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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED11D1 it is the complementary color #12EE2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED11D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED11D1 shade: #F211CC, #FF23DF, #FF35F2, #FF47FF and #FF59FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED11D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED11D1 shade: #ED11D1, #DC00BE, #CB00AB, #BA0098 and #A90085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED11D1 shade: #EE10D2, #EE1096, #EE105A, #EE101E and #EE1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED11D1 shade: #EE10D2, #CE10EE, #9310EE, #5710EE and #1B10EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED11D1 shade matches the following richer shades: #EE10D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED11D1 shade: #EE10D2, #D925C2, #C539B3, #B04EA4 and #9B6394

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED11D1 shade: #9110EE, #CD10EE, #EE10D4, #EE1099 and #EE105E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED11D1 shade: #A10B8E, #C70DB0, #EE10D2, #F137D9 and #F35DE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED11D1 shade: #ED11D1, #EE5610 and #10EEAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED11D1 shade: #ED11D1, #D4EE10 and #10D4EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED11D1 shade: #ED11D1, #EE5610, #10EE2A and #10A8EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED11D1 shade: #ED11D1, #EE9910, #10EE2A and #1065EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 12 / 7

HEX #ED11D1

RGB 237 17 209

HSL 307.64, 0.87%, 0.5%

LAB 55.08, 87.97, -43.49

 

Complementary color

CMYK 92 / 0 / 81 / 7

HEX #12EE2E

RGB 18 238 46

HSL 127.64, 0.87%, 0.5%

LAB 82.63, -79.8, 72.08

 

CMYK 0 / 93 / 16 / 5

HEX #F211CC

RGB 242 17 204

HSL 310.13, 0.9%, 0.51%

LAB 55.72, 88.24, -39.55

 

CMYK 0 / 86 / 13 / 0

HEX #FF23DF

RGB 255 35 223

HSL 308.73, 1%, 0.57%

LAB 59.7, 90.77, -43.94

 

CMYK 0 / 79 / 5 / 0

HEX #FF35F2

RGB 255 53 242

HSL 303.86, 1%, 0.6%

LAB 61.84, 89.89, -51.2

 

CMYK 0 / 72 / 0 / 0

HEX #FF47FF

RGB 255 71 255

HSL 300, 1%, 0.64%

LAB 64.15, 87.09, -54.73

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 0 / 93 / 12 / 7

HEX #ED11D1

RGB 237 17 209

HSL 307.64, 0.87%, 0.5%

LAB 55.08, 87.97, -43.49

 

CMYK 0 / 100 / 14 / 14

HEX #DC00BE

RGB 220 0 190

HSL 308.18, 1%, 0.43%

LAB 50.61, 83.83, -39.79

 

CMYK 0 / 100 / 16 / 20

HEX #CB00AB

RGB 203 0 171

HSL 309.46, 1%, 0.4%

LAB 46.49, 78.39, -35.32

 

CMYK 0 / 100 / 18 / 27

HEX #BA0098

RGB 186 0 152

HSL 310.97, 1%, 0.36%

LAB 42.32, 72.86, -30.73

 

CMYK 0 / 100 / 21 / 34

HEX #A90085

RGB 169 0 133

HSL 312.78, 1%, 0.33%

LAB 38.07, 67.25, -25.99

 

CMYK 0 / 93 / 12 / 7

HEX #EE10D2

RGB 238 16 210

HSL 307.57, 0.87%, 0.5%

LAB 55.28, 88.37, -43.74

 

CMYK 0 / 93 / 37 / 7

HEX #EE1096

RGB 238 16 150

HSL 323.78, 0.87%, 0.5%

LAB 52.67, 81.63, -12.74

 

CMYK 0 / 93 / 62 / 7

HEX #EE105A

RGB 238 16 90

HSL 340, 0.87%, 0.5%

LAB 51.02, 77.16, 21.21

 

CMYK 0 / 93 / 87 / 7

HEX #EE101E

RGB 238 16 30

HSL 356.22, 0.87%, 0.5%

LAB 50.27, 75.06, 54.21

 

CMYK 0 / 93 / 93 / 7

HEX #EE1010

RGB 238 16 16

HSL 0, 0.87%, 0.5%

LAB 50.2, 74.87, 59.63

 

CMYK 0 / 93 / 12 / 7

HEX #EE10D2

RGB 238 16 210

HSL 307.57, 0.87%, 0.5%

LAB 55.28, 88.37, -43.74

 

CMYK 13 / 93 / 0 / 7

HEX #CE10EE

RGB 206 16 238

HSL 291.35, 0.87%, 0.5%

LAB 51.46, 87.25, -66.04

 

CMYK 38 / 93 / 0 / 7

HEX #9310EE

RGB 147 16 238

HSL 275.41, 0.87%, 0.5%

LAB 42.38, 79.67, -81.23

 

CMYK 63 / 93 / 0 / 7

HEX #5710EE

RGB 87 16 238

HSL 259.19, 0.87%, 0.5%

LAB 35.14, 74.7, -93.42

 

CMYK 89 / 93 / 0 / 7

HEX #1B10EE

RGB 27 16 238

HSL 242.97, 0.87%, 0.5%

LAB 31.29, 72.63, -99.94

 

CMYK 0 / 93 / 12 / 7

HEX #EE10D2

RGB 238 16 210

HSL 307.57, 0.87%, 0.5%

LAB 55.28, 88.37, -43.74

 

CMYK 0 / 93 / 12 / 7

HEX #EE10D2

RGB 238 16 210

HSL 307.57, 0.87%, 0.5%

LAB 55.28, 88.37, -43.74

 

CMYK 0 / 83 / 11 / 15

HEX #D925C2

RGB 217 37 194

HSL 307.67, 0.71%, 0.5%

LAB 51.8, 79.34, -40.26

 

CMYK 0 / 71 / 9 / 23

HEX #C539B3

RGB 197 57 179

HSL 307.71, 0.55%, 0.5%

LAB 49.56, 67.51, -35.29

 

CMYK 0 / 56 / 7 / 31

HEX #B04EA4

RGB 176 78 164

HSL 307.35, 0.39%, 0.5%

LAB 48.71, 51.1, -28.04

 

CMYK 0 / 36 / 5 / 39

HEX #9B6394

RGB 155 99 148

HSL 307.5, 0.22%, 0.5%

LAB 49.53, 30.57, -17.54

 

CMYK 39 / 93 / 0 / 7

HEX #9110EE

RGB 145 16 238

HSL 274.86, 0.87%, 0.5%

LAB 42.1, 79.45, -81.7

 

CMYK 14 / 93 / 0 / 7

HEX #CD10EE

RGB 205 16 238

HSL 291.08, 0.87%, 0.5%

LAB 51.29, 87.1, -66.31

 

CMYK 0 / 93 / 11 / 7

HEX #EE10D4

RGB 238 16 212

HSL 307.03, 0.87%, 0.5%

LAB 55.38, 88.63, -44.72

 

CMYK 0 / 93 / 36 / 7

HEX #EE1099

RGB 238 16 153

HSL 322.97, 0.87%, 0.5%

LAB 52.78, 81.91, -14.37

 

CMYK 0 / 93 / 61 / 7

HEX #EE105E

RGB 238 16 94

HSL 338.92, 0.87%, 0.5%

LAB 51.1, 77.38, 18.88

 

CMYK 0 / 93 / 12 / 37

HEX #A10B8E

RGB 161 11 142

HSL 307.6, 0.87%, 0.34%

LAB 37.43, 65.62, -32.66

 

CMYK 0 / 93 / 12 / 22

HEX #C70DB0

RGB 199 13 176

HSL 307.42, 0.88%, 0.42%

LAB 46.4, 77.18, -38.49

 

CMYK 0 / 93 / 12 / 7

HEX #EE10D2

RGB 238 16 210

HSL 307.57, 0.87%, 0.5%

LAB 55.28, 88.37, -43.74

 

CMYK 0 / 77 / 10 / 5

HEX #F137D9

RGB 241 55 217

HSL 307.74, 0.87%, 0.58%

LAB 58.46, 83.15, -42.67

 

CMYK 0 / 62 / 8 / 5

HEX #F35DE0

RGB 243 93 224

HSL 307.6, 0.86%, 0.66%

LAB 63.56, 72.02, -38.58

 

CMYK 0 / 93 / 12 / 7

HEX #ED11D1

RGB 237 17 209

HSL 307.64, 0.87%, 0.5%

LAB 55.08, 87.97, -43.49

 

CMYK 0 / 64 / 93 / 7

HEX #EE5610

RGB 238 86 16

HSL 18.92, 0.87%, 0.5%

LAB 56.95, 56.1, 63.72

 

CMYK 93 / 0 / 26 / 7

HEX #10EEAF

RGB 16 238 175

HSL 162.97, 0.87%, 0.5%

LAB 84.15, -61.65, 17.4

 

CMYK 0 / 93 / 12 / 7

HEX #ED11D1

RGB 237 17 209

HSL 307.64, 0.87%, 0.5%

LAB 55.08, 87.97, -43.49

 

CMYK 11 / 0 / 93 / 7

HEX #D4EE10

RGB 212 238 16

HSL 67.03, 0.87%, 0.5%

LAB 89.48, -30.99, 86.09

 

CMYK 93 / 11 / 0 / 7

HEX #10D4EE

RGB 16 212 238

HSL 187.03, 0.87%, 0.5%

LAB 78.09, -33.43, -24.86

 

CMYK 0 / 93 / 12 / 7

HEX #ED11D1

RGB 237 17 209

HSL 307.64, 0.87%, 0.5%

LAB 55.08, 87.97, -43.49

 

CMYK 0 / 64 / 93 / 7

HEX #EE5610

RGB 238 86 16

HSL 18.92, 0.87%, 0.5%

LAB 56.95, 56.1, 63.72

 

CMYK 93 / 0 / 82 / 7

HEX #10EE2A

RGB 16 238 42

HSL 127.03, 0.87%, 0.5%

LAB 82.61, -80.1, 73.06

 

CMYK 93 / 29 / 0 / 7

HEX #10A8EE

RGB 16 168 238

HSL 198.92, 0.87%, 0.5%

LAB 65.19, -10.86, -44.85

 

CMYK 0 / 93 / 12 / 7

HEX #ED11D1

RGB 237 17 209

HSL 307.64, 0.87%, 0.5%

LAB 55.08, 87.97, -43.49

 

CMYK 0 / 36 / 93 / 7

HEX #EE9910

RGB 238 153 16

HSL 37.03, 0.87%, 0.5%

LAB 70.17, 23.23, 72.72

 

CMYK 93 / 0 / 82 / 7

HEX #10EE2A

RGB 16 238 42

HSL 127.03, 0.87%, 0.5%

LAB 82.61, -80.1, 73.06

 

CMYK 93 / 58 / 0 / 7

HEX #1065EE

RGB 16 101 238

HSL 217.03, 0.87%, 0.5%

LAB 46.43, 29.77, -74.93

 

Description

Color code: HEX #ED11D1 | qconv.com Color code: HEX #ED11D1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 17 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 17 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 12 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 12% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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