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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED4575 it is the complementary color #12BA8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED4575. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED4575 shade: #F24570, #FF5783, #FF6996, #FF7BA9 and #FF8DBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED4575. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED4575 shade: #ED4575, #DC3362, #CB214F, #BA0F3C and #A90029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED4575 shade: #EC4575, #EC4548 and #EC4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED4575 shade: #EC4575, #EC45A2, #EC45CF, #DC45EC and #AF45EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED4575 shade matches the following richer shades: #EC4575 and #FD346E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED4575 shade: #EC4575, #DC557C, #CB6683, #BB768A and #AA8791

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED4575 shade: #EC45D0, #EC45A4, #EC4577, #EC454A and #EC6C45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED4575 shade: #CB1448, #E81F59, #EC4575, #F06A91 and #F490AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED4575 shade: #ED4575, #ECDB45 and #45BAEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED4575 shade: #ED4575, #77EC45 and #4577EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED4575 shade: #ED4575, #ECDB45, #45ECBA and #4556EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED4575 shade: #ED4575, #CBEC45, #45ECBA and #6645EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 51 / 7

HEX #ED4575

RGB 237 69 117

HSL 342.86, 0.82%, 0.6%

LAB 55.63, 66.77, 11.24

 

Complementary color

CMYK 90 / 0 / 26 / 27

HEX #12BA8A

RGB 18 186 138

HSL 162.86, 0.82%, 0.4%

LAB 67.34, -50.39, 13.51

 

CMYK 0 / 71 / 54 / 5

HEX #F24570

RGB 242 69 112

HSL 345.09, 0.87%, 0.61%

LAB 56.39, 67.81, 15.4

 

CMYK 0 / 66 / 49 / 0

HEX #FF5783

RGB 255 87 131

HSL 344.29, 1%, 0.67%

LAB 61.41, 66.57, 11.59

 

CMYK 0 / 59 / 41 / 0

HEX #FF6996

RGB 255 105 150

HSL 342, 1%, 0.71%

LAB 64.62, 60.92, 5.19

 

CMYK 0 / 52 / 34 / 0

HEX #FF7BA9

RGB 255 123 169

HSL 339.09, 1%, 0.74%

LAB 68.23, 54.8, -0.36

 

CMYK 0 / 45 / 26 / 0

HEX #FF8DBC

RGB 255 141 188

HSL 335.26, 1%, 0.78%

LAB 72.19, 48.42, -5.18

 

CMYK 0 / 71 / 51 / 7

HEX #ED4575

RGB 237 69 117

HSL 342.86, 0.82%, 0.6%

LAB 55.63, 66.77, 11.24

 

CMYK 0 / 77 / 55 / 14

HEX #DC3362

RGB 220 51 98

HSL 343.31, 0.71%, 0.53%

LAB 50.06, 66.36, 14.44

 

CMYK 0 / 84 / 61 / 20

HEX #CB214F

RGB 203 33 79

HSL 343.76, 0.72%, 0.46%

LAB 44.73, 65.22, 18.35

 

CMYK 0 / 92 / 68 / 27

HEX #BA0F3C

RGB 186 15 60

HSL 344.21, 0.85%, 0.39%

LAB 39.76, 63.05, 23.12

 

CMYK 0 / 100 / 76 / 34

HEX #A90029

RGB 169 0 41

HSL 345.44, 1%, 0.33%

LAB 35.19, 59.74, 28.72

 

CMYK 0 / 71 / 50 / 7

HEX #EC4575

RGB 236 69 117

HSL 342.75, 0.81%, 0.6%

LAB 55.45, 66.48, 10.97

 

CMYK 0 / 71 / 69 / 7

HEX #EC4548

RGB 236 69 72

HSL 358.92, 0.81%, 0.6%

LAB 54.61, 63.62, 36.31

 

CMYK 0 / 71 / 71 / 7

HEX #EC4545

RGB 236 69 69

HSL 0, 0.81%, 0.6%

LAB 54.57, 63.48, 37.96

 

CMYK 0 / 71 / 50 / 7

HEX #EC4575

RGB 236 69 117

HSL 342.75, 0.81%, 0.6%

LAB 55.45, 66.48, 10.97

 

CMYK 0 / 71 / 31 / 7

HEX #EC45A2

RGB 236 69 162

HSL 326.59, 0.81%, 0.6%

LAB 56.78, 70.85, -13.67

 

CMYK 0 / 71 / 12 / 7

HEX #EC45CF

RGB 236 69 207

HSL 310.42, 0.81%, 0.6%

LAB 58.6, 76.59, -36.83

 

CMYK 7 / 71 / 0 / 7

HEX #DC45EC

RGB 220 69 236

HSL 294.25, 0.81%, 0.6%

LAB 57.59, 77.6, -54.95

 

CMYK 26 / 71 / 0 / 7

HEX #AF45EC

RGB 175 69 236

HSL 278.08, 0.81%, 0.6%

LAB 51.18, 68.62, -65.59

 

CMYK 0 / 71 / 50 / 7

HEX #EC4575

RGB 236 69 117

HSL 342.75, 0.81%, 0.6%

LAB 55.45, 66.48, 10.97

 

CMYK 0 / 79 / 57 / 1

HEX #FD346E

RGB 253 52 110

HSL 342.69, 0.98%, 0.6%

LAB 56.55, 75.68, 17.13

 

CMYK 0 / 71 / 50 / 7

HEX #EC4575

RGB 236 69 117

HSL 342.75, 0.81%, 0.6%

LAB 55.45, 66.48, 10.97

 

CMYK 0 / 61 / 44 / 14

HEX #DC557C

RGB 220 85 124

HSL 342.67, 0.66%, 0.6%

LAB 55.24, 56.01, 6.15

 

CMYK 0 / 50 / 35 / 20

HEX #CB6683

RGB 203 102 131

HSL 342.77, 0.49%, 0.6%

LAB 55.93, 43.08, 2.68

 

CMYK 0 / 37 / 26 / 27

HEX #BB768A

RGB 187 118 138

HSL 342.61, 0.34%, 0.6%

LAB 57.42, 29.76, 0.51

 

CMYK 0 / 21 / 15 / 33

HEX #AA8791

RGB 170 135 145

HSL 342.86, 0.17%, 0.6%

LAB 59.81, 14.97, -0.26

 

CMYK 0 / 71 / 12 / 7

HEX #EC45D0

RGB 236 69 208

HSL 310.06, 0.81%, 0.6%

LAB 58.64, 76.73, -37.33

 

CMYK 0 / 71 / 31 / 7

HEX #EC45A4

RGB 236 69 164

HSL 325.87, 0.81%, 0.6%

LAB 56.85, 71.08, -14.73

 

CMYK 0 / 71 / 50 / 7

HEX #EC4577

RGB 236 69 119

HSL 342.04, 0.81%, 0.6%

LAB 55.5, 66.65, 9.85

 

CMYK 0 / 71 / 69 / 7

HEX #EC454A

RGB 236 69 74

HSL 358.2, 0.81%, 0.6%

LAB 54.64, 63.71, 35.2

 

CMYK 0 / 54 / 71 / 7

HEX #EC6C45

RGB 236 108 69

HSL 14.01, 0.81%, 0.6%

LAB 60.77, 46.97, 45.04

 

CMYK 0 / 90 / 65 / 20

HEX #CB1448

RGB 203 20 72

HSL 342.95, 0.82%, 0.44%

LAB 43.75, 67.24, 21.41

 

CMYK 0 / 87 / 62 / 9

HEX #E81F59

RGB 232 31 89

HSL 342.69, 0.81%, 0.52%

LAB 50.52, 73.6, 20.93

 

CMYK 0 / 71 / 50 / 7

HEX #EC4575

RGB 236 69 117

HSL 342.75, 0.81%, 0.6%

LAB 55.45, 66.48, 10.97

 

CMYK 0 / 56 / 40 / 6

HEX #F06A91

RGB 240 106 145

HSL 342.54, 0.82%, 0.68%

LAB 62.4, 55.18, 4.59

 

CMYK 0 / 41 / 30 / 4

HEX #F490AC

RGB 244 144 172

HSL 343.2, 0.82%, 0.76%

LAB 70.98, 41.06, 1.79

 

CMYK 0 / 71 / 51 / 7

HEX #ED4575

RGB 237 69 117

HSL 342.86, 0.82%, 0.6%

LAB 55.63, 66.77, 11.24

 

CMYK 0 / 7 / 71 / 7

HEX #ECDB45

RGB 236 219 69

HSL 53.89, 0.81%, 0.6%

LAB 86.47, -10.39, 71.75

 

CMYK 71 / 21 / 0 / 7

HEX #45BAEC

RGB 69 186 236

HSL 197.96, 0.81%, 0.6%

LAB 71.17, -16.84, -34.36

 

CMYK 0 / 71 / 51 / 7

HEX #ED4575

RGB 237 69 117

HSL 342.86, 0.82%, 0.6%

LAB 55.63, 66.77, 11.24

 

CMYK 50 / 0 / 71 / 7

HEX #77EC45

RGB 119 236 69

HSL 102.04, 0.81%, 0.6%

LAB 84.14, -61.14, 67.1

 

CMYK 71 / 50 / 0 / 7

HEX #4577EC

RGB 69 119 236

HSL 222.04, 0.81%, 0.6%

LAB 52.41, 21.98, -64.04

 

CMYK 0 / 71 / 51 / 7

HEX #ED4575

RGB 237 69 117

HSL 342.86, 0.82%, 0.6%

LAB 55.63, 66.77, 11.24

 

CMYK 0 / 7 / 71 / 7

HEX #ECDB45

RGB 236 219 69

HSL 53.89, 0.81%, 0.6%

LAB 86.47, -10.39, 71.75

 

CMYK 71 / 0 / 21 / 7

HEX #45ECBA

RGB 69 236 186

HSL 162.04, 0.81%, 0.6%

LAB 84.38, -53.93, 12.09

 

CMYK 71 / 64 / 0 / 7

HEX #4556EC

RGB 69 86 236

HSL 233.89, 0.81%, 0.6%

LAB 44.2, 42.42, -77.39

 

CMYK 0 / 71 / 51 / 7

HEX #ED4575

RGB 237 69 117

HSL 342.86, 0.82%, 0.6%

LAB 55.63, 66.77, 11.24

 

CMYK 14 / 0 / 71 / 7

HEX #CBEC45

RGB 203 236 69

HSL 71.86, 0.81%, 0.6%

LAB 88.5, -32.03, 72.89

 

CMYK 71 / 0 / 21 / 7

HEX #45ECBA

RGB 69 236 186

HSL 162.04, 0.81%, 0.6%

LAB 84.38, -53.93, 12.09

 

CMYK 57 / 71 / 0 / 7

HEX #6645EC

RGB 102 69 236

HSL 251.86, 0.81%, 0.6%

LAB 42.97, 56.26, -79.32

 

Description

Color code: HEX #ED4575 | qconv.com Color code: HEX #ED4575 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 69 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 69 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 51 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 51% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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