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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED36D3 it is the complementary color #12C92C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED36D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED36D3 shade: #F236CE, #FF48E1, #FF5AF4, #FF6CFF and #FF7EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED36D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED36D3 shade: #ED36D3, #DC24C0, #CB12AD, #BA009A and #A90087

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED36D3 shade: #ED35D3, #ED35A1, #ED356F, #ED353E and #ED3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED36D3 shade: #ED35D3, #D535ED, #A435ED, #7235ED and #4035ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED36D3 shade matches the following richer shades: #ED35D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED36D3 shade: #ED35D3, #DB46C6, #C958B9, #B86AAD and #A67CA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED36D3 shade: #A335ED, #D435ED, #ED35D4, #ED35A3 and #ED3572

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED36D3 shade: #BF10A6, #E513C7, #ED35D3, #F05BDB and #F481E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED36D3 shade: #ED36D3, #ED7235 and #35EDBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED36D3 shade: #ED36D3, #D4ED35 and #35D4ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED36D3 shade: #ED36D3, #ED7235, #35ED4D and #35B0ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED36D3 shade: #ED36D3, #EDA935, #35ED4D and #3578ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 11 / 7

HEX #ED36D3

RGB 237 54 211

HSL 308.52, 0.84%, 0.57%

LAB 57.41, 81.75, -40.95

 

Complementary color

CMYK 91 / 0 / 78 / 21

HEX #12C92C

RGB 18 201 44

HSL 128.52, 0.84%, 0.43%

LAB 70.93, -69.61, 61.58

 

CMYK 0 / 78 / 15 / 5

HEX #F236CE

RGB 242 54 206

HSL 311.49, 0.88%, 0.58%

LAB 58.01, 82.12, -37.11

 

CMYK 0 / 72 / 12 / 0

HEX #FF48E1

RGB 255 72 225

HSL 309.84, 1%, 0.64%

LAB 62.79, 82.42, -40.22

 

CMYK 0 / 65 / 4 / 0

HEX #FF5AF4

RGB 255 90 244

HSL 304, 1%, 0.68%

LAB 65.83, 79.1, -46.01

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 77 / 11 / 7

HEX #ED36D3

RGB 237 54 211

HSL 308.52, 0.84%, 0.57%

LAB 57.41, 81.75, -40.95

 

CMYK 0 / 84 / 13 / 14

HEX #DC24C0

RGB 220 36 192

HSL 309.13, 0.72%, 0.5%

LAB 52.16, 79.86, -38.51

 

CMYK 0 / 91 / 15 / 20

HEX #CB12AD

RGB 203 18 173

HSL 309.73, 0.84%, 0.43%

LAB 47.17, 76.97, -35.45

 

CMYK 0 / 100 / 17 / 27

HEX #BA009A

RGB 186 0 154

HSL 310.32, 1%, 0.36%

LAB 42.42, 73.12, -31.78

 

CMYK 0 / 100 / 20 / 34

HEX #A90087

RGB 169 0 135

HSL 312.07, 1%, 0.33%

LAB 38.17, 67.5, -27.07

 

CMYK 0 / 78 / 11 / 7

HEX #ED35D3

RGB 237 53 211

HSL 308.48, 0.84%, 0.57%

LAB 57.32, 82.01, -41.1

 

CMYK 0 / 78 / 32 / 7

HEX #ED35A1

RGB 237 53 161

HSL 324.78, 0.84%, 0.57%

LAB 55.2, 75.84, -15.45

 

CMYK 0 / 78 / 53 / 7

HEX #ED356F

RGB 237 53 111

HSL 341.09, 0.84%, 0.57%

LAB 53.71, 71.3, 12.13

 

CMYK 0 / 78 / 74 / 7

HEX #ED353E

RGB 237 53 62

HSL 357.07, 0.84%, 0.57%

LAB 52.84, 68.59, 39.97

 

CMYK 0 / 78 / 78 / 7

HEX #ED3535

RGB 237 53 53

HSL 0, 0.84%, 0.57%

LAB 52.74, 68.27, 44.84

 

CMYK 0 / 78 / 11 / 7

HEX #ED35D3

RGB 237 53 211

HSL 308.48, 0.84%, 0.57%

LAB 57.32, 82.01, -41.1

 

CMYK 10 / 78 / 0 / 7

HEX #D535ED

RGB 213 53 237

HSL 292.17, 0.84%, 0.57%

LAB 54.87, 81.3, -59.92

 

CMYK 31 / 78 / 0 / 7

HEX #A435ED

RGB 164 53 237

HSL 276.2, 0.84%, 0.57%

LAB 47.69, 72.83, -71.88

 

CMYK 52 / 78 / 0 / 7

HEX #7235ED

RGB 114 53 237

HSL 259.89, 0.84%, 0.57%

LAB 41.59, 65.57, -82.11

 

CMYK 73 / 78 / 0 / 7

HEX #4035ED

RGB 64 53 237

HSL 243.59, 0.84%, 0.57%

LAB 37.39, 60.54, -89.18

 

CMYK 0 / 78 / 11 / 7

HEX #ED35D3

RGB 237 53 211

HSL 308.48, 0.84%, 0.57%

LAB 57.32, 82.01, -41.1

 

CMYK 0 / 78 / 11 / 7

HEX #ED35D3

RGB 237 53 211

HSL 308.48, 0.84%, 0.57%

LAB 57.32, 82.01, -41.1

 

CMYK 0 / 68 / 10 / 14

HEX #DB46C6

RGB 219 70 198

HSL 308.46, 0.67%, 0.57%

LAB 55.6, 70.99, -36.57

 

CMYK 0 / 56 / 8 / 21

HEX #C958B9

RGB 201 88 185

HSL 308.5, 0.51%, 0.57%

LAB 54.97, 56.98, -30.28

 

CMYK 0 / 42 / 6 / 28

HEX #B86AAD

RGB 184 106 173

HSL 308.46, 0.35%, 0.57%

LAB 55.6, 40.89, -22.56

 

CMYK 0 / 25 / 4 / 35

HEX #A67CA0

RGB 166 124 160

HSL 308.57, 0.19%, 0.57%

LAB 57.13, 22.45, -12.91

 

CMYK 31 / 78 / 0 / 7

HEX #A335ED

RGB 163 53 237

HSL 275.87, 0.84%, 0.57%

LAB 47.56, 72.66, -72.11

 

CMYK 11 / 78 / 0 / 7

HEX #D435ED

RGB 212 53 237

HSL 291.85, 0.84%, 0.57%

LAB 54.72, 81.12, -60.18

 

CMYK 0 / 78 / 11 / 7

HEX #ED35D4

RGB 237 53 212

HSL 308.15, 0.84%, 0.57%

LAB 57.37, 82.15, -41.59

 

CMYK 0 / 78 / 31 / 7

HEX #ED35A3

RGB 237 53 163

HSL 324.13, 0.84%, 0.57%

LAB 55.27, 76.06, -16.52

 

CMYK 0 / 78 / 52 / 7

HEX #ED3572

RGB 237 53 114

HSL 340.11, 0.84%, 0.57%

LAB 53.78, 71.53, 10.43

 

CMYK 0 / 92 / 13 / 25

HEX #BF10A6

RGB 191 16 166

HSL 308.57, 0.85%, 0.41%

LAB 44.52, 74.02, -35.61

 

CMYK 0 / 92 / 13 / 10

HEX #E513C7

RGB 229 19 199

HSL 308.57, 0.85%, 0.49%

LAB 53.22, 85.05, -40.78

 

CMYK 0 / 78 / 11 / 7

HEX #ED35D3

RGB 237 53 211

HSL 308.48, 0.84%, 0.57%

LAB 57.32, 82.01, -41.1

 

CMYK 0 / 62 / 9 / 6

HEX #F05BDB

RGB 240 91 219

HSL 308.46, 0.83%, 0.65%

LAB 62.61, 71.31, -37.29

 

CMYK 0 / 47 / 7 / 4

HEX #F481E3

RGB 244 129 227

HSL 308.87, 0.84%, 0.73%

LAB 69.81, 56.71, -30.53

 

CMYK 0 / 77 / 11 / 7

HEX #ED36D3

RGB 237 54 211

HSL 308.52, 0.84%, 0.57%

LAB 57.41, 81.75, -40.95

 

CMYK 0 / 52 / 78 / 7

HEX #ED7235

RGB 237 114 53

HSL 19.89, 0.84%, 0.57%

LAB 61.91, 43.76, 54.11

 

CMYK 78 / 0 / 21 / 7

HEX #35EDBC

RGB 53 237 188

HSL 164.02, 0.84%, 0.57%

LAB 84.46, -55.76, 11.12

 

CMYK 0 / 77 / 11 / 7

HEX #ED36D3

RGB 237 54 211

HSL 308.52, 0.84%, 0.57%

LAB 57.41, 81.75, -40.95

 

CMYK 11 / 0 / 78 / 7

HEX #D4ED35

RGB 212 237 53

HSL 68.15, 0.84%, 0.57%

LAB 89.31, -29.63, 78.85

 

CMYK 78 / 11 / 0 / 7

HEX #35D4ED

RGB 53 212 237

HSL 188.15, 0.84%, 0.57%

LAB 78.44, -31.44, -23.76

 

CMYK 0 / 77 / 11 / 7

HEX #ED36D3

RGB 237 54 211

HSL 308.52, 0.84%, 0.57%

LAB 57.41, 81.75, -40.95

 

CMYK 0 / 52 / 78 / 7

HEX #ED7235

RGB 237 114 53

HSL 19.89, 0.84%, 0.57%

LAB 61.91, 43.76, 54.11

 

CMYK 78 / 0 / 68 / 7

HEX #35ED4D

RGB 53 237 77

HSL 127.83, 0.84%, 0.57%

LAB 82.84, -74.28, 62.26

 

CMYK 78 / 26 / 0 / 7

HEX #35B0ED

RGB 53 176 237

HSL 199.89, 0.84%, 0.57%

LAB 67.96, -13.06, -39.92

 

CMYK 0 / 77 / 11 / 7

HEX #ED36D3

RGB 237 54 211

HSL 308.52, 0.84%, 0.57%

LAB 57.41, 81.75, -40.95

 

CMYK 0 / 29 / 78 / 7

HEX #EDA935

RGB 237 169 53

HSL 37.83, 0.84%, 0.57%

LAB 73.96, 15.22, 65.63

 

CMYK 78 / 0 / 68 / 7

HEX #35ED4D

RGB 53 237 77

HSL 127.83, 0.84%, 0.57%

LAB 82.84, -74.28, 62.26

 

CMYK 78 / 49 / 0 / 7

HEX #3578ED

RGB 53 120 237

HSL 218.15, 0.84%, 0.57%

LAB 52.18, 19.81, -65

 

Description

Color code: HEX #ED36D3 | qconv.com Color code: HEX #ED36D3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 54 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 54 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 11 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 11% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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