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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED3EDB it is the complementary color #12C124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED3EDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED3EDB shade: #F23ED6, #FF50E9, #FF62FC, #FF74FF and #FF86FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED3EDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED3EDB shade: #ED3EDB, #DC2CC8, #CB1AB5, #BA08A2 and #A9008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED3EDB shade: #ED3FDB, #ED3FAC, #ED3F7D, #ED3F4E and #ED3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED3EDB shade: #ED3FDB, #D03FED, #A13FED, #723FED and #433FED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED3EDB shade matches the following richer shades: #ED3FDB and #FE2EE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED3EDB shade: #ED3FDB, #DC50CD, #CB61C0, #BA72B3 and #A983A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED3EDB shade: #A23FED, #D03FED, #ED3FDB, #ED3FAD and #ED3F7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED3EDB shade: #C712B5, #E919D4, #ED3FDB, #F065E2 and #F48BE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED3EDB shade: #ED3EDB, #ED733F and #3FEDB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED3EDB shade: #ED3EDB, #DBED3F and #3FDBED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED3EDB shade: #ED3EDB, #ED733F, #3FED51 and #3FB9ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED3EDB shade: #ED3EDB, #EDA73F, #3FED51 and #3F85ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 8 / 7

HEX #ED3EDB

RGB 237 62 219

HSL 306.17, 0.83%, 0.59%

LAB 58.57, 80.68, -43.67

 

Complementary color

CMYK 91 / 0 / 81 / 24

HEX #12C124

RGB 18 193 36

HSL 126.17, 0.83%, 0.41%

LAB 68.31, -67.82, 61.44

 

CMYK 0 / 74 / 12 / 5

HEX #F23ED6

RGB 242 62 214

HSL 309.33, 0.87%, 0.6%

LAB 59.14, 81.04, -39.89

 

CMYK 0 / 69 / 9 / 0

HEX #FF50E9

RGB 255 80 233

HSL 307.54, 1%, 0.66%

LAB 64.06, 80.98, -42.68

 

CMYK 0 / 62 / 1 / 0

HEX #FF62FC

RGB 255 98 252

HSL 301.15, 1%, 0.69%

LAB 67.29, 77.33, -48.11

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 74 / 8 / 7

HEX #ED3EDB

RGB 237 62 219

HSL 306.17, 0.83%, 0.59%

LAB 58.57, 80.68, -43.67

 

CMYK 0 / 80 / 9 / 14

HEX #DC2CC8

RGB 220 44 200

HSL 306.82, 0.72%, 0.52%

LAB 53.15, 79.23, -41.56

 

CMYK 0 / 87 / 11 / 20

HEX #CB1AB5

RGB 203 26 181

HSL 307.46, 0.77%, 0.45%

LAB 47.97, 76.88, -38.9

 

CMYK 0 / 96 / 13 / 27

HEX #BA08A2

RGB 186 8 162

HSL 308.09, 0.92%, 0.38%

LAB 43.09, 73.39, -35.53

 

CMYK 0 / 100 / 15 / 34

HEX #A9008F

RGB 169 0 143

HSL 309.23, 1%, 0.33%

LAB 38.58, 68.53, -31.35

 

CMYK 0 / 73 / 8 / 7

HEX #ED3FDB

RGB 237 63 219

HSL 306.21, 0.83%, 0.59%

LAB 58.67, 80.39, -43.51

 

CMYK 0 / 73 / 27 / 7

HEX #ED3FAC

RGB 237 63 172

HSL 322.41, 0.83%, 0.59%

LAB 56.62, 74.2, -19.73

 

CMYK 0 / 73 / 47 / 7

HEX #ED3F7D

RGB 237 63 125

HSL 338.62, 0.83%, 0.59%

LAB 55.11, 69.43, 5.75

 

CMYK 0 / 73 / 67 / 7

HEX #ED3F4E

RGB 237 63 78

HSL 354.83, 0.83%, 0.59%

LAB 54.14, 66.25, 32.33

 

CMYK 0 / 73 / 73 / 7

HEX #ED3F3F

RGB 237 63 63

HSL 0, 0.83%, 0.59%

LAB 53.94, 65.58, 40.65

 

CMYK 0 / 73 / 8 / 7

HEX #ED3FDB

RGB 237 63 219

HSL 306.21, 0.83%, 0.59%

LAB 58.67, 80.39, -43.51

 

CMYK 12 / 73 / 0 / 7

HEX #D03FED

RGB 208 63 237

HSL 290, 0.83%, 0.59%

LAB 55.15, 77.36, -59.51

 

CMYK 32 / 73 / 0 / 7

HEX #A13FED

RGB 161 63 237

HSL 273.79, 0.83%, 0.59%

LAB 48.57, 68.65, -70.47

 

CMYK 52 / 73 / 0 / 7

HEX #723FED

RGB 114 63 237

HSL 257.59, 0.83%, 0.59%

LAB 43.13, 61.16, -79.57

 

CMYK 72 / 73 / 0 / 7

HEX #433FED

RGB 67 63 237

HSL 241.38, 0.83%, 0.59%

LAB 39.35, 55.71, -85.94

 

CMYK 0 / 73 / 8 / 7

HEX #ED3FDB

RGB 237 63 219

HSL 306.21, 0.83%, 0.59%

LAB 58.67, 80.39, -43.51

 

CMYK 0 / 82 / 9 / 0

HEX #FE2EE8

RGB 254 46 232

HSL 306.35, 0.99%, 0.59%

LAB 60.65, 89.81, -47.51

 

CMYK 0 / 73 / 8 / 7

HEX #ED3FDB

RGB 237 63 219

HSL 306.21, 0.83%, 0.59%

LAB 58.67, 80.39, -43.51

 

CMYK 0 / 64 / 7 / 14

HEX #DC50CD

RGB 220 80 205

HSL 306.43, 0.67%, 0.59%

LAB 57.43, 68.55, -37.71

 

CMYK 0 / 52 / 5 / 20

HEX #CB61C0

RGB 203 97 192

HSL 306.23, 0.5%, 0.59%

LAB 57.13, 54.49, -30.93

 

CMYK 0 / 39 / 4 / 27

HEX #BA72B3

RGB 186 114 179

HSL 305.83, 0.34%, 0.59%

LAB 57.78, 38.33, -22.65

 

CMYK 0 / 22 / 2 / 34

HEX #A983A5

RGB 169 131 165

HSL 306.32, 0.18%, 0.59%

LAB 59.33, 20.48, -12.44

 

CMYK 32 / 73 / 0 / 7

HEX #A23FED

RGB 162 63 237

HSL 274.14, 0.83%, 0.59%

LAB 48.7, 68.83, -70.25

 

CMYK 12 / 73 / 0 / 7

HEX #D03FED

RGB 208 63 237

HSL 290, 0.83%, 0.59%

LAB 55.15, 77.36, -59.51

 

CMYK 0 / 73 / 8 / 7

HEX #ED3FDB

RGB 237 63 219

HSL 306.21, 0.83%, 0.59%

LAB 58.67, 80.39, -43.51

 

CMYK 0 / 73 / 27 / 7

HEX #ED3FAD

RGB 237 63 173

HSL 322.07, 0.83%, 0.59%

LAB 56.66, 74.32, -20.25

 

CMYK 0 / 73 / 46 / 7

HEX #ED3F7F

RGB 237 63 127

HSL 337.93, 0.83%, 0.59%

LAB 55.17, 69.6, 4.64

 

CMYK 0 / 91 / 9 / 22

HEX #C712B5

RGB 199 18 181

HSL 305.97, 0.83%, 0.43%

LAB 46.86, 77.3, -40.7

 

CMYK 0 / 89 / 9 / 9

HEX #E919D4

RGB 233 25 212

HSL 306.06, 0.83%, 0.51%

LAB 54.84, 86.76, -45.63

 

CMYK 0 / 73 / 8 / 7

HEX #ED3FDB

RGB 237 63 219

HSL 306.21, 0.83%, 0.59%

LAB 58.67, 80.39, -43.51

 

CMYK 0 / 58 / 6 / 6

HEX #F065E2

RGB 240 101 226

HSL 306.04, 0.82%, 0.67%

LAB 64.42, 68.28, -38.38

 

CMYK 0 / 43 / 5 / 4

HEX #F48BE9

RGB 244 139 233

HSL 306.29, 0.83%, 0.75%

LAB 71.95, 52.79, -30.53

 

CMYK 0 / 74 / 8 / 7

HEX #ED3EDB

RGB 237 62 219

HSL 306.17, 0.83%, 0.59%

LAB 58.57, 80.68, -43.67

 

CMYK 0 / 51 / 73 / 7

HEX #ED733F

RGB 237 115 63

HSL 17.93, 0.83%, 0.59%

LAB 62.19, 43.67, 49.66

 

CMYK 73 / 0 / 22 / 7

HEX #3FEDB9

RGB 63 237 185

HSL 162.07, 0.83%, 0.59%

LAB 84.55, -55.33, 12.83

 

CMYK 0 / 74 / 8 / 7

HEX #ED3EDB

RGB 237 62 219

HSL 306.17, 0.83%, 0.59%

LAB 58.57, 80.68, -43.67

 

CMYK 8 / 0 / 73 / 7

HEX #DBED3F

RGB 219 237 63

HSL 66.21, 0.83%, 0.59%

LAB 89.85, -26.41, 76.56

 

CMYK 73 / 8 / 0 / 7

HEX #3FDBED

RGB 63 219 237

HSL 186.21, 0.83%, 0.59%

LAB 80.65, -33.73, -20.39

 

CMYK 0 / 74 / 8 / 7

HEX #ED3EDB

RGB 237 62 219

HSL 306.17, 0.83%, 0.59%

LAB 58.57, 80.68, -43.67

 

CMYK 0 / 51 / 73 / 7

HEX #ED733F

RGB 237 115 63

HSL 17.93, 0.83%, 0.59%

LAB 62.19, 43.67, 49.66

 

CMYK 73 / 0 / 66 / 7

HEX #3FED51

RGB 63 237 81

HSL 126.21, 0.83%, 0.59%

LAB 83.03, -72.55, 60.95

 

CMYK 73 / 22 / 0 / 7

HEX #3FB9ED

RGB 63 185 237

HSL 197.93, 0.83%, 0.59%

LAB 70.78, -16.75, -35.52

 

CMYK 0 / 74 / 8 / 7

HEX #ED3EDB

RGB 237 62 219

HSL 306.17, 0.83%, 0.59%

LAB 58.57, 80.68, -43.67

 

CMYK 0 / 30 / 73 / 7

HEX #EDA73F

RGB 237 167 63

HSL 35.86, 0.83%, 0.59%

LAB 73.55, 16.68, 61.34

 

CMYK 73 / 0 / 66 / 7

HEX #3FED51

RGB 63 237 81

HSL 126.21, 0.83%, 0.59%

LAB 83.03, -72.55, 60.95

 

CMYK 73 / 44 / 0 / 7

HEX #3F85ED

RGB 63 133 237

HSL 215.86, 0.83%, 0.59%

LAB 56.03, 12.93, -58.79

 

Description

Color code: HEX #ED3EDB | qconv.com Color code: HEX #ED3EDB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 62 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 62 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 8 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 8% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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