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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED0E82 it is the complementary color #12F17D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED0E82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED0E82 shade: #F20E7D, #FF2090, #FF32A3, #FF44B6 and #FF56C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED0E82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED0E82 shade: #ED0E82, #DC006F, #CB005C, #BA0049 and #A90036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED0E82 shade: #EC0D81, #EC0D45 and #EC0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED0E82 shade: #EC0D81, #EC0DBD, #DE0DEC, #A20DEC and #660DEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED0E82 shade matches the following richer shades: #EC0D81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED0E82 shade: #EC0D81, #D72180, #C3367F, #AF4A7E and #9B5E7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED0E82 shade: #DD0DEC, #EC0DBF, #EC0D84, #EC0D49 and #EC0D0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED0E82 shade: #9E0956, #C50B6C, #EC0D81, #F23095 and #F557A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED0E82 shade: #ED0E82, #ECA20D and #0DDDEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED0E82 shade: #ED0E82, #84EC0D and #0D84EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED0E82 shade: #ED0E82, #ECA20D, #0DEC75 and #0D57EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED0E82 shade: #ED0E82, #ECE40D, #0DEC75 and #0D15EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 45 / 7

HEX #ED0E82

RGB 237 14 130

HSL 328.79, 0.89%, 0.49%

LAB 51.76, 79.84, -2.12

 

Complementary color

CMYK 93 / 0 / 48 / 5

HEX #12F17D

RGB 18 241 125

HSL 148.79, 0.89%, 0.51%

LAB 84.24, -72.29, 42.69

 

CMYK 0 / 94 / 48 / 5

HEX #F20E7D

RGB 242 14 125

HSL 330.79, 0.9%, 0.5%

LAB 52.59, 80.54, 2.23

 

CMYK 0 / 87 / 44 / 0

HEX #FF2090

RGB 255 32 144

HSL 329.87, 1%, 0.56%

LAB 56.39, 82.76, -3.29

 

CMYK 0 / 80 / 36 / 0

HEX #FF32A3

RGB 255 50 163

HSL 326.93, 1%, 0.6%

LAB 58.21, 81.01, -11.77

 

CMYK 0 / 73 / 29 / 0

HEX #FF44B6

RGB 255 68 182

HSL 323.42, 1%, 0.63%

LAB 60.58, 78.2, -19.2

 

CMYK 0 / 66 / 21 / 0

HEX #FF56C9

RGB 255 86 201

HSL 319.17, 1%, 0.67%

LAB 63.45, 74.47, -25.66

 

CMYK 0 / 94 / 45 / 7

HEX #ED0E82

RGB 237 14 130

HSL 328.79, 0.89%, 0.49%

LAB 51.76, 79.84, -2.12

 

CMYK 0 / 100 / 50 / 14

HEX #DC006F

RGB 220 0 111

HSL 329.73, 1%, 0.43%

LAB 47.45, 75.74, 2.78

 

CMYK 0 / 100 / 55 / 20

HEX #CB005C

RGB 203 0 92

HSL 332.81, 1%, 0.4%

LAB 43.46, 70.59, 8.46

 

CMYK 0 / 100 / 61 / 27

HEX #BA0049

RGB 186 0 73

HSL 336.45, 1%, 0.36%

LAB 39.45, 65.44, 14.42

 

CMYK 0 / 100 / 68 / 34

HEX #A90036

RGB 169 0 54

HSL 340.83, 1%, 0.33%

LAB 35.4, 60.3, 20.67

 

CMYK 0 / 94 / 45 / 7

HEX #EC0D81

RGB 236 13 129

HSL 328.79, 0.9%, 0.49%

LAB 51.5, 79.63, -1.92

 

CMYK 0 / 94 / 71 / 7

HEX #EC0D45

RGB 236 13 69

HSL 344.93, 0.9%, 0.49%

LAB 50.16, 75.97, 32.73

 

CMYK 0 / 94 / 94 / 7

HEX #EC0D0D

RGB 236 13 13

HSL 0, 0.9%, 0.49%

LAB 49.68, 74.64, 60.04

 

CMYK 0 / 94 / 45 / 7

HEX #EC0D81

RGB 236 13 129

HSL 328.79, 0.9%, 0.49%

LAB 51.5, 79.63, -1.92

 

CMYK 0 / 94 / 20 / 7

HEX #EC0DBD

RGB 236 13 189

HSL 312.65, 0.9%, 0.49%

LAB 53.81, 85.66, -33.98

 

CMYK 6 / 94 / 0 / 7

HEX #DE0DEC

RGB 222 13 236

HSL 296.23, 0.9%, 0.49%

LAB 53.89, 89.61, -60.85

 

CMYK 31 / 94 / 0 / 7

HEX #A20DEC

RGB 162 13 236

HSL 280.09, 0.9%, 0.49%

LAB 44.27, 81.35, -76.91

 

CMYK 57 / 94 / 0 / 7

HEX #660DEC

RGB 102 13 236

HSL 263.95, 0.9%, 0.49%

LAB 36.31, 75.67, -90.31

 

CMYK 0 / 94 / 45 / 7

HEX #EC0D81

RGB 236 13 129

HSL 328.79, 0.9%, 0.49%

LAB 51.5, 79.63, -1.92

 

CMYK 0 / 94 / 45 / 7

HEX #EC0D81

RGB 236 13 129

HSL 328.79, 0.9%, 0.49%

LAB 51.5, 79.63, -1.92

 

CMYK 0 / 85 / 40 / 16

HEX #D72180

RGB 215 33 128

HSL 328.68, 0.73%, 0.49%

LAB 48.38, 72.02, -6.38

 

CMYK 0 / 72 / 35 / 24

HEX #C3367F

RGB 195 54 127

HSL 328.94, 0.57%, 0.49%

LAB 46.67, 61.17, -8.7

 

CMYK 0 / 58 / 28 / 31

HEX #AF4A7E

RGB 175 74 126

HSL 329.11, 0.41%, 0.49%

LAB 46.34, 46.88, -8.94

 

CMYK 0 / 39 / 19 / 39

HEX #9B5E7E

RGB 155 94 126

HSL 328.52, 0.24%, 0.49%

LAB 47.6, 29.51, -7.35

 

CMYK 6 / 94 / 0 / 7

HEX #DD0DEC

RGB 221 13 236

HSL 295.96, 0.9%, 0.49%

LAB 53.72, 89.46, -61.13

 

CMYK 0 / 94 / 19 / 7

HEX #EC0DBF

RGB 236 13 191

HSL 312.11, 0.9%, 0.49%

LAB 53.9, 85.9, -34.99

 

CMYK 0 / 94 / 44 / 7

HEX #EC0D84

RGB 236 13 132

HSL 327.98, 0.9%, 0.49%

LAB 51.6, 79.87, -3.59

 

CMYK 0 / 94 / 69 / 7

HEX #EC0D49

RGB 236 13 73

HSL 343.86, 0.9%, 0.49%

LAB 50.22, 76.14, 30.4

 

CMYK 0 / 94 / 94 / 7

HEX #EC0D0D

RGB 236 13 13

HSL 0, 0.9%, 0.49%

LAB 49.68, 74.64, 60.04

 

CMYK 0 / 94 / 46 / 38

HEX #9E0956

RGB 158 9 86

HSL 328.99, 0.89%, 0.33%

LAB 34.27, 58.71, -2.16

 

CMYK 0 / 94 / 45 / 23

HEX #C50B6C

RGB 197 11 108

HSL 328.71, 0.89%, 0.41%

LAB 43.05, 69.43, -2.33

 

CMYK 0 / 94 / 45 / 7

HEX #EC0D81

RGB 236 13 129

HSL 328.79, 0.9%, 0.49%

LAB 51.5, 79.63, -1.92

 

CMYK 0 / 80 / 38 / 5

HEX #F23095

RGB 242 48 149

HSL 328.76, 0.88%, 0.57%

LAB 55.24, 77.07, -8.23

 

CMYK 0 / 64 / 31 / 4

HEX #F557A9

RGB 245 87 169

HSL 328.86, 0.89%, 0.65%

LAB 60.86, 67.49, -11.44

 

CMYK 0 / 94 / 45 / 7

HEX #ED0E82

RGB 237 14 130

HSL 328.79, 0.89%, 0.49%

LAB 51.76, 79.84, -2.12

 

CMYK 0 / 31 / 94 / 7

HEX #ECA20D

RGB 236 162 13

HSL 40.09, 0.9%, 0.49%

LAB 72.03, 17.59, 74.39

 

CMYK 94 / 6 / 0 / 7

HEX #0DDDEC

RGB 13 221 236

HSL 184.04, 0.9%, 0.49%

LAB 80.66, -38.34, -19.89

 

CMYK 0 / 94 / 45 / 7

HEX #ED0E82

RGB 237 14 130

HSL 328.79, 0.89%, 0.49%

LAB 51.76, 79.84, -2.12

 

CMYK 44 / 0 / 94 / 7

HEX #84EC0D

RGB 132 236 13

HSL 87.98, 0.9%, 0.49%

LAB 84.45, -59.56, 80.53

 

CMYK 94 / 44 / 0 / 7

HEX #0D84EC

RGB 13 132 236

HSL 207.98, 0.9%, 0.49%

LAB 54.7, 9.32, -60.42

 

CMYK 0 / 94 / 45 / 7

HEX #ED0E82

RGB 237 14 130

HSL 328.79, 0.89%, 0.49%

LAB 51.76, 79.84, -2.12

 

CMYK 0 / 31 / 94 / 7

HEX #ECA20D

RGB 236 162 13

HSL 40.09, 0.9%, 0.49%

LAB 72.03, 17.59, 74.39

 

CMYK 94 / 0 / 50 / 7

HEX #0DEC75

RGB 13 236 117

HSL 147.98, 0.9%, 0.49%

LAB 82.57, -72.14, 44.43

 

CMYK 94 / 63 / 0 / 7

HEX #0D57EC

RGB 13 87 236

HSL 220.09, 0.9%, 0.49%

LAB 42.7, 37.86, -79.92

 

CMYK 0 / 94 / 45 / 7

HEX #ED0E82

RGB 237 14 130

HSL 328.79, 0.89%, 0.49%

LAB 51.76, 79.84, -2.12

 

CMYK 0 / 3 / 94 / 7

HEX #ECE40D

RGB 236 228 13

HSL 57.85, 0.9%, 0.49%

LAB 88.61, -16.34, 86.52

 

CMYK 94 / 0 / 50 / 7

HEX #0DEC75

RGB 13 236 117

HSL 147.98, 0.9%, 0.49%

LAB 82.57, -72.14, 44.43

 

CMYK 94 / 91 / 0 / 7

HEX #0D15EC

RGB 13 21 236

HSL 237.85, 0.9%, 0.49%

LAB 31.06, 70.75, -99.2

 

Description

Color code: HEX #ED0E82 | qconv.com Color code: HEX #ED0E82 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 14 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 14 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 45 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 45% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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