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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED217E it is the complementary color #12DE81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED217E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED217E shade: #F22179, #FF338C, #FF459F, #FF57B2 and #FF69C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED217E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED217E shade: #ED217E, #DC0F6B, #CB0058, #BA0045 and #A90032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED217E shade: #ED217E, #ED2147 and #ED2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED217E shade: #ED217E, #ED21B5, #ED21EC, #B721ED and #8021ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED217E shade matches the following richer shades: #ED217E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED217E shade: #ED217E, #D9347F, #C64881, #B25B83 and #9F6E85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED217E shade: #ED21ED, #ED21B6, #ED2180, #ED214A and #ED2E21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED217E shade: #AD0E56, #D31169, #ED217E, #F04794 and #F36DAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED217E shade: #ED217E, #EDB621 and #21D1ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED217E shade: #ED217E, #80ED21 and #2180ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED217E shade: #ED217E, #EDB621, #21ED8D and #2157ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED217E shade: #ED217E, #E6ED21, #21ED8D and #2821ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 47 / 7

HEX #ED217E

RGB 237 33 126

HSL 332.65, 0.85%, 0.53%

LAB 52.51, 77, 1.39

 

Complementary color

CMYK 92 / 0 / 42 / 13

HEX #12DE81

RGB 18 222 129

HSL 152.65, 0.85%, 0.47%

LAB 78.44, -65.36, 33.28

 

CMYK 0 / 86 / 50 / 5

HEX #F22179

RGB 242 33 121

HSL 334.74, 0.89%, 0.54%

LAB 53.33, 77.78, 5.71

 

CMYK 0 / 80 / 45 / 0

HEX #FF338C

RGB 255 51 140

HSL 333.82, 1%, 0.6%

LAB 57.58, 78.67, 0.82

 

CMYK 0 / 73 / 38 / 0

HEX #FF459F

RGB 255 69 159

HSL 330.97, 1%, 0.64%

LAB 59.91, 75.44, -6.9

 

CMYK 0 / 66 / 30 / 0

HEX #FF57B2

RGB 255 87 178

HSL 327.5, 1%, 0.67%

LAB 62.75, 71.27, -13.62

 

CMYK 0 / 59 / 23 / 0

HEX #FF69C5

RGB 255 105 197

HSL 323.2, 1%, 0.71%

LAB 66.05, 66.4, -19.42

 

CMYK 0 / 86 / 47 / 7

HEX #ED217E

RGB 237 33 126

HSL 332.65, 0.85%, 0.53%

LAB 52.51, 77, 1.39

 

CMYK 0 / 93 / 51 / 14

HEX #DC0F6B

RGB 220 15 107

HSL 333.07, 0.87%, 0.46%

LAB 47.78, 74.17, 5.73

 

CMYK 0 / 100 / 57 / 20

HEX #CB0058

RGB 203 0 88

HSL 333.99, 1%, 0.4%

LAB 43.36, 70.32, 10.84

 

CMYK 0 / 100 / 63 / 27

HEX #BA0045

RGB 186 0 69

HSL 337.74, 1%, 0.36%

LAB 39.36, 65.2, 16.86

 

CMYK 0 / 100 / 70 / 34

HEX #A90032

RGB 169 0 50

HSL 342.25, 1%, 0.33%

LAB 35.33, 60.11, 23.16

 

CMYK 0 / 86 / 47 / 7

HEX #ED217E

RGB 237 33 126

HSL 332.65, 0.85%, 0.53%

LAB 52.51, 77, 1.39

 

CMYK 0 / 86 / 70 / 7

HEX #ED2147

RGB 237 33 71

HSL 348.82, 0.85%, 0.53%

LAB 51.32, 73.6, 32.99

 

CMYK 0 / 86 / 86 / 7

HEX #ED2121

RGB 237 33 33

HSL 0, 0.85%, 0.53%

LAB 50.92, 72.44, 53.27

 

CMYK 0 / 86 / 47 / 7

HEX #ED217E

RGB 237 33 126

HSL 332.65, 0.85%, 0.53%

LAB 52.51, 77, 1.39

 

CMYK 0 / 86 / 24 / 7

HEX #ED21B5

RGB 237 33 181

HSL 316.47, 0.85%, 0.53%

LAB 54.48, 82.44, -28.27

 

CMYK 0 / 86 / 0 / 7

HEX #ED21EC

RGB 237 33 236

HSL 300.29, 0.85%, 0.53%

LAB 57.22, 89.66, -55.38

 

CMYK 23 / 86 / 0 / 7

HEX #B721ED

RGB 183 33 237

HSL 284.12, 0.85%, 0.53%

LAB 48.6, 81.16, -70.28

 

CMYK 46 / 86 / 0 / 7

HEX #8021ED

RGB 128 33 237

HSL 267.94, 0.85%, 0.53%

LAB 40.88, 74.03, -83.22

 

CMYK 0 / 86 / 47 / 7

HEX #ED217E

RGB 237 33 126

HSL 332.65, 0.85%, 0.53%

LAB 52.51, 77, 1.39

 

CMYK 0 / 86 / 47 / 7

HEX #ED217E

RGB 237 33 126

HSL 332.65, 0.85%, 0.53%

LAB 52.51, 77, 1.39

 

CMYK 0 / 76 / 41 / 15

HEX #D9347F

RGB 217 52 127

HSL 332.73, 0.68%, 0.53%

LAB 50.38, 67.67, -2.77

 

CMYK 0 / 64 / 35 / 22

HEX #C64881

RGB 198 72 129

HSL 332.86, 0.53%, 0.53%

LAB 49.77, 55.31, -5.25

 

CMYK 0 / 49 / 26 / 30

HEX #B25B83

RGB 178 91 131

HSL 332.41, 0.36%, 0.53%

LAB 50.2, 40.06, -6.14

 

CMYK 0 / 31 / 16 / 38

HEX #9F6E85

RGB 159 110 133

HSL 331.84, 0.2%, 0.53%

LAB 52.08, 23.05, -4.8

 

CMYK 0 / 86 / 0 / 7

HEX #ED21ED

RGB 237 33 237

HSL 300, 0.85%, 0.53%

LAB 57.28, 89.8, -55.85

 

CMYK 0 / 86 / 23 / 7

HEX #ED21B6

RGB 237 33 182

HSL 316.18, 0.85%, 0.53%

LAB 54.52, 82.56, -28.78

 

CMYK 0 / 86 / 46 / 7

HEX #ED2180

RGB 237 33 128

HSL 332.06, 0.85%, 0.53%

LAB 52.57, 77.16, 0.27

 

CMYK 0 / 86 / 69 / 7

HEX #ED214A

RGB 237 33 74

HSL 347.94, 0.85%, 0.53%

LAB 51.37, 73.74, 31.26

 

CMYK 0 / 81 / 86 / 7

HEX #ED2E21

RGB 237 46 33

HSL 3.82, 0.85%, 0.53%

LAB 51.91, 69.62, 54.08

 

CMYK 0 / 92 / 50 / 32

HEX #AD0E56

RGB 173 14 86

HSL 332.83, 0.85%, 0.37%

LAB 37.61, 61.64, 3.09

 

CMYK 0 / 92 / 50 / 17

HEX #D31169

RGB 211 17 105

HSL 332.78, 0.85%, 0.45%

LAB 46, 71.72, 4.18

 

CMYK 0 / 86 / 47 / 7

HEX #ED217E

RGB 237 33 126

HSL 332.65, 0.85%, 0.53%

LAB 52.51, 77, 1.39

 

CMYK 0 / 70 / 38 / 6

HEX #F04794

RGB 240 71 148

HSL 332.66, 0.85%, 0.61%

LAB 57.24, 69.73, -4.7

 

CMYK 0 / 55 / 30 / 5

HEX #F36DAA

RGB 243 109 170

HSL 332.69, 0.85%, 0.69%

LAB 64.08, 57.63, -7.25

 

CMYK 0 / 86 / 47 / 7

HEX #ED217E

RGB 237 33 126

HSL 332.65, 0.85%, 0.53%

LAB 52.51, 77, 1.39

 

CMYK 0 / 23 / 86 / 7

HEX #EDB621

RGB 237 182 33

HSL 43.82, 0.85%, 0.53%

LAB 77.02, 7.79, 74.39

 

CMYK 86 / 12 / 0 / 7

HEX #21D1ED

RGB 33 209 237

HSL 188.24, 0.85%, 0.53%

LAB 77.3, -31.54, -25.52

 

CMYK 0 / 86 / 47 / 7

HEX #ED217E

RGB 237 33 126

HSL 332.65, 0.85%, 0.53%

LAB 52.51, 77, 1.39

 

CMYK 46 / 0 / 86 / 7

HEX #80ED21

RGB 128 237 33

HSL 92.06, 0.85%, 0.53%

LAB 84.62, -60.71, 77.71

 

CMYK 86 / 46 / 0 / 7

HEX #2180ED

RGB 33 128 237

HSL 212.06, 0.85%, 0.53%

LAB 53.9, 13.13, -62.26

 

CMYK 0 / 86 / 47 / 7

HEX #ED217E

RGB 237 33 126

HSL 332.65, 0.85%, 0.53%

LAB 52.51, 77, 1.39

 

CMYK 0 / 23 / 86 / 7

HEX #EDB621

RGB 237 182 33

HSL 43.82, 0.85%, 0.53%

LAB 77.02, 7.79, 74.39

 

CMYK 86 / 0 / 41 / 7

HEX #21ED8D

RGB 33 237 141

HSL 151.76, 0.85%, 0.53%

LAB 83.34, -67.39, 33.71

 

CMYK 86 / 63 / 0 / 7

HEX #2157ED

RGB 33 87 237

HSL 224.12, 0.85%, 0.53%

LAB 43.14, 39.06, -79.74

 

CMYK 0 / 86 / 47 / 7

HEX #ED217E

RGB 237 33 126

HSL 332.65, 0.85%, 0.53%

LAB 52.51, 77, 1.39

 

CMYK 3 / 0 / 86 / 7

HEX #E6ED21

RGB 230 237 33

HSL 62.06, 0.85%, 0.53%

LAB 90.55, -22.88, 85.06

 

CMYK 86 / 0 / 41 / 7

HEX #21ED8D

RGB 33 237 141

HSL 151.76, 0.85%, 0.53%

LAB 83.34, -67.39, 33.71

 

CMYK 83 / 86 / 0 / 7

HEX #2821ED

RGB 40 33 237

HSL 242.06, 0.85%, 0.53%

LAB 33.25, 67.79, -96.09

 

Description

Color code: HEX #ED217E | qconv.com Color code: HEX #ED217E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 33 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 33 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 47 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 47% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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