 0.58%

LAB 83.25, -65.63, 69.08

 

CMYK 63 / 74 / 0 / 8

HEX #563CEB

RGB 86 60 235

HSL 248.91, 0.81%, 0.58%

LAB 39.93, 58.53, -83.8

 

CMYK 0 / 33 / 75 / 7

HEX #EC9F3B

RGB 236 159 59

HSL 33.9, 0.82%, 0.58%

LAB 71.52, 20.33, 60.93

 

CMYK 74 / 0 / 34 / 8

HEX #3CEB9C

RGB 60 235 156

HSL 152.91, 0.81%, 0.58%

LAB 83.33, -61.17, 26.14

 

CMYK 34 / 74 / 0 / 8

HEX #9C3CEB

RGB 156 60 235

HSL 272.91, 0.81%, 0.58%

LAB 47.36, 68.53, -71.33

 

CMYK 0 / 33 / 75 / 7

HEX #EC9F3B

RGB 236 159 59

HSL 33.9, 0.82%, 0.58%

LAB 71.52, 20.33, 60.93

 

CMYK 56 / 0 / 74 / 8

HEX #67EB3C

RGB 103 235 60

HSL 105.26, 0.81%, 0.58%

LAB 83.25, -65.63, 69.08

 

CMYK 74 / 41 / 0 / 8

HEX #3C8BEB

RGB 60 139 235

HSL 212.91, 0.81%, 0.58%

LAB 57.49, 8.2, -55.36

 

CMYK 19 / 74 / 0 / 8

HEX #BF3CEB

RGB 191 60 235

HSL 284.91, 0.81%, 0.58%

LAB 52.18, 74.77, -63.3

 

CMYK 0 / 33 / 75 / 7

HEX #EC9F3B

RGB 236 159 59

HSL 33.9, 0.82%, 0.58%

LAB 71.52, 20.33, 60.93

 

CMYK 74 / 0 / 71 / 8

HEX #3CEB44

RGB 60 235 68

HSL 122.74, 0.81%, 0.58%

LAB 82.27, -73.52, 65.03

 

CMYK 74 / 41 / 0 / 8

HEX #3C8BEB

RGB 60 139 235

HSL 212.91, 0.81%, 0.58%

LAB 57.49, 8.2, -55.36

 

CMYK 0 / 74 / 4 / 8

HEX #EB3CE2

RGB 235 60 226

HSL 303.09, 0.81%, 0.58%

LAB 58.4, 81.87, -47.9

 

Description

Color code: HEX #EC9F3B | qconv.com Color code: HEX #EC9F3B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 159 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 159 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 75 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 75% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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