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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED4EE2 it is the complementary color #12B11D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED4EE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED4EE2 shade: #F24EDD, #FF60F0, #FF72FF, #FF84FF and #FF96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED4EE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED4EE2 shade: #ED4EE2, #DC3CCF, #CB2ABC, #BA18A9 and #A90696

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED4EE2 shade: #ED4EE2, #ED4EB7, #ED4E8C, #ED4E62 and #ED4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED4EE2 shade: #ED4EE2, #CD4EED, #A24EED, #774EED and #4E4EED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED4EE2 shade matches the following richer shades: #ED4EE2 and #FD3EF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED4EE2 shade: #ED4EE2, #DD5ED5, #CE6DC7, #BE7DBA and #AE8DAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED4EE2 shade: #A34EED, #CD4EED, #ED4EE2, #ED4EB8 and #ED4E8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED4EE2 shade: #D415C7, #E929DC, #ED4EE2, #F174E8 and #F499EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED4EE2 shade: #ED4EE2, #ED794E and #4EEDB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED4EE2 shade: #ED4EE2, #E2ED4E and #4EE2ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED4EE2 shade: #ED4EE2, #ED794E, #4EED59 and #4EC3ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED4EE2 shade: #ED4EE2, #EDA84E, #4EED59 and #4E93ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 5 / 7

HEX #ED4EE2

RGB 237 78 226

HSL 304.15, 0.82%, 0.62%

LAB 60.73, 76.56, -44.2

 

Complementary color

CMYK 90 / 0 / 84 / 31

HEX #12B11D

RGB 18 177 29

HSL 124.15, 0.82%, 0.38%

LAB 63.06, -63.6, 58.47

 

CMYK 0 / 68 / 9 / 5

HEX #F24EDD

RGB 242 78 221

HSL 307.68, 0.86%, 0.63%

LAB 61.26, 76.95, -40.51

 

CMYK 0 / 62 / 6 / 0

HEX #FF60F0

RGB 255 96 240

HSL 305.66, 1%, 0.69%

LAB 66.46, 76.23, -42.81

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 67 / 5 / 7

HEX #ED4EE2

RGB 237 78 226

HSL 304.15, 0.82%, 0.62%

LAB 60.73, 76.56, -44.2

 

CMYK 0 / 73 / 6 / 14

HEX #DC3CCF

RGB 220 60 207

HSL 304.88, 0.7%, 0.55%

LAB 55.02, 75.89, -42.63

 

CMYK 0 / 79 / 7 / 20

HEX #CB2ABC

RGB 203 42 188

HSL 305.59, 0.66%, 0.48%

LAB 49.48, 74.56, -40.61

 

CMYK 0 / 87 / 9 / 27

HEX #BA18A9

RGB 186 24 169

HSL 306.3, 0.77%, 0.41%

LAB 44.17, 72.29, -38.01

 

CMYK 0 / 96 / 11 / 34

HEX #A90696

RGB 169 6 150

HSL 306.99, 0.93%, 0.34%

LAB 39.19, 68.81, -34.67

 

CMYK 0 / 67 / 5 / 7

HEX #ED4EE2

RGB 237 78 226

HSL 304.15, 0.82%, 0.62%

LAB 60.73, 76.56, -44.2

 

CMYK 0 / 67 / 23 / 7

HEX #ED4EB7

RGB 237 78 183

HSL 320.38, 0.82%, 0.62%

LAB 58.86, 70.47, -22.68

 

CMYK 0 / 67 / 41 / 7

HEX #ED4E8C

RGB 237 78 140

HSL 336.6, 0.82%, 0.62%

LAB 57.41, 65.56, 0.2

 

CMYK 0 / 67 / 59 / 7

HEX #ED4E62

RGB 237 78 98

HSL 352.45, 0.82%, 0.62%

LAB 56.42, 62.08, 23.56

 

CMYK 0 / 67 / 67 / 7

HEX #ED4E4E

RGB 237 78 78

HSL 0, 0.82%, 0.62%

LAB 56.09, 60.89, 34.71

 

CMYK 0 / 67 / 5 / 7

HEX #ED4EE2

RGB 237 78 226

HSL 304.15, 0.82%, 0.62%

LAB 60.73, 76.56, -44.2

 

CMYK 14 / 67 / 0 / 7

HEX #CD4EED

RGB 205 78 237

HSL 287.92, 0.82%, 0.62%

LAB 56.63, 71.35, -57.17

 

CMYK 32 / 67 / 0 / 7

HEX #A24EED

RGB 162 78 237

HSL 271.7, 0.82%, 0.62%

LAB 50.97, 62.43, -66.57

 

CMYK 50 / 67 / 0 / 7

HEX #774EED

RGB 119 78 237

HSL 255.47, 0.82%, 0.62%

LAB 46.29, 54.48, -74.38

 

CMYK 67 / 67 / 0 / 7

HEX #4E4EED

RGB 78 78 237

HSL 240, 0.82%, 0.62%

LAB 43.04, 48.53, -79.84

 

CMYK 0 / 67 / 5 / 7

HEX #ED4EE2

RGB 237 78 226

HSL 304.15, 0.82%, 0.62%

LAB 60.73, 76.56, -44.2

 

CMYK 0 / 75 / 5 / 1

HEX #FD3EF0

RGB 253 62 240

HSL 304.08, 0.98%, 0.62%

LAB 62.18, 86.99, -49.56

 

CMYK 0 / 67 / 5 / 7

HEX #ED4EE2

RGB 237 78 226

HSL 304.15, 0.82%, 0.62%

LAB 60.73, 76.56, -44.2

 

CMYK 0 / 57 / 4 / 13

HEX #DD5ED5

RGB 221 94 213

HSL 303.78, 0.65%, 0.62%

LAB 60.05, 64.27, -38.11

 

CMYK 0 / 47 / 3 / 19

HEX #CE6DC7

RGB 206 109 199

HSL 304.33, 0.5%, 0.62%

LAB 60.05, 50.68, -30.34

 

CMYK 0 / 34 / 2 / 25

HEX #BE7DBA

RGB 190 125 186

HSL 303.69, 0.33%, 0.62%

LAB 60.92, 34.94, -21.79

 

CMYK 0 / 19 / 1 / 32

HEX #AE8DAC

RGB 174 141 172

HSL 303.64, 0.17%, 0.62%

LAB 62.53, 17.92, -11.57

 

CMYK 31 / 67 / 0 / 7

HEX #A34EED

RGB 163 78 237

HSL 272.08, 0.82%, 0.62%

LAB 51.09, 62.63, -66.36

 

CMYK 14 / 67 / 0 / 7

HEX #CD4EED

RGB 205 78 237

HSL 287.92, 0.82%, 0.62%

LAB 56.63, 71.35, -57.17

 

CMYK 0 / 67 / 5 / 7

HEX #ED4EE2

RGB 237 78 226

HSL 304.15, 0.82%, 0.62%

LAB 60.73, 76.56, -44.2

 

CMYK 0 / 67 / 22 / 7

HEX #ED4EB8

RGB 237 78 184

HSL 320, 0.82%, 0.62%

LAB 58.89, 70.6, -23.19

 

CMYK 0 / 67 / 40 / 7

HEX #ED4E8E

RGB 237 78 142

HSL 335.85, 0.82%, 0.62%

LAB 57.47, 65.76, -0.89

 

CMYK 0 / 90 / 6 / 17

HEX #D415C7

RGB 212 21 199

HSL 304.08, 0.82%, 0.46%

LAB 50.28, 81.76, -45.62

 

CMYK 0 / 82 / 6 / 9

HEX #E929DC

RGB 233 41 220

HSL 304.06, 0.81%, 0.54%

LAB 56.16, 85.22, -48.08

 

CMYK 0 / 67 / 5 / 7

HEX #ED4EE2

RGB 237 78 226

HSL 304.15, 0.82%, 0.62%

LAB 60.73, 76.56, -44.2

 

CMYK 0 / 52 / 4 / 5

HEX #F174E8

RGB 241 116 232

HSL 304.32, 0.82%, 0.7%

LAB 67.29, 62.85, -37.23

 

CMYK 0 / 37 / 2 / 4

HEX #F499EE

RGB 244 153 238

HSL 303.96, 0.81%, 0.78%

LAB 74.94, 46.55, -28.65

 

CMYK 0 / 67 / 5 / 7

HEX #ED4EE2

RGB 237 78 226

HSL 304.15, 0.82%, 0.62%

LAB 60.73, 76.56, -44.2

 

CMYK 0 / 49 / 67 / 7

HEX #ED794E

RGB 237 121 78

HSL 16.23, 0.82%, 0.62%

LAB 63.53, 41.44, 43.54

 

CMYK 67 / 0 / 22 / 7

HEX #4EEDB8

RGB 78 237 184

HSL 160, 0.82%, 0.62%

LAB 84.82, -53.48, 13.77

 

CMYK 0 / 67 / 5 / 7

HEX #ED4EE2

RGB 237 78 226

HSL 304.15, 0.82%, 0.62%

LAB 60.73, 76.56, -44.2

 

CMYK 5 / 0 / 67 / 7

HEX #E2ED4E

RGB 226 237 78

HSL 64.15, 0.82%, 0.62%

LAB 90.45, -22.85, 72.16

 

CMYK 67 / 5 / 0 / 7

HEX #4EE2ED

RGB 78 226 237

HSL 184.15, 0.82%, 0.62%

LAB 82.98, -35.15, -16.84

 

CMYK 0 / 67 / 5 / 7

HEX #ED4EE2

RGB 237 78 226

HSL 304.15, 0.82%, 0.62%

LAB 60.73, 76.56, -44.2

 

CMYK 0 / 49 / 67 / 7

HEX #ED794E

RGB 237 121 78

HSL 16.23, 0.82%, 0.62%

LAB 63.53, 41.44, 43.54

 

CMYK 67 / 0 / 62 / 7

HEX #4EED59

RGB 78 237 89

HSL 124.15, 0.82%, 0.62%

LAB 83.39, -69.26, 58.18

 

CMYK 67 / 18 / 0 / 7

HEX #4EC3ED

RGB 78 195 237

HSL 195.85, 0.82%, 0.62%

LAB 74.04, -19.94, -30.45

 

CMYK 0 / 67 / 5 / 7

HEX #ED4EE2

RGB 237 78 226

HSL 304.15, 0.82%, 0.62%

LAB 60.73, 76.56, -44.2

 

CMYK 0 / 29 / 67 / 7

HEX #EDA84E

RGB 237 168 78

HSL 33.96, 0.82%, 0.62%

LAB 73.91, 16.91, 55.18

 

CMYK 67 / 0 / 62 / 7

HEX #4EED59

RGB 78 237 89

HSL 124.15, 0.82%, 0.62%

LAB 83.39, -69.26, 58.18

 

CMYK 67 / 38 / 0 / 7

HEX #4E93ED

RGB 78 147 237

HSL 213.96, 0.82%, 0.62%

LAB 60.43, 6.64, -51.74

 

Description

Color code: HEX #ED4EE2 | qconv.com Color code: HEX #ED4EE2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 78 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 78 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 5 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 5% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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