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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED16CB it is the complementary color #12E934. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED16CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED16CB shade: #F216C6, #FF28D9, #FF3AEC, #FF4CFF and #FF5EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED16CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED16CB shade: #ED16CB, #DC04B8, #CB00A5, #BA0092 and #A9007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED16CB shade: #ED16CB, #ED1691, #ED1657, #ED161D and #ED1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED16CB shade: #ED16CB, #D516ED, #9B16ED, #6116ED and #2716ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED16CB shade matches the following richer shades: #ED16CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED16CB shade: #ED16CB, #D92ABD, #C53FAF, #B053A2 and #9C6794

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED16CB shade: #9B16ED, #D416ED, #ED16CD, #ED1693 and #ED165A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED16CB shade: #A50C8C, #CB0FAD, #ED16CB, #F03CD4 and #F363DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED16CB shade: #ED16CB, #ED6116 and #16EDB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED16CB shade: #ED16CB, #CDED16 and #16CDED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED16CB shade: #ED16CB, #ED6116, #16ED36 and #16A2ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED16CB shade: #ED16CB, #EDA216, #16ED36 and #1661ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 14 / 7

HEX #ED16CB

RGB 237 22 203

HSL 309.49, 0.86%, 0.51%

LAB 54.96, 86.68, -40.24

 

Complementary color

CMYK 92 / 0 / 78 / 9

HEX #12E934

RGB 18 233 52

HSL 129.49, 0.86%, 0.49%

LAB 81.1, -78.08, 68.96

 

CMYK 0 / 91 / 18 / 5

HEX #F216C6

RGB 242 22 198

HSL 312, 0.89%, 0.52%

LAB 55.61, 86.99, -36.28

 

CMYK 0 / 84 / 15 / 0

HEX #FF28D9

RGB 255 40 217

HSL 310.6, 1%, 0.58%

LAB 59.7, 89.17, -40.56

 

CMYK 0 / 77 / 7 / 0

HEX #FF3AEC

RGB 255 58 236

HSL 305.79, 1%, 0.61%

LAB 61.95, 87.85, -47.69

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 91 / 14 / 7

HEX #ED16CB

RGB 237 22 203

HSL 309.49, 0.86%, 0.51%

LAB 54.96, 86.68, -40.24

 

CMYK 0 / 98 / 16 / 14

HEX #DC04B8

RGB 220 4 184

HSL 310, 0.96%, 0.44%

LAB 50.41, 82.78, -36.6

 

CMYK 0 / 100 / 19 / 20

HEX #CB00A5

RGB 203 0 165

HSL 311.23, 1%, 0.4%

LAB 46.19, 77.64, -32.23

 

CMYK 0 / 100 / 22 / 27

HEX #BA0092

RGB 186 0 146

HSL 312.9, 1%, 0.36%

LAB 42.02, 72.12, -27.55

 

CMYK 0 / 100 / 25 / 34

HEX #A9007F

RGB 169 0 127

HSL 314.91, 1%, 0.33%

LAB 37.78, 66.52, -22.71

 

CMYK 0 / 91 / 14 / 7

HEX #ED16CB

RGB 237 22 203

HSL 309.49, 0.86%, 0.51%

LAB 54.96, 86.68, -40.24

 

CMYK 0 / 91 / 39 / 7

HEX #ED1691

RGB 237 22 145

HSL 325.67, 0.86%, 0.51%

LAB 52.53, 80.29, -9.99

 

CMYK 0 / 91 / 63 / 7

HEX #ED1657

RGB 237 22 87

HSL 341.86, 0.86%, 0.51%

LAB 51, 76.08, 22.96

 

CMYK 0 / 91 / 88 / 7

HEX #ED161D

RGB 237 22 29

HSL 358.05, 0.86%, 0.51%

LAB 50.3, 74.1, 54.59

 

CMYK 0 / 91 / 91 / 7

HEX #ED1616

RGB 237 22 22

HSL 0, 0.86%, 0.51%

LAB 50.26, 74, 57.45

 

CMYK 0 / 91 / 14 / 7

HEX #ED16CB

RGB 237 22 203

HSL 309.49, 0.86%, 0.51%

LAB 54.96, 86.68, -40.24

 

CMYK 10 / 91 / 0 / 7

HEX #D516ED

RGB 213 22 237

HSL 293.3, 0.86%, 0.51%

LAB 52.77, 87.46, -63.3

 

CMYK 35 / 91 / 0 / 7

HEX #9B16ED

RGB 155 22 237

HSL 277.12, 0.86%, 0.51%

LAB 43.74, 79.47, -78.39

 

CMYK 59 / 91 / 0 / 7

HEX #6116ED

RGB 97 22 237

HSL 260.93, 0.86%, 0.51%

LAB 36.42, 73.91, -90.7

 

CMYK 84 / 91 / 0 / 7

HEX #2716ED

RGB 39 22 237

HSL 244.74, 0.86%, 0.51%

LAB 32.08, 71.18, -98.05

 

CMYK 0 / 91 / 14 / 7

HEX #ED16CB

RGB 237 22 203

HSL 309.49, 0.86%, 0.51%

LAB 54.96, 86.68, -40.24

 

CMYK 0 / 91 / 14 / 7

HEX #ED16CB

RGB 237 22 203

HSL 309.49, 0.86%, 0.51%

LAB 54.96, 86.68, -40.24

 

CMYK 0 / 81 / 13 / 15

HEX #D92ABD

RGB 217 42 189

HSL 309.6, 0.7%, 0.51%

LAB 51.93, 77.56, -37.16

 

CMYK 0 / 68 / 11 / 23

HEX #C53FAF

RGB 197 63 175

HSL 309.85, 0.54%, 0.51%

LAB 50.12, 64.78, -32.07

 

CMYK 0 / 53 / 8 / 31

HEX #B053A2

RGB 176 83 162

HSL 309.03, 0.37%, 0.51%

LAB 49.53, 48.34, -25.59

 

CMYK 0 / 34 / 5 / 39

HEX #9C6794

RGB 156 103 148

HSL 309.06, 0.21%, 0.51%

LAB 50.58, 28.64, -15.94

 

CMYK 35 / 91 / 0 / 7

HEX #9B16ED

RGB 155 22 237

HSL 277.12, 0.86%, 0.51%

LAB 43.74, 79.47, -78.39

 

CMYK 11 / 91 / 0 / 7

HEX #D416ED

RGB 212 22 237

HSL 293.02, 0.86%, 0.51%

LAB 52.6, 87.31, -63.58

 

CMYK 0 / 91 / 14 / 7

HEX #ED16CD

RGB 237 22 205

HSL 308.93, 0.86%, 0.51%

LAB 55.06, 86.94, -41.23

 

CMYK 0 / 91 / 38 / 7

HEX #ED1693

RGB 237 22 147

HSL 325.12, 0.86%, 0.51%

LAB 52.6, 80.48, -11.08

 

CMYK 0 / 91 / 62 / 7

HEX #ED165A

RGB 237 22 90

HSL 341.02, 0.86%, 0.51%

LAB 51.06, 76.24, 21.22

 

CMYK 0 / 93 / 15 / 35

HEX #A50C8C

RGB 165 12 140

HSL 309.8, 0.86%, 0.35%

LAB 38.12, 66, -30.28

 

CMYK 0 / 93 / 15 / 20

HEX #CB0FAD

RGB 203 15 173

HSL 309.57, 0.86%, 0.43%

LAB 47.05, 77.32, -35.64

 

CMYK 0 / 91 / 14 / 7

HEX #ED16CB

RGB 237 22 203

HSL 309.49, 0.86%, 0.51%

LAB 54.96, 86.68, -40.24

 

CMYK 0 / 75 / 12 / 6

HEX #F03CD4

RGB 240 60 212

HSL 309.33, 0.86%, 0.59%

LAB 58.52, 80.9, -39.75

 

CMYK 0 / 59 / 9 / 5

HEX #F363DC

RGB 243 99 220

HSL 309.58, 0.86%, 0.67%

LAB 64.28, 68.96, -35.22

 

CMYK 0 / 91 / 14 / 7

HEX #ED16CB

RGB 237 22 203

HSL 309.49, 0.86%, 0.51%

LAB 54.96, 86.68, -40.24

 

CMYK 0 / 59 / 91 / 7

HEX #ED6116

RGB 237 97 22

HSL 20.93, 0.86%, 0.51%

LAB 58.61, 51.03, 63.16

 

CMYK 91 / 0 / 23 / 7

HEX #16EDB7

RGB 22 237 183

HSL 164.93, 0.86%, 0.51%

LAB 84.05, -59.18, 13.1

 

CMYK 0 / 91 / 14 / 7

HEX #ED16CB

RGB 237 22 203

HSL 309.49, 0.86%, 0.51%

LAB 54.96, 86.68, -40.24

 

CMYK 14 / 0 / 91 / 7

HEX #CDED16

RGB 205 237 22

HSL 68.93, 0.86%, 0.51%

LAB 88.74, -33.27, 84.59

 

CMYK 91 / 14 / 0 / 7

HEX #16CDED

RGB 22 205 237

HSL 188.93, 0.86%, 0.51%

LAB 76.04, -30.16, -27.46

 

CMYK 0 / 91 / 14 / 7

HEX #ED16CB

RGB 237 22 203

HSL 309.49, 0.86%, 0.51%

LAB 54.96, 86.68, -40.24

 

CMYK 0 / 59 / 91 / 7

HEX #ED6116

RGB 237 97 22

HSL 20.93, 0.86%, 0.51%

LAB 58.61, 51.03, 63.16

 

CMYK 91 / 0 / 77 / 7

HEX #16ED36

RGB 22 237 54

HSL 128.93, 0.86%, 0.51%

LAB 82.38, -78.85, 69.61

 

CMYK 91 / 32 / 0 / 7

HEX #16A2ED

RGB 22 162 237

HSL 200.93, 0.86%, 0.51%

LAB 63.45, -7.64, -47.05

 

CMYK 0 / 91 / 14 / 7

HEX #ED16CB

RGB 237 22 203

HSL 309.49, 0.86%, 0.51%

LAB 54.96, 86.68, -40.24

 

CMYK 0 / 32 / 91 / 7

HEX #EDA216

RGB 237 162 22

HSL 39.07, 0.86%, 0.51%

LAB 72.16, 18.13, 73.03

 

CMYK 91 / 0 / 77 / 7

HEX #16ED36

RGB 22 237 54

HSL 128.93, 0.86%, 0.51%

LAB 82.38, -78.85, 69.61

 

CMYK 91 / 59 / 0 / 7

HEX #1661ED

RGB 22 97 237

HSL 219.07, 0.86%, 0.51%

LAB 45.41, 32.17, -76.04

 

Description

Color code: HEX #ED16CB | qconv.com Color code: HEX #ED16CB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 22 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 22 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 14 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 14% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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