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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED21C9 it is the complementary color #12DE36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED21C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED21C9 shade: #F221C4, #FF33D7, #FF45EA, #FF57FD and #FF69FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED21C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED21C9 shade: #ED21C9, #DC0FB6, #CB00A3, #BA0090 and #A9007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED21C9 shade: #ED21C9, #ED2192, #ED215B, #ED2124 and #ED2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED21C9 shade: #ED21C9, #DA21ED, #A321ED, #6C21ED and #3521ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED21C9 shade matches the following richer shades: #ED21C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED21C9 shade: #ED21C9, #D934BC, #C648AF, #B25BA3 and #9F6E96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED21C9 shade: #A221ED, #D821ED, #ED21CB, #ED2194 and #ED215E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED21C9 shade: #AD0E91, #D311B1, #ED21C9, #F047D2 and #F36DDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED21C9 shade: #ED21C9, #ED6B21 and #21EDBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED21C9 shade: #ED21C9, #CBED21 and #21CBED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED21C9 shade: #ED21C9, #ED6B21, #21ED43 and #21A2ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED21C9 shade: #ED21C9, #EDA921, #21ED43 and #2165ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 15 / 7

HEX #ED21C9

RGB 237 33 201

HSL 310.59, 0.85%, 0.53%

LAB 55.39, 84.88, -38.42

 

Complementary color

CMYK 92 / 0 / 76 / 13

HEX #12DE36

RGB 18 222 54

HSL 130.59, 0.85%, 0.47%

LAB 77.66, -74.88, 65

 

CMYK 0 / 86 / 19 / 5

HEX #F221C4

RGB 242 33 196

HSL 313.21, 0.89%, 0.54%

LAB 56.04, 85.23, -34.46

 

CMYK 0 / 80 / 16 / 0

HEX #FF33D7

RGB 255 51 215

HSL 311.76, 1%, 0.6%

LAB 60.37, 86.7, -38.37

 

CMYK 0 / 73 / 8 / 0

HEX #FF45EA

RGB 255 69 234

HSL 306.77, 1%, 0.64%

LAB 62.89, 84.58, -45.08

 

CMYK 0 / 66 / 1 / 0

HEX #FF57FD

RGB 255 87 253

HSL 300.71, 1%, 0.67%

LAB 65.88, 81.58, -50.89

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 86 / 15 / 7

HEX #ED21C9

RGB 237 33 201

HSL 310.59, 0.85%, 0.53%

LAB 55.39, 84.88, -38.42

 

CMYK 0 / 93 / 17 / 14

HEX #DC0FB6

RGB 220 15 182

HSL 311.12, 0.87%, 0.46%

LAB 50.61, 81.65, -35.12

 

CMYK 0 / 100 / 20 / 20

HEX #CB00A3

RGB 203 0 163

HSL 311.82, 1%, 0.4%

LAB 46.1, 77.4, -31.19

 

CMYK 0 / 100 / 23 / 27

HEX #BA0090

RGB 186 0 144

HSL 313.55, 1%, 0.36%

LAB 41.93, 71.88, -26.48

 

CMYK 0 / 100 / 26 / 34

HEX #A9007D

RGB 169 0 125

HSL 315.62, 1%, 0.33%

LAB 37.69, 66.29, -21.61

 

CMYK 0 / 86 / 15 / 7

HEX #ED21C9

RGB 237 33 201

HSL 310.59, 0.85%, 0.53%

LAB 55.39, 84.88, -38.42

 

CMYK 0 / 86 / 38 / 7

HEX #ED2192

RGB 237 33 146

HSL 326.76, 0.85%, 0.53%

LAB 53.13, 78.75, -9.69

 

CMYK 0 / 86 / 62 / 7

HEX #ED215B

RGB 237 33 91

HSL 342.94, 0.85%, 0.53%

LAB 51.66, 74.6, 21.42

 

CMYK 0 / 86 / 85 / 7

HEX #ED2124

RGB 237 33 36

HSL 359.12, 0.85%, 0.53%

LAB 50.94, 72.5, 51.87

 

CMYK 0 / 86 / 86 / 7

HEX #ED2121

RGB 237 33 33

HSL 0, 0.85%, 0.53%

LAB 50.92, 72.44, 53.27

 

CMYK 0 / 86 / 15 / 7

HEX #ED21C9

RGB 237 33 201

HSL 310.59, 0.85%, 0.53%

LAB 55.39, 84.88, -38.42

 

CMYK 8 / 86 / 0 / 7

HEX #DA21ED

RGB 218 33 237

HSL 294.41, 0.85%, 0.53%

LAB 54.14, 86.62, -61.05

 

CMYK 31 / 86 / 0 / 7

HEX #A321ED

RGB 163 33 237

HSL 278.24, 0.85%, 0.53%

LAB 45.62, 78.33, -75.27

 

CMYK 54 / 86 / 0 / 7

HEX #6C21ED

RGB 108 33 237

HSL 262.06, 0.85%, 0.53%

LAB 38.53, 72, -87.17

 

CMYK 78 / 86 / 0 / 7

HEX #3521ED

RGB 53 33 237

HSL 245.88, 0.85%, 0.53%

LAB 33.9, 68.28, -95

 

CMYK 0 / 86 / 15 / 7

HEX #ED21C9

RGB 237 33 201

HSL 310.59, 0.85%, 0.53%

LAB 55.39, 84.88, -38.42

 

CMYK 0 / 86 / 15 / 7

HEX #ED21C9

RGB 237 33 201

HSL 310.59, 0.85%, 0.53%

LAB 55.39, 84.88, -38.42

 

CMYK 0 / 76 / 13 / 15

HEX #D934BC

RGB 217 52 188

HSL 310.55, 0.68%, 0.53%

LAB 52.77, 74.86, -35.26

 

CMYK 0 / 64 / 12 / 22

HEX #C648AF

RGB 198 72 175

HSL 310.95, 0.53%, 0.53%

LAB 51.54, 61.53, -29.85

 

CMYK 0 / 49 / 8 / 30

HEX #B25BA3

RGB 178 91 163

HSL 310.34, 0.36%, 0.53%

LAB 51.37, 45.09, -23.3

 

CMYK 0 / 31 / 6 / 38

HEX #9F6E96

RGB 159 110 150

HSL 311.02, 0.2%, 0.53%

LAB 52.65, 26.08, -13.94

 

CMYK 32 / 86 / 0 / 7

HEX #A221ED

RGB 162 33 237

HSL 277.94, 0.85%, 0.53%

LAB 45.47, 78.2, -75.51

 

CMYK 9 / 86 / 0 / 7

HEX #D821ED

RGB 216 33 237

HSL 293.82, 0.85%, 0.53%

LAB 53.82, 86.3, -61.59

 

CMYK 0 / 86 / 14 / 7

HEX #ED21CB

RGB 237 33 203

HSL 310, 0.85%, 0.53%

LAB 55.49, 85.14, -39.41

 

CMYK 0 / 86 / 38 / 7

HEX #ED2194

RGB 237 33 148

HSL 326.18, 0.85%, 0.53%

LAB 53.2, 78.94, -10.78

 

CMYK 0 / 86 / 60 / 7

HEX #ED215E

RGB 237 33 94

HSL 342.06, 0.85%, 0.53%

LAB 51.72, 74.77, 19.68

 

CMYK 0 / 92 / 16 / 32

HEX #AD0E91

RGB 173 14 145

HSL 310.57, 0.85%, 0.37%

LAB 39.99, 67.99, -30.31

 

CMYK 0 / 92 / 16 / 17

HEX #D311B1

RGB 211 17 177

HSL 310.52, 0.85%, 0.45%

LAB 48.79, 79.12, -35.16

 

CMYK 0 / 86 / 15 / 7

HEX #ED21C9

RGB 237 33 201

HSL 310.59, 0.85%, 0.53%

LAB 55.39, 84.88, -38.42

 

CMYK 0 / 70 / 13 / 6

HEX #F047D2

RGB 240 71 210

HSL 310.65, 0.85%, 0.61%

LAB 59.6, 77.27, -36.91

 

CMYK 0 / 55 / 10 / 5

HEX #F36DDB

RGB 243 109 219

HSL 310.75, 0.85%, 0.69%

LAB 65.83, 64.48, -32.25

 

CMYK 0 / 86 / 15 / 7

HEX #ED21C9

RGB 237 33 201

HSL 310.59, 0.85%, 0.53%

LAB 55.39, 84.88, -38.42

 

CMYK 0 / 55 / 86 / 7

HEX #ED6B21

RGB 237 107 33

HSL 21.76, 0.85%, 0.53%

LAB 60.45, 46.58, 61

 

CMYK 86 / 0 / 20 / 7

HEX #21EDBD

RGB 33 237 189

HSL 165.88, 0.85%, 0.53%

LAB 84.26, -57.16, 10.28

 

CMYK 0 / 86 / 15 / 7

HEX #ED21C9

RGB 237 33 201

HSL 310.59, 0.85%, 0.53%

LAB 55.39, 84.88, -38.42

 

CMYK 14 / 0 / 86 / 7

HEX #CBED21

RGB 203 237 33

HSL 70, 0.85%, 0.53%

LAB 88.63, -33.85, 82.69

 

CMYK 86 / 14 / 0 / 7

HEX #21CBED

RGB 33 203 237

HSL 190, 0.85%, 0.53%

LAB 75.54, -28.62, -28.21

 

CMYK 0 / 86 / 15 / 7

HEX #ED21C9

RGB 237 33 201

HSL 310.59, 0.85%, 0.53%

LAB 55.39, 84.88, -38.42

 

CMYK 0 / 55 / 86 / 7

HEX #ED6B21

RGB 237 107 33

HSL 21.76, 0.85%, 0.53%

LAB 60.45, 46.58, 61

 

CMYK 86 / 0 / 72 / 7

HEX #21ED43

RGB 33 237 67

HSL 130, 0.85%, 0.53%

LAB 82.54, -77.17, 65.56

 

CMYK 86 / 32 / 0 / 7

HEX #21A2ED

RGB 33 162 237

HSL 202.06, 0.85%, 0.53%

LAB 63.57, -7.02, -46.84

 

CMYK 0 / 86 / 15 / 7

HEX #ED21C9

RGB 237 33 201

HSL 310.59, 0.85%, 0.53%

LAB 55.39, 84.88, -38.42

 

CMYK 0 / 29 / 86 / 7

HEX #EDA921

RGB 237 169 33

HSL 40, 0.85%, 0.53%

LAB 73.86, 14.63, 71.84

 

CMYK 86 / 0 / 72 / 7

HEX #21ED43

RGB 33 237 67

HSL 130, 0.85%, 0.53%

LAB 82.54, -77.17, 65.56

 

CMYK 86 / 57 / 0 / 7

HEX #2165ED

RGB 33 101 237

HSL 220, 0.85%, 0.53%

LAB 46.64, 30.19, -74.02

 

Description

Color code: HEX #ED21C9 | qconv.com Color code: HEX #ED21C9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 33 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 33 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 15 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 15% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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