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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED58B6 it is the complementary color #12A749. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED58B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED58B6 shade: #F258B1, #FF6AC4, #FF7CD7, #FF8EEA and #FFA0FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED58B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED58B6 shade: #ED58B6, #DC46A3, #CB3490, #BA227D and #A9106A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED58B6 shade: #ED58B6, #ED588E, #ED5866 and #ED5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED58B6 shade: #ED58B6, #ED58DE, #D458ED, #AC58ED and #8458ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED58B6 shade matches the following richer shades: #ED58B6 and #FC49BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED58B6 shade: #ED58B6, #DE67B2, #CF76AE, #C085AA and #B294A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED58B6 shade: #D458ED, #ED58DE, #ED58B7, #ED588F and #ED5867

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED58B6 shade: #DC1793, #E933A6, #ED58B6, #F17EC6 and #F5A3D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED58B6 shade: #ED58B6, #EDAD58 and #58EDE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED58B6 shade: #ED58B6, #B7ED58 and #58B7ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED58B6 shade: #ED58B6, #EDAD58, #58ED8F and #5899ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED58B6 shade: #ED58B6, #EDD958, #58ED8F and #586CED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 23 / 7

HEX #ED58B6

RGB 237 88 182

HSL 322.15, 0.81%, 0.64%

LAB 60.21, 66.48, -20.03

 

Complementary color

CMYK 89 / 0 / 56 / 35

HEX #12A749

RGB 18 167 73

HSL 142.15, 0.81%, 0.36%

LAB 60.11, -56.25, 38.22

 

CMYK 0 / 64 / 27 / 5

HEX #F258B1

RGB 242 88 177

HSL 325.32, 0.86%, 0.65%

LAB 60.81, 67.22, -16.18

 

CMYK 0 / 58 / 23 / 0

HEX #FF6AC4

RGB 255 106 196

HSL 323.76, 1%, 0.71%

LAB 66.18, 65.84, -18.67

 

CMYK 0 / 51 / 16 / 0

HEX #FF7CD7

RGB 255 124 215

HSL 318.32, 1%, 0.74%

LAB 69.88, 60.43, -23.65

 

CMYK 0 / 44 / 8 / 0

HEX #FF8EEA

RGB 255 142 234

HSL 311.15, 1%, 0.78%

LAB 73.9, 54.74, -27.96

 

CMYK 0 / 37 / 1 / 0

HEX #FFA0FD

RGB 255 160 253

HSL 301.26, 1%, 0.81%

LAB 78.17, 48.94, -31.72

 

CMYK 0 / 63 / 23 / 7

HEX #ED58B6

RGB 237 88 182

HSL 322.15, 0.81%, 0.64%

LAB 60.21, 66.48, -20.03

 

CMYK 0 / 68 / 26 / 14

HEX #DC46A3

RGB 220 70 163

HSL 322.8, 0.68%, 0.57%

LAB 54.28, 66.43, -18.29

 

CMYK 0 / 74 / 29 / 20

HEX #CB3490

RGB 203 52 144

HSL 323.44, 0.59%, 0.5%

LAB 48.47, 65.89, -16.14

 

CMYK 0 / 82 / 33 / 27

HEX #BA227D

RGB 186 34 125

HSL 324.08, 0.69%, 0.43%

LAB 42.86, 64.61, -13.39

 

CMYK 0 / 91 / 37 / 34

HEX #A9106A

RGB 169 16 106

HSL 324.71, 0.83%, 0.36%

LAB 37.56, 62.23, -9.84

 

CMYK 0 / 63 / 23 / 7

HEX #ED58B6

RGB 237 88 182

HSL 322.15, 0.81%, 0.64%

LAB 60.21, 66.48, -20.03

 

CMYK 0 / 63 / 40 / 7

HEX #ED588E

RGB 237 88 142

HSL 338.26, 0.81%, 0.64%

LAB 58.92, 61.81, 1.22

 

CMYK 0 / 63 / 57 / 7

HEX #ED5866

RGB 237 88 102

HSL 354.36, 0.81%, 0.64%

LAB 57.98, 58.32, 23.29

 

CMYK 0 / 63 / 63 / 7

HEX #ED5858

RGB 237 88 88

HSL 0, 0.81%, 0.64%

LAB 57.74, 57.4, 31.05

 

CMYK 0 / 63 / 23 / 7

HEX #ED58B6

RGB 237 88 182

HSL 322.15, 0.81%, 0.64%

LAB 60.21, 66.48, -20.03

 

CMYK 0 / 63 / 6 / 7

HEX #ED58DE

RGB 237 88 222

HSL 306.04, 0.81%, 0.64%

LAB 61.88, 72.21, -40.16

 

CMYK 11 / 63 / 0 / 7

HEX #D458ED

RGB 212 88 237

HSL 289.93, 0.81%, 0.64%

LAB 59.06, 68.83, -53.24

 

CMYK 27 / 63 / 0 / 7

HEX #AC58ED

RGB 172 88 237

HSL 273.83, 0.81%, 0.64%

LAB 53.88, 59.84, -61.81

 

CMYK 44 / 63 / 0 / 7

HEX #8458ED

RGB 132 88 237

HSL 257.72, 0.81%, 0.64%

LAB 49.5, 51.54, -69.12

 

CMYK 0 / 63 / 23 / 7

HEX #ED58B6

RGB 237 88 182

HSL 322.15, 0.81%, 0.64%

LAB 60.21, 66.48, -20.03

 

CMYK 0 / 71 / 26 / 1

HEX #FC49BA

RGB 252 73 186

HSL 322.12, 0.97%, 0.64%

LAB 60.79, 76.36, -21.23

 

CMYK 0 / 63 / 23 / 7

HEX #ED58B6

RGB 237 88 182

HSL 322.15, 0.81%, 0.64%

LAB 60.21, 66.48, -20.03

 

CMYK 0 / 54 / 20 / 13

HEX #DE67B2

RGB 222 103 178

HSL 322.18, 0.64%, 0.64%

LAB 60.29, 55.04, -17.82

 

CMYK 0 / 43 / 16 / 19

HEX #CF76AE

RGB 207 118 174

HSL 322.25, 0.48%, 0.64%

LAB 61.03, 42.22, -14.6

 

CMYK 0 / 31 / 11 / 25

HEX #C085AA

RGB 192 133 170

HSL 322.37, 0.32%, 0.64%

LAB 62.41, 28.36, -10.42

 

CMYK 0 / 17 / 6 / 30

HEX #B294A7

RGB 178 148 167

HSL 322, 0.16%, 0.64%

LAB 64.51, 14.48, -5.75

 

CMYK 11 / 63 / 0 / 7

HEX #D458ED

RGB 212 88 237

HSL 289.93, 0.81%, 0.64%

LAB 59.06, 68.83, -53.24

 

CMYK 0 / 63 / 6 / 7

HEX #ED58DE

RGB 237 88 222

HSL 306.04, 0.81%, 0.64%

LAB 61.88, 72.21, -40.16

 

CMYK 0 / 63 / 23 / 7

HEX #ED58B7

RGB 237 88 183

HSL 321.74, 0.81%, 0.64%

LAB 60.25, 66.61, -20.54

 

CMYK 0 / 63 / 40 / 7

HEX #ED588F

RGB 237 88 143

HSL 337.85, 0.81%, 0.64%

LAB 58.94, 61.91, 0.67

 

CMYK 0 / 63 / 57 / 7

HEX #ED5867

RGB 237 88 103

HSL 353.96, 0.81%, 0.64%

LAB 58, 58.4, 22.74

 

CMYK 0 / 90 / 33 / 14

HEX #DC1793

RGB 220 23 147

HSL 322.23, 0.81%, 0.48%

LAB 49.42, 76.71, -16.21

 

CMYK 0 / 78 / 29 / 9

HEX #E933A6

RGB 233 51 166

HSL 322.09, 0.81%, 0.56%

LAB 54.5, 75.98, -19.53

 

CMYK 0 / 63 / 23 / 7

HEX #ED58B6

RGB 237 88 182

HSL 322.15, 0.81%, 0.64%

LAB 60.21, 66.48, -20.03

 

CMYK 0 / 48 / 18 / 5

HEX #F17EC6

RGB 241 126 198

HSL 322.43, 0.8%, 0.72%

LAB 67.8, 52.73, -17.52

 

CMYK 0 / 33 / 12 / 4

HEX #F5A3D7

RGB 245 163 215

HSL 321.95, 0.8%, 0.8%

LAB 76.38, 37.79, -13.92

 

CMYK 0 / 63 / 23 / 7

HEX #ED58B6

RGB 237 88 182

HSL 322.15, 0.81%, 0.64%

LAB 60.21, 66.48, -20.03

 

CMYK 0 / 27 / 63 / 7

HEX #EDAD58

RGB 237 173 88

HSL 34.23, 0.81%, 0.64%

LAB 75.2, 14.87, 51.94

 

CMYK 63 / 0 / 2 / 7

HEX #58EDE8

RGB 88 237 232

HSL 177.99, 0.81%, 0.64%

LAB 86.24, -40.12, -9.3

 

CMYK 0 / 63 / 23 / 7

HEX #ED58B6

RGB 237 88 182

HSL 322.15, 0.81%, 0.64%

LAB 60.21, 66.48, -20.03

 

CMYK 23 / 0 / 63 / 7

HEX #B7ED58

RGB 183 237 88

HSL 81.74, 0.81%, 0.64%

LAB 87.65, -38.95, 64.48

 

CMYK 63 / 23 / 0 / 7

HEX #58B7ED

RGB 88 183 237

HSL 201.74, 0.81%, 0.64%

LAB 70.91, -12.03, -35.26

 

CMYK 0 / 63 / 23 / 7

HEX #ED58B6

RGB 237 88 182

HSL 322.15, 0.81%, 0.64%

LAB 60.21, 66.48, -20.03

 

CMYK 0 / 27 / 63 / 7

HEX #EDAD58

RGB 237 173 88

HSL 34.23, 0.81%, 0.64%

LAB 75.2, 14.87, 51.94

 

CMYK 63 / 0 / 40 / 7

HEX #58ED8F

RGB 88 237 143

HSL 142.15, 0.81%, 0.64%

LAB 84.29, -59.9, 34.12

 

CMYK 63 / 35 / 0 / 7

HEX #5899ED

RGB 88 153 237

HSL 213.83, 0.81%, 0.64%

LAB 62.48, 4.78, -48.46

 

CMYK 0 / 63 / 23 / 7

HEX #ED58B6

RGB 237 88 182

HSL 322.15, 0.81%, 0.64%

LAB 60.21, 66.48, -20.03

 

CMYK 0 / 8 / 63 / 7

HEX #EDD958

RGB 237 217 88

HSL 51.95, 0.81%, 0.64%

LAB 86.17, -7.94, 64.05

 

CMYK 63 / 0 / 40 / 7

HEX #58ED8F

RGB 88 237 143

HSL 142.15, 0.81%, 0.64%

LAB 84.29, -59.9, 34.12

 

CMYK 63 / 54 / 0 / 7

HEX #586CED

RGB 88 108 237

HSL 231.95, 0.81%, 0.64%

LAB 50.59, 31.95, -67.51

 

Description

Color code: HEX #ED58B6 | qconv.com Color code: HEX #ED58B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 88 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 88 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 23 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 23% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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